Welcome to the only official site for People Like Us and Vicki Bennett
Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives. Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at, amongst others, Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. She has an ongoing sound art radio show 'DO or DIY' on WFMU. The People Like Us back catalogue is available for free download hosted by UbuWeb. Nothing Can Turn Into A Void – a doc film about People Like Us has been screening in cinemas and festivals since Autumn 2015.
Currently, Vicki is focussing on expanding a/v work for a multiscreen and multi-speakered environment with RML Cinechamber, with 10-screen work "Gone, Gone Beyond". Also a new People Like Us live performance "The Mirror" premiered at Onassis Cultural Centre Athens in Spring 2018 and now tours worldwide. October 2018 saw the release of a new CD/online album also called The Mirror. Vicki is a participant in Sound and Music New Voices 2018 programme, a-n Artist Bursaries 2019 recipient, and will be Hallwalls Artist in Residence from 2019-2020.
The mirror is an object of near alchemical potency.A tool of transformation.The mirror has the power to show us our reverse twin.The mirror allows us to look ourselves in the eye.The mirror shows us the world as it almost is. Continue reading →
What is UbuWeb? Is an archive capable to propose a different sort of art history? 3 days of talks and workshops in order to explore this and other shadow libraries.
People Like Us will be part of an UbuWeb conference in Athens later this month. It will include artist talks and group discussions, workshops and a WORLD PREMIERE of a work in progress version of our new single screen a/v performance The Mirror. Yes, we’ve not quite finished it yet (!) but this is too good a platform to not use since UbuWeb is our internet home. Tickets for The Mirror: http://www.sgt.gr/eng/SPG2098/
We are pleased to announce a new audiovisual immersive cinema performance by People Like Us called The Mirror, performed (and screened in Theatrical form if in the US) from March 2018 worldwide.
The Mirror is a live a/v performance which splices together movie snippets with unique sample-based music exploring the masks that we wear represented through the lens, using parallel narratives across the screen to depict an ever-changing stream, rather than a singular, fixed being, narrative or moment in time.
“A feat of research and craft, this new work is a spellbinding inquiry into editing and juxtaposition; a collage one can unthread allowing the viewer to discover hidden stories through familiar images. The soundtrack is performed live, made up from hundreds of preexisting songs, as well as particular sounds from the original film clips.” — Flatpack Film Festival
”Because of the use of familiar pop sounds, “The Mirror” is often grandiose. Like an epic film only with highs, never letting the listener down or letting him doubt the power of pop. Even, of course, when the coordinates are twisted, mixed, over or underrepresented. Each moment feels like something that could only happen in a parallel universe. Although that may sound naïve, it’s just a lost thought of reaction to the beautiful collages of People Like Us in “The Mirror”. This mirror doesn’t reflect an image of ourselves or an image of pop. But an image on the way memories drift and are being constant rebuilt. An unfinished collage.” — Boomkat
“Bennett celebrates the song stylists, the crooners, the sirens and interpreters of melody, and all the psychedelic in-between. The songs she pulls from seem to stem between 30’s ballroom and 70’s soft disco, here presented like being in a deep REM-state, dreaming of being at the drive-in, in warped Panavision. Essential.” toneshift.net
18 March 2018 – World Premiere: Athens Greek Film Archive Foundation (as part of Shadow Libraries: UbuWeb in Athens, organised and produced by the Onassis Cultural Centre-Athens) – tickets/info 13 April 2018 – UK Premiere: Liverpool FACT – tickets 17 April 2018 – Belfast Film Festival at Crescent Arts Centre – tickets 20 April 2018 – London Cafe Oto – tickets 21 April 2018 – Birmingham Flatpack Festival – tickets 12 May 2018 – London Splice Festival, at Rich Mix – tickets 11 July 2018 – London Cafe Oto, double bill with Carl Stone – tickets 19 July 2018 – Gijón LEV Arenas Movedizas – free entry 26 July 2018 – MACBA, Barcelona – tickets 17th September 2018 – Theatrical Screening (not live) – Bryce’s Show on WFMU 19th & 20th September 2018 – Theatrical Screening (not live) – Spectacle Theater, Brooklyn – tickets 20 October 2018 – 100 Years of Copyright Festival, Berlin HKW – tickets 2 November 2018 – Spill Festival, Ipswich – tickets 10 November 2018 – Kunstnernes Hus, Oslo Norway – tickets 15 November 2018 – Brighton “Cinecity” Film Festival at Fabrica – tickets 30 November 2018 – Theatrical Screening (not live, we do not perform in concerts in the US) Recombinant Festival, Gray Area, San Francisco – tickets 9 February 2019 – Theatrical Screening (not live, we’ll not be there) – The Voix de Ville 2019 / ARTxFM annual fundraiser at Columbia Theatre, Louisville Kentucky – tickets 27 March 2019 – Musikbrauerei, Berlin – tickets 6 April 2019 – Theatrical Screening (not live) – Other Cinema, ATA, Valencia St, San Francisco – tickets 23-28, April 2019 –Theatrical Screening at AFO Olomouc, Czech Republic. 9 May 2019 – Venice Biennale at HILLARY: The Hillary Clinton Emails by Kenneth Goldsmith after the opening reception. RSVP 14 June 2019 – Newcastle Culture Lab – The Mirror and Objects in the Mirror Are Closer Than They Appear 22 June 2019 – Iklectik Art Lab, London 15 September 2019 – Theatrical Screening (not a concert) at 21C Museum Hotel, Lexington, KY (introduced by Hearty White) 28 September 2019 – Theatrical Screening (not a concert) at Radius Gallery Santa Cruz, CA
If you are a festival organiser with a budget and are interested in booking this, please get in touch by way of our Contact Form. If you are in a country requiring a work visa to perform we can in very special circumstances make this work into a stand alone movie, but generally this is only available as a performance with the artist present and you will need to gain necessary papers for us to agree.
Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992. Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and appropriation as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant.
Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.
As a solo artist or collaborator Vicki has published more than 35 video projects and 50 audio recordings, with works released by labels including Illegal Art, Rough Trade, Soleilmoon Recordings, Discrepant, Sonic Arts Network and Touch. Vicki’s DO or DIY show on the fiercely independent New York City-market radio station WFMU has run since 2003. Her video work has been screened at Tate Modern, Whitechapel Gallery, BFI, Purcell Room, the Barbican, the ICA, V&A. Centre Georges Pompidou (Paris), Sonar (Barcelona), MAXXI/National Museum of XXI Century Arts (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City), among other institutions. Video works have been aired on Channel 4 and radio sessions created for John Peel and Mixing It. People Like Us has been commissioned by Arts Council England, The BBC, WDR, Great North Run, Sound and Music, Channel 4/Animate Projects, AV Festival, Hallwalls, Recombinant Media Labs (RML), Sonic Arts Network, Forma, LUX and Lovebytes.
Notations (2013), a film for live improvisers toured the UK with TUSK/Sound & Music in Autumn 2013; Gesture Piece, a film with seven invited artist soundtracks; two films for Animate Projects/Channel 4 television, UK, broadcast as part of their Random Acts series. In 2015, Vicki created A/V performance Citation City, using techniques of Walter Benjamin’s Arcades Project in relation to London-based feature films. Nothing Can Turn Into A Void – a documentary film about People Like Us has screened in cinemas and festivals since Autumn 2015, and No One Is An Island, a radio work created for WDR, broadcast in April 2016. The Expanded Radio online/virtual commission/artist residency Optimized! broadcast on WFMU in June 2016. In 2018 Vicki has just completed a new solo a/v performance The Mirror which which is currently touring the UK and overseas, released an album under the same name, and produced the video for the spring 2018 The The Comeback Tour.