The Mirror will screen in its theatrical form at Recombinant Festival, San Francisco on 30 November 2018 – you can buy tickets here. Please note this is NOT a live performance, but we will be present to introduce the movie screening.
PEOPLE LIKE US concert
Event: Noche Blanca
Date: Saturday, October 6th 2018
Venue: Teatro Filarmónica, Calle Mendizábal, 3, 33003
City: Oviedo, Spain
url: www.nocheblanca.es facebook: https://www.facebook.com/nocheblancaovd/ instagram: https://www.instagram.com/nocheblancaovd/
This audiovisual concert commemorates the 25th (well, at least!!) year of People Like Us publishing work, featuring highlighted excerpts from the previous four a/v performances of People Like Us.
You were so young, only sixteen, when you got interested in “collage”. ¿What pushed you to get into that first experimentation?
I have always been inspired by music and moving image rather than non-time-based media. The only education that I completed was a pre-degree art and design foundation course and I immediately was most interested in photography rather than drawing or sculpture, etc. I was lucky enough to have a tutor there to lent me his books on performance art, conceptual art and photo collage, and through that I started working with footage and pictures as “found” objects rather than trying to capture something through a lens alone.
Are you aware that you get into cut&paste in a time and being part of a generation that wasn’t digital? In which ways could that circumstance have influenced your work?
What I do is folk art in the age of digital reproduction. When I started it was in the age of analogue reproduction. I couldn’t predict how fast things would develop around 2000 with the age of faster cheaper computing and broadband internet. When I started it was still possible to do quite a lot with a cassette four track, hifi-based electronics and a scalpel and glue. I couldn’t go back to that way of working now and I don’t romanticise it at all. I always had a vision of what I am doing now but had to wait, and in some ways I’m still waiting. For the past two years I’ve been making a 360 surround immerse audiovisual work called Gone, Gone Beyond. This is only possible to do with the fast computer that I now have, but I still am looking ahead and forward, or rather my visions of what I could do next are.
Do you think that for digital natives, collage, or the fragmentation of things, is something more natural, or there is no difference?
No, I think computers and also analogue copying (cassette, photocopier, printing press) are modelled around the human mind’s way of working. We learn and improve ourselves by copying and improvising, by cutting and pasting in our own lives. That is all that we have taught machines to do for us.
Another fact that is related to your job, is that digital media caused an over documentation. Nowadays everything is filmed, photographed and saved. What implies for an artist that works with found footage?
That is true, but most of what is documented is pretty trivial, and the analogue version of that might be taking photos and leaving them in the wallet that you were given them in when they came back from the photo developers. I think once again it’s to do with the way that we are, we like to document as a “witness” to us having been somewhere or done something. This is why people used to like to photograph a landmark, or themselves in a landmark, it isn’t necessarily because they are going to ever look at that again but they want to take the snap shot to some how validate that they were there, possibly with the intention that they would share it in the future with someone, or just with themselves. Although a lot of the time they never will.k
There are some authors that think that this over documentation cancel out, in some way, the “oblivion” and get us into “loop dynamics”, blocking progress or experimentation, especially in artistic languages. Do you agree with that? What do you think about it?
I agree that we all are in danger of repeating ourselves over and over again rather than being on a variable cycle of gradual/sudden change. Although the latter happens naturally if we try and do the same thing over and over anyway.
How much importance do you give to movements like Collaborative Art and DIY? Nowadays what role plays the authorship in contemporary art and what it means to be an artist?
I would rather that there were not “movements”, since they imply that something is in or out, or good and bad. I understand the need to categorise in order to communicate faster but at the same time it can trivialise the subject matter then toss it onto the scrapheap once it’s been summed up. DIY is very important, to learn through repetition is how we finally come up with something that makes sense to us, something that is more than the sum of the parts. Authorship is limited once something is published. You cannot put something out into the public and still have 100% control of it.
What could we see in Oviedo on this trip trough 25 years of “People Like Us”?
I’ve been publishing work since 1991 (so it’s more than 25 years now, in fact!) and decided to make an audiovisual concert compiled from a number of different works. So it’s a whirlwind rollercoaster ride!
People Like Us interview and movie screening
Friday 21 September 2018
2pm NY time
on WFMU online and on the radio in the NY area
Yes, it’s possible to do such a thing on WFMU! The Mirror will screen in full in theatrical movie format on the front page of the WFMU.org website with simultaneous radio broadcast on Bryce’s Show on Friday 21 September 2018 at 2pm NY time. The video will not be archived so you’ll need to view it there and then. http://www.wfmu.org/playlists/bk
People Like Us will have two pieces, The Sound of the End of Music and 4’33” The Movie in a group exhibition called in at Kunstmuseum Magdeburg. http://www.kunstmuseum-magdeburg.de/de/ausstellungen/vorschau.html
Ámbitus. Art and music today | 8.9.2018 – 6.1.2019
The fact that visual arts and music do not have to be separate worlds shows from September 9th at the Magdeburg Art Museum. For a few decades, artists have been exploring or transcending the transitions and spaces between these two arts. Today, video and performance artists equally use existing and newly composed music as musicians and composers have begun to make their compositions visually tangible. And of course there are also exciting cooperations between the two fields.
People Like Us are giving Spectacle Theater over three hours of films to screen at their 27 seater cinema in Williamsburg, Brooklyn!
Spectacle is a collectively run screening space in Williamsburg, Brooklyn, established and staffed entirely by hard working, cinema-loving volunteers. Spectacle is located at 124 South 3rd Street, Brooklyn, New York, between Bedford Avenue and Berry Street.
There will be 3 collections of PLU movies shown, listed below. Bear in mind this is a 27 seater cinema and it may sell out. $5 Tickets here.
PEOPLE LIKE US “THE MIRROR”
LIMITED EDITION (500) CD & DIGITAL DOWNLOAD
Cutting Hedge SNIP002 (available initially mailorder only from us)
RELEASE DATE 1 OCTOBER 2018
We are now taking orders for a brand new People Like Us album! This will be available as both a CD and also digital download. If you purchase the CD it will come with the digital download for free.
This album contains all new audio work, sourced from both our live a/v performance The Mirror , and also from Gone, Gone Beyond [2017+], our ongoing 360 surround cinema work. It also contains additional tracks composed during the creation of these pieces that never were used.
We are joined on two tracks by Ergo Phizmiz, and the packaging has artwork from the above works and also specially made for the CD. Two collages are made in collaboration with other artists Peter Knight and Hearty White. The CD was mastered by Mark Gergis.
Order directly from us now by Paypal:
If you would prefer just as a digital download please click below:
As you may have seen in other posts, we are making Gone, Gone Beyond, a 360 surround sound and seamless projection piece for Recombinant Media Labs Cinechamber. It has been screened once at Recombinant Festival in 2017, this was the 40 minute version. We are now expanding the work to be an hour long and it will be available for screening (contained in Cinechamber, which is available for hire) in 2019.
People Like Us and Carl Stone will be on the same bill at London’s Cafe Oto on Wednesday 11 July 2018, Doors Open 7.30PM
Q&A 8pm, People Like Us 8.30pm, Carl Stone 9.30pm
People Like Us will be supporting Carl Stone (so be there by 8!) performing our new a/v work The Mirror. The evening will begin with a Q&A between Vicki and Carl.
The concerts are being recorded for BBC Radio 3’s “Hear and Now”.
Buy tickets here.
Activating the Archive: Contemporary Uses of Visual Archives
Saturday 5 May 2018
11am – 6pm (Doors open at 10.30 am) / £20 – £25
We will be speaking at approximately 3pm
Processing The Product – a talk by Vicki Bennett (People Like Us) reflecting upon 25+ years of creating audiovisual media, sharing information and insights on creating large scale works using preexisting material. Continue reading