Christian Marclay’s Sounds of Christmas with People Like Us

Live at The Tate Modern, 18 December, as part of the Christian Marclay Exhibit) – 2004

The Sounds of Christmas is an annual project by Christian Marclay, pioneer of the experimental turntable movement and leading artist operating at the intersections of art and music. Reinventing this work-in-progress for London, the artist presented his collection of over 1,200 Christmas records as a publicly accessible archive in a special Thameside pavilion, alongside projections of the record covers and footage of previous performances. Combining blatant sentimentality with vanguard experimentation, Marclay suggests that the categories distinguishing ‘serious’ music from its opposite are both arbitrary and arcane. During the two-week installation, created live remixes of their own selection from Marclay’s Christmas records.

People Like Us perform Sounds of Christmas (live recording from desk)

Below are the raw tracks that People Like Us created from Christian Marclay’s record collection, to perform live at the event.

1. Rudolf’s Trumpet
2. Slay Bells
3. Do You Hear
4. Choich Bells
5. Fa La La La La La La
6. Holy Shit
7. Chestnuts
8. I’m Dreaming
9. I’m Dreaming Too
10. Santa Stuck
11. Jingle Bells 1
12. Jingle Bells 2
13. Santa Claus 1
14. Santa Claus 2
15. Silent Night
16. I’m…
17. I’m Backwards
18. My Favourite
19. Jingle Joy
20. Deck The Halls And Run To The Hills
21. Winter Wonderland


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Nothing Special by People Like Us & Kenny G

Here’s an album by WFMU’s two terrible DJs, People Like Us, & Kenny G.

nothing

01. I’m From
02. Wake Up
03. Nothing
04. So Sorry
05. Close To Me
06. You’ll Be A
07. More Sorry
08. Counting Time
09. Give Up It’s Mine
10. Greatest Nobody
11. It Wouldn’t It Be Nice In Yr Face
12. Too Far
13. I’ve Got You

And here’s the full 3 hour WFMU show that this album was edited from – Nothing Special with Kenny G
Kenny G website
Mess Media through Soleilmoon website

Interview with People Like Us by Kenny G on WFMU, one week before this was recorded.

People Like Us at the WFMU Record Fair

Here’s some live video of a special concert People Like Us performed at the WFMU record fair. For those of you who have never been there, it’s the time of year, one of many that all DJs and volunteers do their best not only to raise money for the station but have a great time at the same time.

Live at the WFMU Record Fair (2003), shot by Corey Smith. The work has been carefully constructed using industrial and documentary film footage from 1940-1975.
live at fmu

People Like Us, Matmos and Wobbly – Wide Open Spaces

The hour long performance on this disc was captured live on October 5th 2002 when Wobbly, People Like Us and Matmos circled their wagons in the lecture hall of the San Francisco Art Institute. Having mutually agreed upon a country and western theme, Vicki Bennett (PLU), Jon Leidecker (Wobbly), and Drew Daniel and M. C. Schmidt (Matmos) pored over their archives of honky tonk classics, chopping and dicing Nashville’s finest almost beyond recognition, and collectively restitching the mangled shreds in a kind of crazed digital quilting bee. Several tense rehearsals and strong pots of tea later, the foursome shuffled on stage and delivered the goods: from panoramic twangfests to offkilter waltzes to barn burning stompers. Flickering and tranquil one moment, and wildly slapstick the next, Wide Open Spaces hits the sweet spot between song forms and improvisation, and showcases the qualities that all three collaborating artists share: absurdist humor, baroque sample manipulation, and stuttering rhythmic frameworks that lurch and sway. While the presence of five samplers, four laptops, three CD players and a pedal steel guitar on one stage could have led to a tediously ego-driven “jam” or simply cacophany, the results feel lushly detailed but not cluttered, and swing naturally between structure and freedom. It’s an international media magpie summit where country’s chick-a-boom meets tech house’s boom-tschak, and tearjerking sentiment and patriotic hokum are subjected to a dense shower of coughs, sputters and rude noises. Listening back to the recorded results, all three musical units agreed that this concert was mighty fine, and worth sharing.

01. Morning
02. Dolly Pardon
03. Clawing Your Eyes Out Down To Your Throat
04. Shenandoah
05. Holler
06. Tremble Valley Peady
07. Chicken Legs
08. Cattle Call
09. Unshackled
10. Arkansas Explorer
11. Calling
12. I Must Die
13. Wide Open Spaces

Tigerbeat6 website
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