The 2013 WFMU Fundraising Marathon starts on Monday 4 March.
This is always a highly entertaining thing to experience, and I urge you to tune in at http://wfmu.org/ and listen to the DJ tag teaming. There are some great prizes to be won and DJ premiums to be had in return for your pledges.
Please help this AMAZING listener funded station, THE freeform station to stay on the air and in the ether another yea
Illegal Art have donated many DVDs, CDs and vinyl as prize giveaways, so listen out for chances to win these on the air.
Additionally, People Like Us is featured on Tony Coulter’s DJ Premium: “Out Demos Out! – A Collection of Great Unreleased Tracks”. You can pledge to WFMU to get his Premium, and any other DJ’s too, here.
Out Demos Out! – A Collection of Great Unreleased Tracks
Introducing the new People Like Us audiovisual performance:
“Consequences”, has two definitions; it is the result of some previous action, and a game (called Exquisite Corpse by the Surrealists) in which a larger picture/narrative is created by assembling subject matter “blindly” in relation to a small amount of information made visible before it as a continuation point. As a result, content surprisingly and sometimes magically changes over a short period of time or space, with every part still connected to that which goes before or after it.
This new audiovisual performance by People Like Us places similar but emerging subject matter side by side to construct the narrative, where a story emerges as a sum of the parts that came before it yet digresses on a tangent. All actions have consequences, and here we see them played out, to wondrous and catastrophic effect!
“The subject of authenticity, the “original” in relation to the “copy” (coming from the word “copia”, meaning multitude and abundance) interest me as an artist working in the field of collage and appropriation. “Original” has limited connection with “quality” or “engaging”, and (at least in the past 300 years) nothing created as an object or product can be traced 100% to an origin – everything is relative, literally – it has a mother and father. Much like speed, dimensions, size, the terms are reliant upon the conditions of the person experiencing it, where they are and when, there is NO absolute. This is reflected when very similar creative works and inventions occur at the same period by people who have no knowledge of each other’s works existence. In Consequences we reflect that no man is an island, but the island has lots of mirror mazes… in fact some mirrors can be walked through.” — Vicki Bennett
We are gradually adding more concert dates for our new audiovisual performance, which will appear in the right hand column on our front page. However, worth mentioning here since it’s very soon –
PNEUMATIC CIRCUS reSource Networks 20:30 TO 21:00 – CENTRAL FOYER
A project curated by Vittore Baroni featuring the Mail Art Network
REFUNCT MEDIA PRESENTATION RESOURCE USERS 21:00 TO 21:30 – K1
With Benjamin Gaulon, Gijs Gieskes, Phillip Stearns, Tom Verbruggen (toktek), Karl Klomp, Peter Edwards. Introduced by Tatiana Bazzichelli.
Film non-screening (you will have to attend to find out what you are not seeing) People Like Us Screening Imaginary Museum 21:30 TO 23.15 – AUDITORIUM
BWPWAP Soundsystem (The Blue Hour of Pluto) DJ Set by People Like Us 22:00 TO 23.30 – Cafe Global
transmediale 2013 is happy to announce a preview of the participant highlights of the one festival week long Pluto day:
Alejandro Jodorowsky, Elizabeth Price, Ian Hacking, Lorraine Daston, Michael Brown, Kenneth Goldsmith, Olga Goriunova, Geert Lovink, Eija-Liisa Ahtila, Dennis Adams, John Smith, Sandy Stone, Diane Torr, People Like Us, Boris Hegenbart and Felix Kubin, Vanessa Ramos-Velasquez f/ A Guy Called Gerald, Carsten Nicolai, Demdike Stare and Gatekeeper, official transmediale Miscommunication Platform OCTO w Telekommunisten and raumlaborberlin, three exhibitions under The Miseducation of Anya Major feat. Sonia Sheridan, YoHa, Kim Asendorf, Cornelia Sollfrank.
The Zone is the first feature-length film by Vicki Bennett a.k.a People Like Us. Running Stalker and The Wizard of Oz side-by-side, it tells one story of two journeys to “the promised land, the world where dreams can be made real and reality is like a dream.” The films sit side by side, staying loyal to the linear narrative, but editing the longer film to the length of the shorter, revealing delightful harmonies and synchronicities both in images and narrative occurring far more than either pure chance would dictate or the imagination construct. The Zone is inspired by the Chance Operations of John Cage, Cut-Up techniques of Gysin/Burroughs and Kurt Schwitters, and single shot/durational films (Andy Warhol, James Benning).
Please note: this film is not being distributed as of January 2013 after a legal claim by Mosfilm, the rights holders of Tarkovsky.
UPDATE (2017) – Turns out the Mosfilm do NOT own Tarkovsky films, nor have they ever!!! We were not alone in receiving take down orders from them, they’d been sending them to many people for years. We were informed of this by Curzon who DO own them, at least now. The Zone is up here:
We’ve just done an interview with the WFMU’s Free Music Archive, where we are currently one of the judges in a video competition – take part and have the chance to win an ipad!
Genre Collage will be performed by People Like Us in Brussels on
Thursday 27 September 2012
at 28 Galeries De La Reine 1000, Brussels.
More details here: Citysonic
To mark the centenary of John Cage’s birth, Ilan Volkov has curated a programme that reflects the composer’s iconoclastic thinking, fertile imagination and arresting humour.
John Tilbury, who has for decades been associated with Cage’s work tonight plays the exquisitely beautiful Concerto for Prepared Piano and Orchestra. Cassette players and plucked cactuses are just two examples of the blindingly original yet almost naively simple thinking that saw Cage – wittingly or otherwise – upturn practically every musical rule in the book.
The following pieces will be performed over the course of the evening, and Vicki Bennett will be one of eight participants performing “Improvisation III” and “Branches”.
Cage – 1O1 (12 mins)
Cage – Improvisation III (12 mins)
Christian Marclay – Luggage 2012 – improvisation for orchestra (c5 mins)
Cage – Atlas eclipticalis/Winter Music/Cartridge Music (30 mins)
Cage – Concerto for Prepared Piano and Orchestra (20 mins)
Cage – Four2 (7 mins)
Cage – But what about the noise of crumpling paper … (15 mins)
Cage – Experiences II (3 mins)
Cage – ear for EAR (Antiphonies) (2 mins)
David Behrman, Takehisa Kosugi, Keith Rowe & Christian Wolff – Quartet – improvisation (c25 mins)
Cage – Branches (20 mins)
On the occasion of John Cage’s 100th anniversary and the 60th anniversary of the premiere of his famous “silent piece” HMKV shows 35 contemporary references to 4’33” from the fields of art and music as well as works that deal with general questions of e.g. perception of silence or sound ecology. The exhibition runs in parallel to Documenta 13 in Kassel.
Paul Hamlyn Foundation, ArtWorks NorthEast: Developing Practice in Participatory Settings
Critical Conversation Series Venue: Tyneside Cinema, Newcastle Upon Tyne
Date: 8th August 2012 7:00 to 9:00pm
Hosts: The Pixel Palace
Chair: Dominic Smith
Speaker: Vicki Bennett
Background Cultural organisations in the North East of England have a strong record of working with artists to develop participatory arts projects in different settings. As part of a national arts research project funded by the Paul Hamlyn Foundation and designed to facilitate new dialogues around and understandings of participatory arts practice, the University of Sunderland is working with a consortium of regional partners (ArtWorks North East)* to develop a clearer understanding of what makes for good participatory practice. The overarching aim is to establish an innovative and sustainable cross disciplinary approach to creating excellent practice in participatory leadership.
Critical conversations: dialogues around the practice of arts in participatory settings
As part of this, ArtWorks North East is together hosting a series of ‘critical conversations’ over the next 12 months involving artists, participants, host groups and other collaborators from a variety of art forms. We are inviting different people responsible for creating and delivering participatory work to reflect on their practice, and to open that practice up to discussion by others. Each conversation will take place in an open learning atmosphere in which artists/presenters will share their practice with others and where people feel able to ask challenging questions about that practice in appropriate ways.
The Pixel Palace is delivering one of these events on behalf of the University of Sunderland. This event will focus on Participation in Creative Digital Media and online environments. We would like to discuss the different models of practice which exist and seek your views on issues of quality, process and experience. We hope that the opportunity to reflect on practice will be beneficial for those attending as well as informing this research project.
To book a place please email info@thepixelpalace.org
https://www.wfmu.org/marathon/pledge.php
