We are pleased to announce a new audiovisual immersive cinema performance by People Like Us called The Mirror, performed from March 2018 worldwide. We are occasionally making it available in Theatrical form for (only) the US.
The Mirror is a live a/v performance which splices together movie snippets with unique sample-based music exploring the masks that we wear represented through the lens, using parallel narratives across the screen to depict an ever-changing stream, rather than a singular, fixed being, narrative or moment in time.
“A feat of research and craft, this new work is a spellbinding inquiry into editing and juxtaposition; a collage one can unthread allowing the viewer to discover hidden stories through familiar images. The soundtrack is performed live, made up from hundreds of preexisting songs, as well as particular sounds from the original film clips.” — Flatpack Film Festival
18 March 2018 – World Premiere: Athens Greek Film Archive Foundation (as part of Shadow Libraries: UbuWeb in Athens, organised and produced by the Onassis Cultural Centre-Athens) – tickets/info
13 April 2018 – UK Premiere: Liverpool FACT – tickets
17 April 2018 – Belfast Film Festival at Crescent Arts Centre – tickets
20 April 2018 – London Cafe Oto – tickets
21 April 2018 – Birmingham Flatpack Festival – tickets
12 May 2018 – London Splice Festival, at Rich Mix – tickets
11 July 2018 – London Cafe Oto, double bill with Carl Stone – tickets
19 July 2018 – Gijón LEV Arenas Movedizas – free entry
26 July 2018 – MACBA, Barcelona – tickets
17th September 2018 – Theatrical Screening (not live) – Bryce’s Show on WFMU
19th & 20th September 2018 – Theatrical Screening (not live) – Spectacle Theater, Brooklyn – tickets
20 October 2018 – 100 Years of Copyright Festival, Berlin HKW – tickets
2 November 2018 – Spill Festival, Ipswich – tickets
10 November 2018 – Kunstnernes Hus, Oslo Norway – tickets
15 November 2018 – Brighton “Cinecity” Film Festival at Fabrica – tickets
30 November 2018 – Theatrical Screening (not live, we do not perform in concerts in the US) Recombinant Festival, Gray Area, San Francisco – tickets
27 March 2019 – Musikbrauerei, Berlin – tickets
If you are a festival organiser with a budget and are interested in booking this, please get in touch by way of our Contact Form. If you are in a country requiring a work visa to perform we can in very special circumstances make this work into a stand alone movie, but generally this is only available as a performance with the artist present and you will need to gain necessary papers for us to agree.
Shortcut url is http://peoplelikeus.org/themirror.html
Supporting works and articles (being added to over the coming months)
The Mirror CD contains some music from The Mirror, and other works
3 artist commissions coming soon reflections upon The Mirror by Dina Kelberman, Mark Gergis and Hearty White
Graham Duff – The Mirror a reflection upon the work and surrounding subject matter
Interview in The Wire Magazine in a phone conversation with Emily Bick of The Wire Magazine, Vicki Bennett reflects on The Mirror, Gone, Gone Beyond, and working with preexisting footage.
The Mirror is created by first navigating hundreds of preexisting feature length movies, searching for conceptual/actual subject matter pertaining to reflection and projection. The initial idea was to depict the camera as a torch that shines light down dark corridors and as an eye that watches people when they are alone, and then through navigating all the footage to see what new stories emerge. The selected source material was then edited into thousands of snippets which are labelled and the descriptions examined to find similarities and crossovers that might be emerging in descriptions/storylines. A conceptually related soundtrack was then composed in relation to edits on the movie timeline, also created by editing and recombining from sections of hundreds of preexisting songs, as well as sounds from the movies. This is an exercise in editing and juxtaposition, also an investigation, an “operation” working with the premise that if you cut into something and isolate it from its “finished” guise you discover new stories and information relevant to the present and future. Published material is often seen as “finished”, the end of the story, not available for comment, a sealed up museum-like product, isolated on an island, away from ideas and reflections. By use of collage, one can unthread, rewind and redirect content to discover what other stories may be hidden, allowing an active dialogue both with the external content, and also challenge the routine ways in which we may be limiting our own creativity by our own fixed (isolated) ways of thinking. Recombining these hundreds of movie storylines into new combinations can create results that are more than the sum of the parts and beyond our usual pattern of creating stories alone, we are carving new pathways for our minds to (re)explore. — Vicki Bennett
For more information on the working methods and philosophical approach of People Like Us please read:
++ This conversation between Vicki Bennett and Peter Jaeger conducted over the course of Summer 2015. It was published in filling Station Issue 63. Download as a pdf.
++ This conversation between Vicki Bennett and Kenneth Goldsmith in Found Footage Magazine. Buy your copy here.
++ The Mirror can be considered a sister project to our 360 a/v Cinechamber installation “Gone, Gone Beyond”, which you can read about here.
++ Read an interview about “Gone, Gone Beyond” conducted by Hearty White here.
Click on thumbnails to see full images: