Recording of Off The Page 2012 – Collateral Damage

collateral-damage

Vicki Bennett, Chris Cutler, Scanner, Blackest Ever Black label head Kiran Sande and The Wire‘s Tony Herrington discuss the impact of digital technology on music making and consumption.

Download or listen here 1:07:36
Vicki Bennett’s Essay in The Wire

In recent years, the internet and a raft of new technologies have transformed the ways in which we produce, perceive and consume music. And as the reality of music’s new digital economy starts to bite, musicians and labels are having to rethink both philosophy and practice, addressing the issue of how they create and disseminate work – while some decry the free movement of music across file sharing networks and the collapse of traditional record industry models, others look to exploit the new possibilities offered by crowd sourcing and social networking.For this panel discussion chaired by The Wire‘s Publisher and Editor-in-Chief Tony Herrington, Vicki Bennett (People Like Us), Chris Cutler (ReR Records), Robin Rimbaud (Scanner) and Kiran Sande (FACT, Blackest Ever Black) discussed possible responses to the challenges posed by music’s changing eco-system.

The Wire and Sound And Music‘s Off The Page festival took place 24–26 February at The Playhouse Theatre in Whitstable.

The Wire article and audio file

Citation City preview at Cafe Oto

cafe oto

The audiovisual work Citation City, which we have been creating for the whole of this year, will be previewed at London’s Cafe Oto on Tuesday 9 December 2014.  This will be a work-in-progress performance – to give you a taster of what will be World Premiered at transmediale 2015 in January.  We’re very pleased to be sharing the evening with Jennifer Walshe, Sharon Gal & Andie Brown. We recommend buying tickets in advance due to venue size, guestlists are at a bare minimum.

TICKETS: https://www.cafeoto.co.uk/events/jennifer-walshe-sharon-gal-andie-brown-people-us/

Collage for Oto fb event

Full video: Notations with M.C.Schmidt, Jason Willett & People Like Us

Here’s a full length video of possibly the best performance of Notations so far.
This time around by Jason Willett, People Like Us & M.C.Schmidt
at Monty Hall, WFMU – 13 September 2014
View the rehearsal to this same show here: vimeo.com/peoplelikeus/montyrehearsal

NOTATIONS live at WFMU with M.C.Schmidt, Jason Willett, People Like Us
Notations is a film by Vicki Bennett, created for performance by live improvisers peoplelikeus.org/notations
Thanks to High Zero and WFMU, filmed by Peter Knight and Ruth Hayduk (thank you!)
M.C.Schmidt vague-terrain.com Jason Willett thetruevinerecordshop.com

People Like Us play Glasgow for the first time ever!

Book FREE tickets for all events right here:
http://www.eventbrite.com/o/gleam-2014-7530326867 All events are FREE.
Full programme details can be found at www.glasgow.ac.uk/gleam

We are pleased to announce that after 24 years of existing as People Like Us we play our first concert in Glasgow at GLEAM (Glasgow Electronic and Audiovisual Media) FESTIVAL.  This will take place at University of Glasgow Concert Hall on 31 October 2014.  So it is fitting that we will perform The Magical Misery Tour there.  Vicki will also do an artist talk on the same day at 2pm.

“The Magical Misery Tour” trailer

More about the festival:

To honour the centenary of Scottish-Canadian filmmaker and artist Norman McLaren (1914-1987), the first annual GLEAM (GLasgow Electronic and Audiovisual Media) Festival will celebrate his lasting influence, situating contemporary works of ‘visual music’ within the current context of audiovisual practice and providing opportunities for cross-disciplinary and cross-institutional collaboration.

It is only fitting that the McLaren centenary celebrations should extend to involve the city of Glasgow. McLaren spent three years at Glasgow School of Art studying art and interior design and it was here that he first began to experiment with the moving image, and discovered the work of Oskar Fischinger, which was to influence him profoundly.

GLEAM 2014 takes McLaren’s work as a jumping off point from which to discuss and disseminate contemporary sonic and audiovisual work, both theoretical and practical.

Limited Edition T-Shirt for The Wire magazine

Vicki Bennett Those Who Do Not

Each month, The Wire magazine invites and artist to design a limited edition T-shirt.
http://www.thewire.co.uk/shop/clothing/vicki-bennett-limited-editiont-T-shirt

Those Who Do Not

Printed in a light blue and white on an electric blue T-shirt with The Wire logo and Vicki Bennett Those Who Do Not printed in light blue on the back of the neck. Limited edition of 100 shirts.

Price (including postage and packing): £20 for UK, £22 elsewhere.
Subscriber discount: £2 off per shirt.

SOLD OUT

InMute Festival, Athens

Notations and Consequences (One Thing Leads To Another)** will both be performed at InMute Festival, Athens Onassis Cultural Centre on 25 October 2014.

This time around Notations will be performed by the duo Acte Vide.

Festival Curation: Michalis Moschoutis 

PROGRAMME

Friday 24 October

Rhythmus 21 (Hans Richter, 1921)
Rhythmus 23 (Hans Richter, 1923)
Duration: 8′
Live score: Giorgos Katsanos (analog synth, amplified objects)

Dog Star Man: Part I (Stan Brakhage, 1962)
Duration: 30′
Live score: Yiorgis Sakellariou (laptop, tapes)

Emak-Bakia (Man Ray, 1927)
Duration: 18′
Live score: Balinese Beast (Giorgos Axiotis: electronics, Ilan Manouach: saxophone, electronics)

Aleph (Wallace Berman 1958-1976)
Duration: 7′
Silent

Early Abstractions Nos. 1-4, 7 & 10 (Harry Smith, 1946-57)
Preserved by Anthology Film Archives, New York
Duration: 22′
Live score: Mike Cooper (steel guitar)

Saturday 25 October


**Consequences (One Thing Leads To Another) is not on the festival programme but will be a “parallel event” also on the 25 October at the same venue earlier the same evening at 7.30pm (25 October).
Details here http://www.sgt.gr/en/programme/event/2142

Notations (Vicki Bennett, 2013)
Duration: 30′
Live performance: Acte Vide (Danae Stefanou: piano, Giannis Kotsonis: electronics)

Cowards Bend the Knee (Guy Maddin, 2003)
Duration: 60′
Live score: Philip Jeck (turntables, electronics)

Sunday 26 October

Social Decay (audio-visual performance based on Stelios Tatasopoulos‘s 1932 film)
Duration: 25’
Live music & video: Voltnoi & Quetempo

The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
Duration: 82′
Live score: Jacob Kirkegaard (laptop)

Video of JD Zazie, Charlotte Hug, Jenny Gräf, Stewart Mostofsky, Vicki Bennett at High Zero

High Zero Festival of Improvised Experimental Music
The Theatre Project, Baltimore 19 Sept 2014
JD Zazie
(turntables, CDJ, mixer, found sounds) | Charlotte Hug (viola, voice) | Jenny Gräf (electronics, guitar) | Stewart Mostofsky (electronics) | Vicki Bennett (sample collage) | Compere M.C. Schmidt

JD Zazie, Charlotte Hug, Jenny Gräf, Stewart Mostofsky, Vicki Bennett at High Zero

Audio mixdown from multitrack desk recording by Vicki Bennett
Filming (apart from the middle section) by Peter Knight

Video of John Kilduff, Vicki Bennett & Bob Wagner at High Zero

High Zero Festival of Improvised Experimental Music
The Theatre Project, Baltimore 19 Sept 2014

John Kilduff (multitasking, live art) | Vicki Bennett (sample collage) | Bob Wagner (percussion, friction) | Compere M.C. Schmidt

John Kilduff, Vicki Bennett & Bob Wagner at High Zero

Includes the auction of the painting and winner Dan Deacon!
Audio mixdown from multitrack desk recording by Vicki Bennett
Filming (apart from the middle section) by Peter Knight