Kollasj! in Oslo

Kollasj!  People Like Us will be in Oslo doing a week of Collage-based events for children. 

Kollasj! at Kulturtanken – 8-12 May 2017
A week of concerts specially for school children.
http://www.dks.osloskolen.no/produksjon/1005598kulturtanken.no/tankebloggen/2
Part of a larger event of contemporary art for young people:
Live videokollasj
: People Like Us / Vicki Bennett
Live vinylkollasj: Lasse Marhaug
Live musikkverkkollasj: Nordic Voices / Kjell Tore innervik / Guro Skumsnes Moe / Christian Meaas Svendsen
Popp-up: Marcus Andreassen and Nina Bing

A collaboration between nyMusikk , Culture tank and DKS Oslo

Only Connect Kids: Collage at nyMusikk – 13 May 2017
A music festival for children! At Central is the festival day for all the families who are interested in music, vinyl, dance, cut and paste and film.
http://nymusikk.no/no/hva-skjer/kollasj

New Print For Sale: PIANOS

Pianos print by Vicki Bennett (Feb 2015) - 10inch square

Pianos print by Vicki Bennett (Feb 2015) – 10inch square

We have a new print available for sale – it was recently created while making the a/v performance Citation City, collaging movie content of a segue from a scene of hands at a typewriter cutting across to the playing of a piano. We have sized it as such that it will fit into an IKEA frame which you can buy yourself (IKEA: RIBBA 23cmx23cm). We are selling at an affordable price (see below in US dollars), postage INCLUDED.

Pianos PRINT – UK – price including P&P: $28
Buy in UK

Pianos PRINT – EUROPE – price including P&P: $30
Buy in rest of Europe

Pianos PRINT – ELSEWHERE – price including P&P: $35
Buy in rest of world

 

Notations with Philip Jeck & Jaap Blonk – full movie

This is the full-length performance of the Cafe Oto leg of last year’s NOTATIONS tour, with Jaap Blonk and Philip Jeck as guest performers.

Vicki Bennett’s film-collage-as-visual-score Notations is created from hundreds of different film clips, where the content conceptually or literally portrays different kinds of instructions to be read by the improvising artists on stage as a visual score. The film/performance toured the UK in November 2013 after premiering at Ilan Volkov’s TECTONICS Festival in Reykjavik earlier in the year. This marks a return to working with improvised audio and video, both on radio and in front of an audience. Between 1996-2003, Vicki performed both solo and with Jon Leidecker (Wobbly), Matt Wand (Stock, Hausen and Walkman), Matmos, members of Negativland and Kenneth Goldsmith.

To soundtrack Notations, each show featured a different combination of artists: Bill Orcutt, Rhodri Davies, M.C. Schmidt (Matmos), Philip Jeck, Jaap Blonk, Steve Noble, Wobbly, Mark Sanders, Tomomi Adachi and Jennifer Walshe.

Vicki Bennett is an influential figure in the field of audio visual collage, through her innovative sampling, appropriating and cutting up of found footage and archives, publishing material since 1992.

Notations UK Tour was produced by Tusk and commissioned by Sound and Music as part of their Touring Programme for 2013.

peoplelikeus.org/2013/notations-tour/

NOTATIONS UK Tour!

NOTATIONS – the film by Vicki Bennett (People Like Us) created for live performance by improvising artists and musicians, will tour the UK in November 2013, produced by Tusk and commissioned by Sound and Music as part of their Touring Programme for 2013.

PRESS RELEASE

Sound And Music and Tusk Music are delighted to announce this tour of Vicki Bennett’s film-collage-as-visual-score Notations, to be soundtracked by a unique combination of leading improvising artists at each event.

Notations has been created by Vicki from hundreds of different film clips, where the content conceptually or literally portrays different kinds of ‘gestures’ or ‘instructions’ to be read by the improvising artists on stage as a visual score.

This marks a return to working with improvised audio and video, both on radio and in front of an audience.  Between 1996-2003 Vicki performed both solo and with Jon Leidecker (Wobbly), Matt Wand (Stock, Hausen and Walkman), Matmos, members of Negativland and Kenneth Goldsmith.

To soundtrack Notations, Vicki and Tusk have recruited an impressive international cast of improvisers, each with radically different approaches and, as each show will feature a different combination of artists, every performance on the tour will be completely unique. So each show will feature a carefully chosen trio of live respondents to Notations from the cast of Bill OrcuttRhodri DaviesM.C. Schmidt (Matmos), Philip JeckJaap BlonkSteve NobleWobblyMark SandersTomomi Adachi and Jennifer Walshe.

Oct 31 – NEWCASTLE
BILL ORCUTT / RHODRI DAVIES / MARK SANDERS
+ BILL ORCUTT SOLO SET
& PEOPLE LIKE US “CONSEQUENCES (ONE THING LEADS TO ANOTHER)”
Star & Shadow Cinema, Stepney Bank, NE1 2NP
8pm   £8/10
starandshadow.org.uk
===============
Nov 14 – MANCHESTER
M.C. SCHMIDT / WOBBLY / JENNIFER WALSHE
& PEOPLE LIKE US “CONSEQUENCES (ONE THING LEADS TO ANOTHER)”
Kraak, 11 Stevenson Square, M1 1DB
7.30pm   £8/7
kraak.co/home
===============
Nov 16 – LEEDS (as part of Leeds International Film Festival)
M.C. SCHMIDT / WOBBLY / TOMOMI ADACHI
& PEOPLE LIKE US “CONSEQUENCES (ONE THING LEADS TO ANOTHER)”
Hyde Park Picture House, Brudenell Road, LS6 1JD
9pm   £8/£6
leedsfilm.com
===============
Nov 29 – LONDON
JAAP BLONK / PHILIP JECK
& PEOPLE LIKE US “CONSEQUENCES (ONE THING LEADS TO ANOTHER)”
Cafe Oto, 18-22 Ashwin Street, London, E8 3DL
8pm  £8/10
cafeoto.co.uk
===============
Nov 30 – BRISTOL
JAAP BLONK / PHILIP JECK / STEVE NOBLE
& PEOPLE LIKE US “CONSEQUENCES (ONE THING LEADS TO ANOTHER)”
Arnolfini, 16 Narrow Quay, BS1 4QA
7.30pm  £8/6
arnolfini.org.uk

Each event will also begin with an audiovisual performance by People Like Us of Consequences (One Thing Leads To Another)which places similar but emerging subject matter side by side to construct the narrative, a story emerging as a sum of the preceding parts yet digressing on a tangent.  All actions have consequences, and here we see them played out, to wondrous and catastrophic effect!

Watch a section from Consequences (One Thing Leads To Another) on UbuWeb!

NOTATIONS TRAILER Manchester w/ M.C. Schmidt / Wobbly / Jennifer Walshe. Film by Vicki Bennett

More info on the artists:

Vicki Bennett is an influential figure in the field of audio visual collage, through her innovative sampling, appropriating and cutting up of found footage and archives. Using collage as her main form of expression, she creates audio recordings, films and radio that communicate a humorous, dark and often surreal view on life. Vicki operates under the moniker People Like Us and promotes an open access to archives for creative use.

Bill Orcutt first came to attention as guitarist in insane Miami band Harry Pussy, famed for their frenetic and discordant performances and his then-wife Adris Hoyo’s seminally fiery primitive/spasmodic drumming. Harry Pussy imploded in the late 90s but Orcutt re-emerged in 2009 with A New Way To Pay Old Debts, a truly guttural home-recorded stream-of-consciousness via battered guitar with only 4 strings left and occasional involuntary vocalisations. Has since released records via Editions Mego as well as his own Palilalia imprint, and formed an occasional duo with Chris Corsano. palilalia.com

Our favourite Rhodri Davies story concerns his being booed off stage for destroying his instrument at a very conservative harp festival. Davies takes this traditional instrument and does very un-traditional things with it, from applying dry ice to the strings to make them squeal to constructing installations that play it with wind and water. Regular collaborators include David Toop, John Tilbury and John Butcher and such luminaries as Elian Radigue, Christian Wolff and Yasunao Tone have composed specifically for him.  rhodridavies.com

M.C. Schmidt is best known as one half of Californian (now relocated to Baltimore) duo Matmos, renowned for marrying a love of electronic pop with musique concrete tactics and a penchant for unusual sound sources (liposuction surgery, amplified crayfish nerve tissue, latex fetish clothing, contact mics on human hair…). In 2001 they were invited to work with Bjork on her Vespertine album, leading to two world tours as part of her band, and have also collaborated with Zeena Parkins, Antony, David Tibet, Marina Abramovic and many others.  vague-terrain.com

Philip Jeck rescues old records and turntables from junk shops and creates something beautiful from them. He won the 1993 Time Out Performance Award for his most famous work Vinyl Requiem, a performance for 180 vintage record players and has released a series of records on the renowned Touch label and collaborated with Gavin Bryars, Otomo Yoshihide and Jaki Liebezeit, amongst others. philipjeck.com

Jaap Blonk hails from the Netherlands and is a self-taught composer and poet best known for his improvised vocal performances and sound poetry. Blonk is highly regarded for his pure and uninhibited style of improvisation, his sets often given greater depth by the use of live electronics, and he has collaborated with Maja Ratkje, Mats Gustafsson, Joan La Barbara, The Ex and many others. jaapblonk.com

Steve Noble first appeared as part of pop group Rip, Rig And Panic before becoming involved for several years with Derek Bailey’s Company Weeks and becoming over the years a key figure in the UK’s improvised and free music community, playing with improvisers of all approaches including Peter Brotzmann, Stephen O’Malley, John Edwards, Ikue Mori and Keiji Haino.
efi.group.shef.ac.uk/musician/mnoble.html 

Wobbly is the nom de plume of Californian plunderphonic artist Jon Leidecker who, like Vicki Bennett, uses found materials and collage as a key part of his working method, so its perhaps inevitable that they have produced several records together. He’s also released a series of records on Important, Illegal Art, Tigerbeat6 and other labels and collaborated with Matmos, Jay Lesser and many others. detritus.net/wobbly

Mark Sanders is a drummer and key part of the UK free music scene with an astounding list of collaborators from Derek Bailey to Okkyung Lee, Charles Gayle and William Parker. Mark has performed all over the world and released over 120 cds and also forms a rhythm section with bassist John Edwards in a number of groups. marksanders.me.uk

Tomomi Adachi is from Kazanawa, Japan and is a composer, sound poet and installation artist, improvising live with the use of voice, live electronics and his own instrument designs. Regarded as Japan’s only sound poet, he gave the first ever Japanese performance of Schwitters’ Ursonate and has performed the works of Cage, Cardew, Wolff and others and collaborated with countless artists including Zbigniew Karkowski, Annette Krebs and Akio Suzuki. adachitomomi.com/n/biography.html

Jennifer Walshe is a renowned vocalist and composer with so many strings to her artistic bow its hardly surprising she was so successful with her Grúpat project, where she adopted and developed 9 separate personas, each with their own individual creative outlet. The project led to exhibitions, photography, sculptures and more internationally by each of the personas. She’s perhaps best known as the composer of the opera XXX_Live_Nude_Girls!!! and is also highly regarded as a vocalist and improviser.  cmc.ie/composers/composer.cfm?composerID=114

This tour is produced by Tusk Music in association with Sound And Music.
tuskmusic.co.uk
soundandmusic.org

PRESS IMAGES Notations-A3

TECTONICS - Performers: Skúli Sverrisson, Davíð Þór Jónsson, Kristín Þóra Haraldsdóttir, Hlynur Aðils.

TECTONICS – Performers: Skúli Sverrisson, Davíð Þór Jónsson, Kristín Þóra Haraldsdóttir, Hlynur Aðils.

Notations-A6-back

NOTATIONS A6 Flyer – back

Notations-gloves

NOTATIONS still

Notations-hands

NOTATIONS still

Notations-lights

NOTATIONS still

Notations-window

NOTATIONS still

 flyer 350x250

SOCIAL MEDIA FLYERS

Download a zipped file of social media flyers for each concert and the whole tour

INTERVIEWS

Interview with Richard Whitelaw from Sound and Music, October 2013

MORE ABOUT NOTATIONS as a VISUAL SCORE

When performed, the film is provided with a “score” (ie a list of instructions to be translated into sound) which consists of some basic instructions and a synopsis listing characteristics of the 9 different sketches featured in the film.  The sketches are as follows:

The film is made in 9 sketches with titles that roughly describe the content/concept/theme. The themes move and progress with many tangents, although there is continuity of concepts and the pace even and flowing. There is intermittent film sound throughout, and lots of silence. Hopefully the sound will be no more surprising than any other performer on the stage. The maximum audio volume should be set equal to each participant.

There will be no instructions to be found beyond what is in the film, no written score beyond this text. The film will be provided to the players at least 2 weeks before the performance date, and should be viewed several times well before performing. For each sketch different numbers and combinations of performers are recommended, either spontaneously or pre-determined. All players should meet to discuss this before performing, and rehearsals are at the discretion of the performers. 

Ultimately, whatever the film content suggests is what all should react to. – Vicki Bennett, May 2013

1. A Nod to Previous Players.
Majority of footage sourced from old avant-garde and comedy films featuring people playing cards and chess, also doing things at tables. Very little sound added to the film soundtrack.
2. From A-B.
Transport, trains, cars, carriages and things that move fast.  Some typewriting and conducting too.  This one is fast and also noisy in places!
3. Spin.
Lots of spinning, vertigo, circles and targets. Zooming into eyes. Camera shutters. Not too much incidental sound on the film apart from towards the end with a piano.
4. At Home.
Mainly footage shot in domestic environments – pans through people’s rooms, people eating and chopping food, ringing doorbells, broken appliances and acts of domestic destruction. Reel to reel tape recorders and record players. Fairly quiet, some incidental sounds with a few louder bursts at the end when woman finds a monster in her fridge.
5. Several Directions at Once.
Part 1 A conductor conducts traffic lights and traffic. Incidental sound from traffic, but not conductor’s music. Radio dial turns.  Hands waving, pointing and conjuring. Quiet to start with then bursts of sound around the time of the radio dial being turned.
Part 2 Lots of punching, slapping and violence with incidental sound, cut in with a little conducting and hand gestures, bending and stretching. Quite noisy. Ends with car crash and bowing conjuror.
6. Dark.
Hand movements signifying quiet/listening. Record player and film leaders flicker black and white. People in the dark with candles, thunder and lightning, lights on and off. Disconnection of power, suspense and fear. Incidental sound of storm.  People walking on wooden steps in the dark. Radio tuner and typewriters/printing machines. Quiet incidental sound apart from necessary bursts of weather/explosions.
7. Ups and Downs.
Record players, panning through people’s living rooms. Leisure – card playing and knitting. More panning and record playing.  Walking legs/feet through many films. Very quiet. Desert scene, people run down hill making a noise, there follow many scenes from westerns, woman stops train, buzzers pressed, men with bells, all incidental sounds for this section. More walking, people waiting behind doors, quiet, suspense, just footsteps and door handles. Door lock gets shot (very loud) and then follows a lot of scenes of people struggling in train/horse carriages, to the sound of a carriage then train stopping. Ends with car sinking into mud.
8. The Suspense is Killing Me.
Predator/victims leaning over/backing away or trapped. Retaliation, shooting. Walking. Snooker and more predators.  Opening of doors to different scary people, hiding. Child making horrible noise with a pencil on chalkboard. Doors and wall banging intercut with silence and suspense, listening at walls. More doors opening and suspense, hiding and running. Screaming and fear, silhouettes with bright lights. Power cuts, darkness intercut with conductor and man stuck in phone booth. More power cuts and screaming, general misery. Sleeping woman, man walks up the stairs away from her, looks around, she looks up. He walks away.
9. Nothing Happens.
Man walks down wooden stairs to men playing cards at a table. Intercut with other people staring at the screen or each other, no one does anything, they are just looking. Walking around wooden flooring, woman slams door, sits in silence, kicks floor and three people faint. LP rolls across floor, car runs over accordion. Birds fly up and down, mixed with dancing swimmers. Man sits and writes at a table, silently turning blank pages from different movies. Lots of panning over paper and big tables, mainly silent, man screams at faceless man. Lots more staring at one another, suspense, waiting. Nothing happens. Door opens to man in fez, everyone screams. More staring and suspense. Still nothing happens. Gust of wind, Harpo plays flute through window and scares all the ladies. More predators with weapons, people run away, roll credits.

(The 30-minute version of the film excludes parts 7 & 9)

Download a pdf of the score here:
NOTATIONS-score-by-Vicki-Bennett
_______________________________

TECTONICS - Performers: Skúli Sverrisson, Davíð Þór Jónsson, Kristín Þóra Haraldsdóttir, Hlynur Aðils.

TECTONICS, REYKJAVIK – Performers: Skúli Sverrisson, Davíð Þór Jónsson, Kristín Þóra Haraldsdóttir, Hlynur Aðils.

LIVE PERFORMANCES SO FAR

20 April 2013 (with the working title of Gesture Piece*) Tectonics Festival, Reykjavik, Iceland
Performers: Skúli Sverrisson, Davíð Þór Jónsson, Kristín Þóra Haraldsdóttir, Hlynur Aðils.
8 June 2013 (with the working title of Gesture Piece*) Tectonics Festival, Tel Aviv
Performers: Alex Drool, Assif Tsahar, Robbie Avenaim, Christoph Heemann, Eyvind Kang and Jessika Kenney.
10 June 2013 (with the working title of Gesture Piece*) Uganda, Jerusalem
Performers: Eyvind Kang, Jessika Kenney, Robbie Avenaim, Christoph Heemann and special guests
November 2013 Tusk/Sound and Music UK tour – Newcastle, Manchester, Leeds, Sheffield, London, Bristol
Performers: Bill Orcutt, Rhodri Davies, Mark Sanders, M.C. Schmidt, Wobbly, Jennifer Walshe, Tomomi Adachi, Jaap Blonk, Philip Jeck, Steve Noble

* Please note – Gesture Piece is now a separate project, an online film with 7 artist soundtracks.  We needed to change the name as the project split into two parts.

VIDEO


Excerpt from “NOTATIONS” Live at Tectonics Festival 2013: “From A-B.”

Co-produced with Sound and MusicWEB-logosall3

WE ARE NOT AMUSED

“We Are Not Amused” – the second of our two films made for Animate Projects and Channel 4 TV which was screened on 5 September 2013 is now available for viewing:


We Are Not Amused. A film by Vicki Bennett [2013]

Who knows where ideas come from? You or me? Or THEM? The Muses are angry and they want their ideas back! This is a story of thieving and reappropriation, staged on a mythological platform.

Interview with Vicki Bennett
http://www.animateprojects.org/interviews/interview_with_vicki_bennett1

Screenings
August 2015 – uSurp Zone5 Festival, London
March 2015Ann Arbor Film Festival
November 2014 – Screening at Other Cinema, San Francisco
August 2014 – Screening of We Are Not Amused at Sao Paulo 25th International Short Film Festival 
May 2014 – Screening of We Are Not Amused at Oberhausen Film Festival, London, entered for the International Film Category competition
November 2013 Underwire Festival, London
November 2013 – Screening of We Are Not Amused and The Golem – An Inanimate Matter at Bradford Animation Festival

Download stills and photos of work in progress from both We Are Not Amused and The Golem – An Inanimate Matter
http://peoplelikeus.org/piccies/random/pictures-and-screenshots.zip

WeAreNotAmused-1

Newton misses a trick in We Are Not Amused

WeAreNotAmused-2

Muybridge motions defy gravity in We Are Not Amused

WeAreNotAmused-3

A muse tampers with Edison’s recording device in We Are Not Amused

WeAreNotAmused-4

Beethoven just can’t get the fourth note of this fifth in We Are Not Amused

WeAreNotAmused-5

Early man is going to be late in We Are Not Amused

WeAreNotAmused-6

Muse defaces and impressionist painting in We Are Not Amused

Background on the commission
http://www.animateprojects.org/news/our_secret_monsters_will_be_revealed

Vicki Bennett on Animate Projects website
http://www.animateprojects.org/films/by_artist/b/v_bennett

THE GOLEM – AN INANIMATE MATTER

“The Golem – An Inanimate Matter” – the first of our two films made for Animate Projects and Channel 4 TV which was screened on 21 August 2013 is now available for viewing:

http://vimeo.com/peoplelikeus/golem

Random Acts Secret Monsters Commission – Animate Projects/Channel 4 (2013)
Two films were commissioned, the other being “We Are Not Amused”

Title of film: The Golem, An Inanimate Matter
Name of filmmaker(s): Vicki Bennett
Synopsis of film: The Golem, a monstrous being of inanimate matter from Jewish folklore, is accidentally summoned from a book wreaks havoc through a library.

Interview with Vicki Bennett
http://www.animateprojects.org/interviews/interview_with_vicki_bennett1

Screenings
November 2013 – Screening of We Are Not Amused and The Golem – An Inanimate Matter at Bradford Animation Festival

Download stills and photos of work in progress from both We Are Not Amused and The Golem – An Inanimate Matter
http://peoplelikeus.org/piccies/random/pictures-and-screenshots.zip

Editing timeline for The Golem

Editing timeline for The Golem

The Golem to be screened on Channel 4 and then online

The Golem to be screened on Channel 4 and then online

More images from The Golem:

Still from The Golem, rumbled by a character from an old fairy tale

Still from The Golem, rumbled by a character from an old fairy tale

Ergo Phizmiz plays "Simple Stephen"

Ergo Phizmiz plays “Simple Stephen”

http://www.animateprojects.org/news/our_secret_monsters_will_be_revealed

The Golem - and one of the first texts about copying - courtesy of Lewis Carroll

The Golem – and one of the first texts about copying – courtesy of Lewis Carroll in 1863

The Golem - about to be swallowed by text?

The Golem – about to be swallowed by text?

Part of a panning shot in The Golem

Part of a panning shot in The Golem

Vicki Bennett on Animate Projects website
http://www.animateprojects.org/films/by_artist/b/v_bennett

GESTURE PIECE – a film by Vicki Bennett

GESTURE PIECE (2013) by Vicki Bennett

A film by Vicki Bennett [2013]
Soundtracks by :
Andrew Sharpley [00:06] | Matmos [01:02] | Wobbly [05:08] | Gwilly Edmondez [07:48] | Dave Soldier [09:38] | Jason Willett [11:02] | Ergo Phizmiz [13:23]

More info at http://peoplelikeus.org/2013/gesture-piece/

GESTURE PIECE – a film with a score by 7 artists

A film by Vicki Bennett [2013]
Soundtracks by :
Andrew Sharpley [00:06] | Matmos [01:02] | Wobbly [05:08] | Gwilly Edmondez [07:48] | Dave Soldier [09:38] | Jason Willett [11:02] | Ergo Phizmiz [13:23]

Gwilly Edmondez, Matmos, Ergo Phizmiz, Andrew Sharpley, Dave Soldier, Jason Willett and Wobbly each composed a score for a chapter of GESTURE PIECE, without any knowledge of who else was collaborating on the project or what the rest of the film would look or sound like.

The completed film stitches back together the seven chapters with their individual soundtracks, creating new connections between apparently unrelated film sequences. The result is a fascinating and witty reinterpretation of familiar film footage, with scenes arranged in surprising and often very funny combinations.

The title of “Gesture Piece” is partly self-explanatory – within human communication it is part of our hard circuitry that for instance we use hand gestures to articulate our speech, which is essentially graphically describing/enforcing audio or spoken discourse. Even when spoken language is not present, a whole series of hand and facial gestures are available to us to communicate expressions. By making a film that both contains human gestures (hands, facial, movement) as well as gestures made by natural and mechanical occurrences we are setting up the conditions for a dialogue between the graphical elements on the films and the improvisers, both with the film as well as with each other.

Background info
Gesture Piece @Tyneside Cinema
Review in This Is Tomorrow Magazine
Interview with a-n Magazine
Interview with SyncTank
Interview with Dominic Smith

Screenings
October 2014 – Other Cinema, San Francisco
October 2013 – Gesture Piece at High Zero Festival, Baltimore

Click on thumbnails to download stills:
GESTURE PIECE-2GESTURE PIECE-5GESTURE PIECE-3

Diagram of subjects - created in the development of the film by Vicki Bennett

Diagram of subjects – created in the development of the film by Vicki Bennett

Still from Gesture Piece by Vicki Bennett

Still from Gesture Piece by Vicki Bennett

Gesture Piece has a sister project, Notations – a film created for live performance by selected improvising musicians and artists.  When these two projects began, they shared the same umbrella name of Gesture Piece (the live performance was tested at Tectonics Festival in Reykjavik and Tel Aviv), but as the work developed it felt natural to separate them out into different names as they became two unique and separate entities.

tc_v2s_k_pacelogo

CONSEQUENCES (ONE THING LEADS TO ANOTHER) performance by PEOPLE LIKE US

Introducing the new People Like Us audiovisual performance:
Consequences-press-image_web5

“Consequences”, has two definitions; it is the result of some previous action, and a game (called Exquisite Corpse by the Surrealists) in which a larger picture/narrative is created by assembling subject matter “blindly” in relation to a small amount of information made visible before it as a continuation point.  As a result, content surprisingly and sometimes magically changes over a short period of time or space, with every part still connected to that which goes before or after it.

This new audiovisual performance by People Like Us places similar but emerging subject matter side by side to construct the narrative, where a story emerges as a sum of the parts that came before it yet digresses on a tangent.  All actions have consequences, and here we see them played out, to wondrous and catastrophic effect!

“The subject of authenticity, the “original” in relation to the “copy” (coming from the word “copia”, meaning multitude and abundance) interest me as an artist working in the field of collage and appropriation.  “Original” has limited connection with “quality” or “engaging”, and (at least in the past 300 years) nothing created as an object or product can be traced 100% to an origin – everything is relative, literally – it has a mother and father.  Much like speed, dimensions, size, the terms are reliant upon the conditions of the person experiencing it, where they are and when, there is NO absolute.  This is reflected when very similar creative works and inventions occur at the same period by people who have no knowledge of each other’s works existence.  In Consequences we reflect that no man is an island, but the island has lots of mirror mazes… in fact some mirrors can be walked through.” — Vicki Bennett

People Like Us “Wonderful” [2012]

Trailer and Excerpt:

Performances:
Transmediale, Berlin – 31 January 2013
La Casa Encendida, Madrid – 15 March 2013
XOYO, London – 19 March 2013
Tectonics, Reykjavik – 20 April 2013
Colchester Arts Centre – 4 May 2013
Nuits Sonores, Lyon – 8 May 2013
Only Connect Festival, Oslo – 8 June 2013
Lab Festival, Augsburg – 25 & 26 October 2013
Newcastle Star & Shadow – 31 October 2013 (part of NOTATIONS Tour)
Sound of Stockholm Festival – 8 November 2013
Manchester Kraak – 14 November 2013 (part of NOTATIONS Tour)
Leeds Hyde Park Picture House as part of Leeds International Film Festival – 16 November 2013 (part of NOTATIONS Tour)
London Cafe Oto – 29 November 2013 (part of NOTATIONS Tour)
Bristol Arnolfini – 30 November 2013 (part of NOTATIONS Tour)
L’Embobineuse, Marseille, France – 15 March 2014
Hamburg Hörbar – 9 May 2014
Trondheim Electronic Arts Centre Here To Go Symposium – 31 May 2014
Baltimore, more info to follow in 2014

Press images:

Consequences at Colchester Arts Centre

Consequences at Colchester Arts Centre

Consequences Live in Madrid

Consequences Live in Madrid

Cutting Across Media book and “Mixtape” by People Like Us

CUTTING ACROSS MEDIA by Kembrew McLeod & Rudolf Kuenzli

We highly recommend this book, which Vicki Bennett has written the back of book blurb for. More info about it here.

Download at UbuWeb http://www.ubu.com/sound/plu_collarge.html

Accompanying the book is a “mixtape” (in digital form!) of our favourite sample or sampled music. Take an epic six hour survey of audio collage with People Like Us’ Collarge, a mixtape commissioned for Kembrew McLeod’s co-edited Cutting Across Media: Appropriation Art, Interventionalist Collage, and Intellectual Property Law, which serves as a companion volume to Creative License. http://creativelicense.info/mixtape.php