OPTIMIZED! Expanded Radio Stream on WFMU!

OPTIMIZED! Expanded Radio Stream on WFMU 6-10 June 2016, Noon-3pm (EST)
Playlists & archives: http://wfmu.org/playlists/UP
Documentation: https://peoplelikeus.org/2016/optimized-wfmu/

From 6-10 June 2016 Vicki Bennett and John Kilduff were Artists in Residence at freeform radio station WFMU in Jersey City, NJ, USA.

NEW! Documentation Video:

This residency consisted of “Optimized!” – a week-long online a/v radio station which experimented with ideas of what radio might be in the world of high speed internet broadcasting.

The content included 26 new a/v artist commissions selected and programmed by Vicki Bennett, where people were invited to respond to the word “optimized”, John Kilduff’s live “Let’s Paint TV” daily video show which combines, painting, cooking and exercise, and an evening at the station with an in-house studio audience.

John Kilduff and Vicki Bennett Artist Residency – Expanded Radio at WFMU

optimized-schedule
Noon-2pm: 10 hours of new/exclusive recordings, radio & video by 26 participants. Programmed by Vicki Bennett / People Like Us
2pm-3pm: Daily video shows live from WFMU’s Monty Hall by John Kilduff / Let’s Paint TV – Mr Let’s Paint will take your calls! skype: letspaintwfmu
3pm-5pm: repeat of noon-2pm schedule
9 June 2016: A live expanded radio event at Monty Hall with Let’s Paint TV & People Like Us / DIFM (Do It For Me) with Pseu Braun

Pseu Braun DIFM (Do It For Me) at Monty Hall

Continue reading “OPTIMIZED! Expanded Radio Stream on WFMU!”

CCCitations – a Citation City project

CCCitations is an offshoot of Citation City, an audiovisual performance by People Like Us.

Four artists, Jon Leidecker, Jason Willett, Gwilly Edmondez and Andrew Sharpley were given source material from Vicki Bennett’s Citation City a/v project and asked to make new work, interpreting the footage in a unique way.


Soundtrack: Gwilly Edmondez 00:01
Soundtrack: Jason Willett 02:47
Soundtrack: Jon Leidecker 05:23
Film: Vicki Bennett


Film and Video: Andrew Sharpley – using source material given by Vicki Bennett

About Citation City

Citation City sources, collage and edits 300 major feature films where content is either filmed or set in London – creating a story within a story, of the film world, living its life, through extraordinary times of change, to see what happens when these multiple narratives are combined… what will the story tell us that one story alone could never tell?

Inspired by The Arcades Project by Walter Benjamin, this audiovisual work is created from 1000s of clippings of text and visual media, collaged using a system of “convolutes”, collated around subjects of key motifs, historical figures, social types, cultural objects from the time. By gathering and assembling such groups of similar yet unrelated, he revealed a hidden, magical encyclopaedia of affinities, a massive and labyrinthine architecture of a collective dream city. On reading Benjamin, his approach to editing astonished Vicki Bennett, and the similarity of their creative processes of cutting and collating extensive lists of subject matter by context.

In the live performance a series of story lines (convolutes) sit side by side with a soundtrack sourced both from the movie content, as well as new sample compositions thematically related to the visual content.

The result is a sweeping panorama of London, a London as represented through cinema – not the real city at all, but one that exists in the collective imagination of moviegoers throughout the decades. Filmmaker Magazine

Andrew Sharpley – “Black Ships” on DO or DIY with People Like Us

Andrew Sharpley – “Black Ships” 
Monday 19 May 2014, 7pm
on DO or DIY with People Like Us
http://www.wfmu.org/playlists/pl

Listen online live at 7pm NY Time http://wfmu.org

This broadcast is a based on a series of translations and re-translations of a text in a not-very-good telephone translation app, going backwards and forwards between Japanese and Portuguese and at each stage rendering the result into english – kind of like Chinese Whispers, except not Chinese.  Whats starts out as a tongue twister over the course of 30 re-translations (25 of which are used in the broadcast) ends up as something that sounds like a deranged terrorist, manifesto, talking of bomb blasts and prophets and visas and pain and country.

These short texts, read by my daughter Lia, are set against a backdrop of shifting electronic patterns and acoustic piano that mutates gradually over time as the texts themselves do.

The title, Black Ships (in Japanese, 黒船, kurofune, Edo Period term) was the name given to Western ships arriving in Japan in the 16th and 19th centuries.

In 1543 Portuguese initiated the first contacts, establishing a trade route linking Goa to Nagasaki. The large ships engaged in this trade had the hull painted black with pitch, and the term came to represent all western vessels. A modern day equivalent for the surprise and confusion the presence of these ships caused, would perhaps be someone in a modern city apartment trying to go to sleep with 4 big black flying saucers hovering outside their window…

With a nod of recognition to the WFMU presenter and exponent of ‘ uncreative writing’ – of which this is an example – I am dedicating it to Mr Kenneth Goldsmith.

– Andrew Sharpley, 16 May, 2014.

GESTURE PIECE – a film with a score by 7 artists

A film by Vicki Bennett [2013]
Soundtracks by :
Andrew Sharpley [00:06] | Matmos [01:02] | Wobbly [05:08] | Gwilly Edmondez [07:48] | Dave Soldier [09:38] | Jason Willett [11:02] | Ergo Phizmiz [13:23]

Gwilly Edmondez, Matmos, Ergo Phizmiz, Andrew Sharpley, Dave Soldier, Jason Willett and Wobbly each composed a score for a chapter of GESTURE PIECE, without any knowledge of who else was collaborating on the project or what the rest of the film would look or sound like.

The completed film stitches back together the seven chapters with their individual soundtracks, creating new connections between apparently unrelated film sequences. The result is a fascinating and witty reinterpretation of familiar film footage, with scenes arranged in surprising and often very funny combinations.

The title of “Gesture Piece” is partly self-explanatory – within human communication it is part of our hard circuitry that for instance we use hand gestures to articulate our speech, which is essentially graphically describing/enforcing audio or spoken discourse. Even when spoken language is not present, a whole series of hand and facial gestures are available to us to communicate expressions. By making a film that both contains human gestures (hands, facial, movement) as well as gestures made by natural and mechanical occurrences we are setting up the conditions for a dialogue between the graphical elements on the films and the improvisers, both with the film as well as with each other.

Background info
Gesture Piece @Tyneside Cinema
Review in This Is Tomorrow Magazine
Interview with a-n Magazine
Interview with SyncTank
Interview with Dominic Smith

Screenings
October 2014 – Other Cinema, San Francisco
October 2013 – Gesture Piece at High Zero Festival, Baltimore

Click on thumbnails to download stills:
GESTURE PIECE-2GESTURE PIECE-5GESTURE PIECE-3

Diagram of subjects - created in the development of the film by Vicki Bennett
Diagram of subjects – created in the development of the film by Vicki Bennett
Still from Gesture Piece by Vicki Bennett
Still from Gesture Piece by Vicki Bennett

Gesture Piece has a sister project, Notations – a film created for live performance by selected improvising musicians and artists.  When these two projects began, they shared the same umbrella name of Gesture Piece (the live performance was tested at Tectonics Festival in Reykjavik and Tel Aviv), but as the work developed it felt natural to separate them out into different names as they became two unique and separate entities.

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Radio Boredcast is now a 24/7 Radio Stream!

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People Like Us have revamped the DO or DIY radio stream, and as of Noon EDT on 3rd April 2013 it is now streaming Radio Boredcast!

Radio Boredcast is a 744-hour online radio project that celebrates all things SLOW.  And fast too, actually.  Crank it up to wind down and enjoy this selection of specially made radio shows by 100 different artists and some WFMU DJs too!

Click and listen to the 24/7 Radio Boredcast stream here.
(Download the little file linked to above – the stream works through iTunes so let your computer launch this application if prompted.  If it doesn’t launch then find the small file that you downloaded and double-click on it)

Those of you who already have the DO or DIY stream bookmarked, it will automatically switch over to the new stream for you.

Matmos: M.C. Schmidt, Drew Daniels

You can also listen to Radio Boredcast shows on demand here.
More on the history of Radio Boredcast here.

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