Listen below:
New People Like Us album – Copia
“COPIA” by People Like Us (Cutting Hedge SNIP003)
CD & Digital Download
https://peoplelikeus-vickibennett.bandcamp.com/album/copia
People Like Us, the project of artist Vicki Bennett, announces the release of “COPIA” on June 7, 2024. This album marks the first new musical material since “The Mirror” in 2018, delving into the profound realms of existential collage and sampling, celebrating these forms as expressions of timeless connectivity.
The title “COPIA,” meaning ‘abundance’ and ‘copy,’ reflects the essence of collage and sampling — art crafted not in isolation, but as a connective thread through time and space, linking ideas across generations in a seamless tapestry. By reconfiguring preexisting sounds and images, Bennett highlights the non-dual nature of creation — where distinctions between past, present, and future possibilities blur, revealing a shared foundation beneath. The album marks a return to not just solo works but collaborations with notable artists.
Drawing from the new People Like Us live AV performance, “The Library of Babel,” sampling and edited sound collage, electronic music, combined with Ergo Phizmiz’s lyrics and melodies, “COPIA” weaves and recombines a timeless blend of diverse elements that transcends traditional musical boundaries. This creative process unfolded through the exchange of multitracks across both water and ether. Collaborating with the voices, instruments and editing timelines of Matmos, Hearty White, Gwilly Edmondez, Lottie Bowater, Buttress O’Kneel, Douglas Benford, Irene Moon, Jon Leidecker, and Matt Warwick, the work evolved exquisite corpse-style.
“COPIA” will be available on Bandcamp as both a physical CD and digital download. Accompanying the release, live performances of “The Library of Babel” will continue both in the UK and abroad in the coming months, including potential live collaborations with Ergo Phizmiz and Gwilly Edmondez.
“Bennett has proven herself an alchemist of popular music, able to push her source material into fresh and engaging places. Where some artists hack existing instruments and technologies to create their new sounds, Bennett has circuit-bent the songs themselves.” – Spenser Tomson, The Wire Magazine
“Listening to “Copia” is like hearing music for the first time, as if the concept was completely new. You keep creating art that feels like that first shock-of-the-new you get when you step off a plane after you’ve landed in a new country. Something that wasn’t known, or knowable, somehow appears.” – Charles Powne, Soleilmoon
About People Like Us
Since 1991, People Like Us has been at the forefront of audio-visual collage, opening up endless opportunities to experience results that are more than the sum of the parts. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Vicki Bennett’s project serves as a modern-day continuation of the collage tradition, highlighting the interconnectedness of all artistic creation.
For further information, promotional materials, or to arrange an interview, please contact us.
New Merchandise Website! New Merchandise!
People Like Us now have an additional official website, for handling t-shirts, tote bags, greeting cards, postcards, prints and mugs. We’re continuing to use the same supplier but this time directly, so this change allows us to offer the same high-quality organic cotton t-shirts but at significantly lower prices.
Additionally, we have a brand-new t-shirt and tote bag design featuring a sneak peek of artwork from our upcoming CD, called “Copia”, set to release in May 2024.
Explore this and more at https://people-like-us.teemill.com/.
The Library of Babel live at Flatpack, Birmingham
People Like Us double bill with The Light Surgeons at the wonderful Flatpack Festival at The Birmingham Black Box Theatre 19 Harford St, Birmingham B19 3EB on 10th May 2024.
More info here: https://flatpackfestival.org.uk/event/people-like-us-and-the-light-surgeons
People Like Us fill in for Ken on WFMU
For your diary: Wed. Feb 14th, 9am-Noon NY Time:
DO or DIY with People Like Us fill in for Ken on WFMU
https://wfmu.org/playlists/pl
The Library of Babel at Colchester Arts Centre
People Like Us perform The Library of Babel at Colchester Arts Centre
30th March 2024 / Doors open 7.30pm, gig starts 8pm / Support from Diacritical Mark
Tickets
People Like Us perform at The Wire Magazine Takeover, IKLECTIK
The Wire Magazine Takeover, IKLECTIK, London
Wednesday 17 January 2024 | Doors: 8pm
We will be performing the new People Like Us AV performance The Library of Babel at The Wire Magazine takeover of IKLECTIK.
In the lead-up to the venue’s closure on 24th January, we invite you to join us for this, one of a series of closing benefit events, each a takeover of IKLECTIK by a different organiser with a special lineup. All proceeds go towards supporting the future of IKLECTIK.
Lineup: GAIKA [live] Elaine Mitchener [live] Loré Lixenberg [live] David Toop x Mark Wastell [live] People Like Us [AV set: The Library Of Babel]
WFMU shows in December 2023
People Like Us fill in for Station Manager Ken not once but twice in December on WFMU!
Here’s where you’ll find the show, both live with a playlist and comments, and then as an archive afterwards. https://wfmu.org/playlists/pl
Video of our Cafe OTO residency!
We’ve made an edit of the video that we shot of our Cafe OTO residency, here it is.
Thanks to those of you who managed to attend the event, and all of you who’ve helped fund my IndieGoGo campaign this year, along with our Patreons who help us on a day-to-day basis to pay for our rather steep usage of computer-related electricity power, and Café OTO for being totally brilliant. And of course, my friends, the artists, my inspiration!
Now we will return to making more of our solo performance The Library of Babel (which you see an excerpt of in the above video), continuing to make a new album.
People Like Us Residency at Cafe OTO
PEOPLE LIKE US Cafe OTO ARTIST RESIDENCY
27 / 28 / 29 OCTOBER 2023
PEOPLE LIKE US | MAGGIE NICOLS | ERGO PHIZMIZ | GWILLY EDMONDEZ | POREST | IRENE MOON | ERIK BUNGER | HEARTY WHITE
Cafe OTO is proud to announce a new artist residency, featuring multimedia artist Vicki Bennett aka People Like Us. Vicki has collaborated with a wide range of artists and musicians; some are joining us for this 3-Day residency, both solo and in collaboration. The residency includes a preview of the new People Like Us audiovisual performance The Library of Babel.
Feature on our Cafe OTO residency
Here’s a Café OTO feature on our People Like Us : Three Day Residency at Cafe OTO. (please note there’s a revised line-up)
The Library of Babel
People Like Us – The Library of Babel (2024)
Performances:
4 December 2024 – Reihe, Cologne
11 November 2024 – Screening (not performance) of The Library of Babel
17 October 2024 – Star and Shadow Cinema, Newcastle with Gwilly Edmondez and Jorge Boehringer
13 September 2024 – Vostell Museum Malpartida, Caceres, Spain
13 July 2024 – Con-struct Festival, London
10 May 2024 – Flatpack Festival, Birmingham Black Box Theatre
28 October 2023 : Cafe OTO, London as part of a 3-Day People Like Us Artist Residency – in progress performance
14 November 2023 : CineCity at Attenborough Centre, Brighton – in progress performance
17 January 2024 : The Wire Magazine takeover of IKLECTIK, London
30 March 2024 : Colchester Arts Centre
10 May 2024 : Flatpack Festival, Birmingham Black Box Theatre
13 July 2024 : Con-struct Festival, London
First there is experience.
Then we attach a story to it.
The Library of Babel is a vast library of words. Some combine to make stories of consequence, others are nonsensical.
The library is complete.
Yet searching it is futile.
Using dense collage and splintered narrative, “The Library of Babel” is a new audio-visual performance by People Like Us, a journey through cinema and sound where the actors are set adrift from their story, left with pure experience.
The title is inspired by a 1941 Jorge Luis Borges short story, exploring themes related to the complex interplay of infinity, knowledge, and the cosmic fabric, presented through the metaphor of a vast, seemingly infinite library. In the story, the librarians are isolated, focussed on an almost religious or existential quest, struggling to find meaningful texts amidst an overwhelming number of nonsensical or irrelevant books. The library itself has no goals or intentions; a canvas onto which searchers project their quests for meaning. The narrative delves into the angst and crises of those that explore its depths, raising questions about our ability to manage, navigate, and find meaning from vast amounts of information.
In this new work by People Like Us, traditional storytelling gets a modern twist through the amalgamation of audio-visual collage and intricate editing techniques. The digital narrative reconfigures, decomposes, redirects, and recombines images with sounds that are often already ingrained in audience’s collective consciousness due to their prior associations within the selected materials. Initially, they sail on a journey of previous associations and memories. However, the extensive fusion of source materials evolve them into a unified whole, severing past affiliations and pioneering uncharted territory that transcends memory to become a singular, immersive experience. Rather than adhering to a linear progression of events, the thematic narrative unfolds in layered complexities, offering a fragmented but coherent tale achieved through a blend of various sources and an ‘exquisite corpse’ approach.
Using collage as a medium democratises the content, making it resonant not just for aficionados of art, film, or music, but for a broad cross-section of the community. The technique is a universal entry point that appeals to both young and old, presenting elements that can communicate varied messages about film, music, culture, or society. Alternatively, the collage can stand alone as an extraordinary experience devoid of an overt narrative. Indeed, the aim is to use storytelling as a tool to transcend the preconceived notions and internal stories that audiences may bring with them.
The Library of Babel is an incredible work. Beautiful and dreamlike as ever but I particularly enjoyed the pace of this one as well – it felt like there was a bit more breathing space which allowed me to appreciate it all the more. And because there were fewer references that I instantly recognised (maybe I just don’t watch enough films!) I found myself intellectualising it less, (ie thinking about the original texts and the juxtapositions between them) and enjoying the images in and of themselves instead … Gone, Gone Beyond was amazing and certainly psychedelic – blew me away as an experience – but Babel felt more emotionally affecting and yes definitely immersive … I felt the same way about the music as the visuals, with less familiar reference points to digest it felt more about the immediate experience and less about semiotics – Tom Mugridge, November 2023