Recording of Off The Page 2012 – Collateral Damage

collateral-damage

Vicki Bennett, Chris Cutler, Scanner, Blackest Ever Black label head Kiran Sande and The Wire‘s Tony Herrington discuss the impact of digital technology on music making and consumption.

Download or listen here 1:07:36
Vicki Bennett’s Essay in The Wire

In recent years, the internet and a raft of new technologies have transformed the ways in which we produce, perceive and consume music. And as the reality of music’s new digital economy starts to bite, musicians and labels are having to rethink both philosophy and practice, addressing the issue of how they create and disseminate work – while some decry the free movement of music across file sharing networks and the collapse of traditional record industry models, others look to exploit the new possibilities offered by crowd sourcing and social networking.For this panel discussion chaired by The Wire‘s Publisher and Editor-in-Chief Tony Herrington, Vicki Bennett (People Like Us), Chris Cutler (ReR Records), Robin Rimbaud (Scanner) and Kiran Sande (FACT, Blackest Ever Black) discussed possible responses to the challenges posed by music’s changing eco-system.

The Wire and Sound And Music‘s Off The Page festival took place 24–26 February at The Playhouse Theatre in Whitstable.

The Wire article and audio file

Limited Edition 8 inch single

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We are pleased to announce a new 8-inch lathe-cut square picture disc on Hasenbart’s series of limited lathe cut Christmas singles. The previously unreleased “Dreaming” collages and edits several versions of a well known Christmas tune (originally dubbed over selected horror film samples) which formed part of the live performance “The Magical Misery Tour”.

 Making of 8 inch

The record is a 1-sided 8″ square picture disc with artwork by Vicki Bennett (full colour printing on both sides, stamped on the back, audio on one side). It will only be produced until DECEMBER 24 2014 and then deleted forever.  

All copies will be cut individually on Hasenbart’s vintage 1940’s Presto 6N lathe cut machine on laminated cardboard so they are not as thick as regular vinyl records – the unique format has been exclusively designed by Hasenbart and resembles an oversized postcard record. PLEASE NOTE: Obviously the sound quality will not match a modern vinyl cut but the music has been specifically selected for this release and the sound of the machine (with all its quirks) is an essential part of the record.

All prices below INCLUDE shipping within stated price. If you live in mainland Europe please consider purchasing from Hasenbart directly. We are charging similar amounts but you may receive it a bit faster by mail.

UK – price including P&P: $20.00
Buy in UK

EUROPE – price including P&P: $22.00
Buy in rest of Europe

ELSEWHERE – price including P&P: $23.50
Buy in rest of world

 

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Hasenbart 8 inch 2 Hasenbart 8 inch 1

Citation City preview at Cafe Oto

cafe oto

The audiovisual work Citation City, which we have been creating for the whole of this year, will be previewed at London’s Cafe Oto on Tuesday 9 December 2014.  This will be a work-in-progress performance – to give you a taster of what will be World Premiered at transmediale 2015 in January.  We’re very pleased to be sharing the evening with Jennifer Walshe, Sharon Gal & Andie Brown. We recommend buying tickets in advance due to venue size, guestlists are at a bare minimum.

TICKETS: https://www.cafeoto.co.uk/events/jennifer-walshe-sharon-gal-andie-brown-people-us/

Collage for Oto fb event

CITATION CITY

Citation City will World Premiere at transmediale, Berlin 29 January 2015

Citation City: a new audiovisual work by Vicki Bennett aka People Like Us Citation-City-Dictionary

Citation City sources, collage and edits 300 major feature films where content is either filmed or set in London – creating a story within a story, of the film world, living its life, through extraordinary times of change, to see what happens when these multiple narratives are combined… what will the story tell us that one story alone could never tell?

Inspired by The Arcades Project by Walter Benjamin, this audiovisual work is created from 1000s of clippings of text and visual media, collaged using a system of “convolutes”, collated around subjects of key motifs, historical figures, social types, cultural objects from the time. By gathering and assembling such groups of similar yet unrelated, he revealed a hidden, magical encyclopaedia of affinities, a massive and labyrinthine architecture of a collective dream city. On reading Benjamin, his approach to editing astonished Vicki Bennett, and the similarity of their creative processes of cutting and collating extensive lists of subject matter by context.

In the live performance a series of story lines (convolutes) sit side by side with a soundtrack sourced both from the movie content, as well as new sample compositions thematically related to the visual content.

A significant portion of Citation City previewed at London’s Cafe Oto on 9 December 2014 then World Premieres in full at transmediale, Berlin on 29 January 2015. 

Useful Links:
Cafe Oto preview: http://www.cafeoto.co.uk/jennifer-walshe-sharon-gal-andie-brown-people-like-us.shtm
Facebook page: https://www.facebook.com/citationcity

citationcityflooraug2014

SELECTION: Layout in paper form of descriptions of selected film content and possible subject headings (convolutes/citations) – August 2014

the start of the editing process the start of the editing process the start of the editing process

citation city banner

The first stage after selecting footage is to type out descriptions of hundreds of segments then cut them out, and make arrangements of subjects, content, "convolutes"

The first stage after selecting footage is to type out descriptions of hundreds of segments then cut them out, and make arrangements of subjects, content, “convolutes”

Alongside the creation and performance of the work, Vicki is also inviting selected sound artists to create distinct soundtracks to the work in order to produce a special series of films that will be published online in 2015 with an information pack about the creative process. Citation City is supported using public funding by the National Lottery through Arts Council England.

Vicki Bennett/People Like Us
Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives.  Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at Tate Modern, The Barbican, Centro de Cultura Digital, Sydney Opera House, Royal Albert Hall, Pompidou Centre, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. The ongoing sound art radio show ‘DO or DIY’ on WFMU has had over a million “listen again” downloads. since 2003. The People Like Us back catalogue is available for free download hosted by UbuWeb.
http://peoplelikeus.org/2014/artist-statement-for-people-like-us/

Vicki Bennett - press photo

Vicki Bennett – press photo

Citation City Convolutes

Citation City Convolutes

Full video: Notations with M.C.Schmidt, Jason Willett & People Like Us

Here’s a full length video of possibly the best performance of Notations so far.
This time around by Jason Willett, People Like Us & M.C.Schmidt
at Monty Hall, WFMU – 13 September 2014
View the rehearsal to this same show here: vimeo.com/peoplelikeus/montyrehearsal

NOTATIONS live at WFMU with M.C.Schmidt, Jason Willett, People Like Us
Notations is a film by Vicki Bennett, created for performance by live improvisers peoplelikeus.org/notations
Thanks to High Zero and WFMU, filmed by Peter Knight and Ruth Hayduk (thank you!)
M.C.Schmidt vague-terrain.com Jason Willett thetruevinerecordshop.com