An extended, taking-a-line-for-a-walk remix of People Like Us & Ergo Phizmiz “In the Waking”, created for one of the opening concerts of King’s Place, London in the late 2000s. The song, a lullaby of a summer place, was created through the Codpaste podcast sessions which led to the collaborative album “Rhapsody in Glue”, and was later released as a 7″ on Touch. This unreleased version lets the song twirl off into a gentle polyphonic fantasia.
20 May 2021 11.59PM PST (that’s 8AM UK 21 May): PLU interviewed by Jon Leidecker on Over The Edge on KPFA radio: https://kpfa.org/program/over-the-edge/
Hour 1 Vicki and Jon in conversation (recorded May 2021)
Hour 2 Live Session with PLU, Wobbly and Don Joyce on Over The Edge, KPFA (2002) Hour 3 Live Session with PLU, Wobbly, Irene Moon and The Evolution Control Committee on WFMU (2002)
Online and Brussels Mill, Belgium
29|04|2021 – 02|05|2021
Four day festival in Brussels taking its name from radio pioneer Daphne Oram. The festival will also broadcast audio via its website regardless. Featuring talks, concerts and workshops from People Like Us, Catherine Lamb, Daphne Oram, Farida Amadou, Lucretia Dalt, Goodiepal & Pals, Áine O’Dwyer, Jessica Ekomane, Jonáš Gruska and Lukas De Clerck. Online and Brussels Mill, 29 April–2 May.
Here’s an interview conducted by Henry Andersen of Oscillation Festival Vicki Bennett about process.
People Like Us will have a special one hour audio mix broadcast on the radio, and you can watch The Mirror online via their website, for the entirety of the festival.
Welcome Abroad LP on Discrepant [CREP84]
Releases 4th JUNE, 2021, taking pre-orders from 31st MARCH 2021
(digital download straight away and we send the LP as soon as we get them)
We’re taking orders for Welcome Abroad on vinyl! Official release date 4th June.
Discrepant Press Release: Continuing our ambitious People Like Us vinyl reissue program with Welcome Aboard – a strangely relevant 10-year-old album (originally released in May 2011 on Illegal Art) when People Like Us aka Vicki Bennett became stranded in the US after the Icelandic Eyjafjallajökull volcano eruption closed much of northern Europe’s airspace.
Volcanically marooned in Baltimore and NYC, Bennett utilized some of her “free” time to work on the album and even gained audio contributions from fellow experimental musicians Jason Willett (of Half Japanese) and M.C. Schmidt (of Matmos) via her extended stay.
Bennett derived thematic material of displacement, travel, and a longing for elsewhere from the natural disaster that caused her own predicament. Now strangely echoed by the Covid-19 outbreak and the various grounding of planes and stay at home policies worldwide.
While the general mashup culture often centres on the instant gratification of seamlessly juxtaposing hooks, People Like Us tracks transform the source material into collages that are equal parts dissonance and pleasure, making artful commentaries on our culture and Bennett’s own existential amusement within such a wondrous world. No one could have predicted how relevant this album would have been 10 years later.
A2. What Will I Do
A3. Push The Clouds Away
A4. The Sound Of The End Of Music A5. Wonderful Wonderful
B2. Driving Flying Rising Falling
B3. The Atlantic Conveyor
This is the LP vinyl version with an instant mp3 download of the longer CD version of the album.
Welcome Abroad is the soundtrack to a dream – overlaying a cabaret with the circus, a music hall with the radio, a nightclub with the movies. Finely tuned sounds from the collective unconscious, fitted together with care and clarity and skill, producing a hallucinatory landscape that shifts and slides, shimmering with each new sample. Julie Andrews duets with Jim Morrison? Damn.” – Steinski
Includes unlimited streaming of Welcome Abroad via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
PEOPLE LIKE US have made this Holiday Mix for the fantastic venue Cafe Oto
Available for FREE download here:
If you are wondering how to best support freelance artists right now, buy something of theirs through a channel that you know would pay them direct. This may be paypal, or for music people we recommend finding their bandcamp account and supporting them that way. Likewise, in the current climate we think it would be reasonable to take it that our forthcoming 4 concerts on mainland Europe will be cancelled, although we are waiting to find out right now. If you’d like to support us here is our bandcamp page. Many thanks.
Happy 2020! As a new year thank you we are offering our entire digital discography to you for 75% off for the next 24 hours. This might offer you an extra incentive to suddenly have days (weeks.. months?) of most of our back catalogue instantly, and in return you would be helping us out a great deal to carry on with what we do, making art full time… did you know People Like Us is 30 this year?
If you’d like to buy the digital discography just go to our bandcamp page and go to any link in the digital download section and you can purchase at 75% from any page, until tomorrow. Here’s a shortcut to our bandcamp page now:
Many thanks for your continued support!
Also have been updating our bandcamp with some more items, both digital and merchandise, including adding the option of buying the full digital discography with one click of a button, enabling you to get a 40% discount by doing so.
As ever, you can if you wish access a lot of our work for free online from various places, it is very important for us ethically to continue to be generous with the “sharity” ideal even if we are low in income ourselves. HOWEVER, by buying from us you contribute to keeping us going financially and enabling us to produce more. We do this for a living, we don’t have a fancy side job, as is also the case with a lot of the artists we collaborate with! So if you can chip in we more than appreciate it.
Here’s a new version of our film for improvisers “Notations“, this time around performed by Blectum from Blechdom:
Here’s a recording of us guesting on Irene Moon’s show on KCSB, Santa Barbara on 4 October 2019: