Welcome to the only official site for People Like Us and Vicki Bennett
Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives. Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at, amongst others, Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. She has an ongoing sound art radio show 'DO or DIY' on WFMU. The People Like Us back catalogue is available for free download hosted by UbuWeb.
In 2015 Vicki completed a new A/V performance CITATION CITY, a project using techniques of Walter Benjamin’s Arcades Project in relation to London-based feature films. This premiered at transmediale Berlin, and Flatpack Film Festival Birmingham UK. Nothing Can Turn Into A Void – a documentary film about People Like Us has been screening in cinemas and festivals since Autumn 2015. Currently, Vicki is focussing on expanding both audio and moving image work for a multiscreen and multi-speakered environment with Recombinant Media Labs, and the new Expanded Radio commission Optimized! broadcast on WFMU in June 2016. Her most recent commission No One Is An Island, for WDR, broadcast on 9 April 2016.
In recent years, the internet and a raft of new technologies have transformed the ways in which we produce, perceive and consume music. And as the reality of music’s new digital economy starts to bite, musicians and labels are having to rethink both philosophy and practice, addressing the issue of how they create and disseminate work – while some decry the free movement of music across file sharing networks and the collapse of traditional record industry models, others look to exploit the new possibilities offered by crowd sourcing and social networking.For this panel discussion chaired by The Wire‘s Publisher and Editor-in-Chief Tony Herrington, Vicki Bennett (People Like Us), Chris Cutler (ReR Records), Robin Rimbaud (Scanner) and Kiran Sande (FACT, Blackest Ever Black) discussed possible responses to the challenges posed by music’s changing eco-system.
The Wire and Sound And Music‘s Off The Page festival took place 24–26 February at The Playhouse Theatre in Whitstable.
EXTRA compiles miscellaneous research materials generated through the activities of RWM. The section includes conversations with artists and curators, additional documentation and transcripts of programs, with the aim of offering a more complete vision of the different research lines of the RWM project.
Later in the year in October RWM will also publish a radio mix and essay by Vicki.