Our project The Mirror consists of an a/v performance (and sometimes stand alone movie), an album release, a film for improvisers, and 3 new artist commissions where they to respond to The Mirror with a new piece of work. All three artist responses by Dina Kelberman, Porest (Mark Gergis) and Hearty White are now available, so we’re putting them all together online here:
Description: When I thought about the word “reflections” this is what my brain showed me. Something about reflects, reflex, reflection symmetry, shapes, walls, and now that i think about it it’s probably a lot to do with sitting in a tiny room full of corners all day every day. Also laptop symmetry. These might all just be portraits of my laptop.
Bio: Dina Kelberman is an interdisciplinary artist recently transplanted from Baltimore, MD to Los Angeles CA. Kelberman has created original web-based pieces for the New Museum and The Marina Abramovic Institute and has participated in numerous design and photography biennials. Her work has been written about in The New York Times, Art21, NPR, Known and Strange Things (Cole, 2016) and most recently The Focal Press Companion to the Constructed Image in Contemporary Photography (Routledge, 2018) and Olia Liliana’s “An Infinite Seance 3”. In 2018 she was invited to speak at the UbuWeb conference in Athens and the Post-Photography Prototyping Biennial in London. She is currently ranked 5th in the world for Most Lines in Tetris for the Nintendo Entertainment System.
We’re pleased to release the last our 3 artist commissions made in response to The Mirror.
The first was by Dina Kelberman, the second was a 50-minute new audio piece by Porest (Mark Gergis) and now we’re presenting a brand new 50-minute audio work by HEARTY WHITE. You can listen here and download at bandcamp.
(Please note, this is a piece of audio by Hearty White, and the link embed above lists it as People Like Us purely because it’s on our bandcamp page)
Bio: Hearty White lives and doesn’t work in Lexington, KY, birthplace of Richard Hell. His radio non-career spans decades. He loves you in theory. Listen to Hearty White’s WFMU radio show:
More info on The Mirror by People Like Us and these artist commissions:
The WFMU Fundraising Marathon 2018 starts today, Sunday 4 March and runs for two weeks. People Like Us has had a radio show on WFMU since 2003 and been played on the station for waaay longer than that. WFMU has supported People Like Us immensely, artistically and gifted us with lots of new friends. It makes our world a much richer place. Two of these friends we will co-host with this coming week. Tune in and please pledge. It’s a great two weeks of the year. The marathon is also great fun. Lots of co-hosting, and lots of marathon prizes to be had. Tune in, and involve yourself.
Wednesday 7 March : 9am – Noon (NY Time) Vicki Co-Hosts with Ken
pledge for Ken’s show: http://pledge.wfmu.org/donate/KF
Listen to the archive here
Thursday 8 March : 7pm – 8pm (NY Time) Vicki Co-Hosts with Hearty White
pledge for Hearty White’s show: http://pledge.wfmu.org/donate/HA
Listen to the archive here
We are pleased to announce a new audiovisual immersive cinema performance by People Like Us called The Mirror, performed (and screened in Theatrical form if in the US) from March 2018 worldwide.
The Mirror is a live a/v performance which splices together movie snippets with unique sample-based music exploring the masks that we wear represented through the lens, using parallel narratives across the screen to depict an ever-changing stream, rather than a singular, fixed being, narrative or moment in time.
“A feat of research and craft, this new work is a spellbinding inquiry into editing and juxtaposition; a collage one can unthread allowing the viewer to discover hidden stories through familiar images. The soundtrack is performed live, made up from hundreds of preexisting songs, as well as particular sounds from the original film clips.” — Flatpack Film Festival
”With The Mirror Bennett has proven herself an alchemist of popular music, able to push her source material into fresh and engaging places.” — The Wire
”Because of the use of familiar pop sounds, “The Mirror” is often grandiose. Like an epic film only with highs, never letting the listener down or letting him doubt the power of pop. Even, of course, when the coordinates are twisted, mixed, over or underrepresented. Each moment feels like something that could only happen in a parallel universe. Although that may sound naïve, it’s just a lost thought of reaction to the beautiful collages of People Like Us in “The Mirror”. This mirror doesn’t reflect an image of ourselves or an image of pop. But an image on the way memories drift and are being constant rebuilt. An unfinished collage.” — Boomkat
“Bennett celebrates the song stylists, the crooners, the sirens and interpreters of melody, and all the psychedelic in-between. The songs she pulls from seem to stem between 30’s ballroom and 70’s soft disco, here presented like being in a deep REM-state, dreaming of being at the drive-in, in warped Panavision. Essential.” toneshift.net
18 March 2018 – World Premiere: Athens Greek Film Archive Foundation (as part of Shadow Libraries: UbuWeb in Athens, organised and produced by the Onassis Cultural Centre-Athens) – tickets/info
13 April 2018 – UK Premiere: Liverpool FACT – tickets
17 April 2018 – Belfast Film Festival at Crescent Arts Centre – tickets
20 April 2018 – London Cafe Oto – tickets
21 April 2018 – Birmingham Flatpack Festival – tickets
12 May 2018 – London Splice Festival, at Rich Mix – tickets
11 July 2018 – London Cafe Oto, double bill with Carl Stone – tickets
19 July 2018 – Gijón LEV Arenas Movedizas – free entry
26 July 2018 – MACBA, Barcelona – tickets
17th September 2018 – Theatrical Screening (not live) – Bryce’s Show on WFMU
19th & 20th September 2018 – Theatrical Screening (not live) – Spectacle Theater, Brooklyn – tickets
20 October 2018 – 100 Years of Copyright Festival, Berlin HKW – tickets
2 November 2018 – Spill Festival, Ipswich – tickets
10 November 2018 – Kunstnernes Hus, Oslo Norway – tickets
15 November 2018 – Brighton “Cinecity” Film Festival at Fabrica – tickets
30 November 2018 – Theatrical Screening (not live, we do not perform in concerts in the US) Recombinant Festival, Gray Area, San Francisco – tickets
9 February 2019 – Theatrical Screening (not live, we’ll not be there) – The Voix de Ville 2019 / ARTxFM annual fundraiser at Columbia Theatre, Louisville Kentucky – tickets
27 March 2019 – Musikbrauerei, Berlin – tickets
6 April 2019 – Theatrical Screening (not live) – Other Cinema, ATA, Valencia St, San Francisco – tickets
23-28, April 2019 – Theatrical Screening at AFO Olomouc, Czech Republic.
9 May 2019 – Venice Biennale at HILLARY: The Hillary Clinton Emails by Kenneth Goldsmith after the opening reception. RSVP
14 June 2019 – Newcastle Culture Lab – The Mirror and Objects in the Mirror Are Closer Than They Appear
22 June 2019 – Iklectik Art Lab, London
15 September 2019 – Theatrical Screening (not a concert) at 21C Museum Hotel, Lexington, KY (introduced by Hearty White)
28 September 2019 – Theatrical Screening (not a concert) at Radius Gallery Santa Cruz, CA
Coming up in 2020 – Geneva, Monaco, Innsbruck
If you are a festival organiser with a budget and are interested in booking this, please get in touch by way of our Contact Form. If you are in a country requiring a work visa to perform we can in very special circumstances make this work into a stand alone movie, but generally this is only available as a performance with the artist present and you will need to gain necessary papers for us to agree.
SUPPORTING WORKS AND ARTICLES
Download higher resolution images from The Mirror
3 artist commissions : we have commissioned new works by artists responding to The Mirror:
Reflects by Dina Kelberman (December 2018)
Abject Mirror by Porest (Mark Gergis) (January 2019)
The Mirror by Hearty White (January 2019)
(view all three on one url)
The Mirror CD/digital download contains music from The Mirror, and tracks from Gone, Gone Beyond
New Film for Improvising Musicians and Artists – titled Objects In The Mirror Are Closer Than They Appear. This is not the first film we have made of this type. Previous to this was Notations (which included a national tour in the UK (followed by further dates internationally) with a fantastic roster of improvisers, supported by Sound and Music), as well as some collaborations where we have made the film then made sections available to other artists and musicians to respond (Gesture Piece and CCCitations). You can enquire about performing with this movie by way of our Contact Page. Our first performance will be in Newcastle, UK in June 2019, as part of a collaboration with Newcastle University Department of Music.
Interview with Anne Hilde Neset on BBC Radio 3’s Late Junction, 8 January 2019
Listen to the interview
Interview with Robert Worby and full airy of performance of The Mirror (at Cafe Oto) on BBC Radio 3’s Hear and Now, 19 January 2019
Listen to the interview
Graham Duff – The Mirror a reflection upon the work and surrounding subject matter
Interview in The Wire Magazine in a phone conversation with Emily Bick of The Wire Magazine, Vicki Bennett reflects on The Mirror, Gone, Gone Beyond, and working with preexisting footage.
Info sheet / teaching pack – collected insights on the making of this work by Vicki Bennett.
Shortcut for this url is http://peoplelikeus.org/themirror.htmlContinue reading
The new 47-minute immersive 360 film “Gone, Gone Beyond” by People Like Us will World Premiere in San Francisco this 11-14 October 2017 at Recombinant Festival at Gray Area Foundation for the Arts. Developed in collaboration with Recombinant Media Labs, Gone, Gone Beyond will screen in CineChamber, a 10 screen/8 speaker space with seamless wrap around projection and surround sound, where the audience sit inside. Gone, Gone Beyond uses edited collage sewn together in a giant patchwork. Pull on a thread and watch whole new narratives expand and unravel all at once on a 360 palette.
The following conversation was conducted between Vicki Bennett and WFMU DJ and artist Hearty White in September 2017.