Artist Biography


Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits, 360 immersive installations and online streaming and distribution since 1992. She sees collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. Using collage as a compositional tool, Vicki Bennett opens up endless opportunities to experience results that are more than the sum of the parts.  Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available. UbuWeb generously hosts the discography and filmography of People Like Us.

As a solo artist or collaborator Vicki has published more than 40 video projects and 50 audio recordings, with works released by labels including Illegal Art, Rough Trade, Soleilmoon Recordings, Discrepant, Sonic Arts Network and Touch. Vicki’s DO or DIY show on the fiercely independent New York City-market radio station WFMU has run since 2003. Her video work has been screened at Tate Modern, Whitechapel Gallery, BFI, Purcell Room, Barbican, ICA, V&A. Centre Georges Pompidou (Paris), Sonar (Barcelona), MAXXI/National Museum of XXI Century Arts (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City), among other institutions. Video works have been aired on Channel 4 and radio sessions created for John Peel and Mixing It.

People Like Us has been commissioned by Arts Council England, Barbican, Attenborough Centre (ACCA), The BBC, WDR, Deutschlandradio, PRSF, a-n, Great North Run, Sound and Music, Channel 4/Animate Projects, AV Festival, Hallwalls Contemporary Arts Center, Recombinant Media Labs (RML), Sonic Arts Network, Forma, LUX and Lovebytes.

To date, Vicki has had 7 solo exhibitions and participated in at least 20 group shows at MAXXI (Rome), Venice Biennale, HMKV (Dortmund), Centro de Cultura Digital (Mexico), Hatton Gallery (Newcastle), Vitrine (London), alt.gallery (Newcastle), Greene County Council for the Arts Gallery (NY), Peacock Visual Arts (Aberdeen), Pallant House (Chichester), Engramme (Quebec), La Scatola Gallery (London), Changing Room (Stirling), Franklin Street Works (Connecticut), Usurp Gallery (London), University of Greenwich Galleries, Matthew Gallery (Dundee), Edinburgh Printmakers, Millennium Gallery (Sheffield) Leeds College of Art, Sunbeam Studios (London) and Hallwalls Contemporary Arts Center (NY).

The work of People Like Us has been featured in many publications, including Sounds Like Silence – 4’33’’ Silence Today (Spectre Books 2012), The Journal of Writing In Creative Practice (Vol 7 Issue 1 2015), The Fundamentals of Sonic Art and Design by Tony Gibbs (Ava Publishing 2007), Cutting Across Media by Kembrew McLeod (Duke University Press 2011), Here To Go – Art, Counter-Culture and the Esoteric (Forum Nidrosiae 2014), Incredible Machines by Danny Snelson (avant 2014), Sensations of History (University of Minnesota Press 2019) and she has written for The Wire’s Collateral Damage (February 2012). Vicki has a whole chapter dedicated to her work in Duchamp Is My Lawyer The Polemics, Pragmatics, and Poetics of UbuWeb by Kenneth Goldsmith on Columbia University Press (2020) and a chapter in Different People – Conversations on Art, Life and the Creative Process by Carl Abrahamsson on Trapart (2021).

People Like Us has been reviewed in The Wire, BBC website, Bizarre Magazine, Rolling Stone, Frieze, The Independent, Record Collector, Time Out, Film Comment, The Guardian, The Scotsman, XLR8R, Baltimore City Paper, Sight and Sound, NME, Metro and San Francisco Bay Guardian, and interviewed for Found Footage Magazine (2016), The Observer (2006), Filmmaker Magazine (2015), The Wire (2014, 2011, 2008, 1999), Sight and Sound (2013), a-n Magazine (2012), Wired (2012), RadioWeb MACBA (2010), Sound and Music (2011), Sound Projector (2012, 2000), Bizarre Magazine (1999), NME (1995, 1996). On radio I’ve been interviewed on Late Junction (2016), Soundproof (ABC Radio National 2016), WDR 3 Open Sounds (WDR 2016), Cutting Up The Cut Up (BBC Radio 4 2015), North by Southwest (British Council 2012) PM (BBC Radio 3 2010), Twenty Minutes (BBC Radio 3 2009) and Mixing It (BBC Radio 3 2004). The May 2021 edition of The Wire features People Like Us – both a 30 year retrospective interview and also the cover photo.

Vicki has also curated publications and events: First Person, Fourth Wall (2020), Optimized! Expanded Radio Stream, WFMU (2016), Concert of Collage, Encounters Festival, Bristol (2015), Radio Boredcast, 744 hour radio station, AV Festival (2012), Nothing is New, Everything is Permitted event, AV Festival (2010), Sonic Arts Network CD Smiling Through My Teeth (2008) and a Humour in Music event, Purcell Room for Ether Festival (2002).

Notations, a film for live improvisers toured the UK with TUSK/Sound & Music in Autumn 2013; two films for Animate Projects/Channel 4 television, UK, broadcast as part of their Random Acts series. In 2015, Vicki created A/V performance Citation City, using techniques of Walter Benjamin’s Arcades Project in relation to London-based feature films. Nothing Can Turn Into A Void – a documentary film about People Like Us has screened in cinemas and festivals since Autumn 2015, and No One Is An Island, a radio work created for WDR, broadcast in April 2016. The Expanded Radio online/virtual commission/artist residency Optimized! broadcast on WFMU in June 2016. Since 2018, Vicki has been touring her solo a/v performance The Mirror, released an album under the same name, which reached No.8 in The Wire‘s albums of the year. Vicki produced the video for the spring 2018 The The Comeback Tour, and was participant in Sound and Music’s New Voices programme, and a-n Artist Bursaries 2019 recipient. The 45 minute radio art commission I Can Fly aired on WDR in Spring 2020.

In 2020, Vicki worked on two new pieces for her solo show as Hallwalls Artist in Residence (HARP), culminating in a solo exhibition First Person, Fourth Wall.

In 2021 People Like Us facilitated and toured Gone, Gone Beyond, an hour-long seamless multiscreen and multi-speakered immersive cinema installation to nyMusikk Oslo, SPILL Festival Ipswich, Attenborough Centre (ACCA) Brighton and London Barbican. Vicki also resumed her radio show DO or DIY with People Like Us on the WFMU Summer Schedule. Vicki also was the cover photo of the May 2021 edition of The Wire magazine.

2022 saw the solo exhibition “MIND MAPS: The Art of Vicki Bennett” at Sheehan Gallery, Walla Walla, USA and also Orfeó Lleidatà Lleda Spain. Gray Area San Francisco screened of Gone, Gone Beyond for three weeks in May, and “108”, a new 22 hour radio piece by People Like Us broadcast on Radio Arts Zone. People Like Us were joined by artist collaborators Gwilly Edmondez and Ergo Phizmiz to perform at The Wire Magazine’s 40th Anniversary event. Vicki created a radio commission “Changing Your Mind” for Deutschlandradio to be broadcast on 14 April 2023, and broadcast a mixtape for BBC Radio 3’s Late Junction. Rhapsody in Glue (w/ Ergo Phizmiz) was released as a lathe cut vinyl edition in November 2022.

2023 sees an IndieGoGo crowdfunded campaign to create a new live AV performance and album The Library of Babel. This premiered at a 3-Day People Like Us artist residency at CAFE OTO, London.

Sharity! Selected Works of People Like Us 2-CD retrospective released in April 2023.

In 2024 so far, we have made a new album COPIA, 3 videos for The The, 2 for Soft Cell, 1 for Marc Almond, and a new wide screen AV installation “Mise en Abyme” for Museu de Aveiro/Santa Joana, Aveiro, Portugal. We are currently working on a new 360 degree work “Khroma” for RML CineChamber.

ALL COMMISSION ENQUIRIES OR BOOKINGS FOR GONE, GONE BEYOND ARE TO BE MADE DIRECTLY WITH US THROUGH OUR CONTACT PAGE.

Shorter Bio – Artist Statement
Filmography
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
Talks, Lectures
Discography
People Like Us on bandcamp

List of Residencies, Commissions & Collaborations

ALL COMMISSION ENQUIRIES / BOOKINGS ARE DIRECTLY THROUGH OUR CONTACT PAGE.

Khroma surround av work for a new RML CineChamber module [2025]
Some Days I Drink My Coffee By The Grave of William Blake video for The The, directed by Tim Pope [2024]
Elusive Butterfly video for Marc Almond [2024]
Linoleum Smooth video for The The, directed by Tim Pope [2024]
First Hand Experience In Second Hand Love video for Soft Cell live show [2024]
Cognitive Dissident video for The The, directed by Tim Pope [2024]
A Man Could Get Lost video for Soft Cell live show [2024]
Mise En Abyme multiscreen/multispeaker installation for Aveiro 2024, Capital Portuguesa Da Cultura [2024]
PhD Studentship – Northern Bridge [2023+]
Live AV performance collaboration with Ergo Phizmiz and Gwilly Edmondez, Cafe OTO / Arts Council England [2023]
Artist support from Lakes of Wada [2023]
Solo live AV performance “The Library of Babel“, IndieGoGo crowdfunded [2023]
CuratorSpace Artist Bursary [2022]
“Changing Your Mind” radio commission for Deutschlandradio [2022/2023]
108 radio commission for Radio Art Zone [2022]
Mind Maps: The Art of Vicki Bennett Sheehan Gallery, Walla Walla, USA | [2022]
Global Eyes video for THE THE [2022]
PRSF Open Fund For Music Creators recipient [2021]
Gone, Gone Beyond Commissioned by SPILL Festival of Performance, presented in partnership with Attenborough Centre for the Creative Arts (ACCA) and Barbican. Supported by Recombinant Media Labs (RML), DanceEast, nyMusikk, Gulbenkian, TouchDesigner, PRS Foundation’s The Open Fund and Arts Council England. Developed as part of Sound and Music’s New Voices Programme. [2021]
a-n Artist Bursaries 2019 recipient [2019]
I Can Fly new radio work for WDR3 [2019]
Hallwalls Artist in Residence Project (HARP) artist [2019-2020]
Sound and Music New Voices award recipient [2018-2020]
New live AV performance “The MirrorACE Grants for the Arts [2018-2019]
8 speaker / 10 screen audiovisual installation “Gone, Gone Beyond” with Recombinant Media Labs and Cinechamber [2016++]
Video editing/production for The The Comeback Special [Spring 2018]
Can’t Stop What’s Coming video for THE THE [2017]
Curation of radio station and artist residency (with John Kilduff) Optimized! on WFMU funded by National Endowment for the Arts [June 2016]
No One Is An Island radio commission for WDR to be broadcast 9 April 2016 on WDR 3 [Summer 2015-Winter 2015]
Curation of films for Concert of Collage, Watershed, Bristol [September 2015]
Nothing Can Turn Into A Void, editing a feature length doc film by Carl Abrahamsson about Vicki Bennett/People Like Us [Spring 2015]
Arts Council England award creating a new live AV performance Citation City and new short films with artist soundtracks pdf [Spring 2014-Spring 2015]
Book collaboration with Gregor Weichbrodt The Fundamental Questions [Summer 2014]
Those Who Do Not T Shirt Commission [Summer 2014]
Printed in a light blue and white on an electric blue T-shirt with The Wire logo and Vicki Bennett Those Who Do Not printed in light blue on the back of the neck. Limited edition of 100 shirts.
Solo gallery show Shutter at Leeds College of Art pdf [Winter-Spring 2014]
Touring award from Sound and Music for Notations [Autumn/Winter 2013]
Two short animation films for Animate Projects/Channel 4 television, UK as part of their Random Acts Series [March 2013-July 2013] broadcast on national television in Autumn 2013 pdf
Creation of online film with 7 artist soundtracks Gesture Piece, commissioned by Pixel Palace at Tyneside Cinema pdf [Spring/Summer 2013]
Creating a new live AV performance Consequences (One Things Leads To Another, commissioned by Arts Council England [August 2012-January 2013], supported by transmediale [January 2013]
Music for live performance piece Lost and Found by Anne Juren [Summer 2012]
Archiving Radio Boredcast on WFMU, commissioned by AV Festival wfmu.org/playlists/ZZ [May-June 2012]
Curating an online-radio station Radio Boredcast for AV Festival 12pdf [Sept 2011-March 2012]
Sound and Music commission to make AVlive performance Horror Collage for The Sound Of Fear (later changed to The Magical Misery Tour Southbank Centre, London [September 2011]
The Doors of Perspection at Vitrine Gallery London [July/August 2011]
Berwick Film & Media Arts Festival commission to create a new live AV performance The Keystone Cut Ups with Ergo Phizmiz [2010]
Curation of Nothing is New, Everything Is Permitted. as part of AV Festival 10 at the Star and Shadow, Newcastle [2010]
Edinburgh Printmakers commission to create audio and artwork for a picture disc LP “This Is Light Music”, as part of their group exhibition Prints of Darkness to be shown at Edinburgh Printmakers in Summer 2010 then touring venues [2010]
Grants For The Arts commission to create new AV performance Genre Collage [2008-2009]
Great North Run Moving Image Commission 2009 The Great North Run Cultural Programme – to create a film using the archives of the Great North Run, Parade pdf [July 2008-October 2009]
Grants For The Arts commission to release Rhapsody In Glue with Ergo Phizmiz on bleep.com – an album created with audio collage sourced from the podcast Codpaste (May 2008)
 Retrospective solo exhibition of People Like Us AV work, entitled We Edit Life at alt.gallery Newcastle curated by Rebecca Shatwell pdf [May 2008]
Curation of CD Smiling Through My Teeth – Sonic Arts Network [May 2008]
Forma/AV Festival commission Breaking Waves to make Bluetooth audio compositions for mobile phone [January 2008]
Lecturing Music and Other Media at Goldsmiths [2006-2008]
Wandsworth Film Awards commission to make short digital film Skew Gardens, exploring the boundaries of urban land use – [September 2007]
Lovebytes commission in association with Millennium Galleries, Sheffield to make three screen AV film Work, Rest & Play [June 2007]
 Grants For The Arts commission to make podcast series Codpaste on WFMU, where People Like Us & Ergo Phizmiz explore the working process of creating music from scratch [September 2007]
Radio session for BBC Radio 3’s Mixing It [February 2007]
Artist Residency at BBC Creative Archive with “access all areas” to work with their archive – Arts Council England (Interdisciplinary Arts) with BBC, White City – [March 2006]
Grants For The Arts commission to create 10″ record to be given away for free in selected international record stores Honeysuckle Boulevard [August 2006]
PRS Foundation award to create a new live performance (with artist Ergo Phizmiz) using dansette players and self-pressed vinyl compositions Boots! [June 2006]
Sonic Arts Network / Goldsmiths Electronic Music Studio (EMS) commission working with Daphne Oram’s sound archive [Summer 2005]
Grants for the Arts commission to create new live AV performance – [April 2005]
LUX commission to make digital short film sourcing the LUX archive collection Resemblage [October 2004]
Residency at FACT to make radio play Molaradio in collaboration with artist Felix Kubin and Croxteth school children [January 2004]
Sonic Arts Network commission to make short film and subsequent DVD release – Story Without End [June 2004]
Live performance with Wobbly for radio broadcast on BBC Radio 3’s Mixing It, London Spitz [May 2004]
BBC Radio 1 session for John Peel [January 2003]
Future Physical commission to make digital short film The Remote Controller [June 2002]
Baby Zizanie (JG Thirlwell and Jim Coleman) live video for BZ performed at David Bowie’s Meltdown at QEH, London (June 2002)
Lovebytes commission to make short film We Edit Life [December 2002]
Curated line up for Humour in Music event, Ether Festival at Purcell Room, London [May 2002]
Year of the Artist Residency, Lighthouse, Brighton with Brighton & Hove Music Library, teaching sound collage [June 2001]
Year of the Artist Residency, Hull Time Based Arts, making AV collage – [January-April 2001]
Live session and BBC Radio 3 broadcast for Mixing It, Dingwalls [March 2001]
Work & Leisure International commission to make new AV live performance – [September 1999]
Ars Electronica – The Sound of Music live collaboration with Negativland and Barbed [Summer 1998]
Various radio commissions for De Avonden on VPRO, The Netherlands [early 1990s]

WE ARE NOT AMUSED

“We Are Not Amused” – the second of our two films made for Animate Projects and Channel 4 TV which was screened on 5 September 2013 is now available for viewing:


We Are Not Amused. A film by Vicki Bennett [2013]

Who knows where ideas come from? You or me? Or THEM? The Muses are angry and they want their ideas back! This is a story of thieving and reappropriation, staged on a mythological platform.

Interview with Vicki Bennett
http://www.animateprojects.org/interviews/interview_with_vicki_bennett1

Screenings
August 2015 – uSurp Zone5 Festival, London
March 2015Ann Arbor Film Festival
November 2014 – Screening at Other Cinema, San Francisco
August 2014 – Screening of We Are Not Amused at Sao Paulo 25th International Short Film Festival 
May 2014 – Screening of We Are Not Amused at Oberhausen Film Festival, London, entered for the International Film Category competition
November 2013 Underwire Festival, London
November 2013 – Screening of We Are Not Amused and The Golem – An Inanimate Matter at Bradford Animation Festival

Download stills and photos of work in progress from both We Are Not Amused and The Golem – An Inanimate Matter
https://peoplelikeus.org/piccies/random/pictures-and-screenshots.zip

WeAreNotAmused-1
Newton misses a trick in We Are Not Amused

WeAreNotAmused-2
Muybridge motions defy gravity in We Are Not Amused

WeAreNotAmused-3
A muse tampers with Edison’s recording device in We Are Not Amused

WeAreNotAmused-4
Beethoven just can’t get the fourth note of this fifth in We Are Not Amused

WeAreNotAmused-5
Early man is going to be late in We Are Not Amused

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Muse defaces and impressionist painting in We Are Not Amused

Background on the commission
http://www.animateprojects.org/news/our_secret_monsters_will_be_revealed

Vicki Bennett on Animate Projects website
http://www.animateprojects.org/films/by_artist/b/v_bennett

THE GOLEM – AN INANIMATE MATTER

“The Golem – An Inanimate Matter” – the first of our two films made for Animate Projects and Channel 4 TV which was screened on 21 August 2013 is now available for viewing:

http://vimeo.com/peoplelikeus/golem

Random Acts Secret Monsters Commission – Animate Projects/Channel 4 (2013)
Two films were commissioned, the other being “We Are Not Amused”

Title of film: The Golem, An Inanimate Matter
Name of filmmaker(s): Vicki Bennett
Synopsis of film: The Golem, a monstrous being of inanimate matter from Jewish folklore, is accidentally summoned from a book wreaks havoc through a library.

Interview with Vicki Bennett
http://www.animateprojects.org/interviews/interview_with_vicki_bennett1

Screenings
November 2013 – Screening of We Are Not Amused and The Golem – An Inanimate Matter at Bradford Animation Festival

Download stills and photos of work in progress from both We Are Not Amused and The Golem – An Inanimate Matter
https://peoplelikeus.org/piccies/random/pictures-and-screenshots.zip

Editing timeline for The Golem
Editing timeline for The Golem

The Golem to be screened on Channel 4 and then online
The Golem to be screened on Channel 4 and then online

More images from The Golem:

Still from The Golem, rumbled by a character from an old fairy tale
Still from The Golem, rumbled by a character from an old fairy tale

Ergo Phizmiz plays "Simple Stephen"
Ergo Phizmiz plays “Simple Stephen”

http://www.animateprojects.org/news/our_secret_monsters_will_be_revealed

The Golem - and one of the first texts about copying - courtesy of Lewis Carroll
The Golem – and one of the first texts about copying – courtesy of Lewis Carroll in 1863

The Golem - about to be swallowed by text?
The Golem – about to be swallowed by text?

Part of a panning shot in The Golem
Part of a panning shot in The Golem

Vicki Bennett on Animate Projects website
http://www.animateprojects.org/films/by_artist/b/v_bennett

WE ARE NOT AMUSED screens on Channel 4 TV

Thursday 5th September 2013 00:10 Channel 4 TV UK

Random Acts Secret Monsters Commission – Animate Projects/Channel 4 (2013)

We Are Not Amused – the second of our two films made for Animate Projects / Random Acts on Channel 4 TV will screen this Thursday 5th September night at ten past midnight (UK) on Channel 4.  It is listed as the program “Random Acts”.  Co-written with artist Ergo Phizmiz. Update: the film is now archived on the Channel 4 Random Acts website.

We Are Not Amused on Random Acts, Channel 4 TV
We Are Not Amused on Random Acts, Channel 4 TV

Synopsis of film: Who knows where ideas come from? You or me? Or THEM?  The Muses are angry and they want their ideas back! This is a story of thieving and reappropriation, staged on a mythological platform.

Download stills and photos of work in progress from both We Are Not Amused and The Golem – An Inanimate Matter
https://peoplelikeus.org/piccies/random/pictures-and-screenshots.zip

WeAreNotAmused-2 WeAreNotAmused-3 WeAreNotAmused-4 WeAreNotAmused-5

Destruction of a painting in We Are Not Amused
Destruction of all kinds from the angry Muses in We Are Not Amused

Secret Monsters: Random Acts screenings on Channel 4

TheGolem-15
Still from The Golem – An Inanimate Matter (2013)

THE GOLEM – AN INANIMATE MATTER

Press release: 2 May 2013

Secret Monsters: 10 fiendish Random Acts
Premiering: Channel 4, Autumn 2013

Animate Projects is pleased to be producing an array of amazing animations for Channel 4’s Random Acts that will provide an insight into the world’s hidden or secret monsters.

The slate considers the pseudo-science of cryptozoology – the search for creatures whose existence remains unproven. Many of these creatures feature in myths, legends and folklore across the globe, and include thunderbirds, the Loch Ness Monster, phantom cats, Bigfoot, colobockle, and the Chupacabra.

Animate has commissioned and acquired works from artists based in Austria, Japan, South America, Spain and the UK that respond to the theme. The artists bring inventive character design, hair-raising stories and a mix of animation techniques, to delight one and all.The artists are: Vicki Bennett, Elizabeth Hobbs, Clemens Kogler, Mandy McIntosh, Jossie Malis, Motomichi Nakamura, Sean Vicary and Atsushi Wada.Animate’s Random Acts will be broadcast on Channel 4, randomacts.channel4.com and animateprojects.org from Autumn 2013.

-Ends-

***************
October 2013: please note – these films are now available to view online:
https://peoplelikeus.org/2013/we-are-not-amused/
https://peoplelikeus.org/2013/the-golem-on-channel-4-tv/
***************

For more information visit: http://bit.ly/10i44v4

Download stills and photos of work in progress from both We Are Not Amused and The Golem – An Inanimate Matter
https://peoplelikeus.org/piccies/random/pictures-and-screenshots.zip

TheGolem-4
Still from The Golem – An Inanimate Matter (2013)

We Are Not Amused: Who knows where ideas come from? You or me? Or THEM? The Muses are angry and they want their ideas back! This is a story of thieving and reappropriation, staged on a mythological platform.

The Golem, An Inanimate Matter: The Golem, a monstrous being of inanimate matter from Jewish folklore, is accidentally summoned from a book and wreaks havoc through a public library.

WeAreNotAmused-2
Still from We Are Not Amused (2013)

About Random Acts
Random Acts is Channel 4’s short-form arts strand airing five nights a week and online at randomacts.channel4.com; over the course of a year it will showcase 260 specially commissioned three minute films chosen for their bold and original expressions of creativity. Visit http://randomacts.channel4.com/

Ergo Phizmiz as "Simple Stephen doodle drawing..."
Ergo Phizmiz as “Simple Stephen doodle drawing…”

About Animate Projects
Animate Projects is the only arts charity in the UK dedicated to championing experiments in animation. Our ambition is to support artists to use animation in new ways to create innovative and thought-provoking projects. We nurture the creative talent of artists, and encourage them to apply their skills to respond to briefs in unexpected ways. We enable artists to push the boundaries of what is possible – whether embracing advances in digital technologies, or reinventing the possibilities with traditional craft skills. To ensure all our projects reach the widest audiences, we work in partnership with leading broadcasters and national cultural organisations including Tate, Art on the Underground, Barbican, Channel 4, BFI, and Crafts Council.

Experiments in animation – http://www.animateprojects.org
Arts Council EnglandChannel 4

The Golem - clay figure created by Martha Moopette
The Golem – clay figure created by Martha Moopette