Radio Premiere on WDR: No One Is An Island by Vicki Bennett

WDR 3 Open Sounds presents : No One Is An Island by Vicki Bennett
Vicki Bennett was commissioned by WDR (German Radio) to make a 28-minute radio work called No One Is An Island.  This will premiere, alongside 3 other separate commissions (Iain Chambers, Ergo Phizmiz and Lucinda Guy) on
Saturday, April 9, 2016, 22:05 to 00:00 (Mainland Europe – that’s 21:05 UK time).
Background info http://www1.wdr.de/radio/wdr3/programm/sendungen/wdr3-open-sounds/from-britain-104.html

Update: this piece is also online at UbuWeb! http://ubu.com/sound/plu_noone.html

Thanks to the following for taking their time to give me their thoughts about ideas:
Ergo Phizmiz, Ava, Savanna,  Rowen, Mathilde, Lila, Andrew Sharpley, Cameron, Katja Seltmann, Rick Prelinger, Iain Chambers, Jeff Carey and Falco, Graham Duff, Kenneth Goldsmith, Charlie Lewis, Henry Lowengard, Tim Maloney, Kevin Hamilton, Akāshamitra, Dorian Jones and Lenny, Marcus Boon and Jesse, Saraka, Suddhaka and Sunayaka.

No One Is An Island
Where do ideas come from? Are they our own or are we channeling some spark from a larger flame? In this programme we examine the relationship between artists, writers, scientists and philosophers and the receiving, possession and transmission of ideas.
Culture is a complex process of sharing and signification. Meanings are exchanged, adopted, and adapted through acts of communication. The tools we use – the photocopier, camera, computer, encourage, in fact insist upon the act of cutting, copying and pasting – it is second nature. Through mimicry and repetition we learn.


People Like Us Guest On BBC Radio 3’s Late Junction

Tuesday 5 January 2016
Now that the archive has expired we’re making it available here so you can still hear it

As part of Radio 3’s New Year New Music, Max Reinhardt is joined in the studio by the experimental musician and multimedia artist Vicki Bennett aka People Like Us whose audio collage work involves the manipulation and reworking of sampled material. Presented by Max Reinhardt – Vicki will be on around 11.30pm. Late Junction – BBC Radio 3plu on late junction 5 jan

People Like Us on BBC Radio 4 Cut Up show

Author and Wire contributor Ken Hollings has produced a show for BBC Radio 4 on William Burroughs’s cut ups. The show traces the history of the cut up, from its roots in the Dadaist movement through Burroughs and Brion Gysin, to tape splicing and digital editing, looking at the cut up as a satirical device.

http://www.bbc.co.uk/news/magazine-33254672

The show “Cutting Up The Cut Up” includes interviews with Armando Iannucci, Cassetteboy, Kevin Foakes (aka DJ Food), Vicki Bennett and others. It will be broadcast on BBC Radio 4 on 25 June at 11:30am.

‘Cutcast Up-pod’ – featuring additional material from Chris Morris and Negativland – is available here.

Burroughs_by_Gysinradio times

http://www.thewire.co.uk/news/37051/ken-hollings-broadcasting-radio-show-on-williams-burroughs

http://kenhollings.blogspot.co.uk/2015/07/the-cut-up-method-end-of-civilized-world.html

 

Press Cuttings and more

People Like Us/Vicki has been reviewed in, amongst others, The Wire, BBC website, Bizarre Magazine, Rolling Stone, Frieze, The Independent, Record Collector, Time Out, Film Comment, The Guardian, The Scotsman, XLR8R, Baltimore City Paper, Sight and Sound, NME, Metro and San Francisco Bay Guardian, and interviewed for Found Footage Magazine (2016), The Observer (2006), Filmmaker Magazine (2015), The Wire (2014, 2011, 2008, 1999), Sight and Sound (2013), a-n Magazine (2012), Wired (2012), RadioWeb MACBA (2010), Sound and Music (2011), Sound Projector (2012, 2000), Bizarre Magazine (1999), NME (1995, 1996). On radio I’ve been interviewed on Late Junction (2016), Soundproof (ABC Radio National 2016), WDR 3 Open Sounds (WDR 2016), Cutting Up The Cut Up (BBC Radio 4 2015), North by Southwest (British Council 2012) PM (BBC Radio 3 2010), Twenty Minutes (BBC Radio 3 2009) and Mixing It (BBC Radio 3 2004). Please note: we no longer update this section very often because the internet is effective in finding these things, unlike the old days of magazine articles
Interview about Copyright on Ableton site (Nov 2016)
Interview on Soundproof (ABC Radio National) (July 2016)
Interview in Found Footage Magazine (April 2016)
Interview in Venture Engraved Magazine (March 2016)
Interview on WDR (Feb 2016)
Interview on Late Junction (BBC Radio 3) (Jan 2016)
Documentary about People Like Us (Jan 2016)
Interview in Filling Station Magazine Issue 63 with Peter Jaeger (Sept 2015)
Cutting Up The Cut-Up (BBC Radio) (June 2015)
Feature in The Wire Magazine (Psychic Jams) (August 2014)
Interview with The Wire Magazine (Feb 2014)
Interview in SyncTank about Gesture Piece (Sept 2013)
Interview in a-n magazine about Gesture Piece (Sept 2013)
Feature on our Random Acts commission in Televisual (June 2013)
Interview in Sight and Sound magazine and Clipping (May 2013)
Interview in De-Bug (February 2013)
Interview with City Sonic, Brussels (September 2012)
Review in The Wire of People Like Us & Ergo Phizmiz The Keystone Cut Ups DVD on Illegal Art (October 2012)
Review in Wired of People Like Us & Ergo Phizmiz Moon Magic 7″ on Illegal Art (August 2012)
Mention of Radio Boredcast
 by Radio Web MACBA (April 2012)
Interview in Wired about Radio Boredcast (March 2012)
Essay by Vicki Bennett in The Wire magazine’s Collateral Damage page 
http://thewire.co.uk/articles/8439/ (March 2012)
Review of AV Festival 12 in The Guardian (March 2012)
Blogpost by Vicki Bennett about Radio Boredcast for AV Festival 12 (February 2012)
Interview with Vicki about Radio Boredcast for AV Festival 12 by Pixel Palace (December 2011)
The Doors of Perspection preview in The Independent (29 July 2011)
The Doors of Perspection preview in The Independent 2 (29 July 2011)
The Doors of Perspection review in Front Row Reviews (July 2011)
People Like Us interview in Invisible Jukebox in The Wire (July 2011)
Review of Welcome Abroad in Groovemine (May 2011)
People Like Us feature in XLR8R (May 2011)
Review of More Soup And Tart In The Wire Magazine (June 2011)
People Like Us Chart In The Wire Magazine (June 2011)
Expanded Video exhibition at Maxxi – pdf (April/May 2011) More documentation here.
Review of Welcome Abroad in Letters With Mixtapes (May 2011)
Review of Welcome Abroad in AOL/Spinner (May 2011)
Review of Welcome Abroad in Dusted (May 2011)
Review of Welcome Abroad in Unheard Music (May 2011)
Review of Welcome Abroad in Decibel Tolls (March 2011)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Aesthetica Magazine (September 2010)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in The Scotsman (September 2010)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in IDMb News (September 2010)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in The Guardian Guide (September 2010)
Interview and feature about The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Berwick Advertiser (September 2010)
Interview and feature about The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Kyeo TV (September 2010)
Review of The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Observealot (September 2010)
Review of Music For The Fire in Sound Projector (2011)
Review of Music For The Fire (People Like Us & Wobbly) in Rumore (September 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Record Collector (August 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Sentireascoltare (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Skug (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in RifRaf (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Go Mag (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Magic (July 2010)
Preview of the People Like Us exhibit at Edinburgh Printmakers Prints of DarknessThe List (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Playground (June 2010)
Music For The Fire (People Like Us & Wobbly) in Huw Stephens’ Radio show BBC Radio 1 (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Limewire Music Blog (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in MusicOMH (June 2010)
Music For The Fire (People Like Us & Wobbly) in Stuart Maconie’s Radio show BBC Radio 6 (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in My Old Kentucky Blog (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Polychromic (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Beyond The Noize (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in aaamusic (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Little Village Mag by Kembrew McLeod (May 2010)
Music For The Fire gets Radio 1 airplay (May 2010)
Article on the Recycled Film Symposium at AV Festival in axisweb (May 2010)Axisweb website
Review of Genre Collage in Baltimore City Paper (April 2010)
Review of MACBA’s Variations program, which Genre Collage is a part of (February 2010)
Review of Genre Collage in Film Comment magazine (January 2010)
People Like Us co-curate an evening at AV Festival (March 2010)
Nothing Is New, Everything Is Permitted – People Like Us play at AV Festival (March 2010)
BBC News – about People Like Us Baudrillard cassette (January 2010)
BBC News Front page (January 2010)
BFI Southbank (December 2009)
Straight.com (October 2009)
Alienated In Vancouver (October 2009)
Jean Baudrillard Le Xerox et l’Infini – Hard Format (August 2009)
Jean Baudrillard Le Xerox et l’Infini – Aquarius Records (August 2009)
Time Out – Critics Choice (August 2009)
Withers In The Waking review – Heathen Harvest (July 2009)
Interview in Crawdaddy (July 2009)
Rhapsody in Glue – Liability (March 2009)
Withers In The Waking review – Record Collector (January 2009)
Withers In The Waking review – Norman Records (December 2008)
Interview with People Like Us – Blow Up (December 2008)
Withers In The Waking review – Aquarius (December 2008) 
Withers In The Waking review – Boomkat (December 2008)
Smiling Through My Teeth review – Bad Alchemy (November 2008)
Smiling Through My Teeth review – Hair Entertainment (October 2008)
Rhapsody In Glue review – Goute Mes Disques (November 2008)
DO or DIY chart – The Wire (October 2008)
Smiling Through My Teeth review – Orkus (November 2008)
Smiling Through My Teeth review – Rumore (October 2008)
Rhapsody in Glue review – Blow Up (September 2008)
Smiling Through My Teeth review – Westzeit (October 2008)
Smiling Through My Teeth review – Ox (October 2008)
Smiling Through My Teeth review – Le Son Du Grisli (September 2008)
Smiling Through My Teeth review – Sound Projector (May 2008)
Smiling Through My Teeth review – Frieze magazine (September 2008)
Rhapsody In Glue review – Pop News (September 2008)
Smiling Through My Teeth review – Octopus Record Of The Week (September 2008)
Smiling Through My Teeth review – Rock Delux(September 2008)
Smiling Through My Teeth review – D Side(September 2008)
Smiling Through My Teeth review – Titel Magazine (September 2008)
Smiling Through My Teeth review – Schlendrian (September 2008)
Smiling Through My Teeth review – Vital Weekly 162 (September 2008)
Mention in the Guardian (UK) – Click That Dial! (August 11 2008)
Rhapsody in Glue review – O Dominio Dos Deuses (July 2008)
Rhapsody in Glue/Smiling Through My Teeth Review – Incendiary Mag (July 2008)
Rhapsody in Glue review – Octopus (July 2008)
Smiling Through My Teeth review – The Wire (August 2008)
Rhapsody in Glue review – Skug (July 2008) 
Rhapsody in Glue review – D-Side (July 2008) 
Rhapsody in Glue review – Choices Cologne (July 2008)
Rhapsody in Glue review – The Wire (July 2008)
Rhapsody in Glue review – Titel-Magazin / CD of the Week (June 2008)
People Like Us interview part 1 – The Wire (June 2008)
People Like Us interview part 2 – The Wire (June 2008)
People Like Us interview part 3 – The Wire (June 2008)
People Like Us interview part 4 – The Wire (June 2008)
People Like Us interview part 5 – The Wire (June 2008)
Perpetuum Mobile – Music For Maniacs (October 2007)
Perpetuum Mobile – Geiger (September 2007)
Perpetuum Mobile – Bad Alchemy (August 2007)

Perpetuum Mobile – Brainwashed (June 2007)
Perpetuum Mobile – RifRaf (June 2007)
Perpetuum Mobile – Rolling Stone (Mexico!!) June 2007 
Perpetuum Mobile – Review in Norman Records June 2007

Perpetuum Mobile – Review in Jumbo June 2007

Perpetuum Mobile – Review in Loop June 2007
Perpetuum Mobile – Review in Boomkat June 2007
Perpetuum Mobile – Review in Cologne Choices June 2007
Story Without End – Review in Jazzthetik July 2006
Story Without End – Review in Trax Magazine June 2006
Interview with People Like Us in 
The Observer 6 November 2006 – herehere & here
Story Without End – Review in Black Jan 2006
Story Without End – Review and Interview April 2006
Story Without End – Review in Cinemania May 2006
Story Without End – Review in The Wire May 2006
Story Without End – Review by Kevin Hamilton February 2006
Story Without End – Blow Up February 2006
Story Without End – Rock Delux Magazine February 2006
Story Without End – Magic Magazine February 2006
Story Without End – Debug Magazine January 2006

Story Without End – Intro Magazine February 2006
Story Without End – Sonic Seducer Magazine February 2006
Story Without End – D Side Magazine January 2006
Story Without End – Go Magazine January 2006
Story Without End – Bad Alchemy Magazine January 2006
Story Without End – Clone Magazine January 2006
Story Without End – Metro Magazine Summer 2005
“The Remote Controller” won second prize in the Backup Festival in Weimar 2004
Worked on a film/installation commission with Sonic Arts Network, 2004-2005 
Worked on a film commission for LUX, 2004
Yerba Buena Center For The Arts with Matmos, November 2003
Article featuring media work of PLU on BBC site July 2002
Review of People Like Us album, Recyclopaedia Britannica, on BBC website 2002
PLU get a mention in Larry Lessig’s blog 2003 
Very good interview with Kenny G on WFMU, March 2003
Small mention in The Guardian (UK)
Sound Unseen Festival, Walker Arts Center, Minneapolis 2002

Sound Unseen Festival, Walker Arts Center, Minneapolis2 2002

Ether Festival Flyer, Purcell Room, London 2002
Ether Festival review in The Wire, Purcell Room, London 2002
Ether Festival reviews, Purcell Room, London 2002
Sight and Sound magazine 2002
Lovebytes Festival Programme, Sheffield 2002
Lovebytes Festival Programme, Sheffield 2 2002
Oblique Lu Nights Festival, Nantes, France 2002
People Like Us at Sound Unseen, Minneapolis 2002
LMC 10th Anniversary Festival, Purcell Room, London 2001
LMC 10th Anniversary Festival, Purcell Room, London 2 2001

People Like Us and Matmos concert at Sonar, 2001 (The Wire)

Laptops Live ICA, London 2 2001
Laptops Live, ICA, London 2001

Futuresonic Festival, Manchester 2001
EMAF, Osnabruck, Germany 2001
Electrofringe, Newcastle, Australia 2001
Reviews in NME and Bizarre Magazine 2001
Sydney Opera House flyer 1 2001
Sydney Opera House flyer 2 2001

Sydney Opera House ticket 2001
Lux Centre, London 2001
BBC Radio Times 2001

Sound Projector interview 2000

Exit Festival, Creteil, France 2000
The Wire magazine interview 1999
San Francisco Bay Guardian review 1999
Ars Electronica, Linz, Austria 1998
NME Single of the Week 1996
NME Interview 1996
NME Interview 1995

This is by no means an exhaustive list, there are many that we have not scanned in from the 1990s, and many a web search we have not made. But it’s a taster.

pumpkin

Recording of Off The Page 2012 – Collateral Damage

collateral-damage

Vicki Bennett, Chris Cutler, Scanner, Blackest Ever Black label head Kiran Sande and The Wire‘s Tony Herrington discuss the impact of digital technology on music making and consumption.

Download or listen here 1:07:36
Vicki Bennett’s Essay in The Wire

In recent years, the internet and a raft of new technologies have transformed the ways in which we produce, perceive and consume music. And as the reality of music’s new digital economy starts to bite, musicians and labels are having to rethink both philosophy and practice, addressing the issue of how they create and disseminate work – while some decry the free movement of music across file sharing networks and the collapse of traditional record industry models, others look to exploit the new possibilities offered by crowd sourcing and social networking.For this panel discussion chaired by The Wire‘s Publisher and Editor-in-Chief Tony Herrington, Vicki Bennett (People Like Us), Chris Cutler (ReR Records), Robin Rimbaud (Scanner) and Kiran Sande (FACT, Blackest Ever Black) discussed possible responses to the challenges posed by music’s changing eco-system.

The Wire and Sound And Music‘s Off The Page festival took place 24–26 February at The Playhouse Theatre in Whitstable.

The Wire article and audio file

People Like Us interview in The Wire about radio

The collage artist also known as People Like Us talks about her beginnings in experimental radio broadcasting in the second instalment of The Wire’s oral histories series.

Vicki Bennett’s People Like Us began life as a three hour radio show on Brighton’s Festival Radio in 1990 called Gobstopper. She went on to release around 20 solo albums based on her radio sound collages, but after a decade working primarily with sound, has increasingly worked with film and images. She has recently produced collage and split screen work, including 2013’s touring film and performance piece Notations, a film used as a score for improvising musicians.

An advocate of open digital distribution, Bennett’s entire back catalogue is available for download via UbuWeb, and she is also the host of long-running radio show DO or DIY on WFMU. She has collaborated extensively with Ergo Phizmiz, Negativland’s Don Joyce, Wobbly and Kenneth Goldsmith, and many others.

Listen to the interview here:
http://www.thewire.co.uk/audio/in-conversation/oral-histories_vicki-bennett

Or download the file as an mp3:
http://www.thewire.co.uk/download//2014/05/02/The_Wire_Oral_Histories_-_Vicki_Bennett_aka_People_Like_Us_.mp3

WE ARE NOT AMUSED

“We Are Not Amused” – the second of our two films made for Animate Projects and Channel 4 TV which was screened on 5 September 2013 is now available for viewing:


We Are Not Amused. A film by Vicki Bennett [2013]

Who knows where ideas come from? You or me? Or THEM? The Muses are angry and they want their ideas back! This is a story of thieving and reappropriation, staged on a mythological platform.

Interview with Vicki Bennett
http://www.animateprojects.org/interviews/interview_with_vicki_bennett1

Screenings
August 2015 – uSurp Zone5 Festival, London
March 2015Ann Arbor Film Festival
November 2014 – Screening at Other Cinema, San Francisco
August 2014 – Screening of We Are Not Amused at Sao Paulo 25th International Short Film Festival 
May 2014 – Screening of We Are Not Amused at Oberhausen Film Festival, London, entered for the International Film Category competition
November 2013 Underwire Festival, London
November 2013 – Screening of We Are Not Amused and The Golem – An Inanimate Matter at Bradford Animation Festival

Download stills and photos of work in progress from both We Are Not Amused and The Golem – An Inanimate Matter
https://peoplelikeus.org/piccies/random/pictures-and-screenshots.zip

WeAreNotAmused-1
Newton misses a trick in We Are Not Amused

WeAreNotAmused-2
Muybridge motions defy gravity in We Are Not Amused

WeAreNotAmused-3
A muse tampers with Edison’s recording device in We Are Not Amused

WeAreNotAmused-4
Beethoven just can’t get the fourth note of this fifth in We Are Not Amused

WeAreNotAmused-5
Early man is going to be late in We Are Not Amused

WeAreNotAmused-6
Muse defaces and impressionist painting in We Are Not Amused

Background on the commission
http://www.animateprojects.org/news/our_secret_monsters_will_be_revealed

Vicki Bennett on Animate Projects website
http://www.animateprojects.org/films/by_artist/b/v_bennett