Welcome to the only official site for People Like Us and Vicki Bennett
Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives. Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at, amongst others, Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. She has an ongoing sound art radio show 'DO or DIY' on WFMU. The People Like Us back catalogue is available for free download hosted by UbuWeb.
Nothing Can Turn Into A Void – a documentary film about People Like Us has been screening in cinemas and festivals since Autumn 2015. Currently, Vicki is focussing on expanding both audio and moving image work for a multiscreen and multi-speakered environment with Recombinant Media Labs, with a new 10 screen work "Gone, Gone Beyond" and there will be a new People Like Us live performance "The Mirror" premiering at FACT, Liverpool in Spring 2018.
Monday 20 January 2014 @7pm-8pm NY Time (that’s midnight on Monday evening UK)
Listen http://wfmu.org& broadcasting at 91.1 fm New York, at 90.1 fm in Hudson Valley
Listeners to DO or DIY and WFMU will be familiar with the cut up of two decades of Number 1 hits “Chart Sweep” and also the noise blatherer Gwilly Edmondez. Well now, oh joy, these two wonderful projects combine for one hour, and we bring you Gwilly singing Chart Sweep, in full on WFMU!
Gwilly Edmondez performs solo and in small groups using voice, guitar, pocket samplers, turntables and dictaphones. Music is mostly made up on the spot and usually seeks to align itself with idiomatic contexts rather than avoiding them. Gwilly has spent a lot of time resisting coherence and continuity, to the point where a wilful anti-professionalism can be regarded as his music’s defining characteristic. http://ubu.com/sound/edmondez.html
Here’s a entertaining, informative (we hope) one-hour video travelogue of our recent Notations Tour.
Featuring performers Bill Orcutt, Rhodri Davies, M.C. Schmidt, Philip Jeck, Jaap Blonk, Steve Noble, Wobbly, Mark Sanders, Tomomi Adachi and Jennifer Walshe. Oh, and People Like Us. Also, tour producers Richard Whitelaw and Lee Etherington make appearances.