Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution for 25 years. Since her first publication in 1992, Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and appropriation as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant.
People Like Us/Vicki has performed and been screened at hundreds of venues (Tate Modern, Whitechapel Gallery, the National Film Theatre/BFI, Purcell Room, Barbican, ICA, V&A., BBC Proms, Centre Georges Pompidou (Paris), Sonar (Barcelona), MAXXI/National Museum of XXI Century Arts (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City)) and radio stations – created radioworks for John Peel and Mixing it (BBC Radio) and WDR (Germany), and since 2003 has a radio show on WFMU(.org). Vicki’s work has been archived on UbuWeb since 2003, with hundreds of thousands of downloads.
November 2018 – “The Mirror” new a/v performance, Oslo
November 2018 – “The Mirror” new a/v performance, Spill Festival, Ipswich UK (double bill with CarterTutti)
October 2018 – “The Mirror” new a/v performance, Berlin HKW
October 2018 – “The Mirror” new a/v performance, Oviedo, Spain
July 2018 – “The Mirror” new a/v performance, MACBA Barcelona
July 2018 – “The Mirror” new a/v performance, Gijón Arenas Movedizas
July 2018 – “The Mirror” new a/v performance, Cafe Oto, London (double bill with Carl Stone)
May 2018 – “The Mirror” new a/v performance, Splice Festival, Rich Mix, London
April 2018 – “The Mirror” new a/v performance, Flatpack Film Festival, Birmingham
April 2018 – “The Mirror” new a/v performance, Cafe Oto, London
April 2018 – “The Mirror” new a/v performance, Belfast Film Festival, Crescent Arts Centre
April 2018 – “The Mirror” new a/v performance UK Premiere, Greek Film Archive, Athens
April 2018 – “The Mirror” new a/v performance Premiere, FACT, Liverpool
April 2018 – Consequences (One Thing Leads to Another) as a special edition stand alone edit for Other Cinema, San Francisco (April 7)
March 2018 – “Best of PLU” Sounds Like This Festival, Leeds (accompanied by solo exhibition)
October 2017 – World Premiere Screening of Gone, Gone Beyond – 360 surround movies at Recombinant Festival, Gray Area Foundation for the Arts, San Francisco
October 2017 – Screening of various films at Test Dept’s Assembly of Disturbance Festival at Red Gallery, London
October 2017 – Screening of 20 minute artist edit of Citation City at Other Cinema, San Francisco
September 2017 – Concert of selection of previous works at Brighton Digital Festival at Attenborough Centre for the Arts, Brighton Falmer
May 2017 – week of performances/screenings for school children, Oslo
March 2017 – Citation City at Hull UK City of Culture (ReROOTed)
February 2017 – Selection of previous works at Cafe Oto
December 2016 – Shopping from Citation City at Other Cinema, San Francisco
November 2016 – Citation City at Dundee Contemporary Arts, Scotland
October 2016 – Magic (from Magical Misery Tour) and Magic (with Ergo Phizmiz) at Magic Late at the Horniman Museum, London
October 2016 – Nothing Can Turn Into A Void at Spectacle Theater, Brooklyn
July 2016 – Nothing Can Turn Into A Void at Norberg Festival
June 2016 – Optimized! Radio Residency at WFMU
May 2016 – Citation City at Delco Festival, Nimes
April 2016 – Citation City at Sonic Protest, Paris
February 2016 – Friday Late at V&A, London
November 2015 – improvisation at Cafe Oto with M.C.Schmidt and Jennifer Walshe
November 2015 – Nothing Can Turn Into A Void at Fylkingen, Stockholm
November 2015 – Citation City at Brighton Cinecity Festival
November 2015 – Nothing Can Turn Into A Void at Brighton Cinecity Festival
October 2015 – Work, Rest & Play at Curtocircuito. Santiago de Compostela Film Festival-Santiago de Compostela
October 2015 – CCCitations at Other Cinema, San Francisco
September 2015 – Citation City at Walter Benjamin Now, Whitechapel Gallery, London
September 2015 – Citation City at Encounters Short Film Festival Bristol UK
August 2015 – Screening of We Are Not Amused at Usurp Zone5 Film Festival, London
April 2015 – Citation City at SMUP in Parede, Portugal
Now available for online viewing! The documentary about People Like Us.
British artist Vicki Bennett takes you on a roller coaster-ride with her art project People Like Us. In performances, videos, collages and music, her amazing editing techniques and sense of humor leave you flabbergasted and enthusiastic at the same time. People Like Us is like free-zone where appropriation meets alchemy, humor meets social critique and the boundless imagination meets reality.
A film by Carl Abrahamsson, Sweden, 2015. 58 min. Produced by trapartfilm.com
Placed here for reference/viewing purposes only. If you would like to screen it contact jakob AT trapartfilm.com or carl AT trapartfilm.com
Nothing Can Turn Into A Void, the doc film about People Like Us will screen in Stockholm, Sweden on 26 November at 7pm
at Fylkingen, Torkel Knutssonsgatan 2, 118 25 Stockholm, Sweden
Two films by Carl Abrahamsson. TRAPART FILM, Sverige 2015.
Introduced by Carl Abrahamsson
Entrance: 100/80 kr (medlemmar & studerande)
NOTHING CAN TURN INTO A VOID
– AN ART APART: PEOPLE LIKE US
British artist Vicki Bennett takes you on a roller coaster-ride with her art project People Like Us. In performances, videos, collages and music, her amazing editing techniques and sense of humor leave you flabbergasted and enthusiastic at the same time. People Like Us is like free-zone where appropriation meets alchemy, humor meets social critique and the boundless imagination meets reality (so called).
58 mins. A film by Carl Abrahamsson, Sweden, 2015.
ONCE THE TOOTHPASTE IS OUT OF THE TUBE
– AN ART APART: CHARLES GATEWOOD
American photographer Charles Gatewood started out in the 1960s as a young man with dreams of showing the world the radical cultural developments that were going on in his country. He met many of the iconic instigators of change and documented them for posterity. As the decades passed, Gatewood drifted more and more into a personal expression of sexual subcultures, both in America and abroad. His powerful photos of pioneers within the tattooing- and piercing scenes helped pave the way for the movement that was to be called “Modern Primitives”. It’s a classic example of when art, and in this example, specifically photography, merges with its general environment and takes on new forms that are impossible to stop. Or, as the San Francisco based photographer himself describes it: “Once the toothpaste is out of the tube, you can’t put it back”.
58 mins. A film by Carl Abrahamsson, Sweden, 2015.
NOTHING CAN TURN INTO A VOID – an hour-long doc film about People Like Us is now finished. If you are a festival or event organiser and wish to screen this film please get in touch with the creator Carl Abrahamsson direct by contacting jakob AT trapartfilm.com or carl AT trapartfilm.com. If you have previously booked People Like Us for a concert and are interested, please get in touch with us direct through our Contact page.
British artist Vicki Bennett’s work within the project called “People Like Us” takes you on a journey into a world where literally anything can happen. Using her skills as an editor and a great sense of humor, she lets you roam through a world of imagination filled with contrasts and chance encounters between the past and the present. In performances, video work, music and collages, Bennett conveys that nothing is really what it seems. For more information, please visit: Trapart Film
14 February – 7 March 2014 (Preview 13 February 5-7pm)
Leeds College of Art Blenheim Walk, Leeds, UK
Shutter is a new audio-visual exhibition by film and sound collagist Vicki Bennett that enables us to peer into a parallel cinematic world that exists between the edits, when we are not looking at the screen. http://www.leeds-artexhibitions.co.uk/?p=1180
The exhibition consists of three a/v video works (one projected and two on video monitors) and nine prints. There is also an edition of 20 of two of these prints.
“The Big Sleep”  Video (19 mins, 12 secs)
Sleep deficient actors drift in and out of consciousness.
“Blink”  Video (1 hour, 35 mins, 39 secs)
Every frame missed while watching A Nightmare on Elm Street.
“Dreaming”  Video (4 mins, 16 secs)
VICKI BENNETT “SHUTTER”
“Shutter” is a new audio-visual exhibition that enables us to peer into a parallel cinematic world that exists between the edits, when we are not looking at the screen.
Actors aren’t seen to rest a lot in films, considering people on average sleep 8 hours a day. More often than not, feature films contain a stream of attention-grabbing imagery and noise, and if the mood does slow down there is still dialogue, music and other distractions.
In feature films we don’t see the real-time flow of everyday life, we don’t see the actors queuing, watching TV, reading a book, sleeping. Nor do we witness the mundane – we see the James Bond car chase but no stopping off to eat a panini. Reality can be brought back into film by revealing actors in their normal, uneventful moments. Actors need to sleep as well. Where do they go after a film has ended? What do we miss when we blink while watching a movie? What is it really like on the other side of the screen? This exhibition addresses these subjects and attempts to take us to these places.
2 editions of 20 (below) – purchase from our shop
Since 1991 Vicki Bennett has been working across the field of audio-visual collage, and is recognized as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives. Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio.
People Like Us have previously shown work at Tate Modern, The Barbican, Centro de Cultura Digital, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. In 2006 Vicki was the first artist to be given unrestricted access to the entire BBC Archive. The ongoing sound art radio show ‘DO or DIY’ on WFMU has had over a million “listen again” downloads since 2003. The People Like Us back catalogue is available for free download hosted by UbuWeb. http://peoplelikeus.org/category/biography/
Here’s a entertaining, informative (we hope) one-hour video travelogue of our recent Notations Tour.
Featuring performers Bill Orcutt, Rhodri Davies, M.C. Schmidt, Philip Jeck, Jaap Blonk, Steve Noble, Wobbly, Mark Sanders, Tomomi Adachi and Jennifer Walshe. Oh, and People Like Us. Also, tour producers Richard Whitelaw and Lee Etherington make appearances.
Thanks to those that attended Leeds NOTATIONS at Hyde Park Picture House as part of Leeds International Film Festival on 16 Nov 2013 – here are two edits with M.C. Schmidt, Tomomi Adachi and Wobbly. Thanks to Tusk and Sound & Music!
Thanks to all who came to Newcastle NOTATIONS on Halloween, here’s a small excerpt of the evening performed by Rhodri Davies, Mark Sanders & Bill Orcutt. Thanks to Tusk Music and Sound & Music!
Next stop Manchester on 14 November with M.C. Schmidt (Matmos), Wobbly & Jennifer Walshe. peoplelikeus.org/2013/notations-tour/
This one below is recorded direct from the desk and is matched with the original film of NOTATIONS.