Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution for 25 years. Since her first publication in 1992, Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and appropriation as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant.
Development of 8 speaker / 10 screen audiovisual installation “Gone, Gone Beyond” with Recombinant Media Labs [2016/2017/2018++]
“Can’t Stop What’s Coming” video for THE THE 
No One Is An Island radio commission for WDR to be broadcast 9 April 2016 on WDR 3 [Summer 2015-Winter 2015]
Curation of films for Concert of Collage, Watershed, Bristol [September 2015]
Nothing Can Turn Into A Void, editing a feature length doc film by Carl Abrahamsson about Vicki Bennett/People Like Us [Spring 2015]
Book collaboration with Gregor Weichbrodt The Fundamental Questions [Summer 2014]
Those Who Do Not T Shirt Commission [Summer 2014]
Printed in a light blue and white on an electric blue T-shirt with The Wire logo and Vicki Bennett Those Who Do Not printed in light blue on the back of the neck. Limited edition of 100 shirts.
Touring award from Sound and Music for Notations [Autumn/Winter 2013]
7th October 2016 from 7.30pm
The premiere NYC screening of Nothing Can Turn Into A Void – An Art Apart: a documentary about Vicki Bennett/People Like Us will screen in a double bill with Change Itself – An Art Apart: Genesis Breyer P-Orridge.
A documentary focusing on the British artist Vicki Bennett and her project People Like Us. Her work takes you on a journey into a world where literally anything can happen. Using her skills as an editor and a great sense of humor, she lets you roam through a world of imagination filled with contrasts and chance encounters between the past and the present. In performances, video work, music and collages, Bennett conveys that nothing is really what it seems. TRAILER: https://vimeo.
Now available for online viewing! The documentary about People Like Us.
British artist Vicki Bennett takes you on a roller coaster-ride with her art project People Like Us. In performances, videos, collages and music, her amazing editing techniques and sense of humor leave you flabbergasted and enthusiastic at the same time. People Like Us is like free-zone where appropriation meets alchemy, humor meets social critique and the boundless imagination meets reality.
A film by Carl Abrahamsson, Sweden, 2015. 58 min. Produced by trapartfilm.com
Placed here for reference/viewing purposes only. If you would like to screen it contact jakob AT trapartfilm.com or carl AT trapartfilm.com
People Like Us will perform Citation City at Brighton Cinecity (say that fast!) on 21 November 2015 at Sallis Benney Theatre on Grand Parade, Brighton at 7.15pm. http://www.cine-city.co.uk/festival-event/citation-city-people-like-us/
Also on at the same festival and venue on 18 November 2015 will be a double bill of the WFMU doc “Sex and Broadcasting” with the People Like Us doc “Nothing Can Turn Into A Void”. http://www.cine-city.co.uk/
NOTHING CAN TURN INTO A VOID – The documentary film about People Like Us will screen at Huset in Copenhagen on 29 October 2015.
Nothing Can Turn Into A Void, the doc film about People Like Us will screen in Stockholm, Sweden on 26 November at 7pm
at Fylkingen, Torkel Knutssonsgatan 2, 118 25 Stockholm, Sweden
Two films by Carl Abrahamsson. TRAPART FILM, Sverige 2015.
Introduced by Carl Abrahamsson
Entrance: 100/80 kr (medlemmar & studerande)
NOTHING CAN TURN INTO A VOID
– AN ART APART: PEOPLE LIKE US
British artist Vicki Bennett takes you on a roller coaster-ride with her art project People Like Us. In performances, videos, collages and music, her amazing editing techniques and sense of humor leave you flabbergasted and enthusiastic at the same time. People Like Us is like free-zone where appropriation meets alchemy, humor meets social critique and the boundless imagination meets reality (so called).
58 mins. A film by Carl Abrahamsson, Sweden, 2015.
ONCE THE TOOTHPASTE IS OUT OF THE TUBE
– AN ART APART: CHARLES GATEWOOD
American photographer Charles Gatewood started out in the 1960s as a young man with dreams of showing the world the radical cultural developments that were going on in his country. He met many of the iconic instigators of change and documented them for posterity. As the decades passed, Gatewood drifted more and more into a personal expression of sexual subcultures, both in America and abroad. His powerful photos of pioneers within the tattooing- and piercing scenes helped pave the way for the movement that was to be called “Modern Primitives”. It’s a classic example of when art, and in this example, specifically photography, merges with its general environment and takes on new forms that are impossible to stop. Or, as the San Francisco based photographer himself describes it: “Once the toothpaste is out of the tube, you can’t put it back”.
58 mins. A film by Carl Abrahamsson, Sweden, 2015.
NOTHING CAN TURN INTO A VOID – an hour-long doc film about People Like Us is now finished. If you are a festival or event organiser and wish to screen this film please get in touch with the creator Carl Abrahamsson direct by contacting jakob AT trapartfilm.com or carl AT trapartfilm.com. If you have previously booked People Like Us for a concert and are interested, please get in touch with us direct through our Contact page.
British artist Vicki Bennett’s work within the project called “People Like Us” takes you on a journey into a world where literally anything can happen. Using her skills as an editor and a great sense of humor, she lets you roam through a world of imagination filled with contrasts and chance encounters between the past and the present. In performances, video work, music and collages, Bennett conveys that nothing is really what it seems. For more information, please visit: Trapart Film