The Mirror will screen in its theatrical form at Recombinant Festival, San Francisco on 30 November 2018 – you can buy tickets here. Please note this is NOT a live performance, but we will be present to introduce the movie screening.
As you may have seen in other posts, we are making Gone, Gone Beyond, a 360 surround sound and seamless projection piece for Recombinant Media Labs Cinechamber. It has been screened once at Recombinant Festival in 2017, this was the 40 minute version. We are now expanding the work to be an hour long and it will be available for screening (contained in Cinechamber, which is available for hire) in 2019.
Gone, Gone Beyond uses edited collage sewn together in a giant patchwork. Pull on a thread and watch whole new narratives expand and unravel all at once on a 360 palette. Developed in collaboration with Recombinant Media Labs to house in CineChamber, a 10 screen/8 speaker space with seamless wrap around projection and surround sound, where the audience sit inside.
The following conversation was conducted between Vicki Bennett and WFMU DJ and artist Hearty White in September 2017.Continue reading
Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992. Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.
Sunday 2nd October 2016 4.30pm, Gray Area Art + Technology, San Francisco
Re-Cog-Ignition: A Substance Immersion Symposium
This is the first in an ongoing series of Recombinant panel discussions. Using the context of the works shown in Recombinant Festival as a starting point for debates around our contemporary understanding of time-based works, spatial media, and experiential enactments. Featuring two festival artists and other special guests and cameos.
Vicki Bennett (People Like Us), Erik Davis, Ulf Langheinrich (formerly of Granular Synthesis AV group & co-creator of Motion Control MODELL 5 and solo work), David McConville, Steve Mason, Edwin van der Heide
Co-presented by: Naut Humon and Li Alin