We’ve just made available a new track from the hour-long Gone, Gone Beyond (work still in progress)… click above ^^^
DO or DIY with People Like Us will return to the airwaves for 3 hours on Wednesday 19 June from 9am-Noon (NY Time) ((which is 2pm-5pm in London)). This will be filling in for Station Manager Ken. You can tune in online and on the air (if local to New York) and follow a live playlists and comments through the front page here: http://wfmu.org
Daniel Menche is an abstract sound artist from Portland, Oregon. He says of his music that its “…intent is to destroy all rationalized thought processes to make room for the emotional and sensual impulses to take over… The greater the intent, the greater the intensity, and intensity is based upon the blood rising in speed and heat through our bodies.”
Culture Lab, Grand Assembly Rooms, Newcastle University, Newcastle upon Tyne
Friday 14 June 2019 from 19:00-23:00
Admission £FREE. There is no bar. But there is an off license nearby.
People Like Us will perform The Mirror at Culture Lab in Newcastle on 14 June 2019. It will be part of a bill of collage related work including the public premiere of a new film for improvising musicians and artists titled Objects In The Mirror Are Closer Than They Appear with a live score by participants in two Wild Cinema workshops that will take place on Thursday 13th June (5-7pm) and Friday 14th June (12-2pm). If you want to take part in the workshops and the performance please email firstname.lastname@example.org. Details of the workshops can be found below. The concert programme also features Competition, Nellie Saunby and People Like Us performing their current live set ‘Mirror’.
Wild Cinema is a new Wild Pop spin-off that proposes the idea of staging screenings in informal and unconventional settings (anywhere other than a cinema, basically) where people are invited to make bespoke videos for (other) people to improvise live scores (musical and/or non-) to. Wild Cinema is being launched with two 2-hour ‘workshops’ (actually onsite dry-runs with discussion) at Newcastle University which will be led by Vicki Bennett (People Like Us), benefitting from Vicki’s long-standing experience working with scoring (pre-recorded and improvised) films made to be experienced as music/film with neither leading the other in terms of concept or practical application.
This event page is thus also a call for participants in the workshops. Please contact by email to email@example.com if you want to take part.
Participants can either take part by making a 5-minute film or by being part of an ad hoc group that improvises the music to a 5-minute film someone else has made (or both, or all).
People taking part in the workshop will then improvise a score to the film of ‘Objects In The Mirror Are Closer Than They Appear’ ‘blind’ as part of the evening concert programme.
This event is supported by the Newcastle Institute for Creative Arts Practice.
We have just made a video for our friends Big Fresh, here it is:
Big Fresh-Cosmos Song featuring Reva Russell English
From the EP Sweeps
Video by Vicki Bennett of People Like Us
© 2019 Big Fresh
Vinyl and Digital music available at www.desperatespirits.com
“Hey, hey, have you ever tried… reaching out to the other side?”
Gone, Gone Beyond is an immersive a/v spatial cinema work by People Like Us, which breaks the rectangle, smashing the thin screen into tiny fragments, looking beyond the frame, climbing through to see what’s behind.
Commissioned by Naut Humon, the founder of immersive theatre project CineChamber, Gone, Gone Beyond is a 10 screen/8 speaker work by Vicki Bennett with seamless wrap around projection and surround sound, where the audience sit inside. It uses edited collage sewn together in a giant patchwork. Pull on a thread and watch whole new narratives expand and unravel all at once on a 360 palette. The project has been a work in progress since 2017, and is currently just over an hour long.
The initial 47-minute film premiered in San Francisco 11-14 October 2017 at RML CineChamber Recombinant Festival at Gray Area Foundation for the Arts. The hour-long Stage 2 is currently in production through 2018 and we are looking for partners to co-present the 47-minute and hour-long piece from 2019 onwards.
DOWNLOAD THE BROCHURE
Review of private preview of Gone, Gone Beyond at Goldsmiths, London:
Privileged to attend an absolutely marvellous event at Goldsmiths College, a unique piece of immersive 360 degree cinema put together principally by People Like Us aka Vicki Bennett. It builds on her previous work, juxtaposing familiar film and music to unsettling effect; one such instance is a visual/soundclash of Julie Andrews singing “The hills are alive . . .” spliced with footage from Apocalypse Now and The Doors’ “The End”. But the audio and imagery builds layer upon layer to a meaningful, psychedelic cacophony, layer upon layer of the familiar; MOR, The Beatles, Kraftwerk and much, much more over an elaborate, kaleidoscopic sensurround collage of footage featuring the likes of Orson Welles, Cary Grant, Charlie Chaplin, Sean Connery, Audrey Hepburn, as well as dancers, dervish sequences and set pieces from avant garde-inspired Hollywood design.
The familiar and the unsettling; that’s the idea. Taking these film clips out of their original contexts, presenting them as part of a gushing continuum of dynamism, breakthrough, without resolution; because, in life, there is no resolution, no end to the story, simply this multiple, simultaneist mass of concurrent narratives, whose sheer kinetic energy, like an ever-flowing waterfall, is the real story that cinema is telling us; “endings” are mere temporary hiatuses, the definition of fiction. tl;dr; this is a meticulous, deceptively chaotic audiovisual blast like no other. And it deserves to be seen by everyone. — David Stubbs (April 2019)
Title: HILLARY: The Hillary Clinton Emails.
Artist: Kenneth Goldsmith.
Curators: Francesco Urbano Ragazzi.
Opening Hours: 11 am – 7 pm, closed on Monday.
Venue: Despar Teatro Italia, Campiello de l’Anconeta 1944, Cannaregio, 30121 Venezia.
From May 9th to November 24th, 2019.
Opening Reception: May 9th, 2019. From 7:30 pm to 11 pm.
Live performance by People Like Us from 9:30 pm.
Cinema program: every day from 6 pm to 7 pm, closed on Monday
Works by: Peggy Ahwesh, Johanna Bruckner, Alex Da Corte, Cheryl Donegan, Shadi Habib Allah, Bek Hyunjin, Lev Manovich, Alix Pearlstein, People Like Us, Christine Rebet, Sabrina Röthlisberger, Sara Sackner, Leah Singer, Stan VanDerBeek, Jennifer West, Jordan Wolfson.
HILLARY: The Hillary Clinton Emails is a project by The Internet Saga and Zuecca Projects
Main sponsor: Despar Aspiag Service
With the collaboration of Circuitozero, The Bauers, Dipartimento di Filosofia e Beni Culturali – Università Ca’ Foscari.
Media partner: My Art Guides, Le Confort Moderne.
Website by M-J-STUDIO
For further inquiries / RSVP: firstname.lastname@example.org /GO TO THE PRESS PACK
Happy to say Vicki Bennett is one of the recipients of the a-n Artist Bursaries 2019 – more about this later in the year.
162 artists based throughout the UK have been awarded a share of £200,000 to fund their professional development in the latest round of a-n Artist Bursaries.
a-n Artist members were invited to apply for bursaries up to £1,500 to fund self-generated activities such as research, training, travel, community projects, learning new skills or building networks.
An ambitious, one-of-a-kind annual programme that supports artists at a crucial time in their practice, the a-n bursary programme received a record 853 applications this year.
People Like Us will perform The Mirror in Berlin at Kiezsalon on Wednesday, 27th March 2019 along Warp’s Kelly Moran. Tickets here: https://www.eventbrite.co.uk/o/digital-in-berlin-17478803114
The Mirror will screen at AFO, which is held in Olomouc, Czech Republic. The goal of the film festival is to popularise science through documentary films, lectures and workshops of filmmakers, scientists and academics. 54th edition of the festival is scheduled on 23-28, April 2019. The Mirror will screen in the Archive & Film section.