The Library of Babel screening and discussion

Monday 11 November, 6pm

Knight Auditorium, Spurlock Museum
600 South Gregory
Urbana

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https://cas.illinois.edu/node/2915

Introduction by special guest Hearty White

Inspired by a 1941 Jorge Luis Borges short story, The Library of Babel (2024) explores themes related to the complex interplay of infinity, knowledge, and the cosmic fabric, presented through the metaphor of a vast, seemingly infinite library. In the story, the librarians are isolated, focused on an almost religious or existential quest, struggling to find meaningful texts amidst an overwhelming number of nonsensical or irrelevant books. The library itself has no goals or intentions; a canvas onto which searchers project their quests for meaning. The narrative delves into the angst and crises of those that explore its depths, raising questions about our ability to manage, navigate, and find meaning from vast amounts of information. In her film inspired by the story, artist Vicki Bennett relies on an amalgamation of audio-visual collage and intricate editing techniques to reconfigure, decompose, redirect, and recombine images with sounds that are often already ingrained in audience’s collective consciousness. Rather than adhering to a linear progression of events, her thematic narrative unfolds in layered complexities, offering a fragmented but coherent tale achieved through a blend of various sources and an ‘exquisite corpse’ approach.

The screening will be followed by a discussion with Bennett and White on their independent and collaborative creative journeys in seeking meaning, social connection, and joy through the mediums of radio, video, and performance.

Hosted by: College of Fine & Applied Arts

In conjunction with: Department of Media & Cinema Studies, Department of Musicology, Department of Philosophy, Department of Psychology, Illinois Public Media, School of Art + Design, Spurlock Museum, University Library

Mise en Abyme – new AV installation at Museu de Aveiro

“Mise en Abyme” by Vicki Bennett (October 2024)
Museu de Aveiro/Santa Joana, Avenida de Santa Joana, 3810-329 Aveiro, Portugal
2-20 October 2024
https://www.aveiro2024.pt/en/

In this widescreen, multi-speakered spatial cinema installation created for Aveiro 2024, Vicki Bennett (People Like Us) delves into the existential depths of human experience, using dense collage and a recursive narrative to explore the intricate dance between dualism and interconnectivity. Entitled “Mise en Abyme,” the installation thrusts viewers into a realm where actors are liberated from the confines of their scripted existence, navigating a sea of pure, unmediated sensation. Traditional storytelling is reimagined, employing a fusion of audio-visual collage and sophisticated editing techniques to dismantle and reassemble digital narratives, creating a tapestry woven from images and sounds that resonate deeply within the collective unconscious through their historical associations. The thematic narrative, unbound by linear constraints, unfolds through a series of layered complexities, offering a fragmented yet coherent tale forged from a myriad of sources and the innovative ‘exquisite corpse’ technique.

“Mise en Abyme” aims to use storytelling as a vessel to navigate beyond preconceived notions and internal narratives, inviting audiences into a space where the boundaries between self and other, between individual and collective experience, begin to blur.

The Artistic Technique

Vicki Bennett creates a sophisticated blend of audio-visual collage, layering historical and contemporary images and sounds to create a rich, immersive experience. The recursive narrative structure allows for a non-linear exploration of themes. The use of the ‘exquisite corpse’ technique further enhances this experience, as disparate elements are juxtaposed and interwoven, creating a seamless yet complex narrative tapestry. This method not only highlights the beauty of randomness but also demonstrates the interconnectedness of seemingly unrelated elements.

Brochure for Aveiro 2024

People Like Us perform The Library of Babel at Con-struct Festival, London

People Like Us will perform The Library of Babel at CON-STRUCT mini-festival
13 July 2024 | £12/£8 (concessions) | Pre-booking essential (limited capacity)

TICKETS confrontrecordings.bandcamp.com/merch/con-struct-ticket

RACHEL MUSSON / OLIE BRICE / WILL GLASER / PEOPLE LIKE US / ANIA PSENITSNIKOVA / DAVID TOOP / KHABAT ABAS / PHIL DURRANT / BILL THOMPSON / CATH ROBERTS / MARK WASTELL

King Alfred Phoenix. Ivy Wood, North End Road, London NW11 7HY

Supported by The Wire: Adventures In Modern Music

People Like Us perform at The Wire Magazine Takeover, IKLECTIK

The Wire Magazine Takeover, IKLECTIK, London
Wednesday 17 January 2024 | Doors: 8pm

We will be performing the new People Like Us AV performance The Library of Babel at The Wire Magazine takeover of IKLECTIK.

In the lead-up to the venue’s closure on 24th January, we invite you to join us for this, one of a series of closing benefit events, each a takeover of IKLECTIK by a different organiser with a special lineup. All proceeds go towards supporting the future of IKLECTIK.

Lineup: GAIKA [live] Elaine Mitchener [live] Loré Lixenberg [live] David Toop x Mark Wastell [live] People Like Us [AV set: The Library Of Babel]

https://www.iklectik.org/whatson