Here’s a new version of our film for improvisers “Notations“, this time around performed by Blectum from Blechdom:
Here’s a recording of us guesting on Irene Moon’s show on KCSB, Santa Barbara on 4 October 2019:
We’ve just made available a new track from the hour-long Gone, Gone Beyond (work still in progress)… click above ^^^
We have just made a video for our friends Big Fresh, here it is:
Big Fresh-Cosmos Song featuring Reva Russell English
From the EP Sweeps
Video by Vicki Bennett of People Like Us
© 2019 Big Fresh
Vinyl and Digital music available at www.desperatespirits.com
Many thanks to Leon for having us on Reel Rebels Radio on The Avant-Garde for Middlebrows: a Some Bizzare label special. You can listen here:
Here’s the track list (selected from a much longer list):
Soft Cell – Entertain Me (Richard Skinner session)
Cabaret Voltaire – Sensoria
People Like Us – Feel It Steal It
Agnes Bernelle – Mother The Wardrobe Is Full Of Infantrymen
Dave Ball – Sincerity
Renaldo and the Loaf – Critical/Dance
Coli – Who By Fire
Marc and the Mambas – Untitled
Psychic TV – Stolen Kisses
The The – Perfect
Scraping Foetus Off The Wheel – Descent Into The Inferno
Swans – A Screw
Val Denham and Farmacia – As I Walked Out One Evening
Burmoe Brothers – Under The Blanket Of Love
Marc Almond and La Magia with Nico – Your Kisses Burn
The The – We Can’t Stop What’s Coming
Our project The Mirror consists of an a/v performance (and sometimes stand alone movie), an album release, a film for improvisers, and 3 new artist commissions where they to respond to The Mirror with a new piece of work. All three artist responses by Dina Kelberman, Porest (Mark Gergis) and Hearty White are now available, so we’re putting them all together online here:
Description: When I thought about the word “reflections” this is what my brain showed me. Something about reflects, reflex, reflection symmetry, shapes, walls, and now that i think about it it’s probably a lot to do with sitting in a tiny room full of corners all day every day. Also laptop symmetry. These might all just be portraits of my laptop.
Bio: Dina Kelberman is an interdisciplinary artist recently transplanted from Baltimore, MD to Los Angeles CA. Kelberman has created original web-based pieces for the New Museum and The Marina Abramovic Institute and has participated in numerous design and photography biennials. Her work has been written about in The New York Times, Art21, NPR, Known and Strange Things (Cole, 2016) and most recently The Focal Press Companion to the Constructed Image in Contemporary Photography (Routledge, 2018) and Olia Liliana’s “An Infinite Seance 3”. In 2018 she was invited to speak at the UbuWeb conference in Athens and the Post-Photography Prototyping Biennial in London. She is currently ranked 5th in the world for Most Lines in Tetris for the Nintendo Entertainment System.
We’re pleased to release the last our 3 artist commissions made in response to The Mirror.
The first was by Dina Kelberman, the second was a 50-minute new audio piece by Porest (Mark Gergis) and now we’re presenting a brand new 50-minute audio work by HEARTY WHITE. You can listen here and download at bandcamp.
(Please note, this is a piece of audio by Hearty White, and the link embed above lists it as People Like Us purely because it’s on our bandcamp page)
Bio: Hearty White lives and doesn’t work in Lexington, KY, birthplace of Richard Hell. His radio non-career spans decades. He loves you in theory. Listen to Hearty White’s WFMU radio show:
More info on The Mirror by People Like Us and these artist commissions:
Above is the trailer for the second of our 3 artist commissions made in response to The Mirror. The first was by Dina Kelberman, and now we’re presenting you this 50-minute new audio piece by POREST (Mark Gergis).
Available January 7, 2019 (free download)
POREST • ABJECT MIRROR
Porest is dragged through an inconvenient network of paranormal subterfuge after exposing something significant that may have happened 33 days from now.
Audio-drama with advertisements and musical accompaniment.
Porest, etc: Mark Gergis
Dr. Lumen / Mr. Fleckt, etc: Jake Rodriguez
Acoustic guitar on THROUGH YOU: Robert Millis
Recorded and produced by Porest until 2019
Thank you: Vicki Bennett
Published by Porestsound – 2019
29 November/30 November 2018 midnight on Thursday going into 3am Friday morning, California time. In the UK that is 8am-11am Friday
KPFA 94.1FM, online at https://kpfa.org/player?audio=live
We returned to the radio to guest with Jon Leidecker (Wobbly) on Negativland’s “Over The Edge” on KPFA Radio for the first time in 16 years, and this represents the 20 year mark of first appearing on Over The Edge.
You can tune in online, the show is 3 hours long. https://kpfa.org/program/over-the-edge/
To coincide with a few concerts that we’ve been doing lately, we’ve put some “Retrospective” mp3s up on bandcamp from the first 25 years of People Like Us. You can download it here or click below.
This is a 100 track compilation, over 6 hours duration, representing some of our favourite tracks and collaborations over radio, on stage and in the studio from 1991, which was when we released our first album. Each track has a different flavour, from a different time, another place, and often associated with a different recording medium or varying groups of individuals who inspired or actually took part.
Thank you friends, listeners and collaborators for being around, and for all those who inspired and supported the journey so far. Making this available at a Nice Price considering the ridiculous volume of content, and as is the case for much of People Like Us, you can quite possibly find a lot of this in various forms elsewhere on the internet for free, either put there by us, or others. But if you’d like to support us, then we thank you and welcome that. It will help make more happen.
Bandcamp requires that we upload in lossless form, and we will be honest and say that a lot of this only exists as mp3, but really…. most of what we sampled was also initially in mp3 form.
We are pleased to announce a new audiovisual immersive cinema performance by People Like Us called The Mirror, performed (and screened in Theatrical form if in the US) from March 2018 worldwide.
The Mirror is a live a/v performance which splices together movie snippets with unique sample-based music exploring the masks that we wear represented through the lens, using parallel narratives across the screen to depict an ever-changing stream, rather than a singular, fixed being, narrative or moment in time.
“A feat of research and craft, this new work is a spellbinding inquiry into editing and juxtaposition; a collage one can unthread allowing the viewer to discover hidden stories through familiar images. The soundtrack is performed live, made up from hundreds of preexisting songs, as well as particular sounds from the original film clips.” — Flatpack Film Festival
”Because of the use of familiar pop sounds, “The Mirror” is often grandiose. Like an epic film only with highs, never letting the listener down or letting him doubt the power of pop. Even, of course, when the coordinates are twisted, mixed, over or underrepresented. Each moment feels like something that could only happen in a parallel universe. Although that may sound naïve, it’s just a lost thought of reaction to the beautiful collages of People Like Us in “The Mirror”. This mirror doesn’t reflect an image of ourselves or an image of pop. But an image on the way memories drift and are being constant rebuilt. An unfinished collage.” — Boomkat
“Bennett celebrates the song stylists, the crooners, the sirens and interpreters of melody, and all the psychedelic in-between. The songs she pulls from seem to stem between 30’s ballroom and 70’s soft disco, here presented like being in a deep REM-state, dreaming of being at the drive-in, in warped Panavision. Essential.” toneshift.net
18 March 2018 – World Premiere: Athens Greek Film Archive Foundation (as part of Shadow Libraries: UbuWeb in Athens, organised and produced by the Onassis Cultural Centre-Athens) – tickets/info
13 April 2018 – UK Premiere: Liverpool FACT – tickets
17 April 2018 – Belfast Film Festival at Crescent Arts Centre – tickets
20 April 2018 – London Cafe Oto – tickets
21 April 2018 – Birmingham Flatpack Festival – tickets
12 May 2018 – London Splice Festival, at Rich Mix – tickets
11 July 2018 – London Cafe Oto, double bill with Carl Stone – tickets
19 July 2018 – Gijón LEV Arenas Movedizas – free entry
26 July 2018 – MACBA, Barcelona – tickets
17th September 2018 – Theatrical Screening (not live) – Bryce’s Show on WFMU
19th & 20th September 2018 – Theatrical Screening (not live) – Spectacle Theater, Brooklyn – tickets
20 October 2018 – 100 Years of Copyright Festival, Berlin HKW – tickets
2 November 2018 – Spill Festival, Ipswich – tickets
10 November 2018 – Kunstnernes Hus, Oslo Norway – tickets
15 November 2018 – Brighton “Cinecity” Film Festival at Fabrica – tickets
30 November 2018 – Theatrical Screening (not live, we do not perform in concerts in the US) Recombinant Festival, Gray Area, San Francisco – tickets
9 February 2019 – Theatrical Screening (not live, we’ll not be there) – The Voix de Ville 2019 / ARTxFM annual fundraiser at Columbia Theatre, Louisville Kentucky – tickets
27 March 2019 – Musikbrauerei, Berlin – tickets
6 April 2019 – Theatrical Screening (not live) – Other Cinema, ATA, Valencia St, San Francisco – tickets
23-28, April 2019 – Theatrical Screening at AFO Olomouc, Czech Republic.
9 May 2019 – Venice Biennale at HILLARY: The Hillary Clinton Emails by Kenneth Goldsmith after the opening reception. RSVP
14 June 2019 – Newcastle Culture Lab – The Mirror and Objects in the Mirror Are Closer Than They Appear
22 June 2019 – Iklectik Art Lab, London
15 September 2019 – Theatrical Screening (not a concert) at 21C Museum Hotel, Lexington, KY (introduced by Hearty White)
28 September 2019 – Theatrical Screening (not a concert) at Radius Gallery Santa Cruz, CA
If you are a festival organiser with a budget and are interested in booking this, please get in touch by way of our Contact Form. If you are in a country requiring a work visa to perform we can in very special circumstances make this work into a stand alone movie, but generally this is only available as a performance with the artist present and you will need to gain necessary papers for us to agree.