Gone, Gone Beyond 360 Real-Space Immersive Cinema

“Hey, hey, have you ever tried… reaching out to the other side?”

Gone, Gone Beyond is an immersive a/v spatial cinema work by People Like Us (Vicki Bennett), which breaks the rectangle, smashing the thin screen into tiny fragments, looking beyond the frame, climbing through to see what’s behind.  

The initial work was commissioned by Naut Humon, the founder of immersive theatre project RML CineChamber, Gone, Gone Beyond is a 10 screen / 6 or 8 speaker piece, with seamless wrap around projection and surround sound where the audience sit inside. It comprises of movie and musical compositions, animated and sample-based/musique concrète collage juxtaposed with content filmed/recorded by the artist, all sewn together in a giant patchwork. Pull on a thread and watch whole new narratives expand and unravel all at once on a 360º palette. The project has been a work in progress since 2017, and showed for the first time in Autumn 2021 in feature length format.  

The work’s title and underlying concepts come from the Heart Sutra, a key Buddhist text, describing how all phenomena are empty in form yet ultimately interconnected. The last lines of the Heart Sutra say ‘gate gate pāragate pārasamgate bodhi svāhā’, which means “gone, gone beyond, gone beyond that a bit more, and then beyond that a bit further”. This reflects perfectly the action of going beyond the frame to where there are no edges to the narrative – just emptiness.

In this 360º format, time and space becomes elasticated, with the use of collaged video furthering the reflection on how information comes to us as fragments and that nothing is fixed. A new narrative-thread is woven in the mind of each viewer every time the work is seen, limited only to that exact time and space – just as the Heart Sutra reminds us that the only constant is change, and everything is related with no fixed source.

The initial in-process tester movie screened in San Francisco in October 2017 at RML’s own Recombinant Festival at Gray Area Foundation for the Arts. Since then the work has been in development, with a private screening event in April 2019 Goldsmiths SIML for potential partners. The work will screen at nyMusikk, Oslo; SPILL Festival, Ipswich; Attenborough Centre (ACCA), Brighton; and London Barbican, in Autumn 2021. Version 2 of GGB screened in San Francisco’s Gray Area in May 2022 to great critical acclaim.

PAST:

SAN FRANCISCO Gray Area
12-27 May 2022 https://grayarea.org/gonegonebeyond/

OSLO Black Box Teater present KinoKammer with nyMusikk
13-16 October 2021 https://blackbox.no/en/e5115e56-702e-41a2-badb-cb21d1626082/

IPSWICH DanceEast as part of SPILL FESTIVAL
28-30 October 2021 https://www.danceeast.co.uk/performances/gone-gone-beyond-au21/

BRIGHTON Attenborough Centre (ACCA)
4-6 November 2021 https://www.attenboroughcentre.com/events/4028/gone-gone-beyond/

LONDON Barbican Centre
10-13 November 2021 https://www.barbican.org.uk/whats-on/2021/event/people-like-us-gone-gone-beyond

Artist Statement: People Like Us

Photo credit: Polly Brown

Since 1991, British artist Vicki Bennett has been working under the name People Like Us, creating audio-visual collage across music, film, radio, live performance and immersive installations. Drawing on the vast archive of popular culture, she repurposes familiar sounds and images to create unexpected connections, often with a dark sense of humour and an interest in the absurd. Through the process of collage, fragments are removed from their original contexts and brought into new relationships, producing meanings that are more than the sum of their parts.

Vicki sees collage as a form of contemporary folk art, drawing on the shared palette of media and technology, with all the borrowing, sharing and cross-referencing that implies. Central to her practice is the premise that everything is interconnected, and that claiming ownership of an entirely “original” or isolated idea is both preposterous and redundant. Sampling is not simply a compositional technique but a way of thinking about how meaning emerges through association, juxtaposition and the rearrangement of what already exists.

Her work ranges from the long-running DO or DIY radio programme on WFMU and large-scale experimental broadcasts such as Radio Boredcast, to the immersive cinema installation Gone, Gone Beyond and the live audiovisual performance The Library of Babel. In 2006, she became the first artist granted unrestricted access to the BBC archives, having previously recorded a session for John Peel in 2003. People Like Us has presented work internationally at venues, galleries and festivals including Barbican, Whitechapel Gallery, MACBA (Barcelona), MAXXI (Rome), Haus der Kulturen der Welt (Berlin), Hallwalls Contemporary Arts Center (Buffalo), HMKV (Dortmund), Sheehan Gallery (Walla Walla), Gray Area (San Francisco), Venice Biennale, Sónar, transmediale, Café OTO, Attenborough Centre for the Creative Arts and donaufestival (Austria).

Longer Biography
Filmography
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
People Like Us on bandcamp
People Like Us on Patreon
Discography

Photo credit: Polly Brown

More Soup and Tart, Barbican Theatre, London

More Soup and Tart
15 April 2011
Barbican Theatre

Tickets: £15–£25 ****SOLD OUT!!!!****
Includes food
Time: 7.30pm

For one night only! Over 30 of the most exciting artists working across visual art,
film, music, dance and theatre each give a two-minute performance that follows a
light dinner of soup and tart, in the spirit of Jean Dupuy’s legendary 1974-75
events at The Kitchen, New York.

Featuring:
Penny Arcade / Edwina Ashton / Vicki Bennett (People Like Us) / Simon Bookish / John Butcher / Rosemary Butcher / William Cobbing / Martin Creed / Jeremiah Day / Dog Kennel Hill Project / Tim Etchells / Marcia Farquhar / Stewart Home / Mikhail Karikis / Hilary Koob-Sassen / Andrew Kotting / Sam Lee / Christian Marclay / Frauke Requardt, Tai Shani / Holly Slingsby / Ryan Styles / Simon Vincenzi / Mark Aerial Waller / Jennifer Walshe and Tom Woolner and more. Plus a special film contribution by Michael Clark.

For more information, click here
http://www.barbican.org.uk/artgallery/event-detail.asp?ID=11727 .
Tickets £15-25, and includes a dinner of vegetable soup and apple tart, made by
Searcy’s restaurant.

Book now… http://www.barbican.org.uk/artgallery/event-detail.asp?ID=11727