The Mirror – a new live a/v performance by People Like Us

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We are pleased to announce a new audiovisual immersive cinema performance by People Like Us called “The Mirror“, which will be performed from April 2018 worldwide.

More details and a trailer after next month, but we have confirmed concerts in April in Liverpool, Belfast, Birmingham and London, then more later in the year in Newcastle, Brighton and London again.  We expect to add more dates to the roster and will announce details in due course.

We will also be creating a short film for improvising artists and musicians separately to this and if you would like to perform it, or are part of a university course (or similar) and think it may be useful to your students, or indeed are a festival/venue and would like to book this please get in touch.

PLU / MATMOS / WOBBLY Wide Open Spaces now on VINYL

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People Like Us / Matmos / Wobbly “Wide Open Spaces” LP (CREP52)
Release Date: 23rd February 2018 (taking pre-orders now)
Discrepant is pleased to announce the reissue of a “Wide Open Spaces”, a collaborative LP by Wobbly, People Like Us and Matmos.


IMPORTANT: Please remember to scroll to select your own region:
£18 UK, £19.40 Rest of Europe, £21 Rest of World (price includes shipping)



Also available direct from Discrepant in LP form and also Digital Download:
http://www.discrepant.net/products/608404-people-like-us-matmos-wobbly-wide-open-spaces

Info:
The hour long performance on this disc was captured live on October 5th 2002 when Wobbly, People Like Us and Matmos circled their wagons in the lecture hall of the San Francisco Art Institute. Having mutually agreed upon a country and western theme, Vicki Bennett (PLU), Jon Leidecker (Wobbly), and Drew Daniel and M. C. Schmidt (Matmos) pored over their archives of honky tonk classics, chopping and dicing Nashville’s finest almost beyond recognition, and collectively restitching the mangled shreds in a kind of crazed digital quilting bee. Several tense rehearsals and strong pots of tea later, the foursome shuffled on stage and delivered the goods: from panoramic twangfests to offkilter waltzes to barn burning stompers. Flickering and tranquil one moment, and wildly slapstick the next, Wide Open Spaces hits the sweet spot between song forms and improvisation, and showcases the qualities that all three collaborating artists share: absurdist humour, baroque sample manipulation, and stuttering rhythmic frameworks that lurch and sway. While the presence of five samplers, four laptops, three CD players and a pedal steel guitar on one stage could have led to a tediously ego-driven “jam” or simply cacophony, the results feel lushly detailed but not cluttered, and swing naturally between structure and freedom. It’s an international media magpie summit where country’s chick-a-boom meets tech house’s boom-tschak, and tearjerking sentiment and patriotic hokum are subjected to a dense shower of coughs, sputters and rude noises. Listening back to the recorded results, all three musical units agreed that this concert was mighty fine, and worth sharing.

TRACKS


  1. A1 Morning
  2. A2 Dolly Pardon
  3. A3 Clawing Your Eyes Out Down To Your Throat
  4. A4 Shenandoah
  5. A5 Holler
  6. A6 Tremble Valley Peady
  7. B1 Chicken Legs
  8. B2 Cattle Call
  9. B3 Arkansas Explorer
  10. B4 Calling
  11. B5 I Must Die
  12. B6 Wide Open Spaces

PRESSING INFORMATION


Originally released on Tigerbeat6 in 2003, the music has been remastered with artwork by M.C. Schmidt and design/layout by Vicki Bennett.
Vinyl cut by Rashad Becker