Discrepant Sucata Tapes (CS72) SUC19
On Pre-Order. Shipping mid-October 2018
Vicki Bennett aka People Like Us returns to Sucata Tapes with another epic radio collage from the archives. You can buy the cassette (with a digital download included from us or Discrepant, and if you want just the digital download then get direct form Discrepant.
BUY HERE ON BANDCAMP
“The work of People Like Us rests gingerly between two dangerous positions: on the one hand, the risk of fashioning merely stylish pastiche out of borrowed finery for the sake of self-conscious kitschiness; on the other hand, the risk of making simplistic, heavy handedly “topical” audio-jokes at the expense of one’s raw material to a smug effect. If the lounge creeps uncritically snack on their sonic ingredients and coast on being “groovy”, the cads of pseudo-critique take cheap shots at straw men and call it subversion. Happily, Vicki Bennett has yet to fall down either precipice, but yodels down contentedly from her own Alpine audio-cottage. There, with loving care, she snips and tucks at the lycra jumpsuit until the fit is snug, places every plastic shrub on the Happy Valley Ranch just so, and throws another dance record on the bonfire. Undercutting her own utopian mirages with formal breakdowns and sneaky semantic pranks, Vicki Bennett is One Funny Lady, with a deadly sense of comic timing that puts her in my personal pantheon of edit intensive music makers: -Steinski and Mass Media, Hank Shocklee, Tod Dockstader, Teo Macero, the Hanatarash, John Oswald, Runzelstirn & Gurgelstock. Serving her birthday cake with a turd, her gags are always lined with a virulent creep factor. You get the feeling that the vacancy and pointlessness of empty speech is being lampooned and mourned in equal measure. In sticking to this balance of celebration and critique, People Like Us genuinely hates and loves People Like You. The least you can do is head up to the Happy Valley Ranch for a spell and have a listen.” – Drew Daniel
We are very pleased to let you know that we have another release on the wonderful label Discrepant. Brave new old work by Vicki Bennett aka People Like Us. A journey into her early radio experiments with some dating back 20 years!
Vicki Bennett’s People Like Us began life as a three hour radio show on Brighton’s Festival Radio in 1990 called Gobstopper. She went on to release around 20 solo albums based on her radio sound collages, and after a decade working primarily with sound, has increasingly worked with film and images. She has recently produced collage and multi-screen, multi-speaker work, including 2013’s touring film and performance piece Notations, a film used as a score for improvising musicians, and Gone, Gone Beyond (2017++), a 10 screen, 8 speaker immersive cinema work for Recombinant Media Lab’s CineChamber.
Yes, these two albums are now reissued… on cassette!
Now deleted on cassette but available on bandcamp:
PEOPLE LIKE US – A FISTFUL OF KNUCKLES – SOLD OUT!!!
PEOPLE LIKE US & KENNY G – NOTHING SPECIAL – SOLD OUT!!!
The Tapeworm # TTW#02 [Cassette]
Cassette only – limited edition of 250 copies
available from our shop
A: Part One – 17m12s
B: Part Two – 15m07s
Jean Baudrillard’s “Le Xerox et l’Infini” – originally published in Paris, 1987 – as read by Patricia and Ellen. Recorded on 12 July 2009 by Vicki Bennett in Hersham, England. Translation: Agitac, London, November 1988.
“Jean Baudrillard is perhaps the most important theorist of the ‘after modern’. Though he says himself he has ‘nothing to do with postmodernism’, many interpret him (along with Jean-François Lyotard) as among the most important prophets of a truly postmodern era. His works have attracted high praise and derision all over the world.”
Patricia and Ellen were born in Reims, north-eastern France, on July 29, 1929. They told interviewers that their grandparents were peasants and their parents were civil servants. They became the first of their family to attend university when they moved to the Sorbonne in Paris. There they studied German, which led to them to begin teaching the subject at a provincial lycée, where they remained from 1958 until their departure in 1966. While teaching Patricia and Ellen began to publish reviews of literature, and translated the works of such authors as Peter Weiss, Bertolt Brecht and Wilhelm Mühlmann.
Later on, with the development of the magnetic tape recorder, Patricia and Ellen used these new means in order to manipulate their performances and expand the possibilities of language sound transformations. Patricia and Ellen continue to actively perform their work, the contextual quality of which is enhanced by their idiosyncratic delivery.
Jean Baudrillard Le Xerox et l’Infini – Hard Format (August 2009)
Jean Baudrillard Le Xerox et l’Infini – Aquarius Records (August 2009)