Pleased to say we have another performance lined up (in person again!) of The Mirror, our first in a couple of years since it had to default to screenings recently.
It will be on at Index Festival 2022, in Braga, Portugal on 21 May 2022. The venue will be GNRation. More info coming up on the above website.
We’re very pleased to let you know that we’ll be returning to perform at Open Ears Festival in Kitchener, Ontario, Canada.
Friday 3 June 2022
10:00PM at THEMUSEUM, 10 King Street West, Kitchener, ON N2G 1A3
All info you need is here: https://openears.ca/
A theatrical screening of The Mirror by People Like Us will be part of Cover Versions, a group exhibition in Sunderland, UK:
A Group Exhibition Curated by Anthony & Graham Dolphin
4 April – 1 May 2022
Abject Gallery, 27 Fawcett Street, Sunderland, SR1 1RE, UK
Preview: 1 April 18:00–22:00
Opening times: Wednesday – Saturday 11:00–16:00
We regret to tell you that we’ve had to cancel performing at Keroxen on 4th December 2021 because of pandemic/travel related issues. We hope to be able to do this when the situation is safer and easier.
Four day festival in Brussels taking its name from radio pioneer Daphne Oram. The festival will also broadcast audio via its website regardless. Featuring talks, concerts and workshops from People Like Us, Catherine Lamb, Daphne Oram, Farida Amadou, Lucretia Dalt, Goodiepal & Pals, Áine O’Dwyer, Jessica Ekomane, Jonáš Gruska and Lukas De Clerck. Online and Brussels Mill, 29 April–2 May.
Here’s an interview conducted by Henry Andersen of Oscillation Festival Vicki Bennett about process.
People Like Us will have a special one hour audio mix broadcast on the radio, and you can watch The Mirror online via their website, for the entirety of the festival.
People Like Us will screen The Mirror, and Porest will screen their new film here at 7pm (UTC): https://vimeo.com/476324332
People Like Us and Porest were both due to perform live concerts at MAAT in Lisbon on 6 November but unfortunately because of the pandemic we will not be travelling. So instead our work will be screened in the gallery on the same date. Details above.
This is now cancelled because of the current global situation – more specifically because of the French month-long lockdown.
People Like Us will perform The Mirror at BBMix Festival on Saturday 21 November 2020
at Carré Belle-feuille, Paris in the 3pm to 7pm portion of the festival. The festival has adjusted hours to allow for the curfew. / € 11
Tickets available in advance on the above link. Unlike most of our activities this year, we will be there in person performing it, so long as we are able at the time of travel (in accordance with the ongoing global situation). Please continue to check the festival website for updates.
28 July 2020 10:30 – 11 August 2020 18:00
We have a virtual exhibition/screening at Le Nouveau Musée National de Monaco starting today – this came about as the result of the pandemic cancellation of our performance of The Mirror. You can now watch this (and others) here for the next 2 weeks. http://4cast.fr/peoplelikeus/NMNM/
The Nouveau Musée National de Monaco, in collaboration with the Théâtre Princesse Grace, had originally invited People Like Us to interpret her live cinema performance The Mirror. The performance was to be part of the associated program of the exhibition Variations – Eugène Frey’s Light Set Projections presented by João Maria Gusmão at the Villa Paloma until August 30th.
Due to the COVID 19 pandemic the performance was postponed. However the intention to disseminate and promote the artist’s work has enabled a rescheduling and made available a selection of the artist’s works which will be accessible for the duration of one week.
The Mirror LP is reviewed in The Wire: Adventures In Modern Music‘s latest issue.
‘”With The Mirror Bennett has proven herself an alchemist of popular music, able to push her source material into fresh and engaging places.”
Documented below, both the Q&A and performance – the event moved to Radius Gallery at the last minute due to a mass power outage in Santa Cruz:
We Edit Life: An Evening with People Like Us
We Edit Life is an evening of film screenings by People Like Us including the premiere live-score performance of Notations by Blectum from Blechdom.
A theatrical screening of The Mirror, a feat of research and craft, this new work is a spellbinding inquiry into editing and juxtaposition, a collage one can unthread allowing the viewer to discover hidden stories through familiar images. The soundtrack is made up from hundreds of preexisting songs, as well as particular sounds from the original film clips. This 35 minute screening will be followed by an artist Q&A.
A live performance of Notations, a film for improvising musicians and artists, Notations has been created by Vicki from hundreds of different film clips, where the content conceptually or literally portrays different kinds of ‘gestures’ or ‘instructions’ to be read by the improvising artists on stage as a visual score.
Notations has been performed in the past by an impressive international cast of improvisers, each with radically different approaches and, as each show features a different combination of artists, every performance is completely unique. This time around the performers with the film will be Kristin Erickson and Bevin Kelley, aka electronic music duo Blectum from Blechdom.
Courtesy of our friends Discrepant, our album The Mirror is now out on vinyl!
Buy direct from us through bandcamp –
Click on the link below and scroll to “The Mirror Vinyl LP” in the left hand column and click on that to buy. Shipping date is expected for 18 October 2019.
Includes digital album of The Mirror.
Also available on CD from the same bandcamp page.
Tracks on the vinyl version of The Mirror:
A1 The Mirror
A2 Do You See What I Hear
A3 Step Inside
B1 Free My Prayer
B2 The Other Side
B3 Forever
B4 Till The End of Time
Previously released on CD accompanied by “Gone, Gone Beyond”, “The Mirror” is the dreamy soundtrack of an a/v project from collage artist extraordinaire Vicki Bennett aka People Like Us. With ‘’The Mirror’’ Bennett continues her eternal disassembling of popular music by exploring how the narrative of familiar sounds/songs can change dramatically under a new context, with that context always changing, in a never-ending flow. Each song is singular. And each song is a collage of and undefined number of other songs from other artists. It sounds familiar because that has been the modus operandi of People Like Us since the early 1990s. But “The Mirror” plays with the notion of familiar, driving around a collection of famous pop songs/artists, messing around with the memory of the listener and, of course, his unique comprehension of those specific songs applied in a new context. Because of the use of familiar pop sounds, “The Mirror” is often grandiose. Like an epic film only with highs, never letting the listener down or letting him doubt the power of pop. Even, of course, when the coordinates are twisted, mixed, over or underrepresented. Each moment feels like something that could only happen in a parallel universe. Although that may sound naïve, it’s just a lost thought of reaction to the beautiful collages of People Like Us in “The Mirror”. This mirror doesn’t reflect an image of ourselves or an image of pop. But an image on the way memories drift and are being constant rebuilt. An unfinished collage. — Discrepant
Pressing Information
One time pressing of 500 units
Mastered by Mark Gergis
Cut by Rashad Becker
