“Different People” is an anthology of interviews by Swedish author Carl Abrahamsson, focusing on art, life and the creative process. Included are in-depth conversations with Conrad Rooks, Malcolm McLaren, Stelarc, John Duncan, Charles Gatewood, Mark McCloud, Ralph Metzner, Peter Beard, Bill Landis, Ralph Gibson, Maja Elliott, Michael Bowen, Bob Colacello, Dian Hanson, Anton Corbijn, June Newton, Kendell Geers, Simeon Coxe III (Silver Apples), Vicki Bennett (People Like Us), and Brian Williams (Lustmord). These groundbreaking artists, writers, musicians, photographers, filmmakers, editors and psychedelic researchers have all helped shape the culture we live in. But what makes them do what they do? Which are their driving forces and their inspirations; their joys and fears? Trapart Books, 2021, 6 x 9” paperback, illustrated with photographic portraits, 292 pages. https://store.trapart.net/details/00118
Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992. Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.
Nothing Can Turn Into A Void, the doc film about People Like Us will screen in Stockholm, Sweden on 26 November at 7pm
at Fylkingen, Torkel Knutssonsgatan 2, 118 25 Stockholm, Sweden
Two films by Carl Abrahamsson. TRAPART FILM, Sverige 2015.
Introduced by Carl Abrahamsson
Entrance: 100/80 kr (medlemmar & studerande)
NOTHING CAN TURN INTO A VOID
– AN ART APART: PEOPLE LIKE US British artist Vicki Bennett takes you on a roller coaster-ride with her art project People Like Us. In performances, videos, collages and music, her amazing editing techniques and sense of humor leave you flabbergasted and enthusiastic at the same time. People Like Us is like free-zone where appropriation meets alchemy, humor meets social critique and the boundless imagination meets reality (so called). 58 mins. A film by Carl Abrahamsson, Sweden, 2015.
ONCE THE TOOTHPASTE IS OUT OF THE TUBE – AN ART APART: CHARLES GATEWOOD American photographer Charles Gatewood started out in the 1960s as a young man with dreams of showing the world the radical cultural developments that were going on in his country. He met many of the iconic instigators of change and documented them for posterity. As the decades passed, Gatewood drifted more and more into a personal expression of sexual subcultures, both in America and abroad. His powerful photos of pioneers within the tattooing- and piercing scenes helped pave the way for the movement that was to be called “Modern Primitives”. It’s a classic example of when art, and in this example, specifically photography, merges with its general environment and takes on new forms that are impossible to stop. Or, as the San Francisco based photographer himself describes it: “Once the toothpaste is out of the tube, you can’t put it back”.
58 mins. A film by Carl Abrahamsson, Sweden, 2015.
NOTHING CAN TURN INTO A VOID – an hour-long doc film about People Like Us is now completed and available. If you are a festival or event organiser and wish to screen this film please get in touch with the creator Carl Abrahamsson direct by contacting jakob AT trapartfilm.com or carl AT trapartfilm.com. If you have previously booked People Like Us for a concert and are interested, please get in touch with us direct through our Contact page. You can also watch this movie for free courtesy of our friends at UbuWeb, or watch below.
British artist Vicki Bennett’s work within the project called “People Like Us” takes you on a journey into a world where literally anything can happen. Using her skills as an editor and a great sense of humor, she lets you roam through a world of imagination filled with contrasts and chance encounters between the past and the present. In performances, video work, music and collages, Bennett conveys that nothing is really what it seems. For more information, please visit: Trapart Film
Screenings so far:
October 2015 – Huset, Copenhagen November 2015 – Brighton Cinecity Film Festival November 2015 – Fylkingen, Stockholm January 2016-ongoing – UbuWeb July 2016 – Norberg Festival, Sweden October 2016 – Spectacle Theater, Brooklyn November 2018 – Kunstnernes Hus, Oslo
Carl Abrahamsson is in the process of producing a series of films about the following artists: Kenneth Anger, Charles Gatewood, Genesis Breyer P-Orridge, Michael Gira, Vicki Bennett, Mark McCloud, Andrew McKenzie, Gustaf Broms, Carl Michael von Hausswolff and Angela Edwards
“Over the years, I’ve more and more realized that what I do is basically the same thing over and over, yet in new forms. That is: meeting interesting people, listening to what they have to say, and then filter that for others. Whether it’s been materialized in writing or photography, it’s a documentation mania I can’t seem to shake. And don’t want to either.
The focus, as the name implies, is on art and artists who go against the grain or in some ways stand out as integrity pioneers. As the art world and its Molochian markets become more and more commodified and drained of creative vitality, there needs to be an inspirational influx of revitalizing energy and ideas. It is my hope that these conversations with radical movers and shakers will help provide just that.”