Hallwalls Artist in Residence (HARP)

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People Like Us (Vicki Bennett) First Person, Fourth Wall
A Hallwalls Artists-in-Residence Project (HARP)
Friday, 11 September – Friday, 23 October 2020

HALLWALLS CONTEMPORARY ARTS CENTER, 341 DELAWARE AVE. BUFFALO, NY 14202
Gallery hours: Tuesday through Friday 11am to 6pm | Saturday 11am to 2pm
https://www.hallwalls.org/visual/6216.html curated by Carolyn Tennant

This multi-tiered project features an onsite new film and 6 channel audio collage work in the Hallwalls gallery, a virtual film retrospective, and a series of online micro-commissions programmed by the artist, where collaborators across the field of visual, audio and textual art respond to the subjects of first person / the fourth wall. The retrospective screening features archive and new content from Vicki Bennett’s 30 years of creating work under the name People Like Us. To coincide with the exhibition is a new second edition of her artist’s book The Fundamental Questions co-authored with Gregor Weichbrodt, available exclusively in house at Hallwalls, all made possible in part with a major grant to HARP (Hallwalls Artists-in-Residence Project) from the Multidisciplinary program of the National Endowment for the Arts (NEA), a federal agency, with additional support from The Andy Warhol Foundation for the Visual Arts, the Visual Art Program of the New York State Council on the Arts (NYSCA), M&T Bank, and Erie County.

The commissions and elements from the onsite exhibition are archived at WFMU.org from 11 September 2020, alongside visual elements on the accompanying web pages, which will be linked to with QR codes in the accompanying gallery brochure.

Featured artists:
Dina Kelberman, Buttress O’Kneel, Mark Hurst, Scott Williams, Irene Moon, Jasmin Basco, Matmos, id m theft able, Sheila B, Ergo Phizmiz, Yon Visell, Porest, David Shea, Gregor Weichbrodt, Carlo Patrão, Tim Maloney, Gwilly Edmondez, Jon Leidecker (aka Wobbly), People Like Us, Peter Jaeger, Ranjit Bhatnagar, The Blind Tourist with Adriene, Micah Moses, Andrew Sharpley, Andie Brown, John Kilduff (Let’s Paint TV) and Hearty White.

Fourth Wall, a new site specific wide screen movie, reflects upon the illusion of separateness. The title addresses the experience of illusory duality constructed by the mind, which is replicated through the lens of the camera, the stage, and the surface of the page, movie or computer screen. Through the viewing, cutting and editing of hundreds of pre-existing movies, Vicki searches for multiple and parallel narratives and collages these together to create a flowing stream of consciousness, attempting to breakdown this wall and reveal what she perceives as a greater reality and oneness beyond relativity.  First Person is a new multichannel audio piece where over 75 participants recorded themselves reading from the book The Fundamental Questions which Vicki Bennett co-authored with Gregor Weichbrodt, where thousands of user profiles from the web were parsed and matched according to four existential questions in life. The result is a chorus of people looking beyond themselves for their perfect mirror, calling from thousands of isolated portals, bonded by their almost identical searches, questions and intentions creating an aura of interconnectivity.

Hallwalls Artists-in-Residence Project (HARP) is a successful multidisciplinary artists residency program, which is funded in most years (with the exceptions of 1996–97, 1997–98, and 2004–05) by the National Endowment for the Arts, a federal agency; in most years by The Andy Warhol Foundation for the Visual Arts (for visual & media artists); and from 2008 to 2010 by the Nimoy Foundation (for visual & media artists). Some musicians in residence since 2010 (Roscoe Mitchell in 2010, Wadada Leo Smith in 2012) have been supported in addition or solely by the Jazz Presenting Program of Chamber Music America (CMA). The goal of the project is to support invited artists through professional stipends, materials and fabrication budgets, workspace, access to equipment and technical support, public presentations of their work in solo exhibitions, site-specific installations, screenings, and concerts, and interaction with local artists and communities through collaboration, lectures, master classes, workshops, and in-school residencies. Coming next year, three new HARP projects, made possible with major grants from the National Endowment for the Arts (NEA), The Andy Warhol Foundation for the Visual Arts, and the Cullen Foundation. 

HARP Artists 2019-2020
Douglas Ewart, George Lewis, & Douglas Repetto
People Like Us (Vicki Bennett)
John Oswald

People Like Us presented by Nouveau Musée National de Monaco

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28 July 2020 10:30 – 11 August 2020 18:00

We have a virtual exhibition/screening at Le Nouveau Musée National de Monaco starting today – this came about as the result of the pandemic cancellation of our performance of The Mirror. You can now watch this (and others) here for the next 2 weeks. http://4cast.fr/peoplelikeus/NMNM/

The Nouveau Musée National de Monaco, in collaboration with the Théâtre Princesse Grace, had originally invited People Like Us to interpret her live cinema performance The Mirror. The performance was to be part of the associated program of the exhibition Variations – Eugène Frey’s Light Set Projections presented by João Maria Gusmão at the Villa Paloma until August 30th.

Due to the COVID 19 pandemic the performance was postponed. However the intention to disseminate and promote the artist’s work has enabled a rescheduling and made available a selection of the artist’s works which will be accessible for the duration of one week.

http://4cast.fr/peoplelikeus/NMNM/

Chapter about People Like Us in new Kenneth Goldsmith book

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Duchamp Is My Lawyer
The Polemics, Pragmatics, and Poetics of UbuWeb
Kenneth Goldsmith
Columbia University Press

Really honoured to be in our good friend Kenneth Goldsmith’s book, he gave us a whole chapter. Click on the link below to find out more and purchase one. Or DOWNLOAD!

I Can Fly – new radio piece for WDR

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I Can Fly
A Radio Collage by Vicki Bennett
Created for Open Sounds on WDR 3
Premiere Broadcast 25 April 2020 10:04pm – Midnight on WDR 3
Listen to the live stream using the Play button: https://www1.wdr.de/radio/wdr3/index.html
The WDR 3 archive link is available until 2 May 2020.

People Like Us have created a new radio work for WDR around the theme of flying, premiere is the above date. https://www1.wdr.de/radio/wdr3/programm/sendungen/wdr3-open-sounds/index.htm

The working process of making I Can Fly involves taking the transcripts from the interview participants, cutting them up and creating the radio work as a text piece first.
Listen to Vicki Bennett answer questions about the piece

What it is to be “grounded” or “elevated”, and how is it that they relate directly to each other?  When is not flying defining us more than flying?  How much is being on the ground and/or the normal waking bodily situation constituting what it is to be “us”?  If we were in space or another planet with different or no gravitational pull how would it change our self definition which is so dependant upon our relationship to objects and people around us of the “normal/home” conscious experience? When is something not reality and when it is not ours (our body, our planet/surface) – how much does this relate to our needing to be on the planet’s surface or grounded in our own mind/body? How often do you think about the fact that we are flying on a planet through space? Why are we all dreaming the same thing?!!!

These are some of the questions being asked around the subject of flying by Vicki Bennett and answered by over 50 participants in this intricate and tangentially edited new radio collage work commissioned by Open Sounds on WDR.

Featuring the voices and recordings of:
Akāshamitra, Atau Tanaka, Ariadne, Austin Rich, Beth Arzy, Cameron Hamilton, Casper Carey, Cecilia Hae-Jin Lee, Dan Bodah, David Cox, Drew Daniel, Eric Kilkenny, Falco Carey, Gaylord Fields, Hearty White, Henry Löwengard, Iain Chambers, Jeff Carey, Jem Finer, Katja Seltmann, Kevin Hamilton, Kim Farrier, Kira O’Reilly, Leanne Bryan, Leech Ernowetz, Leon Clowes, Mark Gergis, Mark Heath, Mark Leahy, Melissa Healing, Michael Newman, Molly Hankwitz, Nicola Battista, Peter Jaeger, Peter Knight, Rahne Alexander, Richard Lindsay, Robert Worby, Runa Kirby Torbo, Seth Horvitz, Sharon Gal, Simon Faulkner, Simon Hamilton, Steven Ball, Tim Maloney, Tom Comitta, Vicki Bennett, Will Edmondes and Yvonne Szymczak

Thanks to all of the above for their generous input, which totally led the way in how the piece was put together.

Mastered by Mark Gergis

Support People who are Like Us

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If you are wondering how to best support freelance artists right now, buy something of theirs through a channel that you know would pay them direct. This may be paypal, or for music people we recommend finding their bandcamp account and supporting them that way. Likewise, in the current climate we think it would be reasonable to take it that our forthcoming 4 concerts on mainland Europe will be cancelled, although we are waiting to find out right now. If you’d like to support us here is our bandcamp page. Many thanks.
https://peoplelikeus-vickibennett.bandcamp.com/

Gone, Gone Beyond 360 Surround A/V Movie

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“Hey, hey, have you ever tried… reaching out to the other side?”

Gone, Gone Beyond is an immersive a/v spatial cinema work by People Like Us, which breaks the rectangle, smashing the thin screen into tiny fragments, looking beyond the frame, climbing through to see what’s behind.  

Commissioned by Naut Humon, the founder of immersive theatre project CineChamber, Gone, Gone Beyond is a 10 screen/8 speaker work by Vicki Bennett with seamless wrap around projection and surround sound, where the audience sit inside. It uses edited collage sewn together in a giant patchwork. Pull on a thread and watch whole new narratives expand and unravel all at once on a 360 palette. The project has been a work in progress since 2017, and is currently 50 minutes long.

History: the initial in-process tester movie screened in San Francisco in October 2017 at RML’s own Recombinant Festival at Gray Area Foundation for the Arts.  Since then we have been continuing to work on content, and staged a private event in April 2019 at Goldsmiths SIML to encourage some partner support in the UK/Europe.

DOWNLOAD THE BROCHURE
INTERVIEW

Review of private preview of Gone, Gone Beyond at Goldsmiths, London:

Privileged to attend an absolutely marvellous event at Goldsmiths College, a unique piece of immersive 360 degree cinema put together principally by People Like Us aka Vicki Bennett. It builds on her previous work, juxtaposing familiar film and music to unsettling effect; one such instance is a visual/soundclash of Julie Andrews singing “The hills are alive . . .” spliced with footage from Apocalypse Now and The Doors’ “The End”. But the audio and imagery builds layer upon layer to a meaningful, psychedelic cacophony, layer upon layer of the familiar; MOR, The Beatles, Kraftwerk and much, much more over an elaborate, kaleidoscopic sensurround collage of footage featuring the likes of Orson Welles, Cary Grant, Charlie Chaplin, Sean Connery, Audrey Hepburn, as well as dancers, dervish sequences and set pieces from avant garde-inspired Hollywood design.

The familiar and the unsettling; that’s the idea. Taking these film clips out of their original contexts, presenting them as part of a gushing continuum of dynamism, breakthrough, without resolution; because, in life, there is no resolution, no end to the story, simply this multiple, simultaneist mass of concurrent narratives, whose sheer kinetic energy, like an ever-flowing waterfall, is the real story that cinema is telling us; “endings” are mere temporary hiatuses, the definition of fiction; this is a meticulous, deceptively chaotic audiovisual blast like no other. And it deserves to be seen by everyone. — David Stubbs (April 2019)

Gone, Gone Beyond excerpt
Vicki Bennett discusses the aesthetics of Gone, Gone Beyond and The Mirror (the single screen sister project)

The Mirror

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Publicity photo for both the concert and the album – credit Joe Gerhardt

We are pleased to announce a new audiovisual immersive cinema performance by People Like Us called The Mirror, performed (and screened in Theatrical form if in the US) from March 2018 worldwide.  

The Mirror is a live a/v performance which splices together movie snippets with unique sample-based music exploring the masks that we wear represented through the lens, using parallel narratives across the screen to depict an ever-changing stream, rather than a singular, fixed being, narrative or moment in time.

“A feat of research and craft, this new work is a spellbinding inquiry into editing and juxtaposition; a collage one can unthread allowing the viewer to discover hidden stories through familiar images. The soundtrack is performed live, made up from hundreds of preexisting songs, as well as particular sounds from the original film clips.” — Flatpack Film Festival

”With The Mirror Bennett has proven herself an alchemist of popular music, able to push her source material into fresh and engaging places.” — The Wire

”Because of the use of familiar pop sounds, “The Mirror” is often grandiose. Like an epic film only with highs, never letting the listener down or letting him doubt the power of pop. Even, of course, when the coordinates are twisted, mixed, over or underrepresented. Each moment feels like something that could only happen in a parallel universe. Although that may sound naïve, it’s just a lost thought of reaction to the beautiful collages of People Like Us in “The Mirror”. This mirror doesn’t reflect an image of ourselves or an image of pop. But an image on the way memories drift and are being constant rebuilt. An unfinished collage.” — Boomkat

“Bennett celebrates the song stylists, the crooners, the sirens and interpreters of melody, and all the psychedelic in-between. The songs she pulls from seem to stem between 30’s ballroom and 70’s soft disco, here presented like being in a deep REM-state, dreaming of being at the drive-in, in warped Panavision. Essential.” toneshift.net

https://peoplelikeus-vickibennett.bandcamp.com/album/the-mirror

18 March 2018 – World Premiere: Athens Greek Film Archive Foundation (as part of Shadow Libraries: UbuWeb in Athens, organised and produced by the Onassis Cultural Centre-Athens) – tickets/info
13 April 2018 – UK Premiere: Liverpool FACT – tickets
17 April 2018 – Belfast Film Festival at Crescent Arts Centre – tickets
20 April 2018 – London Cafe Oto – tickets
21 April 2018 – Birmingham Flatpack Festival – tickets
12 May 2018 – London Splice Festival, at Rich Mix – tickets
11 July 2018 – London Cafe Oto, double bill with Carl Stone – tickets
19 July 2018 – Gijón LEV Arenas Movedizas – free entry
26 July 2018 – MACBA, Barcelona – tickets
17th September 2018 – Theatrical Screening (not live) – Bryce’s Show on WFMU
19th & 20th September 2018 – Theatrical Screening (not live) – Spectacle Theater, Brooklyn – tickets
20 October 2018 – 100 Years of Copyright Festival, Berlin HKW – tickets
2 November 2018 – Spill Festival, Ipswich – tickets
10 November 2018 – Kunstnernes Hus, Oslo Norway – tickets
15 November 2018 – Brighton “Cinecity” Film Festival at Fabrica – tickets
30 November 2018 – Theatrical Screening (not live, we do not perform in concerts in the US) Recombinant Festival, Gray Area, San Francisco – tickets
9 February 2019 – Theatrical Screening (not live, we’ll not be there) – The Voix de Ville 2019 / ARTxFM annual fundraiser at Columbia Theatre, Louisville Kentucky – tickets
27 March 2019 – Musikbrauerei, Berlin – tickets
6 April 2019 – Theatrical Screening (not live) – Other Cinema, ATA, Valencia St, San Francisco – tickets
23-28, April 2019 – Theatrical Screening at AFO Olomouc, Czech Republic.
9 May 2019 – Venice Biennale at HILLARY: The Hillary Clinton Emails by Kenneth Goldsmith after the opening reception. RSVP
14 June 2019 – Newcastle Culture Lab – The Mirror and Objects in the Mirror Are Closer Than They Appear
22 June 2019 – Iklectik Art Lab, London
15 September 2019 – Theatrical Screening (not a concert) at 21C Museum Hotel, Lexington, KY (introduced by Hearty White)
28 September 2019 – Theatrical Screening (not a concert) at Radius Gallery Santa Cruz, CA
5 March 2020 – Theatrical Screening (not a concert) WFMU Benefit at Monty Hall, Jersey City
April – ?? 2020 – Geneva, Innsbruck and Lisbon all current activities affected by the current pandemic
28 July 2020 – 4 August 2020 – Virtual screening (pandemic rescheduling) at Le Nouveau Musée National de Monaco http://4cast.fr/peoplelikeus/NMNM/
November 2020 – Paris (dependent on global situation)

If you are a festival organiser with a budget and are interested in booking this, please get in touch by way of our Contact Form.  If you are in a country requiring a work visa to perform we can in very special circumstances make this work into a stand alone movie, but generally this is only available as a performance with the artist present and you will need to gain necessary papers for us to agree.

SUPPORTING WORKS AND ARTICLES

Download higher resolution images from The Mirror

3 artist commissions : we have commissioned new works by artists responding to The Mirror:
Reflects by Dina Kelberman (December 2018)
Abject Mirror by Porest (Mark Gergis) (January 2019)
The Mirror by Hearty White (January 2019)
(view all three on one url)

The Mirror CD/digital download contains music from The Mirror, and tracks from Gone, Gone Beyond

New Film for Improvising Musicians and Artists – titled Objects In The Mirror Are Closer Than They Appear.  This is not the first film we have made of this type. Previous to this was Notations (which included a national tour in the UK (followed by further dates internationally) with a fantastic roster of improvisers, supported by Sound and Music), as well as some collaborations where we have made the film then made sections available to other artists and musicians to respond (Gesture Piece and CCCitations). You can enquire about performing with this movie by way of our Contact Page. Our first performance will be in Newcastle, UK in June 2019, as part of a collaboration with Newcastle University Department of Music.

No.8 in The Wire Magazine’s releases of 2019
  • MACBA, Barcelona
  • MACBA, Barcelona
  • at Splice Festival 2018 – photo by Martyna Kubrak
  • Splice Festival 2018 – photo by Martyna Kubrak
We have expanded 10 minutes of The Mirror to be a 360 surround sound and video work

Interview with Anne Hilde Neset on BBC Radio 3’s Late Junction, 8 January 2019
Listen to the interview
Interview with Robert Worby and full airy of performance of The Mirror (at Cafe Oto) on BBC Radio 3’s Hear and Now, 19 January 2019
Listen to the interview

Graham Duff – The Mirror a reflection upon the work and surrounding subject matter
Interview in The Wire Magazine in a phone conversation with Emily Bick of The Wire Magazine, Vicki Bennett reflects on The Mirror, Gone, Gone Beyond, and working with preexisting footage.

Info sheet / teaching pack – collected insights on the making of this work by Vicki Bennett.

Still from Reflects by Dina Kelberman
Still from Reflects by Dina Kelberman (click to view the work… please enable pop-ups)
The Mirror at Venice Biennale

Shortcut for this url is http://peoplelikeus.org/themirror.html

Continue reading →

Artist Biography

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Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992. Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and appropriation as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.

As a solo artist or collaborator Vicki has published more than 35 video projects and 50 audio recordings, with works released by labels including Illegal Art, Rough Trade, Soleilmoon Recordings, Discrepant, Sonic Arts Network and Touch. Vicki’s DO or DIY show on the fiercely independent New York City-market radio station WFMU has run since 2003. Her video work has been screened at Tate Modern, Whitechapel Gallery, BFI, Purcell Room, the Barbican, the ICA, V&A. Centre Georges Pompidou (Paris), Sonar (Barcelona), MAXXI/National Museum of XXI Century Arts (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City), among other institutions. Video works have been aired on Channel 4 and radio sessions created for John Peel and Mixing It. People Like Us has been commissioned by Arts Council England, The BBC, WDR, Great North Run, Sound and Music, Channel 4/Animate Projects, AV Festival, Hallwalls, Recombinant Media Labs (RML), Sonic Arts Network, Forma, LUX and Lovebytes.

To date, Vicki has had 5 solo exhibitions and participated in 19 group shows at MAXXI (Rome), Venice Biennale, HMKV (Dortmund), Centro de Cultura Digital (Mexico), Hatton Gallery (Newcastle), Vitrine (London), alt.gallery (Newcastle), Greene County Council for the Arts Gallery (NY), Peacock Visual Arts (Aberdeen), Pallant House (Chichester), Engramme (Quebec), La Scatola Gallery (London), Changing Room (Stirling), Franklin Street Works (Connecticut), Usurp Gallery (London), University of Greenwich Galleries, Matthew Gallery (Dundee), Edinburgh Printmakers, Millennium Gallery (Sheffield) Leeds College of Art and Sunbeam Studios (London). She will have a 6th solo show at Hallwalls in Buffalo NY in September 2020.

The work of People Like Us has been featured in many publications, including Sounds Like Silence – 4’33’’ Silence Today (Spectre Books 2012), The Journal of Writing In Creative Practice (Vol 7 Issue 1 2015), The Fundamentals of Sonic Art and Design by Tony Gibbs (Ava Publishing 2007), Cutting Across Media by Kembrew McLeod (Duke University Press 2011), Here To Go – Art, Counter-Culture and the Esoteric (Forum Nidrosiae 2014), Incredible Machines by Danny Snelson (avant 2014), Sensations of History (University of Minnesota Press 2019) and she has written for The Wire’s Collateral Damage (February 2012). In 2020 Vicki will have a whole chapter dedicated to her work in Duchamp Is My Lawyer The Polemics, Pragmatics, and Poetics of UbuWeb by Kenneth Goldsmith on Columbia University Press.

People Like Us has been reviewed in The Wire, BBC website, Bizarre Magazine, Rolling Stone, Frieze, The Independent, Record Collector, Time Out, Film Comment, The Guardian, The Scotsman, XLR8R, Baltimore City Paper, Sight and Sound, NME, Metro and San Francisco Bay Guardian, and interviewed for Found Footage Magazine (2016), The Observer (2006), Filmmaker Magazine (2015), The Wire (2014, 2011, 2008, 1999), Sight and Sound (2013), a-n Magazine (2012), Wired (2012), RadioWeb MACBA (2010), Sound and Music (2011), Sound Projector (2012, 2000), Bizarre Magazine (1999), NME (1995, 1996). On radio I’ve been interviewed on Late Junction (2016), Soundproof (ABC Radio National 2016), WDR 3 Open Sounds (WDR 2016), Cutting Up The Cut Up (BBC Radio 4 2015), North by Southwest (British Council 2012) PM (BBC Radio 3 2010), Twenty Minutes (BBC Radio 3 2009) and Mixing It (BBC Radio 3 2004).

Vicki has also curated publications and events: Optimized! Expanded Radio Stream, WFMU (2016), Concert of Collage, Encounters Festival, Bristol (2015), Radio Boredcast, 744 hour radio station, AV Festival (2012), Nothing is New, Everything is Permitted event, AV Festival (2010), Sonic Arts Network CD Smiling Through My Teeth (2008) and a Humour in Music event, Purcell Room for Ether Festival (2002).

Notations (2013), a film for live improvisers toured the UK with TUSK/Sound & Music in Autumn 2013; Gesture Piece, a film with seven invited artist soundtracks; two films for Animate Projects/Channel 4 television, UK, broadcast as part of their Random Acts series. In 2015, Vicki created A/V performance Citation City, using techniques of Walter Benjamin’s Arcades Project in relation to London-based feature films. Nothing Can Turn Into A Void – a documentary film about People Like Us has screened in cinemas and festivals since Autumn 2015, and No One Is An Island, a radio work created for WDR, broadcast in April 2016. The Expanded Radio online/virtual commission/artist residency Optimized! broadcast on WFMU in June 2016. In 2018 Vicki has just completed a new solo a/v performance The Mirror which which is currently touring the UK and overseas, released an album under the same name, and produced the video for the spring 2018 The The Comeback Tour. She was a participant in Sound and Music’s New Voices programme, and a-n Artist Bursaries 2019 recipient.

Vicki is currently working on content for her solo show as Hallwalls Artist in Residence (HARP) from 2019-2020 culminating in a solo exhibition in September 2020. The coming year sees Vicki completing Gone, Gone Beyond, an hour-long seamless multiscreen and multi-speakered immersive installation with RML CineChamber. The 45 minute radio art commission for WDR aired in Spring 2020.

Shorter Bio – Artist Statement
Filmography
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
Talks, Lectures
Discography
People Like Us on bandcamp

Forma’s Online Screening Programme

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People Like Us will be streaming the video The Horror!! on Forma’s website between 18 May until 20 May 2020:

A selection of artists, including People Like Us, who have contributed to Forma’s 18 year history, as well as present and future collaborators, have chosen existing work to return to in a time of change, uncertainty and adaptation. Each film will be screened for 72 hours, with new work made available every Monday and Thursday in the upcoming weeks. Each film will be accompanied by a short Q&A between the artist and Forma, asking what has changed, what has stayed the same and what they’ve been up to in the meantime.

Artists include: Gina Czarnecki, Benedict Drew, Amartey Golding, Sophie Hoyle, Gareth Hudson, Beth Kettel, People Like Us, Himali Singh Soin, Sorbus and Jane and Louise Wilson.

The programme will launch on the 11 May on this page; screenings will be announced via Forma’s Instagram and Twitter channels. The People Like Us film will screen between 18 May until 20 May 2020.

Q&A with Leila Hasham, Deputy Director (Maternity Cover)

You source your clips from both audio and moving image pre-existing material to weave new threads and create patchworks of associations. How do you decide on a particular pairing and sequencing of audio and visual material?

I choose an umbrella subject, big enough to have room for all sorts of tangents. For instance my current live performance (sigh… remember those?) is called The Mirror, which allows for all sorts of threads to do with the obvious reflection but also more interesting and obscure twists and turns in context and content like that of surface, duality, screens, frames and so on. The pairings are sometimes ideas that come in advance, but more often from collecting subject matter, hundreds of clips for several months then putting them together on a computer audio or visual timeline and moving them around to see how they talk to each other.

What prompted you to look at the darker side of celluloid in The Horror!!?

I don’t actually watch horror films for entertainment (although I did when I was a teenager). But I like how in these movies everyone is equal – both the goodies and the baddies are having a bad time, they are all suffering at once, and then you have to remind yourself when you get spooked that they are all actors pretending to have a bad time – and I like the way that stories are often so real that we are so tied into the plot that we can be deeply affected, because it is so much like our own minds, full of stories… but only a certain amount of stories exist, and we just put new names and places onto these things.

In a post-digital world, what role do physical archives play?

Time is a funny thing, and this is what we are referring to with definitions like this. They don’t mean that much to me. We are all dealing with the present. And as you read this that previous sentence is the past. It is all relative, and we all relate, we are all interconnected. What role does any archive play is the bigger question, not what format it is – it is a library, which needs to be shared or it is dead, much like our memories and experiences. What role do they play? They are a point of connection from which to move forward with our lives.

This is a strange time since time is both long and short at the same time, and the mass consciousness right now feels very disturbed and I’m finding it very hard to concentrate on art. I am able to do admin though, so that’s an interesting thing! What are you currently working on and how are you passing the time and staying sane?

“To stay sane” I’ve been tuning into London Buddhist Centre on YouTube most days, and also doing Zoom meditations with a couple of different groups. In addition I’ve been at my allotment, which feels like the only normal place right now.

—

What you up to? is an unfolding online screening programme, inviting artists who have contributed to Forma’s 18 year history of creative production and commissioning to select an existing moving image work to revisit in a time of global change. In accompanying socially-distanced Q&As, Forma staff and the artists catch up on how practices and perspectives are shifting, and what is keeping us occupied during quarantine. Films will be available to stream on the Forma website for 72 hours, updating on Monday and Thursdays.

PLU video on WFMU

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Join People Like Us for an hour of audiovisual entertainment, edited specially for Ken Freedman’s radio show on WFMU. You can listen to this at home or in the… you can listen to it, er, at home… and you can watch it too!

Come and watch People Like Us and friends on Ken’s playlist page and on the WFMU front page just before 11am NY time on Wednesday 8 April 2020. Ideally we recommend listening to his whole show of course from 9am!

Join People Like Us on Ken’s live playlist: http://wfmu.org/playlists/KF

People Like Us Co-host in WFMU 2020 Fundraiser

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Vicki will co-host with Hearty White in the WFMU 2020 Fundraising Marathon. Many of you will know about WFMU already – this is a listener funded radio station where none of the DJs are paid – all give time in kind with a capital K. These days it’s a rare thing to see ventures like this, many have been stamped on by the big boot of capitalism. If you are able to donate to WFMU you can both get some great swag and also be in the running for all sorts of DJ prizes and premiums.

https://pledge.wfmu.org/donate

Tune into Hearty White, co-hosted by Vicki on WFMU on 5th March at 7pm-8pm NY time (that’s midnight that evening in the UK) or listen to the archive shortly after here.

The Mirror at WFMU

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Thursday 5th March 2020, 8:00 PM EST | Doors at 7:30 PM
Monty Hall, 43 Montgomery Street, Jersey City, NJ 07302
Tickets: https://www.eventbrite.com/e/the-mirror-tickets-90365302051

People Like Us’s musical collage movie The Mirror will screen for one night only at Monty Hall in this WFMU Benefit. This will be a rare theatrical screening, introduced by the artist herself. A selection of short films will precede this 40 minute screening.

”With The Mirror Bennett has proven herself an alchemist of popular music, able to push her source material into fresh and engaging places.” – The Wire

Limited Offer: 75% off our Full Digital Discography

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Happy 2020!  As a new year thank you we are offering our entire digital discography to you for 75% off for the next 24 hours.  This might offer you an extra incentive to suddenly have days (weeks.. months?) of most of our back catalogue instantly, and in return you would be helping us out a great deal to carry on with what we do, making art full time… did you know People Like Us is 30 this year?

If you’d like to buy the digital discography just go to our bandcamp page and go to any link in the digital download section and you can purchase at 75% from any page, until tomorrow.  Here’s a shortcut to our bandcamp page now:

https://peoplelikeus-vickibennett.bandcamp.com

Many thanks for your continued support!