On Saturday 19 January 2019 22:15 (UK) on BBC RADIO 3 Vicki will be guesting on Hear and Now, presented by Robert Worby. She will be talking about her work, then the show will air a recording of the full 35 minute People Like Us concert The Mirror, which was performed at London’s Cafe Oto in Summer 2018. https://www.bbc.co.uk/programmes/m00022k6
On 8 January 2019 Vicki Bennett joins Anne Hilde Neset on BBC Radio 3’s Late Junction. Vicki will play one track from The Mirror and a couple of favourite picks of other people, namely Jacques Tati and David Lynch. https://www.bbc.co.uk/sounds/play/m0001xwp
Live link then show archive (3 weeks) https://www.bbc.co.uk/programmes/m0001xwp
We have made a new film for improvising musicians and artists titled Objects In The Mirror Are Closer Than They Appear. This is part of our project The Mirror, which initially was and is an audiovisual performance by People Like Us, and the umbrella project also includes 3 new artist commissions and this film.
This is not the first film we have made of this type. Previous to this was Notations (which included a national tour in the UK (followed by further dates internationally) with a fantastic roster of improvisers, supported by Sound and Music), as well as some collaborations where we have made the film then made sections available to other artists and musicians to respond (Gesture Piece and CCCitations).
Much like the other movies, you can enquire about performing with this movie by way of our Contact Page. Our first performance will be in Newcastle, UK in June 2019, as part of a collaboration with Newcastle University Department of Music.
Our project The Mirror consists of an a/v performance (and sometimes stand alone movie), an album release, a film for improvisers, and 3 new artist commissions where they to respond to The Mirror with a new piece of work. All three artist responses by Dina Kelberman, Porest (Mark Gergis) and Hearty White are now available, so we’re putting them all together online here:
Description: When I thought about the word “reflections” this is what my brain showed me. Something about reflects, reflex, reflection symmetry, shapes, walls, and now that i think about it it’s probably a lot to do with sitting in a tiny room full of corners all day every day. Also laptop symmetry. These might all just be portraits of my laptop.
Bio: Dina Kelberman is an interdisciplinary artist recently transplanted from Baltimore, MD to Los Angeles CA. Kelberman has created original web-based pieces for the New Museum and The Marina Abramovic Institute and has participated in numerous design and photography biennials. Her work has been written about in The New York Times, Art21, NPR, Known and Strange Things (Cole, 2016) and most recently The Focal Press Companion to the Constructed Image in Contemporary Photography (Routledge, 2018) and Olia Liliana’s “An Infinite Seance 3”. In 2018 she was invited to speak at the UbuWeb conference in Athens and the Post-Photography Prototyping Biennial in London. She is currently ranked 5th in the world for Most Lines in Tetris for the Nintendo Entertainment System.
We’re pleased to release the last our 3 artist commissions made in response to The Mirror.
The first was by Dina Kelberman, the second was a 50-minute new audio piece by Porest (Mark Gergis) and now we’re presenting a brand new 50-minute audio work by HEARTY WHITE. You can listen here and download at bandcamp.
(Please note, this is a piece of audio by Hearty White, and the link embed above lists it as People Like Us purely because it’s on our bandcamp page)
Bio: Hearty White lives and doesn’t work in Lexington, KY, birthplace of Richard Hell. His radio non-career spans decades. He loves you in theory. Listen to Hearty White’s WFMU radio show:
More info on The Mirror by People Like Us and these artist commissions:
We’re pleased to tell you that Vicki Bennett will be Hallwalls Artist in Residence (HARP) at Hallwalls Contemporary Arts Center in Buffalo, NY from 2019-2020. We will start making a new project for them later this year and keep you up to date once we begin. We are doing the residency remotely until Fall 2020, when we will be there to output and broadcast the completed new work.
Hallwalls Artists-in-Residence Project (HARP) is a successful multidisciplinary artists residency program, which is funded in most years (with the exceptions of 1996–97, 1997–98, and 2004–05) by the National Endowment for the Arts, a federal agency; in most years by The Andy Warhol Foundation for the Visual Arts (for visual & media artists); and from 2008 to 2010 by the Nimoy Foundation (for visual & media artists). Some musicians in residence since 2010 (Roscoe Mitchell in 2010, Wadada Leo Smith in 2012) have been supported in addition or solely by the Jazz Presenting Program of Chamber Music America (CMA). The goal of the project is to support invited artists through professional stipends, materials and fabrication budgets, workspace, access to equipment and technical support, public presentations of their work in solo exhibitions, site-specific installations, screenings, and concerts, and interaction with local artists and communities through collaboration, lectures, master classes, workshops, and in-school residencies. Coming next year, three new HARP projects, made possible with major grants from the National Endowment for the Arts (NEA), The Andy Warhol Foundation for the Visual Arts, and the Cullen Foundation.
HARP Artists 2019-2020
Douglas Ewart, George Lewis, & Douglas Repetto
People Like Us (Vicki Bennett)