Welcome to the only official site for People Like Us and Vicki Bennett
Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives. Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at, amongst others, Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. She has an ongoing sound art radio show 'DO or DIY' on WFMU. The People Like Us back catalogue is available for free download hosted by UbuWeb.
Nothing Can Turn Into A Void – a documentary film about People Like Us has been screening in cinemas and festivals since Autumn 2015. Currently, Vicki is focussing on expanding both audio and moving image work for a multiscreen and multi-speakered environment with Recombinant Media Labs, with a new 10 screen work "Gone, Gone Beyond" and there will be a new People Like Us live performance "The Mirror" premiering at FACT, Liverpool in Spring 2018.
What is UbuWeb? Is an archive capable to propose a different sort of art history? 3 days of talks and workshops in order to explore this and other shadow libraries.
People Like Us will be part of an UbuWeb conference in Athens later this month. It will include artist talks and group discussions, workshops and a WORLD PREMIERE of a work in progress version of our new single screen a/v performance The Mirror. Yes, we’ve not quite finished it yet (!) but this is too good a platform to not use since UbuWeb is our internet home. Tickets for The Mirror: http://www.sgt.gr/eng/SPG2098/
We are pleased to announce a new audiovisual immersive cinema performance by People Like Us called The Mirror, which will be performed from March 2018 worldwide.
The Mirror Vicki Bennett produces audio-visual, moving image works and live performance for audiences at festivals and galleries across the world. The Mirror is a live a/v performance which splices together movie snippets with unique sample-based music exploring the masks that we wear represented through the lens, using parallel narratives across the screen to depict an ever-changing stream, rather than a singular, fixed being, narrative or moment in time. 18 March 2018 – World Premiere: Athens Greek Film Archive Foundation (as part of Shadow Libraries: UbuWeb in Athens, organised and produced by the Onassis Cultural Centre-Athens) – tickets/info 13 April 2018 – UK Premiere: Liverpool FACT – tickets 17 April 2018 – Belfast Film Festival at Crescent Arts Centre – tickets 20 April 2018 – London Cafe Oto – tickets 21 April 2018 – Birmingham Flatpack Festival – tickets 12 May 2018 – London Splice Festival, at Rich Mix – tickets
Autumn – Newcastle (venue details coming later)
Autumn – Brighton (venue details coming later)
We expect to add more dates to the roster and will announce details in due course. If you are a festival organiser with a budget and are interested in booking this, please get in touch by way of our Contact Form.
Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution for 25 years. Since her first publication in 1992, Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and appropriation as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant.