Solo Exhibition: MIND MAPS in Lleida, Spain at intangible festival d’art


The first edition of the new ‘Intangible’ festival, takes place from October 27 to November 6 2022 in Lleida, focuses on creative arts and welcomes British multimedia artist Vicki Bennett as a special guest. It includes the solo exhibition MIND MAPS: THE ART OF VICKI BENNETT which first showed at Sheehan Gallery, Walla Walla earlier in 2022.
https://intangible.paeria.cat/#

People will have the opportunity to delve into Bennett’s creative universe with a solo exhibition, as well as enjoy a conference at Lleida CaixaForum gallery and an audiovisual performance of The Mirror live at Espai Orfeó. The event’s artistic director, Antoni Pinent, said that Intangible offers “a wide range of activities” aiming to reach different types of audiences and not only art experts. The festival “wants to be informative but reflective and critical at the same time,” he added. 

Rhapsody in Glue Ltd Edition Lathe Cut LP


PEOPLE LIKE US & ERGO PHIZMIZRhapsody in Glue
Limited edition 12” lathe cut clear vinyl LP & download
Release Date: 26 November 2022
Pre-order on Bandcamp from Friday 7 October 2022

https://peoplelikeus-vickibennett.bandcamp.com/album/rhapsody-in-glue-lp

People Like Us & Ergo Phizmiz are pleased to announce the release of a new limited edition vinyl album, “Rhapsody in Glue”.

Rhapsody in Glue began its journey as part of the Codpaste podcast on New York tri-state area radio station WFMU in 2008. With Rhapsody in Glue we find a unique approach to constructing a record. People Like Us & Ergo Phizmiz decided to publicly tear apart their respective practices and create an album “in the open”, presenting on a seafood-filled-platter the process of collaborative collage composition – informally discussing and jabbering nonsense to one another, resulting in the Codpaste free podcast series. Rhapsody in Glue was the culmination of the ideas explored in the podcast series.

The album was initially released as an online-only release on Bleep in 2008, and now for the first time ever we are making it available in a Limited Edition of 100, hand numbered copies on 12” high quality remastered stereo lathe cut vinyl, hand cut by Bladud Flies! It comes with 300gsm inserts, lyric sheet, digital download codes, both for this, and also the original digital album release from 2008. The vinyl will ship with a polylined inner sleeve.

The vinyl will ship within a polylined inner sleeve. Includes a ‘lathe cut’ care card. Limited edition of 100, hand numbered.

New summer mix from People Like Us & Ergo Phizmiz

https://peoplelikeus-vickibennett.bandcamp.com/track/in-the-waking-2022-extended-mix

An extended, taking-a-line-for-a-walk remix of People Like Us & Ergo Phizmiz “In the Waking”, created for one of the opening concerts of King’s Place, London in the late 2000s. The song, a lullaby of a summer place, was created through the Codpaste podcast sessions which led to the collaborative album “Rhapsody in Glue”, and was later released as a 7″ on Touch. This unreleased version lets the song twirl off into a gentle polyphonic fantasia.

Radio Art Zone – New 22 Hour Radio Piece

People Like Us has made a brand new 22 HOUR radio piece for Radio Art Zone, a radio art project by Radio ARA and Mobile Radio for the European Capital of Culture Esch2022

https://radioart.zone/thursday-23-june

Broadcast date for our piece is 23 June 2pm – Noon 24 June, Luxembourg Time Zone UTC +2. That’s 1pm start time in the UK.

https://radioart.zone/thursday-23-june

People Like Us – 108

“Well, you know how I adjusted to that problem of the radio in the environment – very much as the primitive people adjusted to the animals which frightened them, and which probably as you say, were intrusions, they drew pictures of them on their caves. And so I simply made a piece using radios. Now, whenever I hear radios, even a single one, not just twelve at a time…I think, well, they’re just playing my piece!” – John Cage (and Morton Feldman in Conversation, WBAI, NYC (1967))

In Buddhism, according to Bhante Gunaratana this number is reached by multiplying the senses smell, touch, taste, hearing, sight, and consciousness by whether they are painful, pleasant or neutral, and then again by whether these are internally generated or externally occurring, and yet again by past, present and future, finally we get 108 feelings. 6 × 3 × 2 × 3 = 108. 

Listen to the whole archive: https://radioart.zone/thursday-23-june

Imagine a radio that sounds different every day…

Radio Art Zone is a 100-day radio art station for Esch2022, which will be broadcast in the south of Luxembourg by Radio ARA on 87.8 FM. It will also be live-streamed for a worldwide audience and transmitted by a network of international partners.

The Radio Art Zone schedule consists of two daily programmes: newly-commissioned 22-hour radio productions created by more than 100 international and local artists, and 2-hour live shows from kitchens in the community.

Radio Art Zone is on air from 18th June — 25th September 2022

list of participants

The Wire 40: An Evening With People Like Us

THE WIRE 40: AN EVENING WITH PEOPLE LIKE US

Friday 1 July 2022 | The Cube, Bristol UK
Doors: 7pm / short films programme: 8pm
https://cubecinema.com/programme/event/the-wire-40-an-evening-with-people-like-us,12483/

A programme of film shorts by People Like Us
Q&A Vicki Bennett & Emily Bick (The Wire)
Live performance to a new film score by People Like Us with Gwilly Edmondez & Ergo Phizmiz

Review in Tough Sell Zine:

THE WIRE 40: An Evening with People Like Us
@The Cube Microplex (01/07)

Perhaps better known for her audio work, the opening night of The Wire’s 40th birthday celebrations focused on Vicki Bennett’s (aka People Like Us) films.

The evening started with an overview of the artist’s work including maximalist explosions of old industrial documentaries,  tongue in cheek pop culture mashups, and recent immersive experiences. For me the extracts of longer works didn’t work so well, never having enough time to fully get into what was going on, but many of the short films were brilliant – from the hilarious mashup of The Hills Are Alive from Sound of Music and This Is The End from Apocalypse Now (The Sound of the End of Music), to the really quite moving combination of depictions of the moon in early experimental and comedy films, with music by Ergo Phizmiz (Moon). What was surprising and delightful was the lack of any cynicism – throughout, Bennett celebrated films from commercials to classics, with an obvious love of the moving image, and the people who made them.

The night really started to come alive with the Q&A with Bennett. The way she talked about her work confirmed her genuine joy in working with existing material. ‘Films want to be friends,’ she replied to questions about how she got things to fit so well together. ‘You do one thing for a long time and magic happens.’

Crowning the evening was a new work, with live performance by Bennett, Ergo Phizmiz and Gwilly Edmondez. It fulfilled the promise teased in the earlier clips, and showed the excellence of Bennett’s work when allowed the space to stretch out, by turns joyous and strange and beguiling. It seemed almost like a celebration of her own career, with clips returning to repeated motifs from earlier work; corridors and cameras, doorways and dreams. As a final encapsulation of the magic Bennett talked of we saw a satanic ritual mixed with a Dadaist poetry exercise; art as a demonic summoning, drawing something from the ether and binding it to yourself.

For this evening Bennett has put together a programme of her rarely-seen short films from the current century. The films will be followed by a discussion between the artist and Wire Deputy Editor Emily Bick, and then the premiere live performance to a new specially-made film score by PLU by the trio of Bennett, Gwilly Edmondez and Ergo Phizmiz.

Emily Bick is Deputy Editor at The Wire magazine.

Gwilly Edmondez is a performer whose primary aesthetic is Wild Pop, active both solo and in numerous collaborations. As Gustav Thomas he is one half of the duo YEAH YOU with Elvin Brandhi. Originally from Wales, he is mostly based in the North East where he has been on the staff of the music department of Newcastle University since 2004.

Ergo Phizmiz is a composer, writer, collagist, radio playwright, opera designer and director, who has created a vast body of work across media since 2000. They are currently designing moving images for The Rake’s Progress at the Royal Academy of Music, and working on the opera Adapting Don Quixote as a PhD at the University of Bristol.

The Wire 40 @ The Cube is a weekend of events marking The Wire magazine’s 40th anniversary. Other Wire 40 events are happening in London, Brighton, Manchester, Glasgow and streaming online during the month of July. See The Wire for more details.