Oscillation: Tuned Circuits

Online and Brussels Mill, Belgium
29|04|2021 – 02|05|2021

Four day festival in Brussels taking its name from radio pioneer Daphne Oram. The festival will also broadcast audio via its website regardless. Featuring talks, concerts and workshops from People Like Us, Catherine Lamb, Daphne Oram, Farida Amadou, Lucretia Dalt, Goodiepal & Pals, Áine O’Dwyer, Jessica Ekomane, Jonáš Gruska and Lukas De Clerck. Online and Brussels Mill, 29 April–2 May.

Here’s an interview conducted by Henry Andersen of Oscillation Festival Vicki Bennett about process.

People Like Us will have a special one hour audio mix broadcast on the radio, and you can watch The Mirror online via their website, for the entirety of the festival.

https://oscillation-festival.be/

I Can Fly – new radio piece for WDR

I Can Fly
A Radio Collage by Vicki Bennett

Created for Open Sounds on WDR 3
Premiere Broadcast 25 April 2020 10:04pm – Midnight on WDR 3
Listen to the live stream using the Play button: https://www1.wdr.de/radio/wdr3/index.html
The WDR 3 archive link is available until 2 May 2020.

People Like Us have created a new radio work for WDR around the theme of flying, premiere is the above date. https://www1.wdr.de/radio/wdr3/programm/sendungen/wdr3-open-sounds/index.htm

The working process of making I Can Fly involves taking the transcripts from the interview participants, cutting them up and creating the radio work as a text piece first.
Listen to Vicki Bennett answer questions about the piece

What it is to be “grounded” or “elevated”, and how is it that they relate directly to each other?  When is not flying defining us more than flying?  How much is being on the ground and/or the normal waking bodily situation constituting what it is to be “us”?  If we were in space or another planet with different or no gravitational pull how would it change our self definition which is so dependant upon our relationship to objects and people around us of the “normal/home” conscious experience? When is something not reality and when it is not ours (our body, our planet/surface) – how much does this relate to our needing to be on the planet’s surface or grounded in our own mind/body? How often do you think about the fact that we are flying on a planet through space? Why are we all dreaming the same thing?!!!

These are some of the questions being asked around the subject of flying by Vicki Bennett and answered by over 50 participants in this intricate and tangentially edited new radio collage work commissioned by Open Sounds on WDR.

Featuring the voices and recordings of:
Akāshamitra, Atau Tanaka, Ariadne, Austin Rich, Beth Arzy, Cameron Hamilton, Casper Carey, Cecilia Hae-Jin Lee, Dan Bodah, David Cox, Drew Daniel, Eric Kilkenny, Falco Carey, Gaylord Fields, Hearty White, Henry Löwengard, Iain Chambers, Jeff Carey, Jem Finer, Katja Seltmann, Kevin Hamilton, Kim Farrier, Kira O’Reilly, Leanne Bryan, Leech Ernowetz, Leon Clowes, Mark Gergis, Mark Heath, Mark Leahy, Melissa Healing, Michael Newman, Molly Hankwitz, Nicola Battista, Peter Jaeger, Peter Knight, Rahne Alexander, Richard Lindsay, Robert Worby, Runa Kirby Torbo, Seth Horvitz, Sharon Gal, Simon Faulkner, Simon Hamilton, Steven Ball, Tim Maloney, Tom Comitta, Vicki Bennett, Will Edmondes and Yvonne Szymczak

Thanks to all of the above for their generous input, which totally led the way in how the piece was put together.

Mastered by Mark Gergis

People Like Us Co-host in WFMU 2020 Fundraiser

Vicki will co-host with Hearty White in the WFMU 2020 Fundraising Marathon. Many of you will know about WFMU already – this is a listener funded radio station where none of the DJs are paid – all give time in kind with a capital K. These days it’s a rare thing to see ventures like this, many have been stamped on by the big boot of capitalism. If you are able to donate to WFMU you can both get some great swag and also be in the running for all sorts of DJ prizes and premiums.

https://pledge.wfmu.org/donate

Tune into Hearty White, co-hosted by Vicki on WFMU on 5th March at 7pm-8pm NY time (that’s midnight that evening in the UK) or listen to the archive shortly after here.

Some Bizzare Radio Special

Many thanks to Leon for having us on Reel Rebels Radio on The Avant-Garde for Middlebrows: a Some Bizzare label special. You can listen here:

Here’s the track list (selected from a much longer list):
Soft Cell – Entertain Me (Richard Skinner session)
Cabaret Voltaire – Sensoria
People Like Us – Feel It Steal It
Agnes Bernelle – Mother The Wardrobe Is Full Of Infantrymen
Dave Ball – Sincerity
Renaldo and the Loaf – Critical/Dance
Coli – Who By Fire
Marc and the Mambas – Untitled
Psychic TV – Stolen Kisses
The The – Perfect
Scraping Foetus Off The Wheel – Descent Into The Inferno
Swans – A Screw
Val Denham and Farmacia – As I Walked Out One Evening
Burmoe Brothers – Under The Blanket Of Love
Marc Almond and La Magia with Nico – Your Kisses Burn
The The – We Can’t Stop What’s Coming

Returning to Over The Edge on KPFA

29 November/30 November 2018 midnight on Thursday going into 3am Friday morning, California time. In the UK that is 8am-11am Friday
KPFA 94.1FM, online at https://kpfa.org/player?audio=live

We returned to the radio to guest with Jon Leidecker (Wobbly) on Negativland’s “Over The Edge” on KPFA Radio for the first time in 16 years, and this represents the 20 year mark of first appearing on Over The Edge.

You can tune in online, the show is 3 hours long.  https://kpfa.org/program/over-the-edge/

Since 1981, Negativland’s live mix, audio collage radio show, “Over The Edge,” has aired weekly for 3 hours at midnight, each Thursday on KPFA 94.1FM in Berkeley, California.  Mixed for 35 uninterrupted years by founder Don Joyce until his passing in 2015, the show continues on, now helmed by Wobbly (2nd & 4th Thursdays) and KROB (3rd Thursdays, as a frequently-broken rule).
 
OTE’s themed mixes are made live and spontaneously on the air from a variety of formats and equipment. There is a plan and there is no plan. The mix consists of found sound of many kinds and from many sources put together on the run as the continuous audio collage progresses.