Artist talk added to screening of Gone, Gone Beyond

May 25 2022 – 6:30 PM, Gray Area, San Francisco | Get Tickets

Join us for this special showing of Gone, Gone Beyond and go behind the screen with creator Vicki Bennett (People Join us for an Artist Talk followed by a special showing of Gone, Gone Beyond with creator Vicki Bennett (People Like Us)!

6:30PM Doors open | 7:00PM Presentation by Vicki Bennett | 8:00PM Screening of Gone, Gone Beyond

$10 Presentation only
$30 Presentation + screening

Proof of vaccination is required for all attendees over the age of 12 years old. Read more.

Using collage as a compositional tool opens up endless opportunities to experience results that are more than the sum of the parts, opening doors (and windows) to let light in from outside of our own limited and sometimes repetitive ways of thinking. Since 2016 Vicki Bennett has been creating “Gone, Gone Beyond” for RML CineChamber, an immersive 360 surround cinema environment, is now an hour long.

In this presentation Vicki tells us about her creative process, expanding her aesthetics from 2D to 3D to create audiovisual content which breaks the rectangle, smashing the thin screen into tiny fragments, looking beyond the frame, climbing through to see what’s behind.

Gone, Gone Beyond

This special screening is part of a limited run showing of Gone, Gone Beyond, an immersive audio-visual spatial cinema work by People Like Us (aka Vicki Bennett). This is Gone, Gone, Beyond‘s US premiere, following its European debut tour last fall with screenings at nyMusikk in Oslo, the Barbican in London, and more. See showtimes

Gone, Gone Beyond in San Francisco!

We are very pleased to announce that Gone, Gone Beyond will be screening in it’s home town San Francisco in May 2022 at Gray Area. We say it’s the “home town” because although we live in London, the piece was originally commissioned by Recombinant Media Labs for CineChamber, the structure which we then built a replica of in 2021 and have existing in the UK.

TICKETS: https://grayarea.org/gonegonebeyond/

All press inquiries should go to Gray Area, and if you have questions for People Like Us or Gone, Gone Beyond you can directly ask us.

Gone, Gone Beyond will screen at 6.30pm and 8.30pm each night.
On the 25th there will be an artist talk followed by one screening – tickets can be bought combined or separately: https://grayarea.org/event/vicki-bennett/

SCREENING DATES:

12, 13, 14, 19, 20 & 21 May 2022 (two screenings per night)
—- these screenings will be introduced by Naut Humon, original commissioner of Gone, Gone Beyond and creator of the CineChamber that houses our work.
25, 26 & 27 May 2022 (two screenings per night)
—- we will be present for these screenings and therefore will introduce the the 26th/27th, and it will be an artist presentation on the 25th.

All screenings are at Gray Area, Grand Theater, 2665 Mission Street, San Francisco, CA 94110 | info@grayarea.org | 415.843.1423

Covid policy: Full vaccination (no booster) | Masks strongly encouraged but not required 

Cover Versions group exhibition, Sunderland

A theatrical screening of The Mirror by People Like Us will be part of Cover Versions, a group exhibition in Sunderland, UK:

A Group Exhibition Curated by Anthony & Graham Dolphin
4 April – 1 May 2022
Abject Gallery, 27 Fawcett Street, Sunderland, SR1 1RE, UK
Preview:  1 April 18:00–22:00
Opening times:  Wednesday – Saturday 11:00–16:00

Cover Versions is a group show curated by brothers Anthony and Graham Dolphin exploring notions of the original and its copies, echoes, and mutations in art, film and music. An original artwork is often used as the starting point of new creative acts. It can be re-purposed, subverted and reclaimed by artists, musicians, and fans. The exhibition addresses concepts of ownership, fandom and audience, authenticity, and the economic and cultural values that site and shape them.

The exhibition features internationally acclaimed artists, musicians and film makers from the UK, the USA, Australia, Japan, and Austria with newly commissioned work alongside key examples of their established practice.

Radio on the Radio – People Like Us & Negativland

OVER THE EDGE : “WWW Radio” broadcasting on KPFA
People Like Us & Negativland on KWCW
(with a prelude in the radio show featuring special guest Blevin Blectum)
17 March 2022 | KPFA.ORG | MIDNIGHT-3AM (PT)

Show archived here

A week long residency at Whitman College’s Sheehan Gallery brought Vicki and Negativland & Sue-C to Walla Walla, Washington. It all ended with college radio: a two and half hour long chartsweeping riot broadcasted live from the studios of KWCW containing Vicki, Mark, Wobbly and eventually, one receptacle guest calling in to sing. 98% of that broadcast you’ll hear on Over The Edge tonight, largely as it happened.

Global Eyes by The The – new video by People Like Us

People Like Us have just created the official video for a brand new remix by DJ Food of The Thes Global Eyes, which was performed live at the Royal Albert Hall in 2018.

You can purchase The Comeback Special in various media formats on The The’s website.

In the past, Vicki has created the video for We Can’t Stop What’s Coming (2017) as well as providing the video backdrop for the The The Comeback Special Tour (2018). 

Strictly Kev and his DJ Food Project have been with the record label, Ninja Tune, for over 25 years. He has DJed the world over and mixed hundreds of hours of radio using his 30+ years of experience and vast record collection. His 2012 album, The Search Engine, featured Matt Johnson covering ‘GIANT’ from Soul Mining and he opened for the band during some of The Comeback Special tour in 2018. 

Fourth Wall at Stuttgarter Filmwinter

Our Hallwalls commissioned movie Fourth Wall is in the 35. Stuttgarter Filmwinter International Short Films Competition.

Fourth Wall
United Kingdom 2020, 15:11 Min.
Regie: Vicki Bennett

#Fourth Wall# is a new site specific wide screen movie and reflects upon the illusion of separateness. The title addresses the experience of illusory duality constructed by the mind, which is replicated through the lens of the camera, the stage, and the surface of the page, movie or computer screen. Through the viewing, cutting and editing of hundreds of pre-existing movies, Vicki searches for multiple and parallel narratives and collages these together to create a flowing stream of consciousness, attempting to breakdown this wall and reveal what she perceives as a greater reality and oneness beyond relativity.

MIND MAPS: The Art of Vicki Bennett – Solo Exhibition

Sheehan Gallery, Walla Walla, USA | 1 February – 8 April 2022 
Free and open to the public, located in Olin Hall on Whitman College campus.
Gallery Hours: Tuesday-Friday 12-5 PM, Saturday-Sunday 12-4 PM, or by appointment. whitman.edu/sheehan

This solo exhibition of Vicki Bennett (aka People Like Us) follows a 30 year journey into immersive media, covering music, radio, text-based art and moving image.  Showcasing hundreds of hours of audiovisual collage, both solo and with collaborators. To coincide with the exhibition is a visit from the artist with a series of screenings, artist presentations and radio collaborations in March 2022 on site.

Thursday 3 March 2022
Film Screening of Nothing Can Turn into a Void with Q & A
Kimball Auditorium | 5.30 PM
(note the change of time)

Friday 4 March 2022

Performance by Negativland + Sue-C | Theatrical Film Screening of The Mirror by People Like Us | + support
Young Ballroom | 7 PM


Saturday 5 March 2022

People Like Us & Negativland on the Radio (on the air, no public audience)
KWCW 90.5 | 8 – 10:30 PM Listen Live

Somerset House Interview: Opening Doors

This accompanies the artist talk that Vicki gave at Somerset Studios in London in October.

Vicki Bennett explores the processes of making audiovisual content, working with archives and found footage. Using collage as a compositional tool opens up endless opportunities to create and experience results that are more than the sum of their parts, opening doors (and windows) to let light in and move beyond limited and repetitive ways of creative thinking. 

In this Somerset House Studios podcast, we revisit Vicki Bennett’s talk as part of The Wire magazine’s Music By Any Means series, which was part of Grounding Practice, a rolling programme shaped by and for creative practitioners and critical thinkers.

Part of The Wire: Music By Any Means.
Grounding Practice / Somerset House Studios
Audio produced by Weyland Mckenzie-Witter as part of The Creator in Residence Programme at Somerset House, supported by The Rothschild Foundation.