This will be on sale in The Wire’s online shop from 13 April 2021 and from selected newsagents, record and book shops from 15 April 2021. The digital edition of the issue will be published online at Exact Editions and in the Wire app on 13 April 2021 and will immediately be seen by all subscribers, both print and digital.
Includes a career-covering interview and the above cover picture. On The Wire website we’ll be sharing a 4.5 hour (no point trying to be popular now, is there!) mix of People Like Us next week, and our 2020 movie Fourth Wall later in the month.
Online and Brussels Mill, Belgium 29|04|2021 – 02|05|2021
Four day festival in Brussels taking its name from radio pioneer Daphne Oram. The festival will also broadcast audio via its website regardless. Featuring talks, concerts and workshops from People Like Us, Catherine Lamb, Daphne Oram, Farida Amadou, Lucretia Dalt, Goodiepal & Pals, Áine O’Dwyer, Jessica Ekomane, Jonáš Gruska and Lukas De Clerck. Online and Brussels Mill, 29 April–2 May.
People Like Us will have a special one hour audio mix broadcast on the radio, and you can watch The Mirror online via their website, for the entirety of the festival.
Welcome Abroad LP on Discrepant [CREP84] Releases 4th JUNE, 2021, taking pre-orders from 31st MARCH 2021 (digital download straight away and we send the LP as soon as we get them)
Discrepant Press Release: Continuing our ambitious People Like Us vinyl reissue program with Welcome Aboard – a strangely relevant 10-year-old album (originally released in May 2011 on Illegal Art) when People Like Us aka Vicki Bennett became stranded in the US after the Icelandic Eyjafjallajökull volcano eruption closed much of northern Europe’s airspace.
Volcanically marooned in Baltimore and NYC, Bennett utilized some of her “free” time to work on the album and even gained audio contributions from fellow experimental musicians Jason Willett (of Half Japanese) and M.C. Schmidt (of Matmos) via her extended stay.
Bennett derived thematic material of displacement, travel, and a longing for elsewhere from the natural disaster that caused her own predicament. Now strangely echoed by the Covid-19 outbreak and the various grounding of planes and stay at home policies worldwide.
While the general mashup culture often centres on the instant gratification of seamlessly juxtaposing hooks, People Like Us tracks transform the source material into collages that are equal parts dissonance and pleasure, making artful commentaries on our culture and Bennett’s own existential amusement within such a wondrous world. No one could have predicted how relevant this album would have been 10 years later.
LP TRACKLIST: A1. Sing A2. What Will I Do A3. Push The Clouds Away A4. The Sound Of The End Of Music A5. Wonderful Wonderful B1. Hush B2. Driving Flying Rising Falling B3. The Atlantic Conveyor B4. Wandering B5. Ever
This is the LP vinyl version with an instant mp3 download of the longer CD version of the album.
500 Units
Welcome Abroad is the soundtrack to a dream – overlaying a cabaret with the circus, a music hall with the radio, a nightclub with the movies. Finely tuned sounds from the collective unconscious, fitted together with care and clarity and skill, producing a hallucinatory landscape that shifts and slides, shimmering with each new sample. Julie Andrews duets with Jim Morrison? Damn.” – Steinski
Includes unlimited streaming of Welcome Abroad via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Yes, it’s true! People Like Us will be on the cover of the new edition of The Wire magazine, May 2021 edition, coming out in April. Inside you will find a career retrospective interview. If you cannot find The Wire in your local newsagents you can buy it here: https://www.thewire.co.uk/
“Hey, hey, have you ever tried… reaching out to the other side?”
Gone, Gone Beyond is an immersive a/v spatial cinema work by People Like Us, which breaks the rectangle, smashing the thin screen into tiny fragments, looking beyond the frame, climbing through to see what’s behind.
Commissioned by Naut Humon, the founder of immersive theatre project CineChamber, Gone, Gone Beyond is a 10 screen/8 speaker work by Vicki Bennett with seamless wrap around projection and surround sound, where the audience sit inside. It uses edited collage sewn together in a giant patchwork. Pull on a thread and watch whole new narratives expand and unravel all at once on a 360 palette. The project has been a work in progress since 2017, and we are currently expanding it from 45 minutes to over 1 hour 10 minutes, and will be making an announcement later this year about building a CineChamber in the UK and touring it to major UK venues in Autumn 2021.
History: the initial in-process tester movie screened in San Francisco in October 2017 at RML’s own Recombinant Festival at Gray Area Foundation for the Arts. Since then we have been continuing to work on content, and staged a private event in April 2019 at Goldsmiths SIML to encourage some partner support in the UK/Europe.
Review of private preview of Gone, Gone Beyond at Goldsmiths, London:
Privileged to attend an absolutely marvellous event at Goldsmiths College, a unique piece of immersive 360 degree cinema put together principally by People Like Us aka Vicki Bennett. It builds on her previous work, juxtaposing familiar film and music to unsettling effect; one such instance is a visual/soundclash of Julie Andrews singing “The hills are alive . . .” spliced with footage from Apocalypse Now and The Doors’ “The End”. But the audio and imagery builds layer upon layer to a meaningful, psychedelic cacophony, layer upon layer of the familiar; MOR, The Beatles, Kraftwerk and much, much more over an elaborate, kaleidoscopic sensurround collage of footage featuring the likes of Orson Welles, Cary Grant, Charlie Chaplin, Sean Connery, Audrey Hepburn, as well as dancers, dervish sequences and set pieces from avant garde-inspired Hollywood design.
The familiar and the unsettling; that’s the idea. Taking these film clips out of their original contexts, presenting them as part of a gushing continuum of dynamism, breakthrough, without resolution; because, in life, there is no resolution, no end to the story, simply this multiple, simultaneist mass of concurrent narratives, whose sheer kinetic energy, like an ever-flowing waterfall, is the real story that cinema is telling us; “endings” are mere temporary hiatuses, the definition of fiction; this is a meticulous, deceptively chaotic audiovisual blast like no other. And it deserves to be seen by everyone. — David Stubbs (April 2019)
Publicity photo for both the concert and the album – credit Joe Gerhardt
We are pleased to announce a new audiovisual immersive cinema performance by People Like Us called The Mirror, performed (and screened in Theatrical form if in the US) from March 2018 worldwide.
The Mirror is a live a/v performance which splices together movie snippets with unique sample-based music exploring the masks that we wear represented through the lens, using parallel narratives across the screen to depict an ever-changing stream, rather than a singular, fixed being, narrative or moment in time.
“A feat of research and craft, this new work is a spellbinding inquiry into editing and juxtaposition; a collage one can unthread allowing the viewer to discover hidden stories through familiar images. The soundtrack is performed live, made up from hundreds of preexisting songs, as well as particular sounds from the original film clips.” — Flatpack Film Festival
”With The Mirror Bennett has proven herself an alchemist of popular music, able to push her source material into fresh and engaging places.” — The Wire
”Because of the use of familiar pop sounds, “The Mirror” is often grandiose. Like an epic film only with highs, never letting the listener down or letting him doubt the power of pop. Even, of course, when the coordinates are twisted, mixed, over or underrepresented. Each moment feels like something that could only happen in a parallel universe. Although that may sound naïve, it’s just a lost thought of reaction to the beautiful collages of People Like Us in “The Mirror”. This mirror doesn’t reflect an image of ourselves or an image of pop. But an image on the way memories drift and are being constant rebuilt. An unfinished collage.” — Boomkat
“Bennett celebrates the song stylists, the crooners, the sirens and interpreters of melody, and all the psychedelic in-between. The songs she pulls from seem to stem between 30’s ballroom and 70’s soft disco, here presented like being in a deep REM-state, dreaming of being at the drive-in, in warped Panavision. Essential.” toneshift.net
18 March 2018 – World Premiere: Athens Greek Film Archive Foundation (as part of Shadow Libraries: UbuWeb in Athens, organised and produced by the Onassis Cultural Centre-Athens) – tickets/info 13 April 2018 – UK Premiere: Liverpool FACT – tickets 17 April 2018 – Belfast Film Festival at Crescent Arts Centre – tickets 20 April 2018 – London Cafe Oto – tickets 21 April 2018 – Birmingham Flatpack Festival – tickets 12 May 2018 – London Splice Festival, at Rich Mix – tickets 11 July 2018 – London Cafe Oto, double bill with Carl Stone – tickets 19 July 2018 – Gijón LEV Arenas Movedizas – free entry 26 July 2018 – MACBA, Barcelona – tickets 17th September 2018 – Theatrical Screening (not live) – Bryce’s Show on WFMU 19th & 20th September 2018 – Theatrical Screening (not live) – Spectacle Theater, Brooklyn – tickets 20 October 2018 – 100 Years of Copyright Festival, Berlin HKW – tickets 2 November 2018 – Spill Festival, Ipswich – tickets 10 November 2018 – Kunstnernes Hus, Oslo Norway – tickets 15 November 2018 – Brighton “Cinecity” Film Festival at Fabrica – tickets 30 November 2018 – Theatrical Screening (not live, we do not perform in concerts in the US) Recombinant Festival, Gray Area, San Francisco – tickets 9 February 2019 – Theatrical Screening (not live, we’ll not be there) – The Voix de Ville 2019 / ARTxFM annual fundraiser at Columbia Theatre, Louisville Kentucky – tickets 27 March 2019 – Musikbrauerei, Berlin – tickets 6 April 2019 – Theatrical Screening (not live) – Other Cinema, ATA, Valencia St, San Francisco – tickets 23-28, April 2019 –Theatrical Screening at AFO Olomouc, Czech Republic. 9 May 2019 – Venice Biennale at HILLARY: The Hillary Clinton Emails by Kenneth Goldsmith after the opening reception. RSVP 14 June 2019 – Newcastle Culture Lab – The Mirror and Objects in the Mirror Are Closer Than They Appear 22 June 2019 – Iklectik Art Lab, London 15 September 2019 – Theatrical Screening (not a concert) at 21C Museum Hotel, Lexington, KY (introduced by Hearty White) 28 September 2019 – Theatrical Screening (not a concert) at Radius Gallery Santa Cruz, CA 5 March 2020 – Theatrical Screening (not a concert) WFMU Benefit at Monty Hall, Jersey City April – ?? 2020 – all current activities affected by the current pandemic 28 July 2020 – 4 August 2020 – Virtual screening (pandemic rescheduling) at Le Nouveau Musée National de Monaco http://4cast.fr/peoplelikeus/NMNM/ 6 November 2020 – MAAT, Lisbon – virtual performance of The Mirror 21 November 2020 – BBMix Festival 2020, Paris (cancelled – pandemic) 29 April–2 May 2021 – Online screening of The Mirror at Oscillation Festival, Brussels
If you are a festival organiser with a budget and are interested in booking this, please get in touch by way of our Contact Form. If you are in a country requiring a work visa to perform we can in very special circumstances make this work into a stand alone movie, but generally this is only available as a performance with the artist present and you will need to gain necessary papers for us to agree.
3 artist commissions : we have commissioned new works by artists responding to The Mirror: Reflectsby Dina Kelberman (December 2018) Abject Mirrorby Porest (Mark Gergis) (January 2019) The Mirrorby Hearty White (January 2019) (view all three on one url)
New Film for Improvising Musicians and Artists – titled Objects In The Mirror Are Closer Than They Appear. This is not the first film we have made of this type. Previous to this was Notations (which included a national tour in the UK (followed by further dates internationally) with a fantastic roster of improvisers, supported by Sound and Music), as well as some collaborations where we have made the film then made sections available to other artists and musicians to respond (Gesture Piece and CCCitations). You can enquire about performing with this movie by way of our Contact Page. Our first performance will be in Newcastle, UK in June 2019, as part of a collaboration with Newcastle University Department of Music.
No.8 in The Wire Magazine’s releases of 2019
MACBA, Barcelona
MACBA, Barcelona
at Splice Festival 2018 – photo by Martyna Kubrak
Splice Festival 2018 – photo by Martyna Kubrak
We have expanded 10 minutes of The Mirror to be a 360 surround sound and video work
Graham Duff – The Mirror a reflection upon the work and surrounding subject matter Interview in The Wire Magazine in a phone conversation with Emily Bick of The Wire Magazine, Vicki Bennett reflects on The Mirror, Gone, Gone Beyond, and working with preexisting footage.
Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992. Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.
As a solo artist or collaborator Vicki has published more than 35 video projects and 50 audio recordings, with works released by labels including Illegal Art, Rough Trade, Soleilmoon Recordings, Discrepant, Sonic Arts Network and Touch. Vicki’s DO or DIY show on the fiercely independent New York City-market radio station WFMU has run since 2003. Her video work has been screened at Tate Modern, Whitechapel Gallery, BFI, Purcell Room, the Barbican, the ICA, V&A. Centre Georges Pompidou (Paris), Sonar (Barcelona), MAXXI/National Museum of XXI Century Arts (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City), among other institutions. Video works have been aired on Channel 4 and radio sessions created for John Peel and Mixing It. People Like Us has been commissioned by Arts Council England, The BBC, WDR, Great North Run, Sound and Music, Channel 4/Animate Projects, AV Festival, Hallwalls Contemporary Arts Center, Recombinant Media Labs (RML), Sonic Arts Network, Forma, LUX and Lovebytes.
To date, Vicki has had 6 solo exhibitions and participated in 19 group shows at MAXXI (Rome), Venice Biennale, HMKV (Dortmund), Centro de Cultura Digital (Mexico), Hatton Gallery (Newcastle), Vitrine (London), alt.gallery (Newcastle), Greene County Council for the Arts Gallery (NY), Peacock Visual Arts (Aberdeen), Pallant House (Chichester), Engramme (Quebec), La Scatola Gallery (London), Changing Room (Stirling), Franklin Street Works (Connecticut), Usurp Gallery (London), University of Greenwich Galleries, Matthew Gallery (Dundee), Edinburgh Printmakers, Millennium Gallery (Sheffield) Leeds College of Art, Sunbeam Studios (London) and Hallwalls Contemporary Arts Center (NY).
The work of People Like Us has been featured in many publications, including Sounds Like Silence – 4’33’’ Silence Today (Spectre Books 2012), The Journal of Writing In Creative Practice (Vol 7 Issue 1 2015), The Fundamentals of Sonic Art and Design by Tony Gibbs (Ava Publishing 2007), Cutting Across Media by Kembrew McLeod (Duke University Press 2011), Here To Go – Art, Counter-Culture and the Esoteric (Forum Nidrosiae 2014), Incredible Machines by Danny Snelson (avant 2014), Sensations of History (University of Minnesota Press 2019) and she has written for The Wire’s Collateral Damage (February 2012). In 2020 Vicki will have a whole chapter dedicated to her work in Duchamp Is My Lawyer The Polemics, Pragmatics, and Poetics of UbuWeb by Kenneth Goldsmith on Columbia University Press.
People Like Us has been reviewed in The Wire, BBC website, Bizarre Magazine, Rolling Stone, Frieze, The Independent, Record Collector, Time Out, Film Comment, The Guardian, The Scotsman, XLR8R, Baltimore City Paper, Sight and Sound, NME, Metro and San Francisco Bay Guardian, and interviewed for Found Footage Magazine (2016), The Observer (2006), Filmmaker Magazine (2015), The Wire (2014, 2011, 2008, 1999), Sight and Sound (2013), a-n Magazine (2012), Wired (2012), RadioWeb MACBA (2010), Sound and Music (2011), Sound Projector (2012, 2000), Bizarre Magazine (1999), NME (1995, 1996). On radio I’ve been interviewed on Late Junction (2016), Soundproof (ABC Radio National 2016), WDR 3 Open Sounds (WDR 2016), Cutting Up The Cut Up (BBC Radio 4 2015), North by Southwest (British Council 2012) PM (BBC Radio 3 2010), Twenty Minutes (BBC Radio 3 2009) and Mixing It (BBC Radio 3 2004). The May 2021 edition of The Wire features People Like Us – both a 30 year retrospective interview and also the cover photo.
Vicki has also curated publications and events: First Person, Fourth Wall (2020), Optimized! Expanded Radio Stream, WFMU (2016), Concert of Collage, Encounters Festival, Bristol (2015), Radio Boredcast, 744 hour radio station, AV Festival (2012), Nothing is New, Everything is Permitted event, AV Festival (2010), Sonic Arts Network CD Smiling Through My Teeth (2008) and a Humour in Music event, Purcell Room for Ether Festival (2002).
Notations, a film for live improvisers toured the UK with TUSK/Sound & Music in Autumn 2013; two films for Animate Projects/Channel 4 television, UK, broadcast as part of their Random Acts series. In 2015, Vicki created A/V performance Citation City, using techniques of Walter Benjamin’s Arcades Project in relation to London-based feature films. Nothing Can Turn Into A Void – a documentary film about People Like Us has screened in cinemas and festivals since Autumn 2015, and No One Is An Island, a radio work created for WDR, broadcast in April 2016. The Expanded Radio online/virtual commission/artist residency Optimized! broadcast on WFMU in June 2016. Since 2018, Vicki has been touring her solo a/v performance The Mirror, released an album under the same name, and produced the video for the spring 2018 The The Comeback Tour. She was participant in Sound and Music’s New Voices programme, and a-n Artist Bursaries 2019 recipient. The 45 minute radio art commission I Can Fly aired on WDR in Spring 2020.
In 2021 Vicki is making more content and production for Gone, Gone Beyond, an hour-long seamless multiscreen and multi-speakered immersive installation with RML CineChamber which will tour the UK in Autumn/Winter 2021 (announcement coming soon).
“Different People” is an anthology of interviews by Swedish author Carl Abrahamsson, focusing on art, life and the creative process. Included are in-depth conversations with Conrad Rooks, Malcolm McLaren, Stelarc, John Duncan, Charles Gatewood, Mark McCloud, Ralph Metzner, Peter Beard, Bill Landis, Ralph Gibson, Maja Elliott, Michael Bowen, Bob Colacello, Dian Hanson, Anton Corbijn, June Newton, Kendell Geers, Simeon Coxe III (Silver Apples), Vicki Bennett (People Like Us), and Brian Williams (Lustmord). These groundbreaking artists, writers, musicians, photographers, filmmakers, editors and psychedelic researchers have all helped shape the culture we live in. But what makes them do what they do? Which are their driving forces and their inspirations; their joys and fears? Trapart Books, 2021, 6 x 9” paperback, illustrated with photographic portraits, 292 pages.
People Like Us host Aloha Fridays Friday, January 1st, 2021, 11am – 2pm on Aloha Fridays radio show (on Sheena’s Jungle Room Stream) Live Playlist: https://wfmu.org/playlists/shows/99690 Join People Like Us who are hosting Aloha Fridays radio show for one week only… playing three hours of NICE THINGS on WFMU’s alt stream Sheena’s Jungle Room.
People Like Us have returned to the radio on WFMU for a 3-hour radio show from 9-Noon EST (that’s 2pm-5pm UK) for 4 CONSECUTIVE THURSDAYS filling in for DJ Trouble.
People Like Us and Porest were both due to perform live concerts at MAAT in Lisbon on 6 November but unfortunately because of the pandemic we will not be travelling. So instead our work will be screened in the gallery on the same date. Details above.
This is now cancelled because of the current global situation – more specifically because of the French month-long lockdown.
People Like Us will perform The Mirror at BBMix Festivalon Saturday 21 November 2020 at Carré Belle-feuille, Paris in the 3pm to 7pm portion of the festival. The festival has adjusted hours to allow for the curfew. / € 11
Tickets available in advance on the above link. Unlike most of our activities this year, we will be there in person performing it, so long as we are able at the time of travel (in accordance with the ongoing global situation). Please continue to check the festival website for updates.
