BBC Radio 3 The Verb People Like Us interview

People Like Us will be on BBC Radio 3’s The Verb on Friday 8 December 2017 talking about scrolling culture (and google minds!) in relation to the creative process and The Fundamental Questions book, playing a specially made 3 minute group reading made from this.

Here’s the piece that we made : I Am A Poet (from The Fundamental Questions)

Group reading features:
Jaap Blonk, Dylan Nyoukis, Leo Chadburn, Mark Gergis, Chris T, Bryce Kretschmann, Medaya Ocher, John Aage Nilsen, Abbie Minard, Colleen Lindsay, Simon Faulkner, Scott Williams, Falco Carey, Hearty White, Kurt Gottshalk, Rebecca Schnell, Roslyn Sargeant, Michael Newman, Steven Ball, Cecilia Hae-Jin Lee, Nancy Novotny, MC Schmidt, Adrian Testcard, The Weatherman, Annabel McCourt, HK Kahng, Austin Rich, Tim Maloney, Matthew Curry, Drew Daniel, Alma, Silas and Peter Jaeger, Casper Carey, Paul Abbott, Tom Comitta, Will Edmondes, Catherine Backhouse, Krys O, Elkka Nyoukis, Miller Sargeant, Jhh Löwengard, Mike Lupica, Dan Solenoid, Greg Scharpen, Nick The Bard, Jon Leidecker, Ranjit Bhatnagar, Brancois Bonnet, Andie Brown, Ada Graham-Löwengard, Duncan Harrison, Gregor Weichbrodt and Vicki Bennett.

Artist Biography


Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits, 360 immersive installations and online streaming and distribution since 1992. She sees collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Using collage as a compositional tool, Vicki Bennett opens up endless opportunities to experience results that are more than the sum of the parts.  Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.

As a solo artist or collaborator Vicki has published more than 40 video projects and 50 audio recordings, with works released by labels including Illegal Art, Rough Trade, Soleilmoon Recordings, Discrepant, Sonic Arts Network and Touch. Vicki’s DO or DIY show on the fiercely independent New York City-market radio station WFMU has run since 2003. Her video work has been screened at Tate Modern, Whitechapel Gallery, BFI, Purcell Room, Barbican, ICA, V&A. Centre Georges Pompidou (Paris), Sonar (Barcelona), MAXXI/National Museum of XXI Century Arts (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City), among other institutions. Video works have been aired on Channel 4 and radio sessions created for John Peel and Mixing It.

People Like Us has been commissioned by Arts Council England, Barbican, Attenborough Centre (ACCA), The BBC, WDR, Deutschlandradio, PRSF, a-n, Great North Run, Sound and Music, Channel 4/Animate Projects, AV Festival, Hallwalls Contemporary Arts Center, Recombinant Media Labs (RML), Sonic Arts Network, Forma, LUX and Lovebytes.

To date, Vicki has had 7 solo exhibitions and participated in at least 20 group shows at MAXXI (Rome), Venice Biennale, HMKV (Dortmund), Centro de Cultura Digital (Mexico), Hatton Gallery (Newcastle), Vitrine (London), alt.gallery (Newcastle), Greene County Council for the Arts Gallery (NY), Peacock Visual Arts (Aberdeen), Pallant House (Chichester), Engramme (Quebec), La Scatola Gallery (London), Changing Room (Stirling), Franklin Street Works (Connecticut), Usurp Gallery (London), University of Greenwich Galleries, Matthew Gallery (Dundee), Edinburgh Printmakers, Millennium Gallery (Sheffield) Leeds College of Art, Sunbeam Studios (London) and Hallwalls Contemporary Arts Center (NY).

The work of People Like Us has been featured in many publications, including Sounds Like Silence – 4’33’’ Silence Today (Spectre Books 2012), The Journal of Writing In Creative Practice (Vol 7 Issue 1 2015), The Fundamentals of Sonic Art and Design by Tony Gibbs (Ava Publishing 2007), Cutting Across Media by Kembrew McLeod (Duke University Press 2011), Here To Go – Art, Counter-Culture and the Esoteric (Forum Nidrosiae 2014), Incredible Machines by Danny Snelson (avant 2014), Sensations of History (University of Minnesota Press 2019) and she has written for The Wire’s Collateral Damage (February 2012). Vicki has a whole chapter dedicated to her work in Duchamp Is My Lawyer The Polemics, Pragmatics, and Poetics of UbuWeb by Kenneth Goldsmith on Columbia University Press (2020) and a chapter in Different People – Conversations on Art, Life and the Creative Process by Carl Abrahamsson on Trapart (2021).

People Like Us has been reviewed in The Wire, BBC website, Bizarre Magazine, Rolling Stone, Frieze, The Independent, Record Collector, Time Out, Film Comment, The Guardian, The Scotsman, XLR8R, Baltimore City Paper, Sight and Sound, NME, Metro and San Francisco Bay Guardian, and interviewed for Found Footage Magazine (2016), The Observer (2006), Filmmaker Magazine (2015), The Wire (2014, 2011, 2008, 1999), Sight and Sound (2013), a-n Magazine (2012), Wired (2012), RadioWeb MACBA (2010), Sound and Music (2011), Sound Projector (2012, 2000), Bizarre Magazine (1999), NME (1995, 1996). On radio I’ve been interviewed on Late Junction (2016), Soundproof (ABC Radio National 2016), WDR 3 Open Sounds (WDR 2016), Cutting Up The Cut Up (BBC Radio 4 2015), North by Southwest (British Council 2012) PM (BBC Radio 3 2010), Twenty Minutes (BBC Radio 3 2009) and Mixing It (BBC Radio 3 2004). The May 2021 edition of The Wire features People Like Us – both a 30 year retrospective interview and also the cover photo.

Vicki has also curated publications and events: First Person, Fourth Wall (2020), Optimized! Expanded Radio Stream, WFMU (2016), Concert of Collage, Encounters Festival, Bristol (2015), Radio Boredcast, 744 hour radio station, AV Festival (2012), Nothing is New, Everything is Permitted event, AV Festival (2010), Sonic Arts Network CD Smiling Through My Teeth (2008) and a Humour in Music event, Purcell Room for Ether Festival (2002).

Notations, a film for live improvisers toured the UK with TUSK/Sound & Music in Autumn 2013; two films for Animate Projects/Channel 4 television, UK, broadcast as part of their Random Acts series. In 2015, Vicki created A/V performance Citation City, using techniques of Walter Benjamin’s Arcades Project in relation to London-based feature films. Nothing Can Turn Into A Void – a documentary film about People Like Us has screened in cinemas and festivals since Autumn 2015, and No One Is An Island, a radio work created for WDR, broadcast in April 2016. The Expanded Radio online/virtual commission/artist residency Optimized! broadcast on WFMU in June 2016. Since 2018, Vicki has been touring her solo a/v performance The Mirror, released an album under the same name, which reached No.8 in The Wire‘s albums of the year. Vicki produced the video for the spring 2018 The The Comeback Tour, and was participant in Sound and Music’s New Voices programme, and a-n Artist Bursaries 2019 recipient. The 45 minute radio art commission I Can Fly aired on WDR in Spring 2020.

In 2020, Vicki worked on two new pieces for her solo show as Hallwalls Artist in Residence (HARP), culminating in a solo exhibition First Person, Fourth Wall.

In 2021 People Like Us facilitated and toured Gone, Gone Beyond, an hour-long seamless multiscreen and multi-speakered immersive cinema installation to nyMusikk Oslo, SPILL Festival Ipswich, Attenborough Centre (ACCA) Brighton and London Barbican. Vicki also resumed her radio show DO or DIY with People Like Us on the WFMU Summer Schedule. Vicki also was the cover photo of the May 2021 edition of The Wire magazine.

2022 saw the solo exhibition “MIND MAPS: The Art of Vicki Bennett” at Sheehan Gallery, Walla Walla, USA and also Orfeó Lleidatà Lleda Spain. Gray Area San Francisco screened of Gone, Gone Beyond for three weeks in May, and “108”, a new 22 hour radio piece by People Like Us broadcast on Radio Arts Zone. People Like Us were joined by artist collaborators Gwilly Edmondez and Ergo Phizmiz to perform at The Wire Magazine’s 40th Anniversary event. Vicki created a radio commission “Changing Your Mind” for Deutschlandradio to be broadcast on 14 April 2023, and broadcast a mixtape for BBC Radio 3’s Late Junction. Rhapsody in Glue (w/ Ergo Phizmiz) was released as a lathe cut vinyl edition in November 2022.

2023 sees an IndieGoGo crowdfunded campaign to create a new live AV performance and album The Library of Babel – which Vicki is currently working on. Some of this will preview/premiere at a 3-Day People Like Us artist residency at CAFE OTO, London.

Sharity! Selected Works of People Like Us 2-CD retrospective released in April 2023.

ALL COMMISSION ENQUIRIES OR BOOKINGS FOR GONE, GONE BEYOND ARE TO BE MADE DIRECTLY WITH US THROUGH OUR CONTACT PAGE.

Shorter Bio – Artist Statement
Filmography
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
Talks, Lectures
Discography
People Like Us on bandcamp

Early Radio Works Vol. I – New Cassette Release

We are very pleased to let you know that we have another release on the wonderful label Discrepant.  Brave new old work by Vicki Bennett aka People Like Us. A journey into her early radio experiments with some dating back 20 years!

Vicki Bennett’s People Like Us began life as a three hour radio show on Brighton’s Festival Radio in 1990 called Gobstopper. She went on to release around 20 solo albums based on her radio sound collages, and after a decade working primarily with sound, has increasingly worked with film and images. She has recently produced collage and multi-screen, multi-speaker work, including 2013’s touring film and performance piece Notations, a film used as a score for improvising musicians, and Gone, Gone Beyond (2017++), a 10 screen, 8 speaker immersive cinema work for Recombinant Media Lab’s CineChamber.

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DO or DIY with People Like Us on WFMU

DOorDIYSince Autumn 2003 People Like Us have been doing a weekly show on WFMU, called DO or DIY. The aim of the show is to mix highbrow with lowbrow to challenge whether there is much difference.  Archived playlists of at least 200 shows from 2003 to the present day can be found at www.wfmu.org/peoplelikeus

Vicki Bennett also curated/programmed RADIO BOREDCAST in Winter 2011/Spring 2012. It was first broadcast on basic.fm and now is archived at WFMU.  More recently, Vicki Bennett has programmed OPTIMIZED!, a week-long expanded radio stream on WFMU 6-10 June 2016.

Subscribe to the Podcast of DO or DIY by clicking here – it will prompt your iTunes program to open, where you will receive the podcasts.

About DO or DIY

DO or DIY is a freeform sound art radio show broadcast weekly by Vicki Bennett (project name People Like Us) on WFMU.

The philosophy behind the show is simple. That within the realms of avant-garde and experimental sound art the goalposts defining “accessible” and “inaccessible” are constantly moving. As the radar rises and dips, fragments and shards of underground creations unearth, and popular culture and artist resonate, shifting shapes accordingly with one another in reflections of changing spotlights.

The avant-garde and popular culture rely on each other’s energy. People Like Us collage both “hard to listen” works and popular listening matter, showing that in fact, beyond the restrictions of genre, genre IS the restriction and it is possible to like many kinds of art and music. The key is finding the door – DO or DIY leads the way into new and unusual realms of listening and hope to show the way in.

Each show consists of collages made of sound works from the 20th and 21st century, often layered and looped many times over, resulting in an album type effect on each show.
The pun “All Things Avant-Retard”, a rhyme with “All Things Avant-Garde” literally means All Things Forward-Backwards. Essentially by using sonic extremes and apparent opposites we find some sort of central point or balanced perspective on music and sound.

Suggested Listening: DO or DIY fill in for Ken.

New Free WFMU iPhone/iPod Touch app!

Also, if you have an iPhone or iPod Touch we are also pleased to announce that you can listen to not only the regular WFMU stream on the move at a glorious 128k, but also all of our special streams, recent DJ show archives and DJ podcasts including all of DO or DIY!

You can download the much improved updated free WFMU app right here.

Continue reading “DO or DIY with People Like Us on WFMU”