Notations & The Mirror, Santa Cruz

Indexical Presents Digital Alchemy in Fall 2019
28 September 2019 at 8pm
People Like Us Theatrical Screening of “The Mirror(not a concert!) and artist Q&A | Blectum from Blechdom perform “Notations” by Vicki Bennett
https://www.indexical.org/events/2019-09-28-people-like-us-blectum-from-blechdom

Documented below, both the Q&A and performance – the event moved to Radius Gallery at the last minute due to a mass power outage in Santa Cruz:

We Edit Life: An Evening with People Like Us

We Edit Life is an evening of film screenings by People Like Us including the premiere live-score performance of Notations by Blectum from Blechdom.

A theatrical screening of The Mirror, a feat of research and craft, this new work is a spellbinding inquiry into editing and juxtaposition, a collage one can unthread allowing the viewer to discover hidden stories through familiar images. The soundtrack is made up from hundreds of preexisting songs, as well as particular sounds from the original film clips. This 35 minute screening will be followed by an artist Q&A.

A live performance of Notations, a film for improvising musicians and artists, Notations has been created by Vicki from hundreds of different film clips, where the content conceptually or literally portrays different kinds of ‘gestures’ or ‘instructions’ to be read by the improvising artists on stage as a visual score.

Notations has been performed in the past by an impressive international cast of improvisers, each with radically different approaches and, as each show features a different combination of artists, every performance is completely unique. This time around the performers with the film will be
Kristin Erickson and Bevin Kelley, aka electronic music duo Blectum from Blechdom.


Supporting Negativland in London

(L-R) Mark Porest, Jon Wobbly/Negativland, Mark Negativland, Vicki PLU and Irene Moon

People Like Us will be on the same performance bill as Negativland for the first time in 22 years at London’s Cafe Oto on 27 October 2019, performing The Horror!! An a/v concert which selects from the more scary (and funny) segments of Vicki’s work, newest and old. Also on the bill the following night will be our friend Irene Moon.
https://www.cafeoto.co.uk/events/baba-yagas-hut-presents-negativland/
(update – 27th has sold out, tickets still available for the 28th, no PLU, but Irene Moon instead)

Stage times :
Doors 7:30
Yuko – 7:50 – 8:20
People Like Us (27th) / Irene Moon (28th) – 8:40 – 9:10
Negativland – 9:30 – 10:50

The Mirror on Vinyl!

Featured

Courtesy of our friends Discrepant, our album The Mirror is now out on vinyl!
Buy direct from us through bandcamp
Click on the link below and scroll to “The Mirror Vinyl LP” in the left hand column and click on that to buy. Shipping date is expected for 18 October 2019.
Includes digital album of The Mirror.
Also available on CD from the same bandcamp page.

No.8 in The Wire Magazine’s releases of 2019
Cover art for The Mirror by People Like Us

Tracks on the vinyl version of The Mirror:
A1 The Mirror
A2 Do You See What I Hear
A3 Step Inside
B1 Free My Prayer
B2 The Other Side
B3 Forever
B4 Till The End of Time


Previously released on CD accompanied by “Gone, Gone Beyond”, “The Mirror” is the dreamy soundtrack of an a/v project from collage artist extraordinaire Vicki Bennett aka People Like Us. With ‘’The Mirror’’ Bennett continues her eternal disassembling of popular music by exploring how the narrative of familiar sounds/songs can change dramatically under a new context, with that context always changing, in a never-ending flow. Each song is singular. And each song is a collage of and undefined number of other songs from other artists. It sounds familiar because that has been the modus operandi of People Like Us since the early 1990s. But “The Mirror” plays with the notion of familiar, driving around a collection of famous pop songs/artists, messing around with the memory of the listener and, of course, his unique comprehension of those specific songs applied in a new context. Because of the use of familiar pop sounds, “The Mirror” is often grandiose. Like an epic film only with highs, never letting the listener down or letting him doubt the power of pop. Even, of course, when the coordinates are twisted, mixed, over or underrepresented. Each moment feels like something that could only happen in a parallel universe. Although that may sound naïve, it’s just a lost thought of reaction to the beautiful collages of People Like Us in “The Mirror”. This mirror doesn’t reflect an image of ourselves or an image of pop. But an image on the way memories drift and are being constant rebuilt. An unfinished collage. — Discrepant

Pressing Information
One time pressing of 500 units
Mastered by Mark Gergis
Cut by Rashad Becker