A Fistful of Knuckles

Released Winter 2000 on Caciocavallo/Soleilmoon Recordings CAD10

“People Like Us is simply too good. Why it presents us again and again CD, like a circus. One must win something distance from this music, thus her one not flatly with the endless heavily meaning basic sounds and memories. Here to the world between American white diapers, Pferdchen those the world mean, Kleinkinderklukluxklansofties and other one like Country, donkeys, sakeless Schubidus and cold kriegern in a leckeren soup. People Like US is like cinema, like which old humans at MTV finds so exciting always, these many cuts, only the cuts are not cuts, but, deeply inside into this world from sound the world of the television offers precise interventions to surgical quality, without it would refer to expressly drauf that that really like that it is but supplies actually only for People Like US material, which so unconsciously passed through quasi by us that one can cannibalize it ever further and further. Carefully naturally and with a Manie CUT copy paste of the Artworkings, which one, once belonged never again loose will. ” A Fistful OF Knuckles ” is the terminator point of a long long search to the praised country, which ran from the east coast in long Trecks to the west coast, made a stopover with John Wayne over in People Like US to end.” – translation from de-bug magazine


You can download this album from UbuWeb

Lassie House/Jumble Massive CD

Released Autumn 2000 on Caciocavallo/Soleilmoon Recordings CAD9

There is an air of both humor and impending doom within the works of People Like Us. From her first release in 1991 People Like Us has created or contributed to more than 25 CDs and records as well as several collaborative releases and numerous compilation tracks. Lassie House/Jumble Massive is a mid-price reissue of two limited edition releases from Staalplaat and Soleilmoon. The name Jumble Massive describes the music perfectly. This album contains a hodge-podge mish-mash of spoken word snippets and accidental vocalization that have been skillfully edited together to make something inconceivably peculiar and wonder. There are some tracks which are more musical, but again, collage is the preferred method of creation. People Like Us have defined a new musical territory with an atmosphere primarily composed of nitrous oxide and adrenaline.

You can download this album on UbuWeb


Something old, something new, something borrowed, something PLU…

Many thanks to Ubuweb, PennSound, Centro and WFMU for hosting the tracks on this site to make it more accessible for more people to download for free.
We strongly believe in the power of profit through free distribution, and the publicity that comes along with that – so we are putting our money where our mouse is. Often people have never heard of an artist because they aren’t being distributed through as many channels as they should be, due to the very poor state of music/media distribution for non-major label music coupled with ignorance of the way that avant garde art forms infiltrate mainstream culture. Also many prints of a work are allowed to go out of circulation or are deleted for no reason other than cost effectiveness by a label/publisher. This makes perfect sense financially, but no sense whatsoever that a year’s work by an artist should also disappear for such reasons. So get all of this while you can, and we completely endorse getting one’s work out there, no matter what. If you don’t share, your profit is limited.

We encourage all creative use of our work, and although we don’t encourage duplicating of our work for commercial use you are welcome to share as mp3s or sample.

Artist statement for People Like Us & Ergo Phizmiz

People Like Us & Ergo Phizmiz
Over the past five years the collaboration of People Like Us & Ergo Phizmiz has produced two full length albums, a podcast series, a live soundtrack to Christian Marclay’s “Screenplay”, a 7” single on Touch, and a 10” EP. Their work has been disseminated internationally to widespread critical acclaim, straddling the absurd with the accessible, filtering experimental and avant-garde techniques through the looking-glass of humorous pop music. They have come to resemble something akin to the Morecambe & Wise of the avant-garde…

Individually both artists have produced a vast body of work that collectively spans hundreds of hours, across film, theatre, albums, radio and live performance. Most recently People Like Us released the album “Music For The Fire” in collaboration with Wobbly on the Illegal Art label (with a new solo record due later in the year). Ergo’s most recent productions are the new album “Things to Do and Make” on Care in the Community Recordings, and the contemporary opera about radio, magic and death “The Mourning Show”.

People Like Us website – http://www.peoplelikeus.org
Ergo Phizmiz website – http://www.ergophizmiz.net

“… a freeform, unfolding imaginary landscape that is liberally peppered with slapstick.” – Phil England, The Wire
“Bennett has taken Eisenstein’s montage collisions and refashioned them as bumper cars at a seaside carnival.” – Jim Supanick, Film Society of Lincoln Center
“Genuinely astonishing” – Boomkat
“Hilarious, but also fascinating…audacious, kaleidoscopic pop assemblages” – Brainwashed
“Beautiful, compelling, funny, crazy stuff” – Matt Groening