People Like Us play Glasgow for the first time ever!

Book FREE tickets for all events right here:
http://www.eventbrite.com/o/gleam-2014-7530326867 All events are FREE.
Full programme details can be found at www.glasgow.ac.uk/gleam

We are pleased to announce that after 24 years of existing as People Like Us we play our first concert in Glasgow at GLEAM (Glasgow Electronic and Audiovisual Media) FESTIVAL.  This will take place at University of Glasgow Concert Hall on 31 October 2014.  So it is fitting that we will perform The Magical Misery Tour there.  Vicki will also do an artist talk on the same day at 2pm.

“The Magical Misery Tour” trailer

More about the festival:

To honour the centenary of Scottish-Canadian filmmaker and artist Norman McLaren (1914-1987), the first annual GLEAM (GLasgow Electronic and Audiovisual Media) Festival will celebrate his lasting influence, situating contemporary works of ‘visual music’ within the current context of audiovisual practice and providing opportunities for cross-disciplinary and cross-institutional collaboration.

It is only fitting that the McLaren centenary celebrations should extend to involve the city of Glasgow. McLaren spent three years at Glasgow School of Art studying art and interior design and it was here that he first began to experiment with the moving image, and discovered the work of Oskar Fischinger, which was to influence him profoundly.

GLEAM 2014 takes McLaren’s work as a jumping off point from which to discuss and disseminate contemporary sonic and audiovisual work, both theoretical and practical.

New films on UbuWeb

A number of new additions have been made to the People Like Us film section on UbuWeb. Go and take a look!  http://ubu.com/film/plu.html – all films include download links.  Don’t trust the cloud!

Free Rod MckMoon from Consequences (One Thing Leads To Another) (2012)
The Golem – An Inanimate Matter (2013)
We Are Not Amused (2013)
Notations Documentary (2013)
The Big Sleep (2014)

Limited Edition T-Shirt for The Wire magazine

Vicki Bennett Those Who Do Not

Each month, The Wire magazine invites and artist to design a limited edition T-shirt.
http://www.thewire.co.uk/shop/clothing/vicki-bennett-limited-editiont-T-shirt

Those Who Do Not

Printed in a light blue and white on an electric blue T-shirt with The Wire logo and Vicki Bennett Those Who Do Not printed in light blue on the back of the neck. Limited edition of 100 shirts.

Price (including postage and packing): £20 for UK, £22 elsewhere.
Subscriber discount: £2 off per shirt.

(Please note the shirts will be printed and ready for dispatch approx. 10 November 2014)

InMute Festival, Athens

Notations and Consequences (One Thing Leads To Another)** will both be performed at InMute Festival, Athens Onassis Cultural Centre on 25 October 2014.

This time around Notations will be performed by the duo Acte Vide.

Festival Curation: Michalis Moschoutis 

PROGRAMME

Friday 24 October

Rhythmus 21 (Hans Richter, 1921)
Rhythmus 23 (Hans Richter, 1923)
Duration: 8′
Live score: Giorgos Katsanos (analog synth, amplified objects)

Dog Star Man: Part I (Stan Brakhage, 1962)
Duration: 30′
Live score: Yiorgis Sakellariou (laptop, tapes)

Emak-Bakia (Man Ray, 1927)
Duration: 18′
Live score: Balinese Beast (Giorgos Axiotis: electronics, Ilan Manouach: saxophone, electronics)

Aleph (Wallace Berman 1958-1976)
Duration: 7′
Silent

Early Abstractions Nos. 1-4, 7 & 10 (Harry Smith, 1946-57)
Preserved by Anthology Film Archives, New York
Duration: 22′
Live score: Mike Cooper (steel guitar)

Saturday 25 October


**Consequences (One Thing Leads To Another) is not on the festival programme but will be a “parallel event” also on the 25 October at the same venue earlier the same evening at 7.30pm (25 October).
Details here http://www.sgt.gr/en/programme/event/2142

Notations (Vicki Bennett, 2013)
Duration: 30′
Live performance: Acte Vide (Danae Stefanou: piano, Giannis Kotsonis: electronics)

Cowards Bend the Knee (Guy Maddin, 2003)
Duration: 60′
Live score: Philip Jeck (turntables, electronics)

Sunday 26 October

Social Decay (audio-visual performance based on Stelios Tatasopoulos‘s 1932 film)
Duration: 25’
Live music & video: Voltnoi & Quetempo

The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
Duration: 82′
Live score: Jacob Kirkegaard (laptop)