Artist Biography


Working under the moniker People Like Us, artist Vicki Bennett has been creating and distributing audio-visual work across multiple platforms since 1992. Her extensive output spans CD, DVD and vinyl releases, radio broadcasts, live performances, gallery installations, 360° immersive environments and online media. Vicki treats collage as a form of contemporary folk art—rooted in mass media and technology—championing its democratic, shared nature. Central to her work is the belief that everything is interconnected, rendering the notion of artistic ownership or originality both absurd and unnecessary. Through the act of collage, she opens up expansive, unexpected outcomes that exceed the sum of their parts.

Since 2002, the majority of the People Like Us back catalogue has been freely accessible online. Vicki is an advocate of the gift economy, highlighting that for many artists, free self-distribution can generate greater reach and impact than traditional publishing channels. This approach alleviates the pressures of production costs, while ensuring long-term availability. The discography and filmography of People Like Us are generously hosted by UbuWeb.

Over her career, Vicki has produced over 50 audio recordings and more than 40 video works, released on labels including Illegal Art, Rough Trade, Soleilmoon Recordings, Discrepant, Sonic Arts Network and Touch. Her long-running radio show DO or DIY has been broadcast on New York’s fiercely independent WFMU since 2003. Her video work has been shown internationally at venues such as Tate Modern, Whitechapel Gallery, BFI, Barbican, ICA, V&A, Centre Pompidou (Paris), Sonar (Barcelona), MAXXI (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City). Works have also been broadcast on Channel 4 and featured in sessions for John Peel and Mixing It.

People Like Us has been commissioned by organisations including Arts Council England, Barbican, ACCA, BBC, WDR, Deutschlandradio, PRS Foundation, a-n, Great North Run, Sound and Music, Animate Projects, AV Festival, RML, Sonic Arts Network, Forma, LUX and Lovebytes.

Vicki has held seven solo exhibitions and participated in over 20 group shows across prominent international venues, including the Venice Biennale, MAXXI (Rome), HMKV (Dortmund), Hatton Gallery (Newcastle), Sheehan Gallery (Walla Walla), La Scatola Gallery (London), alt.gallery (Newcastle), Vitrine (London), Engramme (Quebec), University of Greenwich Galleries, Edinburgh Printmakers, Pallant House (Chichester), Millennium Gallery (Sheffield), and Hallwalls (New York), among others.

Her work has been discussed in numerous publications such as Sounds Like Silence – 4’33’’ Today (Spectre Books), The Journal of Writing in Creative Practice, Cutting Across Media (Duke University Press), The Fundamentals of Sonic Art and Design, Incredible Machines, Sensations of History (University of Minnesota Press), and Here To Go – Art, Counter-Culture and the Esoteric. She has also contributed to The Wire, including a feature in their “Collateral Damage” column (2012), and has entire chapters devoted to her in Kenneth Goldsmith’s Duchamp Is My Lawyer (Columbia University Press) and Carl Abrahamsson’s Different People (Trapart, 2021).

People Like Us has been reviewed or profiled in The Wire, Rolling Stone, Frieze, The Guardian, NME, Time Out, Sight & Sound, Film Comment, The Scotsman, The Independent, BBC Online, Bizarre, Record Collector, Metro, XLR8R, San Francisco Bay Guardian, Baltimore City Paper, and more. Interviews include The Observer, Filmmaker Magazine, Found Footage Magazine, Wired, a-n Magazine, RadioWeb MACBA, Sound and Music, and multiple features in The Wire.

Her radio interviews include Late Junction, Soundproof (ABC), WDR 3 Open Sounds, Cutting Up The Cut Up (BBC Radio 4), PM and Twenty Minutes (BBC Radio 3), and North by Southwest (British Council).

She has also curated a variety of events and publications, including First Person, Fourth Wall (2020), Optimized! (WFMU, 2016), Concert of Collage (Encounters Festival, 2015), Radio Boredcast (AV Festival, 2012), and Nothing is New, Everything is Permitted (2010).

Notable works include Notations, a touring film for live improvisation (TUSK/Sound and Music, 2013); two films for Channel 4’s Random Acts; Citation City (2015), an AV performance inspired by Walter Benjamin; Nothing Can Turn Into A Void, a documentary (2015); No One Is An Island (WDR, 2016); and The Mirror (2018), an AV performance and album ranked No.8 in The Wire’s Albums of the Year. Vicki also produced video content for The The’s 2018 comeback tour, and was part of the New Voices programme from Sound and Music, and received an a-n Artist Bursary in 2019. Her radio commission I Can Fly aired on WDR in 2020.

In 2020, she premiered two new works at her solo exhibition First Person, Fourth Wall, as Hallwalls Artist in Residence (HARP). The following year saw the touring of Gone, Gone Beyond, an immersive multi-screen and multi-speaker AV installation across venues including nyMusikk Oslo, SPILL Festival, ACCA Brighton, and London’s Barbican.

In 2022, she presented MIND MAPS: The Art of Vicki Bennett at Sheehan Gallery (USA) and Orfeó Lleidatà (Spain), and Gone, Gone Beyond was screened at Gray Area, San Francisco. Her 22-hour radio piece 108 aired via Radio Arts Zone, and she performed with Ergo Phizmiz and Gwilly Edmondez at The Wire‘s 40th Anniversary. She also produced a new radio work Changing Your Mind for Deutschlandradio and a mixtape for BBC Radio 3’s Late Junction. The lathe-cut vinyl Rhapsody in Glue (with Ergo Phizmiz) was released in November 2022.

In 2023, she launched a successful IndieGoGo campaign for the new live AV performance and album The Library of Babel, premiering at a three-day residency at Café OTO, London. A retrospective 2-CD set Sharity! Selected Works of People Like Us followed in April.

In 2024, People Like Us released a new album COPIA, created music videos for The The, Soft Cell and Marc Almond, and debuted a widescreen AV installation Mise en Abyme at Museu de Aveiro/Santa Joana in Portugal. Currently in development is Khroma, a new 360-degree work for RML CineChamber.

So far in 2025, People Like Us continues work on Khroma, alongside creating live visuals for Soft Cell’s performances of “Torch” and “Purple Zone”. Vicki is also collaborating with Kevin Hamilton (University of Illinois) on a text-based media project.

ALL COMMISSION ENQUIRIES OR BOOKINGS FOR GONE, GONE BEYOND ARE TO BE MADE DIRECTLY WITH US THROUGH OUR CONTACT PAGE.

Shorter Bio – Artist Statement
Filmography
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
Talks, Lectures
Discography
People Like Us on bandcamp

SHUTTER – solo exhibition

14 February – 7 March 2014 (Preview 13 February 5-7pm)
Leeds College of Art Blenheim Walk, Leeds, UK

Shutter
Shutter is a new audio-visual exhibition by film and sound collagist Vicki Bennett that enables us to peer into a parallel cinematic world that exists between the edits, when we are not looking at the screen. http://www.leeds-artexhibitions.co.uk/?p=1180
The exhibition consists of three a/v video works (one projected and two on video monitors) and nine prints.  There is also an edition of 20 of two of these prints.

“The Big Sleep” [2014] Video (19 mins, 12 secs)
Sleep deficient actors drift in and out of consciousness.

“Blink” [2014] Video (1 hour, 35 mins, 39 secs)
Every frame missed while watching A Nightmare on Elm Street.



“Dreaming” [2011] Video (4 mins, 16 secs)


Nine 12×12 inch B/W and Colour Giclee PrintsThe 9 Prints

VICKI BENNETT “SHUTTER”

“Shutter” is a new audio-visual exhibition that enables us to peer into a parallel cinematic world that exists between the edits, when we are not looking at the screen.

Actors aren’t seen to rest a lot in films, considering people on average sleep 8 hours a day.  More often than not, feature films contain a stream of attention-grabbing imagery and noise, and if the mood does slow down there is still dialogue, music and other distractions.

In feature films we don’t see the real-time flow of everyday life, we don’t see the actors queuing, watching TV, reading a book, sleeping.  Nor do we witness the mundane – we see the James Bond car chase but no stopping off to eat a panini.  Reality can be brought back into film by revealing actors in their normal, uneventful moments.  Actors need to sleep as well.  Where do they go after a film has ended?  What do we miss when we blink while watching a movie?  What is it really like on the other side of the screen?  This exhibition addresses these subjects and attempts to take us to these places.

Vicki Bennett - press photo
Vicki Bennett – press photo

2 editions of 20 (below) – purchase from our shop

Bio

Since 1991 Vicki Bennett has been working across the field of audio-visual collage, and is recognized as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives.  Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio.

People Like Us have previously shown work at Tate Modern, The Barbican, Centro de Cultura Digital, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It.  In 2006 Vicki was the first artist to be given unrestricted access to the entire BBC Archive.  The ongoing sound art radio show ‘DO or DIY’ on WFMU has had over a million “listen again” downloads since 2003.  The People Like Us back catalogue is available for free download hosted by UbuWeb. https://peoplelikeus.org/category/biography/

Shutter

Documentation – Setting up and Preview night
vwithprintsDSC_3585 previewDSC_3702 printsonwallDSC_3643 settingupDSC_3583 puttingupprintsDSC_3604 PreviewDSC_3717 PreviewDSC_3722

Shutter – Print Edition for sale

As part of our SHUTTER solo exhibition at Leeds College of Art we are pleased to make available a very limited edition of 2 B/W giclee prints, both in an edition of 20.  We are selling these at a very reasonable price as a result of actually wanting you to have them rather than adhering to the art gallery rules of making things too expensive and unavailable to most people.

All prices are in US Dollars and INCLUDE postage and packing.  Please note, we are offering a large discount if you buy BOTH at once.  Paypal links below.

Asleep 1 12 inches x 12 inches
Asleep 1
12 inches x 12 inches

SOLD OUT

———

Asleep 2 12 inches x 12 inches
Asleep 2
12 inches x 12 inches

SOLD OUT

Genre Collage concert photos

Thanks to those of you who saw the first two performances of the new People Like Us live set, at Vancouver New Music Festival, and WFMU Record Fair and received it so well! Here’s a collection of photos – firstly of Vicki with Pseu Braun, Irene Moon and Brian Turner at the Record Fair, then some stills from the New Music Festival.

Download larger images and learn more about Genre Collage here.

Press Images

Click on images below to download the larger version (around 2MB).
Please credit where listed, otherwise credit People Like Us. For photographs of People Like Us with Ergo Phizmiz ONLY use these for JOINT advertisements.
Please note: the film stills are from the original QuickTime movies, and therefore the size you get them is the size that they will always be, in 72dpi resolution. If you need it to be a different dpi then do go to Photoshop and resample the image as such yourself. We have resampled some for you.
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Genre Collage 2009
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Genre Collage 2009
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Genre Collage Live at Vintage Goodwood 2010
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Genre Collage Live at Vintage Goodwood 2010
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Genre Collage Live at Vintage Goodwood 2010
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Genre Collage Live at Vintage Goodwood 2010
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People Like Us 2010
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Genre Collage 2009
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Genre Collage Live 2009
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Genre Collage Live 2009
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Genre Collage Live 2009
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People Like Us 2006
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People Like Us 2006


Trying Things Out 2007





Work, Rest & Play 2007
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Story Without End 2005


ONLY use this row for People Like Us & Ergo Phizmiz

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The Remote Controller 2003

People Like Us art 2007
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Story Without End 2005
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Live

Documentation of the People Like Us Retrospective at alt.gallery

Documentation of the People Like Us Retrospective at alt.gallery
alt.gallery (entry via alt.vinyl) 61/62 Thornton Street, Newcastle upon Tyne, NE1 4AW.
http://www.altgallery.org/
16 May-12 July 2008

alt.gallery is pleased to announce the first retrospective exhibition of work by People Like Us (aka Vicki Bennett).
ARTIST INFO
For the past seventeen years British artist Vicki Bennett has been an influential figure in the field of audio visual collage, through her innovative sampling, appropriating and cutting up of found footage and archives. Using collage as her main form of expression, she creates audio recordings, films and radio shows that communicate a humorous, dark and often surreal view on life. The exhibition will focus on the concept of collage, showing an edited selection of her work, including twenty album releases, numerous singles and remixes, live sets, seven films and over a hundred and fifty radio shows. These collages mix, manipulate and rework original sources from both the experimental and popular worlds of music, film, television and radio.   People Like Us believe in open access to archives for creative use, and have made work using footage from the Prelinger Archives, The Internet Archive, and A/V Geeks. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at Tate Modern, Sydney Opera House, Pompidou Center and Sonar, and performed radio sessions for John Peel and Mixing It. The ongoing sound art radio show ‘Do or DIY’ on WFMU has had over a million “listen again” hits since 2003. The People Like Us back catalogue is available for free download hosted by UbuWeb.
MEMORY STICKS

Every week during the exhibition a different collection of special downloads from the People Like Us archive will be available from the gallery, bring your memory stick along for a free take away!
ESSAY BY DR DREW DANIEL
A specially commissioned essay by Dr. Drew Daniel of Matmos accompanies the exhibition. Download pdf here. Drew’s essay can also be linked to here

Download a larger version of this flyer here
Download the poster (featured top right) here
The exhibition also included a framed essay by Rick Prelinger on The Virtues of Preexisting Material. Here is an excerpt:
On the Virtues of Preexisting Material
© Rick Prelinger 2007
Licensed under Creative Commons Attribution License
1 Why add to the population of orphaned works?
2 Don’t presume that new work improves on old
3 Honor our ancestors by recycling their wisdom
4 The ideology of originality is arrogant and wasteful
5 Dregs are the sweetest drink
6 And leftovers were spared for a reason
7 Actors don’t get a fair shake the first time around, let’s give them another
8 The pleasure of recognition warms us on cold nights and cools us in hot summers
9 We approach the future by typically roundabout means
10 We hope the future is listening, and the past hopes we are too
11 What’s gone is irretrievable, but might also predict the future
12 Access to what’s already happened is cheaper than access to what’s happening now
13 Archives are justified by use
14 Make a quilt not an advertisement

Download a pdf of the full text here, or link to the essay here.


The exhibition will also launch a new CD curated by Vicki Bennett for Sonic Arts Network called ‘Smiling Through My Teeth’, a compilation of humorous music and sound art.

SPECIAL EVENTS
People Like Us Special on WFMU
Thursday 15 May, 11pm-midnight (UK time) www.wfmu.org/playlists/ER – To celebrate the exhibition opening Ergo Phizmiz hosts a People Like Us Special on his show ‘Phuj Phactory’ on WFMU, both on terrestrial radio and live internet stream.
People Like Us Talk and Screening
Friday 16 May, 7:30pm
Star and Shadow Cinema, Stepney Bank, Newcastle
Vicki Bennett presents a selection of films by People Like Us.
The Late Shows: Smiling Through My Teeth CD Launch
Saturday 17 May, 7pm-11pm
alt.gallery
www.altgallery.org

The Late Shows form part of NewcastleGateshead’s world-class festivals and events programme. www.thelateshows.org.uk

Many thanks to Rebecca Shatwell for inviting us to do this retrospective, it was great fun to work together. Rebecca is now director of AV Festival.

Continue reading “Documentation of the People Like Us Retrospective at alt.gallery”

Honeysuckle Boulevard

The online edition of People Like Us & Ergo Phizmiz’s album, “Honeysuckle Boulevard”, which came out at the beginning of 2007 as a free ten inch vinyl release and is now deleted, can now be downloaded for free here, and at the WFMU Blog here. It includes vinyl label artwork, an info text file and also two bonus tracks. The bonus tracks have never before been made available for release or download. If you love vinyl we have a few on sale in our shop, by way of Paypal – price includes Postage and Packing.

Download the audio either as a zip file containing all the tracks, or grab each individual MP3.

Honeysuckle Boulevard (Zip File, contains all files below)

MP3 Tracks:

Side A, Harpo Honeysuckle Suite
A1: Harpo Boulevard
A2: Beyond Perpetuum
A3: Honeysuckle Rose and Perpetuum Mobile

Side B, Merry Go Mambo Suite

B1: Merry Go-Round
B2: Fat Henry’s Mambo
B3: Oh No Not Another Cha Cha

Extras:
Bonus Track 1: Bad Restaurant Boogie
Bonus Track 2: Social Folk Dance

Album Label Artwork
Informational Text File

Ergo Phizmiz website
WFMU website

For more background information on this project, please read on.
Honeysuckle Boulevard, a self-released 10 inch record (Limited Edition 500 numbered copies) was available from selected record stores/galleries (in exchange for a voucher)
from January 15th-March 31st 2007. This offer is now expired (although we have a few copies for sale in our shop for a very cheap price)

Archived press release (January 2007):

This is the debut collaborative release by artists People Like Us & Ergo Phizmiz, available for free at selected galleries and independent record stores in the UK, the continent and US.

Both artists operate on the cusp of both experimental and pop culture, creating radio, audio and DVD releases, film and A/V multimedia.  Their work combines an irreverent approach with a probing curiosity that explores crossover points between media.  By appropriating and recontextualising found footage, they craft collage with equal inflections of wit and impending doom.

This record presents a progressive change for both artists involved.  It references their past works, but moves into new territory, resulting in a very collaborative work, much more than the sum of two parts.  The music is fundamentally electronic (but not usually sounding so), with references to 1920’s ballroom music, 1950’s easy listening, jazz, cartoon and classical music, seamlessly melding diverse elements into a dynamic, rhythmic patchwork.  They combine appropriation with live instrumentation and vocals, with very open tangential musical structures.  With nonsense lyrics that are equally Brothers Grimm and Edward Lear and accompanying slapstick interjections, the result is in an exciting and humorous work.

Recent works include Ergo Phizmiz’s large-scale piece “M: 1000 Year Mix” funded by the Arts Council of England/Match My Foot Records, and “Wholepole – The Discotheque of Erotic Misery” for BBC Radio 3.  People Like Us recently released the album “All Together Now”, and is also Artist in Residence at the BBC Creative Archive.  Both artists are currently collaborating on a full length CD release entitled “Perpetuum Mobile”, to be released in April 2007 on Soleilmoon Recordings.  In addition, both artists broadcast experimental arts shows on the freeform New York radio/internet station WFMU.

This product will be available in the following stores from January 15th to March 31st 2007.
A-Musik (Cologne)
Aquarius (San Francisco)
Bimbo Tower (Paris)
Earwax (Brooklyn)
Le Bonheur (Brussels)
Matéria Prima (Porto)
Monorail (Glasgow)
Rough Trade, Neal’s Yard (London)
Tate Modern (London)
Worm (Rotterdam)

A uniquely labelled voucher (one per person – all IP addresses are logged) can be requested by filling in the form below, and specifying which of the above stores the customer would like to collect from.  Once you have sent your request we ask that you be patient, you will hear from us with a voucher shortly before 15th January, or if you order after this date then very soon.

This venture is totally non-profit, for artists and retailer, and has been met with great enthusiasm from the host stores.  In fact the demand from additional stores that wish to participate exceeded the amount of records that can be supplied.

The marketing aspect of this project is partly a humorous self-parody, in that both artists have favoured the internet as their primary means of distribution and now are encouraging people to go into real shops again and “buy” their music for free.  This novelty form of distribution combines the tradition of regular shopping with free downloading, stretching the notion of the “gift economy” to its limits.  “Below the radar” artists have difficulty with physical distribution of their work because of the poor state of business for non-chart releases combined with saturation of the market.  However, this isn’t a reflection of a lack of audience interest; People Like Us’ album “Abridged Too Far” and Ergo Phizmiz’s “White Light White Heat” have collectively amassed in excess of 50,000 mp3 downloads, so there is no shortage of audience to be testing these theories on.
honeysuckle

PRESS PICTURES
(click
on thumbnails)

 

 

 

Boots!

Using the internet and file sharing as our primary means of communication and collaboration, People Like Us & Ergo Phizmiz have produced this material over a period of almost a year (Spring-Winter 2006-7).

These recordings document a collaborative research and development process using live performance (with vintage dansette turntables and vinyl dubplates), a CDr album ("Boots!"), a 10" vinyl record ("Honeysuckle Boulevard"), and a CD album ("Perpetuum Mobile").The files available here constitute the research, CDr, and the live performance. The concert is represented by an edit from that which was recorded through the mixing desk and miked up record players, a full unedited microphone recording, and an archive of the tracks which were used on the vinyl dubplates – comprising music from the research period split across various records either through splits in time (so one minute of the track may play on one deck, the next three minutes on another player, etc) or through splits in the actual layers on the tracks (so two or more records playing simultaneously would create the "full" track).

boots!

Concert – video edit

Sketches For Boots
Summer 2006

Composed 2006 as R+D for live performance, CD, Honeysuckle Boulevard 10″ Record, and Perpetuum Mobile CD (released 23 April 2007).
1. Domino
2. La Ronde
3. Erotic Ballroom Dream of Bill
4. Last Tango in Parish – Cumshot
5. Bloody Waltz
6. A Cup of Cha Cha Cha
7. Honeysuckle Roads
8. Let’s Dance with Charlie’s Loop
9. Mack
10. Puppet
11. Roy Fucks
12. Singing Lesson
13. Song For Babs
14. Sorry
15. Perpetuum (First Try)
16. Fruity Peter
17. Bed Music (Boopy Doop Doop Scoop)
18. Honeysuckle Ideas
19. Last Tango in Parish
20. Air Hostess
21. Balromulus Machinus
22. Spanked Latin
23. Tiny Mambo
24. Mambobela Rmx with Felix Kubin
info.txt

Dubplates from “Boots!” Performance
Summer 2006

In which tracks from research are torn apart for live recomposition, then pressed to vinyl dubplates
1. Crying Man
2. Enoch the Drummer 01
3. Enoch the Drummer 02
4. Fat Henry’s Mambo 01
5. Fat Henry’s Mambo 02
6. Gunshot 01
7. Gunshot 02
8. Harpo’s Ambient Love Groove
9. Harpo Boulevard 01
10. Harpo Boulevard 02
11. Harpo Segue
12. Hollers 01
13. Hollers 02
14. Hollers 03
15. Hollers 04
16. Hollers 05
17. Hollers 06
18. Honeysuckle Rose & Perpetuum Mobile 01
19. Honeysuckle Rose & Perpetuum Mobile 02
20. Honks
21. Instruments of the Orchestra 01
22. Instruments of the Orchestra 02
23. Instruments of the Orchestra 03
24. Instruments of the Orchestra 04
25. Mack The What 01
26. Mack the What 02
27. Merry Go Loop
28. Merry Go Round 01
29. Merry Go Round 02
30. Oh No Not Another Cha Cha 01
31. Oh No Not Another Cha Cha 02
32. Oh No Not Another Cha Cha Segue
33. Parp 01
34. Parp 02
35. Parp 03
36. Perpetuum Mobile 01
37. Perpetuum Mobile 02
38. Sad Waltz Because His Dog Died – Solo Flute
39. Sad Waltz Because His Dog Died – Solo Sax 01
40. Sad Waltz Because His Dog Died – Solo Sax 02
41. Sad Waltz Because His Dog Died
42. Singing Lesson A
43. Singing Lesson B
44. Singing Lesson Solo 01
45. Singing Lesson Solo 02
46. Sit Well Back 01
47. Sit Well Back 02
48. Sorry 01
49. Sorry 02
50. Sorry Extra
51. Stalling Samples 01
52. Stalling Samples 02
53. Stalling Samples 03
54. Stalling Samples 04
55. Stalling Samples 05
56. Stalling Samples 06
57. Stalling Samples 07
58. Stalling Samples 08
59. Stalling Samples 09
60. Stalling Samples 10
61. Stan’s Voice
62. Tango & Leer 01
63. Tango & Leer 02
64. Valse For Lydia 01
65. Valse For Lydia 02
info.txt
Saxophone by Ben Whiting-Wilbee www.myspace.com/benwilbee
Flute by Heather McCallum www.myspace.com/coo6B

Boots! Live
Summer 2006

1. Sit Well Back
2. Sorry
3. Merry Go Round
4. Perpetuum Mobile
5. Tango and Leer
6. Harpo Boulevard
7. Mack the What
8. Sad Waltz Because His Dog Died
9. Enoch the Drummer
10. Fat Henry Perpetually Spanked
11. Oh No Not Another Cha Cha Cha
12. Boots! – Full microphone recording
info.txt
Recorded live at Quay Arts, Newport, Isle of Wight, June 2006
Performed on Dansette Record players and vinyl dubplates, with piano, euphonium, horn, and accordian.
Track 12 “Full Microphone Recording” recorded by Simon Perry www.ventnorblog.com
Setlist Images : images/People-Like-Us-+-Ergo-Phizmiz_Boots_Setlist_2006.zip
Concert Images : images/People-Like-Us-+-Ergo-Phizmiz_Boots_Concert_Pictures_2006.zip

Boots! CD
Summer 2006

1. Sit Well Back
2. Fat Henry’s Mambo
3. Merry Go Round
4. Tango and Leer
5. Harpo Boulevard
6. Mack the What
7. Enoch the Drummer
8. Honeysuckle Rose & Perpetuum Mobile
9. Sad Waltz Because His Dog Died
All tracks given away on limited CD at “Boots!” Live performance, Isle of Wight, June 2006

Artwork : images/People-Like-Us-+-Ergo-Phizmiz_Boots_CDR_Artwork_2006.zip
Ergo Phizmiz website
UbuWeb (many thanks!)
In case you were wondering why this project is called “Boots” we really couldn’t remember for a while (good eh), but then recalled it’s the dancing boots graphic that we named it after. Not Boots the Chemist.

Continue reading “Boots!”