CITATION CITY to screen as a movie at Other Cinema

Citation City is now retired as a live performance.  However, we are now making it available as a stand-alone movie to be screened at cinemas.  The first screening of this type will be a special 20-minute edit made for Other Cinema in San Francisco on 7 October 2017.  Also on the bill some short films, Zoom from Consequences (One Thing Leads To Another), our Matmos Ultimate Care video, and the trailer for Gone, Gone Beyond which premieres a few streets away next week at Gray Area.
http://www.othercinema.com/calendar/index.html

GONE, GONE BEYOND – 360 Surround Movie

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New longer trailer, Summer 2018: https://vimeo.com/peoplelikeus/beyond
“Hey, hey, have you ever tried… reaching out to the other side?”
Gone, Gone Beyond is an immersive a/v spatial cinema work by People Like Us, which breaks the rectangle, smashing the thin screen into tiny fragments, looking beyond the frame, climbing through to see what’s behind.  It uses appropriated edited collage sewn together in a giant patchwork. Pull on a thread and watch whole new narratives expand and unravel all at once on a 360 palette.

The initial 47-minute film premiered in San Francisco 11-14 October 2017 at Recombinant Festival at Gray Area Foundation for the Arts.  We have been making this movie for Recombinant Media Labs own Cinechamber for quite some time now – it is a stand alone piece that you watch and listen to from the inside.

Stage 2 is currently in production through 2018 and we are looking for partners to present the hour-long piece from 2019 onwards.

Q&A with Hearty White: http://peoplelikeus.org/2017/gone-gone-beyond-qa/


The initial 47-minute  film “GONE, GONE BEYOND” by People Like Us premiered in San Francisco 11-14 October 2017 at Recombinant Festival at Gray Area Foundation for the Arts.  We have been making this movie for Recombinant Media Labs own Cinechamber for quite some time now – it is a stand alone piece that you watch and listen to from the inside.  Stage 2 is currently in production through 2018 and we are looking for partners to present the hour-long piece from 2019 onwards.


Artist statement for People Like Us

Vicki Bennett - press photoPeople Like Us 2016

Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives.  Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, V&A, Sydney Opera House, Royal Albert Hall, Pompidou Centre, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. The ongoing sound art radio show ‘DO or DIY’ on WFMU has had over a million “listen again” downloads. since 2003. The People Like Us back catalogue is available for free download hosted by UbuWeb.
Longer Biography
Filmography
Exhibitions and Editions
Selected Performances and Screenings
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Discography

 

BIOGRAPHY

Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution for 25 years. Since her first publication in 1992, Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and appropriation as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant.

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