Category: events

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DO or DIY Special: Gwilly Edmondez

Monday, July 17th, 6pm – 7pm EST
on DO or DIY with People Like Us on WFMU
http://www.wfmu.org/playlists/shows/73648

Gwilly Edmondez is all over the place yet usually in the wrong place at the right time. As an improvisor and recording artist he tries to play as often as possible with anyone who’s game, or solo if no one is about. What he uses mostly is his voice, but is always searching for things to go with it, like samples, tapes and beats. Anything could happen, which is why Gwilly prefers to act at the very fringes of proper. He has collaborated with all sorts of people but his primary non-solo projects at the moment are YEAH YOU (with Elvin Brandhi), Kleevex (with Faye MacCalman) and Impossibility Knox (with Odie Ji Ghast and sometimes THF Drenching).

 

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Over The Edge on DO or DIY on WFMU

Over The Edge
DO or DIY with People Like Us – Monday, 19 June 2017 – 6pm
https://wfmu.org/playlists/pl
From 1981 to 2015, Negativland‘s Don Joyce hosted Over The Edge, the longest running block of freeform live mix collage radio in broadcast history — a program which continues today, having been inherited by long time show participant and collaborator Jon Leidecker. In this very Wobbly interview, Vicki and Jon discuss the history of collage radio, and the slow evolution of the Edge, as well as its many possible futures, both True and False.
http://www.detritus.net/wobbly/ | https://archive.org/details/ote

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People Like Us on panel at Splice Festival

Vicki will be on a panel about sampling at Splice Festival at Rich Mix in London at 7.30pm on 26 May 2017.

Sampling in AV : Panel Discussion

With archives opening up and online memes and supercuts now commonplace, has video sampling finally come of age? A discussion panel around the use and abuse of audiovisual sampling and it’s many challenges faced by artists working in this genre, whether creative, technical or legal. Ben Sheppee of Light Rhythm Visuals chairs the panel and discusses issues with some of the pioneers of the art-form.
Graham Daniels (Addictive TV | Orchestra of Samples | Splice Festival co-producer)
Vicki Bennett (People Like Us)
Brian Kane (EBN)
Gardner Post (EBN)
Matt Black (Coldcut)
Johnny Wilson (Eclectic Method)

http://www.splicefestival.com/friday-26th-may/
http://www.splicefestival.com/tickets/
http://www.splicefestival.com/line-up/vicki-bennett/

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Kollasj! in Oslo

Kollasj!  People Like Us will be in Oslo doing a week of Collage-based events for children. 

Kollasj! at Kulturtanken – 8-12 May 2017
A week of concerts specially for school children.
http://www.dks.osloskolen.no/produksjon/1005598kulturtanken.no/tankebloggen/2…
Part of a larger event of contemporary art for young people:
Live videokollasj : People Like Us / Vicki Bennett
Live vinylkollasj: Lasse Marhaug
Live musikkverkkollasj: Nordic Voices / Kjell Tore innervik / Guro Skumsnes Moe / Christian Meaas Svendsen
Popp-up: Marcus Andreassen and Nina Bing

A collaboration between nyMusikk , Culture tank and DKS Oslo

Only Connect Kids: Collage at nyMusikk – 13 May 2017
A music festival for children! At Central is the festival day for all the families who are interested in music, vinyl, dance, cut and paste and film.
http://nymusikk.no/no/hva-skjer/kollasj

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People Like Us LP launch at Cafe Oto

DISCREPANT PRESENTS: PEOPLE LIKE US, MIKE COOPER + TYPHONIAN HIGHLIFE (SPENCER CLARK) at CAFE OTO, LONDON
TUESDAY 28 FEBRUARY 2017, Doors open 7.30PM
£12 (door) £10 ADVANCE £8 CAFE OTO MEMBERS

People Like Us will perform at Cafe Oto in February as part of an evening hosted by the label Discrepant, to celebrate the release of LPs by People Like Us, and Mike Cooper. People Like Us will be doing a combination from four different previous performances, commencing at approximately 8.30pm. Full listing here.

“Abridged Too Far” is the first of a series of vinyl by Discrepant to celebrate this being the 25th year of People Like Us publishing albums.  It has only ever been available in digital form on UbuWeb.

The LP pressing has been held up at the pressing plant and will not be ready for the concert, but you can pre-order direct from us NOW: https://peoplelikeus.org/2017/abridged-too-far-album-now-vinyl/

OR… IF you come to the concert you can fill in your email address at the merchandise table to exclusively purchase Abridged Too Far for £10. This is exclusive to this concert only.  The Mike Cooper album is already available on Discrepant’s site.

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Recombinant Festival symposium

Sunday 2nd October 2016 4.30pm, Gray Area Art + Technology, San Francisco
Re-Cog-Ignition: A Substance Immersion Symposium
This is the first in an ongoing series of Recombinant panel discussions. Using the context of the works shown in Recombinant Festival as a starting point for debates around our contemporary understanding of time-based works, spatial media, and experiential enactments. Featuring two festival artists and other special guests and cameos.
Speakers include:
Vicki Bennett (People Like Us), Erik Davis, Ulf Langheinrich (formerly of Granular Synthesis AV group & co-creator of Motion Control MODELL 5 and solo work), David McConville, Steve Mason, Edwin van der Heide
Co-presented by: Naut Humon and Li Alin
http://recombinantfestival.com/program/#symposium

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NYC Screening of People Like Us documentary

Spectacle Theater, Brooklyn
7th October 2016 from 7.30pm

The premiere NYC screening of Nothing Can Turn Into A Void – An Art Apart: a documentary about Vicki Bennett/People Like Us will screen in a double bill with Change Itself – An Art Apart: Genesis Breyer P-Orridge.

A documentary focusing on the British artist Vicki Bennett and her project People Like Us. Her work takes you on a journey into a world where literally anything can happen. Using her skills as an editor and a great sense of humor, she lets you roam through a world of imagination filled with contrasts and chance encounters between the past and the present. In performances, video work, music and collages, Bennett conveys that nothing is really what it seems. TRAILER: https://vimeo.com/131277139

To sum up the life and work of British artist Genesis Breyer P-Orridge is close to impossible. Not only because of the wide range of artistic disciplines, but also because of the timespan, since the mid 1960s to the present day, that has been saturated by hundreds of records, thousands of concerts, exhibitions, interviews, videos, spoken word performances, collages, sculptures, philosophy, cultural engineering, occultism and radical transgender concepts. A couple of descriptions are still valid after these 50 years of active creativity and provocation. P-Orridge is a romantic existentialist and a cultural engineer. Everything is both work as such and seed for cultural and behavioral change. TRAILER: https://vimeo.com/ondemand/changeitself