People Like Us/Vicki Bennett Filmography

ALL COMMISSION ENQUIRIES OR BOOKINGS FOR GONE, GONE BEYOND ARE TO BE MADE DIRECTLY WITH US THROUGH OUR CONTACT PAGE.

“Khroma” 360-degree installation for RML CineChamber [in progress, 2024]
Mise En Abyme” wide screen installation [2024]
“Some Days I Drink My Coffee By The Grave of William Blake” video for The The, directed by Tim Pope [2024]
“Elusive Butterfly” video for Marc Almond [2024]
“Linoleum Smooth” video for The The, directed by Tim Pope [2024]
“First Hand Experience In Second Hand Love” video for Soft Cell live show [2024]
Cognitive Dissident” video for The The, directed by Tim Pope [2024]
“A Man Could Get Lost” video for Soft Cell live show [2024]
The Library of Babel” new live AV performance [2023/4]
“Global Eyes” video for THE THE [2022]
Gone, Gone Beyond” 10 Screen / 8 Speaker work, Stage One complete, Stage Two in progress [2016-2021+]
“Fourth Wall” for Hallwalls Artists-in-Residence Project (HARP) [2020]
Cosmos Song” by Big Fresh [2019]
Objects In The Mirror Are Closer Than They Appear” (film for improvisers) [2019]
The Mirror” (live performance), [Spring 2018]
The The 2018 Comeback Tour” – video backdrop for the THE THE world tour [2018]
Can’t Stop What’s Coming” video edit for THE THE [2017]
Optimized! Expanded Radio & Artist Residency at WFMU with People Like Us & Let’s Paint TV” documentary [2016]
Optimized! Special: The Dusty Show with Clay Pigeon – At Union Square, Manhattan” documentary edited by Vicki Bennett [2016]
Ultimate Care II Excerpt 5” – official video for Matmos [2015]
Nothing Can Turn Into A Void” – documentary film about People Like Us edited by Vicki Bennett and directed by Carl Abrahamsson [2015]
CCCitations” [2015]
Citation City” (live performance) [2015]
“Art Heist” (film – under construction) [2015-]
“The Big Sleep” [2014]
“BLINK” [2014]
Notations UK Tour Travelogue” documentary [2013]
“We Are Not Amused” [2013]
“The Golem – An Inanimate Matter” [2013]
“Notations”
 [2013]
“Gesture Piece” [2013]
“BWPWAP” [2013]
“Consequences (One Thing Leads To Another)” (live performance) [2012-13]
“Free Rod MckMoon” [2012]
“Variations On Jem Finer’s Slowplayer” [2012]
“The Zone” [2012]
“4’33” The Movie” [2011]
“Free (As A Chapel In The Moonlight” [2011]
“The Magical Misery Tour” (live performance) [2011]
“The Atlantic Conveyor” [2011]
“Magic” [2011]
“The Doors Of Perspection” [2011]
“Clean Your Room” [2011]
“The Keystone Cut Ups” (live performance with Ergo Phizmiz) [2010]
“Magic” (with Ergo Phizmiz) [2010]
“The Sound Of The End Of Music” [2010]
“Mull of Kintyre” (with Ergo Phizmiz) [2010]
“Genre Collage” (live performance) [2009-10]
“Induction Is A Draft Is A Gust Of Air” [2009]
“The Look” [2009]
“DrivingFlyingRisingFalling” [2009]
“Parade” [2009]
“In The Waking” [2008]
“Skew Gardens” [2007]
“Ghosts Before Breakfast” (with Ergo Phizmiz) [2007]
“Live Excerpts” [2002-2007]
“Work, Rest & Play” [2007]
“Trying Things Out” [2006]
“Story Without End” [2005]
“People Like Us At The Movies” [2005]
“Resemblage” [2004]
“The Remote Controller” [2002]
“We Edit Life” [2002]
“New Knowledge” [2000]
“Well If You’d Like To See” [1999]
“Burning” [1999]
“Discovering Electronic Music” [1999]
“Music Of Your Own” [1999]

Exhibitions and Editions

ALL COMMISSION ENQUIRIES OR BOOKINGS FOR GONE, GONE BEYOND ARE TO BE MADE DIRECTLY WITH US THROUGH OUR CONTACT PAGE.

To date, People Like Us/Vicki has had 6 solo exhibitions and participated in over 20 group shows including at MAXXI (Rome), HMKV (Dortmund), Centro de Cultura Digital (Mexico), Hatton Gallery (Newcastle), Vitrine (London), alt.gallery (Newcastle), Greene County Council for the Arts Gallery (NY), Peacock Visual Arts (Aberdeen), Kunstmuseum (Magdeburg), Pallant House (Chichester), Engramme (Quebec), La Scatola Gallery (London), Changing Room (Stirling), Franklin Street Works (Connecticut), Usurp Gallery (London), University of Greenwich Galleries, Matthew Gallery (Dundee), Edinburgh Printmakers, Millennium Gallery (Sheffield) Leeds College of Art, Sunbeam Studios (London) and Sheehan Gallery, Walla Walla.

Also featured in Sounds Like Silence – 4’33’’ Silence Today (Spectre Books 2012), The Journal of Writing In Creative Practice (Vol 7 Issue 1 2015), The Fundamentals of Sonic Art and Design by Tony Gibbs (Ava Publishing 2007), Cutting Across Media by Kembrew McLeod (Duke University Press 2011), Here To Go – Art, Counter-Culture and the Esoteric (Forum Nidrosiae 2014), Incredible Machines by Danny Snelson (avant 2014), writing for The Wire’s Collateral Damage (February 2012) and a whole chapter in Duchamp Is My Lawyer The Polemics, Pragmatics, and Poetics of UbuWeb by Kenneth Goldsmith on Columbia University Press (2020) and a chapter in Different People – Conversations on Art, Life and the Creative Process by Carl Abrahamsson on Trapart (2021).

.For gallery concerts and festival film screenings please also see Selected Performances and Screenings

Continue reading “Exhibitions and Editions”

PERSPECTIONS – An Online Exhibition

Following the same theme of Vicki Bennett’s solo show The Doors of Perspection [2009], here are a collection of images that have never been seen before, and also some of the images that were made into print editions during the show but not put online.  They are listed as such and some are still available to purchase (follow the above links or contact us directly).

Perpetuum Mobile [2011] also available as a photo-collage, 1500mm x 355mm
Perpetuum Mobile [2011]
also available as a
photo-collage, 1500mm x 355mm
Time and Time Again [2011] also available as C-type print on dibond, 932mm x 264mm Edition of 3, + 1 A/P Commissioned by Touch
Time and Time Again [2011]
also available as
C-type print on dibond, 932mm x 264mm
Edition of 3, + 1 A/P
Commissioned by Touch
Sunrise [2011]
Sunrise [2011]
Fire [2011]
Fire [2011]
Multistories [2011]
Multistories [2011]
Atonement [2011]
Atonement [2011]
Driving [2011]
Driving [2011]
Mountage [2011] available also as a C-type print on dibond, 1242mm x 235mm Edition of 3, + 1 A/P Commissioned by Touch
Mountage [2011]
available also as a
C-type print on dibond, 1242mm x 235mm
Edition of 3, + 1 A/P
Commissioned by Touch
Turntable [2011]
Turntable [2011]
Descending Too [2011]
Descending Too [2011]
Descending [2011] also available as a  C-type print on dibond, 1307mm x 645mm Edition of 3, + 1 A/P Commissioned by Touch
Descending [2011]
also available as a
C-type print on dibond, 1307mm x 645mm
Edition of 3, + 1 A/P
Commissioned by Touch

New HD film : The Doors of Perspection

The Doors of Perspection, 2011
Single-channel HD video
Length: 9:32
For screening enquiries use the contact form on this site

This film was originally screened as part of a solo show of the same name at Vitrine Gallery in London from July-September 2011.
https://peoplelikeus.org/2011/the-doors-of-perspection-people-like-us-exhibition

Download at UbuWeb

The work is created using a technique that expands film scenes beyond the conventional screen ratio. The finished result reveals beautiful panoramic views of the background landscapes as captured by the panning camera, effectively allowing film scenes to be seen as never before.

Vicki Bennett’s new works bear a relation to the British Vorticism movement of the early 20th Century, taking a Futurist approach to image making whilst attempting to capture dynamic movement with still images. Vicki often utilises digital technology to apply analogue techniques and for more than a decade has used rotoscoping in her short films and live audio‐visual performance to mask, cut and place objects elsewhere on screen. During her commission for The Great North Run Cultural Programme 2009 (see Parade vimeo.com/peoplelikeus/parade-2009) she developed the process for expanding film outside its frame and began work on this new series shortly after.

The Doors Of Perspection – Photo Documentation

Here is some documentation of “The Doors Of Perspection” a solo exhibition held at Vitrine Gallery in Bermondsey Square, London, from July to September 2011.
Prints displayed in the gallery window are still available in a very limited edition (please contact us), and two smaller prints are still available from Modern Empire, details here.

List of Works in The Doors of Perspection
Mountage [2011]
C-type print on dibond, 1242mm x 235mm
Edition of 3, + 1 A/P
Commissioned by Touch
In Retrospect [2011]
C-type print on dibond, 1097mm x 638mm
Edition of 3, 1 A/P
Commissioned by Touch
Descending [2011]
C-type print on dibond, 1307mm x 645mm
Edition of 3, + 1 A/P
Commissioned by Touch
Time and Time Again [2011]
C-type print on dibond, 932mm x 264mm
Edition of 3, + 1 A/P
Commissioned by Touch
Streetwalking [2011]
C-type print on dibond, 1628mm x 567mm
Edition of 3, + 1 A/P
Commissioned by Touch
The Doors of Perspection [2011]
Single-channel HD video, length: 9:32
Edition of 5, + 1 A/P
Perpetuum Mobile [2011]
photo-collage, 1500mm x 355mm

Streetwalking Time and Time Again and Descending
Vitrine: Streetwalking, Time and Time Again and Descending

Time and Time Again
Time and Time Again

Descending and In Retrospect
Descending and In Retrospect

Vitrine Window
Vitrine Window

Vitrine Gallery
Vitrine Gallery and Bermondsey Square

Vitrine Gallery
Vitrine Gallery

Bermondsey Square
Bermondsey Square

Perpetuum Mobile
Making Perpetuum Mobile – this is not a dibond print but made by hand with individual photographs photomounted together

Print edition, in addition to the above works

This exhibition not only features large prints for sale on site at Vitrine Gallery, but also a special print edition featured here
Streetwalking [2011]
C-Type Print on Matt Fuji Archive Paper, 914mm x 321mm
Edition of 100 + 5 A/Ps
In Retrospect [2011]
C-Type Print on Matt Fuji Archive Paper, 671mm x 392mm Year: 2011
Edition of 100 + 5 A/Ps
Co-published by Modern Empire and Vitrine Gallery

Related posts:
Full info on The Doors Of Perspection
Video of preview of The Doors Of Perspection
Print edition coinciding with The Doors of Perspection

THE DOORS OF PERSPECTION – People Like Us Exhibition

Vitrine Gallery, Bermondsey Square, London
Fri 29 July – Sun 04 Sep 2011.
Daily 24‐hour. FREE.
Preview: Thursday 28 July 2011. 6‐10pm.

Vitrine Gallery presents The Doors of Perspection, an exhibition of new digital collage works by Vicki Bennett. The works are created using a unique technique developed by Bennett to expand film scenes beyond their conventional screen ratio. The finished results reveal beautiful panoramic views of the background landscapes as captured by the panning camera, effectively allowing film scenes to be seen as never before.

Bennett’s new works bear a relation to the British Vorticism movement of the early 20th Century, taking a Futurist approach to image making whilst attempting to capture dynamic movement with still images. Bennett often utilises digital technology to apply analogue techniques and for more than a decade has used rotoscoping in her short films and live audio‐visual performance to mask, cut and place objects elsewhere on screen. During her commission for The Great North Run Cultural Programme 2009 she developed the process for expanding film outside its frame and began work on this new series shortly after.

This exhibition not only features large prints for sale on site at Vitrine Gallery, but also a special print edition featured here:
https://peoplelikeus.org/2011/print-edition-by-vicki-bennett/

Title: Streetwalking
Medium: C-Type Print on Matt Fuji Archive Paper
Dimensions: 914mm x 321mm
Year: 2011
Edition: 100 + 5 A/Ps

Title: In Retrospect
Medium: C-Type Print on Matt Fuji Archive Paper
Dimensions: 671mm x 392mm
Year: 2011
Edition: 100 + 5 A/Ps

Co-published by Modern Empire and Vitrine Gallery
Bennett is renowned for her audio‐visual collage, successfully releasing albums and touring her live performances under the name People Like Us since the early 1990s. Her Surrealist approach to creating moving image work involves subverting elements of found footage in order to create new meanings and connections. This is reflected in the titles of her works, albums and exhibitions, where letters slip around and one slight twist can create an absurd change of meaning.

The Doors of Perspection is curated by Iain Pate. The exhibition is commissioned by Touch.

Since 1991, British artist Vicki Bennett has been an influential figure in the field of audio‐visual collage, through her innovative sampling, appropriating and cutting up of found footage and archives. Using collage as her main form of expression, she creates audio recordings, films and radio shows that communicate a humorous, dark and often surreal view on life. These collages mix, manipulate and rework original sources from both the experimental and popular worlds of music, film, television and radio. People Like Us believe in open access to archives for creative use, and have made work using footage from the Prelinger Archives, The Internet Archive, and A/V Geeks. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at Tate Modern, Barbican, Sydney Opera House, Pompidou Centre and Sonar, and performed radio sessions for John Peel and Mixing It. The ongoing sound art radio show ‘DO or DIY’ on WFMU has had over a million listen again downloads since 2003. The People Like Us back catalogue is available for free download hosted by UbuWeb.

People Like Us are currently touring their live audio‐visual set ‘Genre Collage’ and a new album, ‘Welcome Abroad’ was released on Illegal Art in May 2011.

Preview Event: Thursday 28 July 2011. 6‐10pm. Shortwave Cinema, Bermondsey Square. FREE.

A collection of short films by Vicki Bennett/People Like Us ‐ including Excerpts from “Genre Collage” ‐ will be screened on loop throughout the evening, with an introduction by the artist at 7pm. There will also be musical accompaniment provided by Osymyso and Mainwaring & Jurgensen in the bar.

Full list of films being screened at the Preview Event ONLY:
“Burning” [1999]
“Discovering Electronic Music” [1999]
“Music Of Your Own” [1999]
“We Edit Life” [2002]
“Nothing” [2003]
“The Remote Controller” [2003]
“Resemblage” [2004]
“Story Without End” [2005]
“Trying Things Out” [2007]
“Live Excerpts” [2002-2007]
“Work, Rest & Play” [2007]
“Skew Gardens” [2008]
“Parade” [2009]
“Mull of Kintyre” (with Ergo Phizmiz) [2010]
Excerpts from “Genre Collage” [2009/10]
“The Keystone Cut Ups” (with Ergo Phizmiz) [2010]
“2’00” The Movie” [2011]

Press Release in pdf form

VITRINE GALLERY Bermondsey Square, London SE1 3UN (tube: London Bridge) www.vitrinegallery.co.uk

Review: http://www.frontrowreviews.co.uk/news/vicki-bennett-the-doors-of-perspection-preview-report/9758
http://www.independent.co.uk/arts-entertainment/art/features/the-doors-of-perspection–picture-preview-2328362.html

Print Edition coincides solo gallery show in London

Title: Streetwalking
Medium: C-Type Print on Matt Fuji Archive Paper
Dimensions: 914mm x 321mm
Year: 2011
Edition: 100 + 5 A/P

Title: In Retrospect
Medium: C-Type Print on Matt Fuji Archive Paper
Dimensions: 671mm x 392mm
Year: 2011
Edition: 100 + 5 A/Ps
Co-published by Modern Empire and Vitrine Gallery

Streetwalking” and “In Retrospect” form part of a new series of digital collage works included in Vicki Bennett’s forthcoming exhibition at Vitrine Gallery. Bennett uses a unique technique to expand film scenes beyond their conventional screen ratio. The finished results reveal beautiful panoramic views of the background landscapes as captured by the panning camera, effectively allowing film scenes to be seen as never before.

Bearing a relation to the British Vorticism movement of the early 20th Century, Bennett takes a Futurist approach to image making, attempting to capture dynamic movement with still images. She often utilises digital technology to apply analogue techniques and for more than a decade has used rotoscoping in her short films and live audio-visual performance to mask, cut and place objects elsewhere on screen. During her commission for The Great North Run Cultural Programme 2009 she developed the process for expanding film outside its frame and began work on this new series shortly after.

More on the Vitrine Gallery solo exhibition The Doors Of Perception here:
https://peoplelikeus.org/2011/the-doors-of-perspection-people-like-us-exhibition

In Retrospect and Streetwalking are available as limited edition C-type prints. They can be purchased separately or as a pair