We’ve just made available a new track from the hour-long Gone, Gone Beyond (work still in progress)… click above ^^^
Listen With Your Eyes
New video for Big Fresh
We have just made a video for our friends Big Fresh, here it is:
Big Fresh-Cosmos Song featuring Reva Russell English
From the EP Sweeps
Video by Vicki Bennett of People Like Us
© 2019 Big Fresh
Vinyl and Digital music available at www.desperatespirits.com
Vicki and Hearty White in the WFMU 2019 Fundraising Marathon
Here’s the archive of Vicki and Hearty White in Week 1 of the WFMU 2019 Fundraising Marathon. Vicki MC-ed for Hearty. Please support this wonderful radio station, who have supported People Like Us with our radio show DO or DIY with People Like Us for over 20 years now. LISTEN HERE!
Some Bizzare Radio Special
Many thanks to Leon for having us on Reel Rebels Radio on The Avant-Garde for Middlebrows: a Some Bizzare label special. You can listen here:
Here’s the track list (selected from a much longer list):
Soft Cell – Entertain Me (Richard Skinner session)
Cabaret Voltaire – Sensoria
People Like Us – Feel It Steal It
Agnes Bernelle – Mother The Wardrobe Is Full Of Infantrymen
Dave Ball – Sincerity
Renaldo and the Loaf – Critical/Dance
Coli – Who By Fire
Marc and the Mambas – Untitled
Psychic TV – Stolen Kisses
The The – Perfect
Scraping Foetus Off The Wheel – Descent Into The Inferno
Swans – A Screw
Val Denham and Farmacia – As I Walked Out One Evening
Burmoe Brothers – Under The Blanket Of Love
Marc Almond and La Magia with Nico – Your Kisses Burn
The The – We Can’t Stop What’s Coming
The Mirror Commissions
Our project The Mirror consists of an a/v performance (and sometimes stand alone movie), an album release, a film for improvisers, and 3 new artist commissions where they to respond to The Mirror with a new piece of work. All three artist responses by Dina Kelberman, Porest (Mark Gergis) and Hearty White are now available, so we’re putting them all together online here:
Reflects by Dina Kelberman (December 2018)
Media link: https://dinakelberman.com/reflects
Description: When I thought about the word “reflections” this is what my brain showed me. Something about reflects, reflex, reflection symmetry, shapes, walls, and now that i think about it it’s probably a lot to do with sitting in a tiny room full of corners all day every day. Also laptop symmetry. These might all just be portraits of my laptop.
Bio: Dina Kelberman is an interdisciplinary artist recently transplanted from Baltimore, MD to Los Angeles CA. Kelberman has created original web-based pieces for the New Museum and The Marina Abramovic Institute and has participated in numerous design and photography biennials. Her work has been written about in The New York Times, Art21, NPR, Known and Strange Things (Cole, 2016) and most recently The Focal Press Companion to the Constructed Image in Contemporary Photography (Routledge, 2018) and Olia Liliana’s “An Infinite Seance 3”. In 2018 she was invited to speak at the UbuWeb conference in Athens and the Post-Photography Prototyping Biennial in London. She is currently ranked 5th in the world for Most Lines in Tetris for the Nintendo Entertainment System.
Hearty White Reflects Upon The Mirror
We’re pleased to release the last our 3 artist commissions made in response to The Mirror.
The first was by Dina Kelberman, the second was a 50-minute new audio piece by Porest (Mark Gergis) and now we’re presenting a brand new 50-minute audio work by HEARTY WHITE. You can listen here and download at bandcamp.
https://peoplelikeus-vickibennett.bandcamp.com/track/the-mirror-2
(Please note, this is a piece of audio by Hearty White, and the link embed above lists it as People Like Us purely because it’s on our bandcamp page)
Bio: Hearty White lives and doesn’t work in Lexington, KY, birthplace of Richard Hell. His radio non-career spans decades. He loves you in theory. Listen to Hearty White’s WFMU radio show:
wfmu.org/playlists/HA
More info on The Mirror by People Like Us and these artist commissions:
peoplelikeus.org/2018/the-mirror-a-new-live-a-v-performance-by-people-like-us/
POREST Reflects Upon The Mirror
Above is the trailer for the second of our 3 artist commissions made in response to The Mirror. The first was by Dina Kelberman, and now we’re presenting you this 50-minute new audio piece by POREST (Mark Gergis).
Available January 7, 2019 (free download)
https://porest.bandcamp.com/album/abject-mirror-2
POREST • ABJECT MIRROR
Porest is dragged through an inconvenient network of paranormal subterfuge after exposing something significant that may have happened 33 days from now.
Audio-drama with advertisements and musical accompaniment.
Porest, etc: Mark Gergis
Dr. Lumen / Mr. Fleckt, etc: Jake Rodriguez
Acoustic guitar on THROUGH YOU: Robert Millis
Recorded and produced by Porest until 2019
Thank you: Vicki Bennett
Published by Porestsound – 2019
(Porestsound 010-DI)
Returning to Over The Edge on KPFA
29 November/30 November 2018 midnight on Thursday going into 3am Friday morning, California time. In the UK that is 8am-11am Friday
KPFA 94.1FM, online at https://kpfa.org/player?audio=live
We returned to the radio to guest with Jon Leidecker (Wobbly) on Negativland’s “Over The Edge” on KPFA Radio for the first time in 16 years, and this represents the 20 year mark of first appearing on Over The Edge.
You can tune in online, the show is 3 hours long. https://kpfa.org/program/over-the-edge/
OTE’s themed mixes are made live and spontaneously on the air from a variety of formats and equipment. There is a plan and there is no plan. The mix consists of found sound of many kinds and from many sources put together on the run as the continuous audio collage progresses.
25 Years of Us 100 Tracks
To coincide with a few concerts that we’ve been doing lately, we’ve put some “Retrospective” mp3s up on bandcamp from the first 25 years of People Like Us. You can download it here or click below.
This is a 100 track compilation, over 6 hours duration, representing some of our favourite tracks and collaborations over radio, on stage and in the studio from 1991, which was when we released our first album. Each track has a different flavour, from a different time, another place, and often associated with a different recording medium or varying groups of individuals who inspired or actually took part.
Thank you friends, listeners and collaborators for being around, and for all those who inspired and supported the journey so far. Making this available at a Nice Price considering the ridiculous volume of content, and as is the case for much of People Like Us, you can quite possibly find a lot of this in various forms elsewhere on the internet for free, either put there by us, or others. But if you’d like to support us, then we thank you and welcome that. It will help make more happen.
Bandcamp requires that we upload in lossless form, and we will be honest and say that a lot of this only exists as mp3, but really…. most of what we sampled was also initially in mp3 form.
The Mirror
ABOUT
The Mirror is created by first navigating hundreds of preexisting feature length movies, searching for conceptual/actual subject matter pertaining to reflection and projection. The initial idea was to depict the camera as a torch that shines light down dark corridors and as an eye that watches people when they are alone, and then through navigating all the footage to see what new stories emerge. The selected source material was then edited into thousands of snippets which are labelled and the descriptions examined to find similarities and crossovers that might be emerging in descriptions/storylines. A conceptually related soundtrack was then composed in relation to edits on the movie timeline, also created by editing and recombining from sections of hundreds of preexisting songs, as well as sounds from the movies. This is an exercise in editing and juxtaposition, also an investigation, an “operation” working with the premise that if you cut into something and isolate it from its “finished” guise you discover new stories and information relevant to the present and future. Published material is often seen as “finished”, the end of the story, not available for comment, a sealed up museum-like product, isolated on an island, away from ideas and reflections. By use of collage, one can unthread, rewind and redirect content to discover what other stories may be hidden, allowing an active dialogue both with the external content, and also challenge the routine ways in which we may be limiting our own creativity by our own fixed (isolated) ways of thinking. Recombining these hundreds of movie storylines into new combinations can create results that are more than the sum of the parts and beyond our usual pattern of creating stories alone, we are carving new pathways for our minds to (re)explore. — Vicki Bennett
For more information on the working methods and philosophical approach of People Like Us please read:
++ This conversation between Vicki Bennett and Peter Jaeger conducted over the course of Summer 2015. It was published in filling Station Issue 63. Download as a pdf.
++ This conversation between Vicki Bennett and Kenneth Goldsmith in Found Footage Magazine. Buy your copy here.
++ The Mirror can be considered a sister project to our 360 a/v Cinechamber installation “Gone, Gone Beyond”, which you can read about here.
++ Read an interview about “Gone, Gone Beyond” conducted by Hearty White here.
We are pleased to announce a new audiovisual immersive cinema performance by People Like Us called The Mirror, performed (and screened in Theatrical form if in the US) from March 2018 worldwide.
“A feat of research and craft, this new work is a spellbinding inquiry into editing and juxtaposition; a collage one can unthread allowing the viewer to discover hidden stories through familiar images. The soundtrack is performed live, made up from hundreds of preexisting songs, as well as particular sounds from the original film clips.” — Flatpack Film Festival
”With The Mirror Bennett has proven herself an alchemist of popular music, able to push her source material into fresh and engaging places.” — The Wire
”Because of the use of familiar pop sounds, “The Mirror” is often grandiose. Like an epic film only with highs, never letting the listener down or letting him doubt the power of pop. Even, of course, when the coordinates are twisted, mixed, over or underrepresented. Each moment feels like something that could only happen in a parallel universe. Although that may sound naïve, it’s just a lost thought of reaction to the beautiful collages of People Like Us in “The Mirror”. This mirror doesn’t reflect an image of ourselves or an image of pop. But an image on the way memories drift and are being constant rebuilt. An unfinished collage.” — Boomkat
“Bennett celebrates the song stylists, the crooners, the sirens and interpreters of melody, and all the psychedelic in-between. The songs she pulls from seem to stem between 30’s ballroom and 70’s soft disco, here presented like being in a deep REM-state, dreaming of being at the drive-in, in warped Panavision. Essential.” toneshift.net
3/4 March 2023 – The Mirror at TUSK NORTH, Newcastle
18 February 2023 – The Mirror at Electric Spring Festival, University of Huddersfield
29 November 2022 – The Mirror at Ubu@50 at Museum of Contemporary Art, Zagreb
26 November 2022 – The Mirror at BBMix Festival, Paris
19 November 2022 – The Mirror at Keroxen, Santa Cruz, Tenerife, Spain
5 November 2022 – The Mirror at Intangible Festival, Lleida, Spain
20 October 2022 – The Mirror at Stimul Festival, Prague
9 July – 4 September 2022 – Theatrical screening at Cover Versions curated by Anthony and Graham Dolphin, Exeter Phoenix
3 June 2022 – Open Ears Festival, Kitchener, Canada
21 May 2022 – Live again! At Index Festival, Braga, Portugal
April – May 2022 – theatrical screening at Cover Versions curated by Anthony and Graham Dolphin, The Athenaeum, Sunderland
Feb – April 2022 – part of gallery exhibition MIND MAPS: The Art of Vicki Bennett – solo exhibition Walla Walla USA
4 December 2021 – Keroxen, Tenerife (postponed – pandemic)
29 April – 2 May 2021 – Online screening of The Mirror, Oscillation Festival, Brussels
21 November 2020 – BBMix Festival 2020, Paris (postponed – pandemic)
6 November 2020 – MAAT, Lisbon – virtual performance of The Mirror
28 July 2020 – 4 August 2020 – Virtual screening (pandemic rescheduling), Le Nouveau Musée National de Monaco
5 March 2020 – Theatrical Screening (not a concert) WFMU Benefit, Monty Hall, Jersey City
28 September 2019 – Theatrical Screening (not a concert), Radius Gallery Santa Cruz, CA
15 September 2019 – Theatrical Screening (not a concert), 21C Museum Hotel, Lexington, KY (introduced by Hearty White)
22 June 2019 – Iklectik Art Lab, London
14 June 2019 – The Mirror and Objects in the Mirror Are Closer Than They Appear, Culture Lab, Newcastle
9 May 2019 – Venice Biennale at HILLARY: The Hillary Clinton Emails by Kenneth Goldsmith after the opening reception
23 – 28, April 2019 – Theatrical Screening, AFO Olomouc, Czech Republic
6 April 2019 – Theatrical Screening (not live), Other Cinema, ATA, Valencia St, San Francisco
27 March 2019 – Musikbrauerei, Berlin
9 February 2019 – Theatrical Screening (not live) – The Voix de Ville 2019 / ARTxFM, Columbia Theatre, Louisville Kentucky
30 November 2018 – Theatrical Screening (not live, we do not perform in concerts in the US) Recombinant Festival, Gray Area, San Francisco
15 November 2018 – Cinecity Film Festival, Fabrica, Brighton
10 November 2018 – Kunstnernes Hus, Oslo Norway
2 November 2018 – Spill Festival, Ipswich
20 October 2018 – 100 Years of Copyright Festival, HKW, Berlin
19 & 20 September 2018 – Theatrical Screening (not live) – Spectacle Theater, Brooklyn
17 September 2018 – Theatrical Screening (not live) – Bryce’s Show on WFMU
26 July 2018 – MACBA, Barcelona
19 July 2018 – LEV Festival, Arenas Movedizas, Gijón
11 July 2018 – Cafe OTO, London
12 May 2018 – Splice Festival, Rich Mix, London
21 April 2018 – Flatpack Festival, Birmingham
20 April 2018 – Cafe OTO, London
17 April 2018 – Belfast Film Festival, Crescent Arts Centre, Belfast
13 April 2018 – UK Premiere: FACT, Liverpool
18 March 2018 – World Premiere: Athens Greek Film Archive Foundation (as part of Shadow Libraries: UbuWeb in Athens, organised and produced by the Onassis Cultural Centre-Athens)
If you are a festival organiser with a budget and are interested in booking this or anything else, please get in touch by way of our Contact Form. If you are in a country requiring a work visa to perform we can in very special circumstances make this work into a theatrical screening, but generally this is only available as a performance with the artist present and you will need to gain necessary papers for us to agree.
SUPPORTING WORKS AND ARTICLES
Download higher resolution images from The Mirror
3 artist commissions : we have commissioned new works by artists responding to The Mirror:
Reflects by Dina Kelberman (December 2018)
Abject Mirror by Porest (Mark Gergis) (January 2019)
The Mirror by Hearty White (January 2019)
(view all three on one url)
The Mirror CD/digital download contains music from The Mirror, and tracks from Gone, Gone Beyond
New Film for Improvising Musicians and Artists – titled Objects In The Mirror Are Closer Than They Appear. This is not the first film we have made of this type. Previous to this was Notations (which included a national tour in the UK (followed by further dates internationally) with a fantastic roster of improvisers, supported by Sound and Music), as well as some collaborations where we have made the film then made sections available to other artists and musicians to respond (Gesture Piece and CCCitations). You can enquire about performing with this movie by way of our Contact Page. Our first performance will be in Newcastle, UK in June 2019, as part of a collaboration with Newcastle University Department of Music.
Interview with Anne Hilde Neset on BBC Radio 3’s Late Junction, 8 January 2019
Listen to the interview
Interview with Robert Worby and full airy of performance of The Mirror (at Cafe Oto) on BBC Radio 3’s Hear and Now, 19 January 2019
Listen to the interview
Graham Duff – The Mirror a reflection upon the work and surrounding subject matter
Interview in The Wire Magazine in a phone conversation with Emily Bick of The Wire Magazine, Vicki Bennett reflects on The Mirror, Gone, Gone Beyond, and working with preexisting footage.
Info sheet / teaching pack – collected insights on the making of this work by Vicki Bennett.
Shortcut for this url is https://peoplelikeus.org/themirror.html
PLU / MATMOS / WOBBLY Wide Open Spaces now on VINYL
People Like Us / Matmos / Wobbly “Wide Open Spaces” LP (CREP52)
Release Date: 23rd February 2018 (taking pre-orders now)
Discrepant is pleased to announce the reissue of a “Wide Open Spaces”, a collaborative LP by Wobbly, People Like Us and Matmos.
You can purchase directly from us through our bandcamp site:
https://peoplelikeus-vickibennett.bandcamp.com/album/people-like-us-matmos-wobbly-wide-open-spaces
People Like Us has a Bandcamp page
We now have a Bandcamp page, where you can purchase selected old releases in digital form. We make our best effort to put a lot of our stuff online for free but here you can get it in higher quality for a cheap price, and help offset our costs so we can make more work.
https://peoplelikeus-vickibennett.bandcamp.com/
We’ve been inspired by the range and vastness of DIY music that has been put onto this platform. The most important thing is networking and access to networks and information.