Welcome to the only official site for People Like Us and Vicki Bennett
Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives. Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at, amongst others, Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. She has an ongoing sound art radio show 'DO or DIY' on WFMU. The People Like Us back catalogue is available for free download hosted by UbuWeb.
Nothing Can Turn Into A Void – a documentary film about People Like Us has been screening in cinemas and festivals since Autumn 2015. Currently, Vicki is focussing on expanding both audio and moving image work for a multiscreen and multi-speakered environment with Recombinant Media Labs, with a new 10 screen work "Gone, Gone Beyond" and there will be a new People Like Us live performance "The Mirror" premiering at FACT, Liverpool in Spring 2018.
Curated by Ilan Volkov, Tectonics brings together musicians from different worlds and backgrounds for an audience that’s open and ready for new experiences and surprises. The festival will include young composers and pioneering figures, chamber music, orchestral music and electronic performances.
People Like Us are currently creating a new work entitled GESTURE PIECE*, which will premiere at Tectonics Festival in Reykjavik. This is a film created for accompaniment by live improv musicians, who in this case will be the following performers: Skúli Sverrisson, Davíð Þór Jónsson, Kristín Þóra Haraldsdóttir, Hlynur Aðils.
To mark the centenary of John Cage’s birth, Ilan Volkov has curated a programme that reflects the composer’s iconoclastic thinking, fertile imagination and arresting humour.
John Tilbury, who has for decades been associated with Cage’s work tonight plays the exquisitely beautiful Concerto for Prepared Piano and Orchestra. Cassette players and plucked cactuses are just two examples of the blindingly original yet almost naively simple thinking that saw Cage – wittingly or otherwise – upturn practically every musical rule in the book.
The following pieces will be performed over the course of the evening, and Vicki Bennett will be one of eight participants performing “Improvisation III” and “Branches”.
Cage – 1O1 (12 mins)
Cage – Improvisation III (12 mins)
Christian Marclay – Luggage 2012 – improvisation for orchestra (c5 mins)
Cage – Atlas eclipticalis/Winter Music/Cartridge Music (30 mins)
Cage – Concerto for Prepared Piano and Orchestra (20 mins)
Cage – Four2 (7 mins)
Cage – But what about the noise of crumpling paper … (15 mins)
Cage – Experiences II (3 mins)
Cage – ear for EAR (Antiphonies) (2 mins)
David Behrman, Takehisa Kosugi, Keith Rowe & Christian Wolff – Quartet – improvisation (c25 mins)
Cage – Branches (20 mins)