CITATION CITY to screen as a movie at Other Cinema

Citation City is now retired as a live performance.  However, we are now making it available as a stand-alone movie to be screened at cinemas.  The first screening of this type will be a special 20-minute edit made for Other Cinema in San Francisco on 7 October 2017.  Also on the bill some short films, Zoom from Consequences (One Thing Leads To Another), our Matmos Ultimate Care video, and the trailer for Gone, Gone Beyond which premieres a few streets away next week at Gray Area.
http://www.othercinema.com/calendar/index.html

GONE, GONE BEYOND – 360 Surround Movie

Featured

New longer trailer, Summer 2018: https://vimeo.com/peoplelikeus/beyond
“Hey, hey, have you ever tried… reaching out to the other side?”
Gone, Gone Beyond is an immersive a/v spatial cinema work by People Like Us, which breaks the rectangle, smashing the thin screen into tiny fragments, looking beyond the frame, climbing through to see what’s behind.  It uses appropriated edited collage sewn together in a giant patchwork. Pull on a thread and watch whole new narratives expand and unravel all at once on a 360 palette.

The initial 47-minute film premiered in San Francisco 11-14 October 2017 at Recombinant Festival at Gray Area Foundation for the Arts.  We have been making this movie for Recombinant Media Labs own Cinechamber for quite some time now – it is a stand alone piece that you watch and listen to from the inside.

Stage 2 is currently in production through 2018 and we are looking for partners to present the hour-long piece from 2019 onwards.

Q&A with Hearty White: http://peoplelikeus.org/2017/gone-gone-beyond-qa/


The initial 47-minute  film “GONE, GONE BEYOND” by People Like Us premiered in San Francisco 11-14 October 2017 at Recombinant Festival at Gray Area Foundation for the Arts.  We have been making this movie for Recombinant Media Labs own Cinechamber for quite some time now – it is a stand alone piece that you watch and listen to from the inside.  Stage 2 is currently in production through 2018 and we are looking for partners to present the hour-long piece from 2019 onwards.

Artist statement for People Like Us

Vicki Bennett - press photoPeople Like Us 2016

Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives.  Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, V&A, Sydney Opera House, Royal Albert Hall, Pompidou Centre, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. The ongoing sound art radio show ‘DO or DIY’ on WFMU has had over a million “listen again” downloads. since 2003. The People Like Us back catalogue is available for free download hosted by UbuWeb.
Longer Biography
Filmography
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
Discography

 

BIOGRAPHY

Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution for 25 years. Since her first publication in 1992, Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and appropriation as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant.

Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent record labels, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available.  UbuWeb generously hosts the discography and filmography of People Like Us.

As a solo artist or collaborator she has published more than 50 audio recordings and 35 video projects, with works released by labels including Illegal Art, Rough Trade, Soleilmoon, Sonic Arts Network and Touch. Vicki’s DO or DIY show on the fiercely independent New York City-market radio station WFMU has run since 2003 and has had over a million individual “listen again” downloads. Her video work has been screened at Tate Modern, Whitechapel Gallery, the National Film Theatre/BFI, Purcell Room, the Barbican, the ICA, V&A. Centre Georges Pompidou (Paris), Sonar (Barcelona), MAXXI/National Museum of XXI Century Arts (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City), among other institutions. Video works have been aired on Channel 4 and she has also performed radio sessions for John Peel and Mixing It. People Like Us has been commissioned by The Arts Council England, The BBC, WDR, Great North Run Moving Image Commission, Sound and Music, Channel 4/Animate Projects, AV Festival, Sonic Arts Network, Forma, LUX and Lovebytes amongst others.

Notations (2013), a film for live improvisers toured the UK with TUSK/Sound & Music in Autumn 2013; Gesture Piece, a film with seven invited artist soundtracks; two films for Animate Projects/Channel 4 television, UK, broadcast as part of their Random Acts series. In 2015, Vicki created A/V performance Citation City, using techniques of Walter Benjamin’s Arcades Project in relation to London-based feature films. Nothing Can Turn Into A Void – a documentary film about People Like Us has screened in cinemas and festivals since Autumn 2015, and No One Is An Island, a radio work created for WDR, broadcast in April 2016. The Expanded Radio online/virtual commission/artist residency Optimized! broadcast on WFMU in June 2016.

Currently, Vicki is focussing on expanding both audio and moving image work for the multiscreen and multi-speakered environment Cinechamber with Recombinant Media Labs – Gone, Gone Beyond, a forever changing 10 screen 8 speakers surround/seamless projection work, world premiered in San Francisco in October 2017.  Vicki has just completed a new solo a/v performance The Mirror which which is currently touring the UK and overseas, and also produced the video for the spring 2018 The The Comeback Tour.

October 2018 sees the release of The Mirror CD and online release, featuring music from the movie of the same name and tracks from Gone, Gone Beyond.

Shorter Bio – Artist Statement
Filmography
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
Talks, Lectures
Discography

Vicki People Like Us 2016

Click below for hi-res photographs

Vicki - People Like Us 2016