Welcome to the only official site for People Like Us and Vicki Bennett
Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives. Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at, amongst others, Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. She has an ongoing sound art radio show 'DO or DIY' on WFMU. The People Like Us back catalogue is available for free download hosted by UbuWeb.
In 2015 Vicki completed a new A/V performance CITATION CITY, a project using techniques of Walter Benjamin’s Arcades Project in relation to London-based feature films. This premiered at transmediale Berlin, and Flatpack Film Festival Birmingham UK. Nothing Can Turn Into A Void – a documentary film about People Like Us has been screening in cinemas and festivals since Autumn 2015. Currently, Vicki is focussing on expanding both audio and moving image work for a multiscreen and multi-speakered environment with Recombinant Media Labs, and the new Expanded Radio commission Optimized! broadcast on WFMU in June 2016. Her most recent commission No One Is An Island, for WDR, broadcast on 9 April 2016.
Our friend and collaborator Kenny G, aka Kenneth Goldsmith read his amazing poetry at The White House today, 11 May 2011. As well as being beautiful and engaging in its own right, Kenny’s work has been a gateway to understanding of so called “higher” forms of writing and reading to People Like Us and many other allies.
Jean Baudrillard’s “Le Xerox et l’Infini” – originally published in Paris, 1987 – as read by Patricia and Ellen. Recorded on 12 July 2009 by Vicki Bennett in Hersham, England.
Translation: Agitac, London, November 1988.
The original text in French can be read here.
“Jean Baudrillard is perhaps the most important theorist of the ‘after modern’. Though he says himself he has ‘nothing to do with postmodernism’, many interpret him (along with Jean-François Lyotard) as among the most important prophets of a truly postmodern era. His works have attracted high praise and derision all over the world.” plato.stanford.edu/entries/baudrillard
Poet Kenneth Goldsmith presents selections from UbuWeb, the learned and varietous online repository concerning concrete & sound poetry, experimental film, outsider art and all things avant-garde. Schedule: Every Six Weeks. Subscribe to the podcast Avant-Garde All The Time here.
A continued thank you, UbuWeb!