Tag Archives: magical misery tour

People Like Us/Vicki Bennett Filmography

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“Global Eyes” video for THE THE (2022)
“Gone, Gone Beyond” 10 Screen / 8 Speaker work, Stage One complete, Stage Two in progress [2016-2021+, taking bookings]
“Fourth Wall” for Hallwalls Artists-in-Residence Project (HARP) [2020]
“Cosmos Song” by Big Fresh [2019]
“Objects In The Mirror Are Closer Than They Appear” (film for improvisers) [2019]
“The Mirror” (live performance), [Spring 2018]
“The The 2018 Comeback Tour” – video backdrop for the THE THE world tour [2018]
“Can’t Stop What’s Coming” video edit for THE THE [2017]
“Optimized! Expanded Radio & Artist Residency at WFMU with People Like Us & Let’s Paint TV” documentary film [2016]
“Optimized! Special: The Dusty Show with Clay Pigeon – At Union Square, Manhattan” documentary edited by Vicki Bennett [2016]
“Ultimate Care II Excerpt 5” – official video for Matmos [2015]
“Nothing Can Turn Into A Void” – documentary film about People Like Us edited by Vicki Bennett and directed by Carl Abrahamsson [2015]
“CCCitations” [2015]
“Citation City” (live performance) [2015]
“Art Heist” (film – under construction) [2015-]
“The Big Sleep” [2014]
“BLINK” [2014]
“Notations UK Tour Travelogue” documentary [2013]
“We Are Not Amused” [2013]
“The Golem – An Inanimate Matter” [2013]
“Notations” [2013]
“Gesture Piece” [2013]
“BWPWAP” [2013]
“Consequences (One Thing Leads To Another)” (live performance) [2012-13]
“Free Rod MckMoon” [2012]
“Variations On Jem Finer’s Slowplayer” [2012]
“The Zone” [2012]
“4’33” The Movie” [2011]
“Free (As A Chapel In The Moonlight” [2011]
“The Magical Misery Tour” (live performance) [2011]
“The Atlantic Conveyor” [2011]
“Magic” [2011]
“The Doors Of Perspection” [2011]
“Clean Your Room” [2011]
“The Keystone Cut Ups” (live performance with Ergo Phizmiz) [2010]
“Magic” (with Ergo Phizmiz) [2010]
“The Sound Of The End Of Music” [2010]
“Mull of Kintyre” (with Ergo Phizmiz) [2010]
“Genre Collage” (live performance) [2009-10]
“Induction Is A Draft Is A Gust Of Air” [2009]
“The Look” [2009]
“DrivingFlyingRisingFalling” [2009]
“Parade” [2009]
“In The Waking” [2008]
“Skew Gardens” [2007]
“Ghosts Before Breakfast” (with Ergo Phizmiz) [2007]
“Live Excerpts” [2002-2007]
“Work, Rest & Play” [2007]
“Trying Things Out” [2006]
“Story Without End” [2005]
“People Like Us At The Movies” [2005]
“Resemblage” [2004]
“The Remote Controller” [2002]
“We Edit Life” [2002]
“New Knowledge” [2000]
“Well If You’d Like To See” [1999]
“Burning” [1999]
“Discovering Electronic Music” [1999]
“Music Of Your Own” [1999]

UbuWeb new addition: Don’t Think Right, It’s All Twice

Yes, now available for free download courtesy of and thanks to UbuWeb:
Don’t Think Right, It’s All Twice
http://www.ubu.com/sound/plu_thinktwice.html

  1. Music Sounds Better With Me
  2. Free Rod McKMoon
  3. I’m Dreaming
  4. Blue By You
  5. Summer Music For An Almost Equinox
  6. Crazy
  7. Stand By Your
  8. Once A Pun A Time
  9. Break Me, Break My Horse
  10. Recycling Is Nothing New
  11. Oh Moon
  12. Trains and Blackbirds
  13. Free (As A Chapel In The Moonlight)
  14. Don’t Think Right, It’s All Twice
  15. Singin’ Femme Fatale (with Ergo Phizmiz)
  16. Abridge
  17. The Atlantic Conveyor
  18. Panic As Usual And Avoid Shopping
  19. Eve Of Sunshine

Release date: 31 October 2013
Cutting Hedge SNIP001 

The music on this album was composed between 2006 and 2013 initially for five different live performances of moving image and sound.

Performance sources:
Lyrics in Libraries (2006) | Genre Collage (2009) | People Like Us & Ergo Phizmiz Live at Cafe Oto (2009) | The Magical Misery Tour (2011) | Consequences (One Thing Leads To Another) (2013)

Some of the tracks listed above also have a moving image representation in People Like Us in UbuWeb Film

RELATED RESOURCES:

Ergo Phizmiz in UbuWeb Sound
People Like Us in UbuWeb Film

SALE PRICE! DON’T THINK RIGHT, IT’S ALL TWICE CD

“Don’t Think Right, It’s All Twice” by People Like Us
Release date: 31 October 2013 (preorder 7 October)
Cutting Hedge SNIP001 (available initially mailorder only from us)

DontThink-Advert.gif

About:
It’s always felt important that my work be a total experience, not singularly appealing to either the eye or ear, for it to be as integrated an experience as possible.  The music on this album was composed between 2006 and 2013 initially for five different live performances of moving image and sound.  Since publishing formats have developed in recent years we’ve found the internet serves us really well as a distribution tool in the gift economy.  One can find the accompanying visual elements of some of this music at ubu.com/film/plu.html.  However, as well as the eye and ear is the sense of touch, and there is nothing like holding the object as well!  — Vicki Bennett

Performances sources:
Lyrics in Libraries (2006) | Genre Collage (2009) | People Like Us & Ergo Phizmiz Live at Cafe Oto (2009) | The Magical Misery Tour (2011) | Consequences (One Thing Leads To Another) (2013)

We are dedicated to providing as much as possible for free or as cheaply as possible and strong encourage others to invest in the gift economy.  We realise this is a couple more dollars than we’re usually charging but we are financing this ourselves and need to recoup costs.  It is unlikely we will profit from this but we do need to make ends meet!  We hope you understand, and continue to appreciate how much we continue to also give much for free 🙂

PRESS IMAGES

Don't Think Right COVER300dpi
CD Cover, 300dpi

Video trailers from three of the live performances:

Limited Edition 8 inch single

Update (26 Dec): This item is now deleted.  Copies ordered just before the deadline will be posted in the next week, and earlier copies have already been mailed out.

hasenbart-front-web

We are pleased to announce a new 8-inch lathe-cut square picture disc on Hasenbart’s series of limited lathe cut Christmas singles. The previously unreleased “Dreaming” collages and edits several versions of a well known Christmas tune (originally dubbed over selected horror film samples) which formed part of the live performance “The Magical Misery Tour”.

 Making of 8 inch

The record is a 1-sided 8″ square picture disc with artwork by Vicki Bennett (full colour printing on both sides, stamped on the back, audio on one side). It will only be produced until DECEMBER 24 2014 and then deleted forever. 

All copies will be cut individually on Hasenbart’s vintage 1940’s Presto 6N lathe cut machine on laminated cardboard so they are not as thick as regular vinyl records – the unique format has been exclusively designed by Hasenbart and resembles an oversized postcard record. PLEASE NOTE: Obviously the sound quality will not match a modern vinyl cut but the music has been specifically selected for this release and the sound of the machine (with all its quirks) is an essential part of the record.

10818396_10152448279030025_3532973744767996217_o 1502644_10152448279045025_214929188408757382_o 10845773_10152448279075025_5255455475781806883_o 10608589_10152448279065025_3970217678086653054_oHasenbart 8 inch 2 Hasenbart 8 inch 1

People Like Us play Glasgow for the first time ever!

Book FREE tickets for all events right here:
http://www.eventbrite.com/o/gleam-2014-7530326867 All events are FREE.
Full programme details can be found at www.glasgow.ac.uk/gleam

We are pleased to announce that after 24 years of existing as People Like Us we play our first concert in Glasgow at GLEAM (Glasgow Electronic and Audiovisual Media) FESTIVAL.  This will take place at University of Glasgow Concert Hall on 31 October 2014.  So it is fitting that we will perform The Magical Misery Tour there.  Vicki will also do an artist talk on the same day at 2pm.

“The Magical Misery Tour” trailer

More about the festival:

To honour the centenary of Scottish-Canadian filmmaker and artist Norman McLaren (1914-1987), the first annual GLEAM (GLasgow Electronic and Audiovisual Media) Festival will celebrate his lasting influence, situating contemporary works of ‘visual music’ within the current context of audiovisual practice and providing opportunities for cross-disciplinary and cross-institutional collaboration.

It is only fitting that the McLaren centenary celebrations should extend to involve the city of Glasgow. McLaren spent three years at Glasgow School of Art studying art and interior design and it was here that he first began to experiment with the moving image, and discovered the work of Oskar Fischinger, which was to influence him profoundly.

GLEAM 2014 takes McLaren’s work as a jumping off point from which to discuss and disseminate contemporary sonic and audiovisual work, both theoretical and practical.

The Magical Misery Tour now on UbuWeb!

We are very pleased to present…

Our audiovisual performance from 2011, THE MAGICAL MISERY TOUR on UbuWeb.

http://ubu.com/film/plu_misery.html

This concert was created between June and September 2011 and premiered at “The Sound of Fear” at London’s Southbank Centre on 3rd September 2011, under the working title of “Horror Collage”. Now that the full length live set has been completed we have changed the name to something more fitting with the content. The source material is 95% from horror movies, with the content portraying not so much a scary nightmare but a journey through the underworld of everyday human experiences. It is not true to say you do not relate to this kind of horror movie. Truth is stranger than fiction. Having said this, People Like Us, as ever, see the positive and sometimes humorous side of the most ghastly scenerios, and by accompanying the edited found feature film footage with new sample collage pop songs, elevate you from the swamp.

More media from this project here.

Thanks Ubu!

 

North By Southwest 63 – Arte Oído with Philip Jeck and Vicki Bennett on experimental music

In this week’s edition of ‘North By Southwest’, Nicolas Jackson attends experimental music and sound art festival Arte Oído, programmed by La Nota productions and held at Madrid’s CaixaForum cultural centre. There, he meets UK artists Philip Jeck and Vicki Bennett (People Like Us) who discuss their work and the meaning of the terms ‘experimental’ and ‘avant-garde’. We also hear about a 744-hour-long radio ‘boredcast’ and the virtues of ‘slow art’.

http://soundcloud.com/britishcouncil/north-by-southwest-arte-oido-experimental-music