DO or DIY with People Like Us will fill in for Station Manager Ken on WFMU on 22nd December 2021. NY time 9am to Noon, that’s 2pm to 5pm UK Time. Listen live locally on the radio in the tri-state area of NY, or online at WFMU.org
People Like Us have returned to the radio on WFMU for a 3-hour radio show from 9-Noon EST (that’s 2pm-5pm UK) for 4 CONSECUTIVE THURSDAYS filling in for DJ Trouble.
Listen: http://wfmu.org / DO or DIY http://wfmu.org/playlists/PL
Playlist and archive for Week 1 (26 November 2020): https://wfmu.org/playlists/shows/98773
Playlist and archive for Week 2 (3 December 2020):
Playlist and archive for Week 3 (10 December 2020):
Playlist and archive for Week 4 (17 December 2020 – Matmos Special)
DO or DIY with People Like Us will return to the airwaves for 3 hours on Wednesday 19 June from 9am-Noon (NY Time) ((which is 2pm-5pm in London)). This will be filling in for Station Manager Ken. You can tune in online and on the air (if local to New York) and follow a live playlists and comments through the front page here: http://wfmu.org
Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant.
In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, V&A, Sydney Opera House, Royal Albert Hall, Pompidou Centre, Venice Biennale, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. The ongoing sound art radio show ‘DO or DIY’ on WFMU has had over a million “listen again” downloads. since 2003. The People Like Us back catalogue is available for free download hosted by UbuWeb.
ALL COMMISSION ENQUIRIES OR BOOKINGS FOR GONE, GONE BEYOND ARE TO BE DONE DIRECTLY WITH US THROUGH OUR CONTACT PAGE.
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
People Like Us on bandcamp
Since Autumn 2003 People Like Us have been doing a weekly show on WFMU, called DO or DIY. The aim of the show is to mix highbrow with lowbrow to challenge whether there is much difference. Archived playlists of at least 200 shows from 2003 to the present day can be found at www.wfmu.org/peoplelikeus
Vicki Bennett also curated/programmed RADIO BOREDCAST in Winter 2011/Spring 2012. It was first broadcast on basic.fm and now is archived at WFMU. More recently, Vicki Bennett has programmed OPTIMIZED!, a week-long expanded radio stream on WFMU 6-10 June 2016.
Subscribe to the Podcast of DO or DIY by clicking here – it will prompt your iTunes program to open, where you will receive the podcasts.
About DO or DIY
DO or DIY is a freeform sound art radio show broadcast weekly by Vicki Bennett (project name People Like Us) on WFMU.
The philosophy behind the show is simple. That within the realms of avant-garde and experimental sound art the goalposts defining “accessible” and “inaccessible” are constantly moving. As the radar rises and dips, fragments and shards of underground creations unearth, and popular culture and artist resonate, shifting shapes accordingly with one another in reflections of changing spotlights.
The avant-garde and popular culture rely on each other’s energy. People Like Us collage both “hard to listen” works and popular listening matter, showing that in fact, beyond the restrictions of genre, genre IS the restriction and it is possible to like many kinds of art and music. The key is finding the door – DO or DIY leads the way into new and unusual realms of listening and hope to show the way in.
Each show consists of collages made of sound works from the 20th and 21st century, often layered and looped many times over, resulting in an album type effect on each show.
The pun “All Things Avant-Retard”, a rhyme with “All Things Avant-Garde” literally means All Things Forward-Backwards. Essentially by using sonic extremes and apparent opposites we find some sort of central point or balanced perspective on music and sound.
Suggested Listening: DO or DIY fill in for Ken.
New Free WFMU iPhone/iPod Touch app!
Also, if you have an iPhone or iPod Touch we are also pleased to announce that you can listen to not only the regular WFMU stream on the move at a glorious 128k, but also all of our special streams, recent DJ show archives and DJ podcasts including all of DO or DIY!
You can download the much improved updated free WFMU app right here.
Gwilly Edmondez is all over the place yet usually in the wrong place at the right time. As an improvisor and recording artist he tries to play as often as possible with anyone who’s game, or solo if no one is about. What he uses mostly is his voice, but is always searching for things to go with it, like samples, tapes and beats. Anything could happen, which is why Gwilly prefers to act at the very fringes of proper. He has collaborated with all sorts of people but his primary non-solo projects at the moment are YEAH YOU (with Elvin Brandhi), Kleevex (with Faye MacCalman) and Impossibility Knox (with Odie Ji Ghast and sometimes THF Drenching).
We are very pleased to let you know that DO or DIY with People Like Us will return to the WFMU air and etherwaves this summer. The first show will be Monday 5 June 2017, and will run weekly through to and including 4 September 2017. The show time is 6-7pm NY time (that’s 11-midnight UK), and all shows will be archived shortly after, and podcast.
ALL COMMISSION ENQUIRIES OR BOOKINGS FOR GONE, GONE BEYOND ARE TO BE MADE DIRECTLY WITH US THROUGH OUR CONTACT PAGE.
To date, People Like Us/Vicki has had 6 solo exhibitions and participated in over 20 group shows including at MAXXI (Rome), HMKV (Dortmund), Centro de Cultura Digital (Mexico), Hatton Gallery (Newcastle), Vitrine (London), alt.gallery (Newcastle), Greene County Council for the Arts Gallery (NY), Peacock Visual Arts (Aberdeen), Kunstmuseum (Magdeburg), Pallant House (Chichester), Engramme (Quebec), La Scatola Gallery (London), Changing Room (Stirling), Franklin Street Works (Connecticut), Usurp Gallery (London), University of Greenwich Galleries, Matthew Gallery (Dundee), Edinburgh Printmakers, Millennium Gallery (Sheffield) Leeds College of Art, Sunbeam Studios (London) and Sheehan Gallery, Walla Walla.
Also featured in Sounds Like Silence – 4’33’’ Silence Today (Spectre Books 2012), The Journal of Writing In Creative Practice (Vol 7 Issue 1 2015), The Fundamentals of Sonic Art and Design by Tony Gibbs (Ava Publishing 2007), Cutting Across Media by Kembrew McLeod (Duke University Press 2011), Here To Go – Art, Counter-Culture and the Esoteric (Forum Nidrosiae 2014), Incredible Machines by Danny Snelson (avant 2014), writing for The Wire’s Collateral Damage (February 2012) and a whole chapter in Duchamp Is My Lawyer The Polemics, Pragmatics, and Poetics of UbuWeb by Kenneth Goldsmith on Columbia University Press (2020) and a chapter in Different People – Conversations on Art, Life and the Creative Process by Carl Abrahamsson on Trapart (2021).
.For gallery concerts and festival film screenings please also see Selected Performances and ScreeningsContinue reading