Artist statement for People Like Us

Vicki Bennett - press photoPeople Like Us 2016

Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives.  Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, V&A, Sydney Opera House, Royal Albert Hall, Pompidou Centre, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. The ongoing sound art radio show ‘DO or DIY’ on WFMU has had over a million “listen again” downloads. since 2003. The People Like Us back catalogue is available for free download hosted by UbuWeb.
Longer Biography
Filmography
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
Discography

 

BIOGRAPHY

Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution for 25 years. Since her first publication in 1992, Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and appropriation as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant.

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DO or DIY with People Like Us on WFMU

DOorDIYSince Autumn 2003 People Like Us have been doing a weekly show on WFMU, called DO or DIY. The aim of the show is to mix highbrow with lowbrow to challenge whether there is much difference.  Archived playlists of at least 200 shows from 2003 to the present day can be found at www.wfmu.org/peoplelikeus

Vicki Bennett also curated/programmed RADIO BOREDCAST in Winter 2011/Spring 2012. It was first broadcast on basic.fm and now is archived at WFMU.  More recently, Vicki Bennett has programmed OPTIMIZED!, a week-long expanded radio stream on WFMU 6-10 June 2016.

Subscribe to the Podcast of DO or DIY by clicking here – it will prompt your iTunes program to open, where you will receive the podcasts.

About DO or DIY

DO or DIY is a freeform sound art radio show broadcast weekly by Vicki Bennett (project name People Like Us) on WFMU.

The philosophy behind the show is simple. That within the realms of avant-garde and experimental sound art the goalposts defining “accessible” and “inaccessible” are constantly moving. As the radar rises and dips, fragments and shards of underground creations unearth, and popular culture and artist resonate, shifting shapes accordingly with one another in reflections of changing spotlights.

The avant-garde and popular culture rely on each other’s energy. People Like Us collage both “hard to listen” works and popular listening matter, showing that in fact, beyond the restrictions of genre, genre IS the restriction and it is possible to like many kinds of art and music. The key is finding the door – DO or DIY leads the way into new and unusual realms of listening and hope to show the way in.

Each show consists of collages made of sound works from the 20th and 21st century, often layered and looped many times over, resulting in an album type effect on each show.
The pun “All Things Avant-Retard”, a rhyme with “All Things Avant-Garde” literally means All Things Forward-Backwards. Essentially by using sonic extremes and apparent opposites we find some sort of central point or balanced perspective on music and sound.

Suggested Listening: DO or DIY fill in for Ken.

New Free WFMU iPhone/iPod Touch app!

Also, if you have an iPhone or iPod Touch we are also pleased to announce that you can listen to not only the regular WFMU stream on the move at a glorious 128k, but also all of our special streams, recent DJ show archives and DJ podcasts including all of DO or DIY!

You can download the much improved updated free WFMU app right here.

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Selected Performances and Screenings

People Like Us/Vicki has performed and been screened at hundreds of venues (Tate Modern, Whitechapel Gallery, the National Film Theatre/BFI, Purcell Room, Barbican, ICA, V&A., BBC Proms, Centre Georges Pompidou (Paris), Sonar (Barcelona), MAXXI/National Museum of XXI Century Arts (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City)) and radio stations – created radioworks for John Peel and Mixing it (BBC Radio) and WDR (Germany), and since 2003 has a radio show on WFMU(.org). Vicki’s work has been archived on UbuWeb since 2003, with hundreds of thousands of downloads.

October 2017 – World Premiere Screening of Gone, Gone Beyond – 360 surround movies at Recombinant Festival, Gray Area Foundation for the Arts, San Francisco
October 2017
– Screening of various films at Test Dept’s Assembly of Disturbance Festival at Red Gallery, London
October 2017
– Screening of 20 minute artist edit of Citation City at Other Cinema, San Francisco
September 2017
– Concert of selection of previous works at Brighton Digital Festival at Attenborough Centre for the Arts, Brighton Falmer
May 2017 
– week of performances/screenings for school children, Oslo
March 2017 
– Citation City at Hull UK City of Culture (ReROOTed)
February 2017 
– Selection of previous works at Cafe Oto
December 2016
– Shopping from Citation City at Other Cinema, San Francisco
November 2016 – Citation City at Dundee Contemporary Arts, Scotland
October 2016
– Magic (from Magical Misery Tour) and Magic (with Ergo Phizmiz) at Magic Late at the Horniman Museum, London
October 2016 – Nothing Can Turn Into A Void at Spectacle Theater, Brooklyn
July 2016 – Nothing Can Turn Into A Void at Norberg Festival
June 2016 Optimized! Radio Residency at WFMU
May 2016 – Citation City at Delco Festival, Nimes
April 2016
– Citation City at Sonic Protest, Paris
April 2016 – We Are Not Amused screening at Apordoc, Lisbon
April 2016No One Is An Island broadcast on WDR, Germany
March 2016 – Screening of the new Matmos video made by People Like Us at Other Cinema, San Francisco (March 5)
February 2016
 – Friday Late at V&A, London
November 2015
– improvisation at Cafe Oto with M.C.Schmidt and Jennifer Walshe
November 2015
Nothing Can Turn Into A Void at Fylkingen, Stockholm
November 2015
– Citation City at Brighton Cinecity Festival
November 2015 – Nothing Can Turn Into A Void at Brighton Cinecity Festival
October 2015
– Work, Rest & Play at Curtocircuito. Santiago de Compostela Film Festival-Santiago de Compostela
October 2015
CCCitations at Other Cinema, San Francisco
September 2015
– Citation City at Walter Benjamin Now, Whitechapel Gallery, London
September 2015
 – Citation City at Encounters Short Film Festival Bristol UK
August 2015
– Screening of We Are Not Amused at Usurp Zone5 Film Festival, London
April 2015 
– Citation City at SMUP in Parede, Portugal

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List of Residencies, Commissions & Collaborations

Development of 8 speaker / 10 screen audiovisual installation “Gone, Gone Beyond” with Recombinant Media Labs [2016/2017/2018++]

Can’t Stop What’s Coming” video for THE THE [2017]

Curation of radio station and artist residency (with John Kilduff) Optimized! on WFMU funded by National Endowment for the Arts [June 2016]

No One Is An Island radio commission for WDR to be broadcast 9 April 2016 on WDR 3 [Summer 2015-Winter 2015]

Curation of films for Concert of Collage, Watershed, Bristol [September 2015]

Nothing Can Turn Into A Void, editing a feature length doc film by Carl Abrahamsson about Vicki Bennett/People Like Us [Spring 2015]

Arts Council England award creating a new live a/v performance Citation City and new short films with artist soundtracks pdf [Spring 2014-Spring 2015]

Book collaboration with Gregor Weichbrodt The Fundamental Questions [Summer 2014]

Those Who Do Not T Shirt Commission [Summer 2014]
Printed in a light blue and white on an electric blue T-shirt with The Wire logo and Vicki Bennett Those Who Do Not printed in light blue on the back of the neck. Limited edition of 100 shirts.

Solo gallery show Shutter at Leeds College of Art pdf [Winter-Spring 2014]

Touring award from Sound and Music for Notations [Autumn/Winter 2013]

Two short animation films for Animate Projects/Channel 4 television, UK as part of their Random Acts Series [March 2013-July 2013] broadcast on national television in Autumn 2013 pdf

Creation of online film with 7 artist soundtracks Gesture Piece, commissioned by Pixel Palace at Tyneside Cinema pdf [Spring/Summer 2013] Continue reading

Exhibitions and Editions

To date, People Like Us/Vicki has had 5 solo exhibitions and participated in 19 group shows at MAXXI (Rome), HMKV (Dortmund), Centro de Cultura Digital (Mexico), Hatton Gallery (Newcastle), Vitrine (London), alt.gallery (Newcastle), Greene County Council for the Arts Gallery (NY), Peacock Visual Arts (Aberdeen), Pallant House (Chichester), Engramme (Quebec), La Scatola Gallery (London), Changing Room (Stirling), Franklin Street Works (Connecticut), Usurp Gallery (London), University of Greenwich Galleries, Matthew Gallery (Dundee), Edinburgh Printmakers, Millennium Gallery (Sheffield) Leeds College of Art and Sunbeam Studios (London).

Also featured in Sounds Like Silence – 4’33’’ Silence Today (Spectre Books 2012), The Journal of Writing In Creative Practice (Vol 7 Issue 1 2015), The Fundamentals of Sonic Art and Design by Tony Gibbs (Ava Publishing 2007), Cutting Across Media by Kembrew McLeod (Duke University Press 2011), Here To Go – Art, Counter-Culture and the Esoteric (Forum Nidrosiae 2014), Incredible Machines by Danny Snelson (avant 2014), and writing for The Wire’s Collateral Damage (February 2012).

For gallery concerts and festival film screenings please also see Selected Performances and Screenings

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Discography

This is by no means the full list, but it’s what we remember!
“Another Kind of Humor Another Kind of Murder” (split with Abraxas) World Serpent (CD/LP) 1992
“Lowest Common Dominator” Staalplaat (CD) 1994
“It’s Terrorific!” Staalplaat (DAT) 1994
“Guide To Broadcasting” Staalplaat (3″CD) 1994
“Beware The Whim Reaper” Staalplaat(CD) 1996
“Jumble Massive” Soleilmoon Recordings (LP) 1996
“File Under Easy Listening/File Under Sleazy Listening” (split with Sniper) Kleptones 1 (LP) 1996
“Lassie House” Staalplaat (10″ Picture Disc) 1997
“Blundersonix/Special Mix” (split with TFU) Kleptones(LP) 1997
“People Like Us and Sniper Play The Three DJs of The Apocalypse” (with Sniper) Kleptones (LP) 1997
“Hate People Like You” Staalplaat (CD) 1997
“People Like Us Meet The Jet Black Hair People In Concert” Audioview (CD) 1999
“Hate People Like Us” (remix of PLU by Coil, Negativland, Death in June, Barbed, Christoph Heemann, Bruce Gilbert, Stock, Hausen & Walkman, Rehberg & Bauer, Mika Vainio, Boyd Rice, Dummy Run, Farmer’s Manual and Sons of Silence. 2CD features additionally Cyclobe, Req1, V/VM, Sniper, Mr Rotorvator, Felix Kubin, Xper. Xr, Venoz [TKS], Katy Brown and Dr P Li Khan. There was an additional remix by Andy Votel/Badly Drawn Boy, excluded for legal reasons. Caciocavallo/CAD1 (CD) and Staalplaat (2CD) 1999 2CD
“Thermos Explorer” Hot Air (CD) 2000
“A Fistful of Knuckles” Caciocavallo (CD) 2000
“Swing Largo/Going Out Of My Town” Klang Galerie (7″) 2001
“Home-Roam-Play/Work-All-Day” (split 12″ with remix by Matmos) Wicked Witch Records (12″) 2001 recalled due to faulty pressing
“Recyclopaedia Britannica” Mess Media/Mess (CD) April 2002
“Preserved Cowgirl” Asphodel – remix of Tipsy (CD) August 2002
“Stifled Love” – Mess Media/Mess 2 (12″) October 2002
7″ single – Rough Trade label For Us Records October 2002
“Volatile Media” Lovebytes label (DVD) March 2003
“Wide Open Spaces” Tigerbeat6 label (CD) collaboration with Matmos and Wobbly May 2003
“Nothing Special” Mess03 (CD) collaboration with Kenny G June 2003
“A Call For Silence” – (CD) Sonic Arts Network February 2004
“Abridged Too Far” – (mp3) online album at Ubuweb. August 2004
“Windpipe Moods” – (CD) Mukow October 2004
“Story Without End” – (DVD) Sonic Arts Network October 2005
“Fom Fom” – (CD) – track for Chicks On Speed’s compilation Girl Monster – Chicks on Speed Records Summer 2006
“All Together Now” – (CD) – self released August 2006
“Honeysuckle Boulevard” – (10″) – self released collaboration with Ergo Phizmiz January 2007
“Perpetuum Mobile – (CD) – Soleilmoon Recordings April 2007
“On The Rooftops Of London” – (CDS) – self released May 2007
“Rhapsody In Glue” – (online album) – bleep.com  May 2008
“Smiling Through My Teeth” – (CD) – Sonic Arts Network May 2008
“Withers In The Waking” – (7″) Touch October 2008
“Le Xerox et l’Infini” – (cassette) Tapeworm June 2009
“Music For The Fire” – (CD) – Illegal Art June 2010
“This Is Light Music” – (LP) – Edinburgh Printmakers/Prints Of Darkness exhibit – August 2010
“Welcome Abroad” – (CD) – Illegal Art May 2011
“The Keystone Cut Ups” – (DVD) – with Ergo Phizmiz –  Illegal Art May 2012
“Magic Moon” -(7″) – with Ergo Phizmiz – Illegal Art May 2012
“Don’t Think Right, It’s All Twice” – (CD) – Cutting Hedge October 2013
“Dreaming” square flexidisc postcard – (8′) – Hasenbart Records 2014
“A Fistful of Knuckles” and “Nothing Special” reissued on cassette – Megaphone Records 2015
“Abridged Too Far” – (LP) – Discrepant March 2017 Continue reading

Press Cuttings and more

People Like Us/Vicki has been reviewed in, amongst others, The Wire, BBC website, Bizarre Magazine, Rolling Stone, Frieze, The Independent, Record Collector, Time Out, Film Comment, The Guardian, The Scotsman, XLR8R, Baltimore City Paper, Sight and Sound, NME, Metro and San Francisco Bay Guardian, and interviewed for Found Footage Magazine (2016), The Observer (2006), Filmmaker Magazine (2015), The Wire (2014, 2011, 2008, 1999), Sight and Sound (2013), a-n Magazine (2012), Wired (2012), RadioWeb MACBA (2010), Sound and Music (2011), Sound Projector (2012, 2000), Bizarre Magazine (1999), NME (1995, 1996). On radio I’ve been interviewed on Late Junction (2016), Soundproof (ABC Radio National 2016), WDR 3 Open Sounds (WDR 2016), Cutting Up The Cut Up (BBC Radio 4 2015), North by Southwest (British Council 2012) PM (BBC Radio 3 2010), Twenty Minutes (BBC Radio 3 2009) and Mixing It (BBC Radio 3 2004). Please note: we no longer update this section very often because the internet is effective in finding these things, unlike the old days of magazine articles
Interview about Copyright on Ableton site (Nov 2016)
Interview on Soundproof (ABC Radio National) (July 2016)
Interview in Found Footage Magazine (April 2016)
Interview in Venture Engraved Magazine (March 2016)
Interview on WDR (Feb 2016)
Interview on Late Junction (BBC Radio 3) (Jan 2016)
Documentary about People Like Us (Jan 2016)
Interview in Filling Station Magazine Issue 63 with Peter Jaeger (Sept 2015)
Cutting Up The Cut-Up (BBC Radio) (June 2015)
Feature in The Wire Magazine (Psychic Jams) (August 2014)
Interview with The Wire Magazine (Feb 2014)
Interview in SyncTank about Gesture Piece (Sept 2013)
Interview in a-n magazine about Gesture Piece (Sept 2013)
Feature on our Random Acts commission in Televisual (June 2013)
Interview in Sight and Sound magazine and Clipping (May 2013)
Interview in De-Bug (February 2013)
Interview with City Sonic, Brussels (September 2012)
Review in The Wire of People Like Us & Ergo Phizmiz The Keystone Cut Ups DVD on Illegal Art (October 2012)
Review in Wired of People Like Us & Ergo Phizmiz Moon Magic 7″ on Illegal Art (August 2012)
Mention of Radio Boredcast
 by Radio Web MACBA (April 2012)
Interview in Wired about Radio Boredcast (March 2012)
Essay by Vicki Bennett in The Wire magazine’s Collateral Damage page 
http://thewire.co.uk/articles/8439/ (March 2012)
Review of AV Festival 12 in The Guardian (March 2012)
Blogpost by Vicki Bennett about Radio Boredcast for AV Festival 12 (February 2012)
Interview with Vicki about Radio Boredcast for AV Festival 12 by Pixel Palace (December 2011)
The Doors of Perspection preview in The Independent (29 July 2011)
The Doors of Perspection preview in The Independent 2 (29 July 2011)
The Doors of Perspection review in Front Row Reviews (July 2011)
People Like Us interview in Invisible Jukebox in The Wire (July 2011)
Review of Welcome Abroad in Groovemine (May 2011)
People Like Us feature in XLR8R (May 2011)
Review of More Soup And Tart In The Wire Magazine (June 2011)
People Like Us Chart In The Wire Magazine (June 2011)
Expanded Video exhibition at Maxxi – pdf (April/May 2011) More documentation here.
Review of Welcome Abroad in Letters With Mixtapes (May 2011)
Review of Welcome Abroad in AOL/Spinner (May 2011)
Review of Welcome Abroad in Dusted (May 2011)
Review of Welcome Abroad in Unheard Music (May 2011)
Review of Welcome Abroad in Decibel Tolls (March 2011)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Aesthetica Magazine (September 2010)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in The Scotsman (September 2010)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in IDMb News (September 2010)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in The Guardian Guide (September 2010)
Interview and feature about The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Berwick Advertiser (September 2010)
Interview and feature about The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Kyeo TV (September 2010)
Review of The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Observealot (September 2010)
Review of Music For The Fire in Sound Projector (2011)
Review of Music For The Fire (People Like Us & Wobbly) in Rumore (September 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Record Collector (August 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Sentireascoltare (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Skug (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in RifRaf (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Go Mag (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Magic (July 2010)
Preview of the People Like Us exhibit at Edinburgh Printmakers Prints of DarknessThe List (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Playground (June 2010)
Music For The Fire (People Like Us & Wobbly) in Huw Stephens’ Radio show BBC Radio 1 (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Limewire Music Blog (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in MusicOMH (June 2010)
Music For The Fire (People Like Us & Wobbly) in Stuart Maconie’s Radio show BBC Radio 6 (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in My Old Kentucky Blog (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Polychromic (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Beyond The Noize (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in aaamusic (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Little Village Mag by Kembrew McLeod (May 2010)
Music For The Fire gets Radio 1 airplay (May 2010)
Article on the Recycled Film Symposium at AV Festival in axisweb (May 2010)Axisweb website
Review of Genre Collage in Baltimore City Paper (April 2010)
Review of MACBA’s Variations program, which Genre Collage is a part of (February 2010)
Review of Genre Collage in Film Comment magazine (January 2010)
People Like Us co-curate an evening at AV Festival (March 2010)
Nothing Is New, Everything Is Permitted – People Like Us play at AV Festival (March 2010)
BBC News – about People Like Us Baudrillard cassette (January 2010)
BBC News Front page (January 2010)
BFI Southbank (December 2009)
Straight.com (October 2009)
Alienated In Vancouver (October 2009)
Jean Baudrillard Le Xerox et l’Infini – Hard Format (August 2009)
Jean Baudrillard Le Xerox et l’Infini – Aquarius Records (August 2009)
Time Out – Critics Choice (August 2009)
Withers In The Waking review – Heathen Harvest (July 2009)
Interview in Crawdaddy (July 2009)
Rhapsody in Glue – Liability (March 2009)
Withers In The Waking review – Record Collector (January 2009)
Withers In The Waking review – Norman Records (December 2008)
Interview with People Like Us – Blow Up (December 2008)
Withers In The Waking review – Aquarius (December 2008) 
Withers In The Waking review – Boomkat (December 2008)
Smiling Through My Teeth review – Bad Alchemy (November 2008)
Smiling Through My Teeth review – Hair Entertainment (October 2008)
Rhapsody In Glue review – Goute Mes Disques (November 2008)
DO or DIY chart – The Wire (October 2008)
Smiling Through My Teeth review – Orkus (November 2008)
Smiling Through My Teeth review – Rumore (October 2008)
Rhapsody in Glue review – Blow Up (September 2008)
Smiling Through My Teeth review – Westzeit (October 2008)
Smiling Through My Teeth review – Ox (October 2008)
Smiling Through My Teeth review – Le Son Du Grisli (September 2008)
Smiling Through My Teeth review – Sound Projector (May 2008)
Smiling Through My Teeth review – Frieze magazine (September 2008)
Rhapsody In Glue review – Pop News (September 2008)
Smiling Through My Teeth review – Octopus Record Of The Week (September 2008)
Smiling Through My Teeth review – Rock Delux(September 2008)
Smiling Through My Teeth review – D Side(September 2008)
Smiling Through My Teeth review – Titel Magazine (September 2008)
Smiling Through My Teeth review – Schlendrian (September 2008)
Smiling Through My Teeth review – Vital Weekly 162 (September 2008)
Mention in the Guardian (UK) – Click That Dial! (August 11 2008)
Rhapsody in Glue review – O Dominio Dos Deuses (July 2008)
Rhapsody in Glue/Smiling Through My Teeth Review – Incendiary Mag (July 2008)
Rhapsody in Glue review – Octopus (July 2008)
Smiling Through My Teeth review – The Wire (August 2008)
Rhapsody in Glue review – Skug (July 2008) 
Rhapsody in Glue review – D-Side (July 2008) 
Rhapsody in Glue review – Choices Cologne (July 2008)
Rhapsody in Glue review – The Wire (July 2008)
Rhapsody in Glue review – Titel-Magazin / CD of the Week (June 2008)
People Like Us interview part 1 – The Wire (June 2008)
People Like Us interview part 2 – The Wire (June 2008)
People Like Us interview part 3 – The Wire (June 2008)
People Like Us interview part 4 – The Wire (June 2008)
People Like Us interview part 5 – The Wire (June 2008)
Perpetuum Mobile – Music For Maniacs (October 2007)
Perpetuum Mobile – Geiger (September 2007)
Perpetuum Mobile – Bad Alchemy (August 2007)

Perpetuum Mobile – Brainwashed (June 2007)
Perpetuum Mobile – RifRaf (June 2007)
Perpetuum Mobile – Rolling Stone (Mexico!!) June 2007 
Perpetuum Mobile – Review in Norman Records June 2007

Perpetuum Mobile – Review in Jumbo June 2007

Perpetuum Mobile – Review in Loop June 2007
Perpetuum Mobile – Review in Boomkat June 2007
Perpetuum Mobile – Review in Cologne Choices June 2007
Story Without End – Review in Jazzthetik July 2006
Story Without End – Review in Trax Magazine June 2006
Interview with People Like Us in 
The Observer 6 November 2006 – herehere & here
Story Without End – Review in Black Jan 2006
Story Without End – Review and Interview April 2006
Story Without End – Review in Cinemania May 2006
Story Without End – Review in The Wire May 2006
Story Without End – Review by Kevin Hamilton February 2006
Story Without End – Blow Up February 2006
Story Without End – Rock Delux Magazine February 2006
Story Without End – Magic Magazine February 2006
Story Without End – Debug Magazine January 2006

Story Without End – Intro Magazine February 2006
Story Without End – Sonic Seducer Magazine February 2006
Story Without End – D Side Magazine January 2006
Story Without End – Go Magazine January 2006
Story Without End – Bad Alchemy Magazine January 2006
Story Without End – Clone Magazine January 2006
Story Without End – Metro Magazine Summer 2005
“The Remote Controller” won second prize in the Backup Festival in Weimar 2004
Worked on a film/installation commission with Sonic Arts Network, 2004-2005 
Worked on a film commission for LUX, 2004
Yerba Buena Center For The Arts with Matmos, November 2003
Article featuring media work of PLU on BBC site July 2002
Review of People Like Us album, Recyclopaedia Britannica, on BBC website 2002
PLU get a mention in Larry Lessig’s blog 2003 
Very good interview with Kenny G on WFMU, March 2003
Small mention in The Guardian (UK)
Sound Unseen Festival, Walker Arts Center, Minneapolis 2002

Sound Unseen Festival, Walker Arts Center, Minneapolis2 2002

Ether Festival Flyer, Purcell Room, London 2002
Ether Festival review in The Wire, Purcell Room, London 2002
Ether Festival reviews, Purcell Room, London 2002
Sight and Sound magazine 2002
Lovebytes Festival Programme, Sheffield 2002
Lovebytes Festival Programme, Sheffield 2 2002
Oblique Lu Nights Festival, Nantes, France 2002
People Like Us at Sound Unseen, Minneapolis 2002
LMC 10th Anniversary Festival, Purcell Room, London 2001
LMC 10th Anniversary Festival, Purcell Room, London 2 2001

People Like Us and Matmos concert at Sonar, 2001 (The Wire)

Laptops Live ICA, London 2 2001
Laptops Live, ICA, London 2001

Futuresonic Festival, Manchester 2001
EMAF, Osnabruck, Germany 2001
Electrofringe, Newcastle, Australia 2001
Reviews in NME and Bizarre Magazine 2001
Sydney Opera House flyer 1 2001
Sydney Opera House flyer 2 2001

Sydney Opera House ticket 2001
Lux Centre, London 2001
BBC Radio Times 2001

Sound Projector interview 2000

Exit Festival, Creteil, France 2000
The Wire magazine interview 1999
San Francisco Bay Guardian review 1999
Ars Electronica, Linz, Austria 1998
NME Single of the Week 1996
NME Interview 1996
NME Interview 1995

This is by no means an exhaustive list, there are many that we have not scanned in from the 1990s, and many a web search we have not made. But it’s a taster.

pumpkin

The Zone – World Premiere

The Zone will be premiered at Bristol Arnolfini on Friday 2nd November and will be introduced by Vicki Bennett.

Arnolfini:
http://www.arnolfini.org.uk/whatson/live/details/1423

The Zone is the first feature-length film by Vicki Bennett a.k.a People Like Us. Running Stalker and The Wizard of Oz side-by-side, it tells one story of two journeys to “the promised land, the world where dreams can be made real and reality is like a dream.” The films sit side by side, staying loyal to the linear narrative, but editing the longer film to the length of the shorter, revealing delightful harmonies and synchronicities both in images and narrative occurring far more than either pure chance would dictate or the imagination construct. The Zone is inspired by the Chance Operations of John Cage, Cut-Up techniques of Gysin/Burroughs and Kurt Schwitters, and single shot/durational films (Andy Warhol, James Benning).

Please note: this film is not being distributed as of January 2013 after a legal claim by Mosfilm, the rights holders of Tarkovsky.

Buy MOON MAGIC 7 inch single!

BUY MOON MAGIC 7 INCH SINGLE NOW

“Moon Magic 7 inch single” by People Like Us & Ergo Phizmiz
Release date: 13 November 2012 (presales 13 October)
Illegal Art IA702 http://www.illegalart.net

“Moon” and “Magic” is a AA side 7 inch single, also on the Illegal Art label. Both tracks are taken from The Keystone Cut Ups DVD.

 

 

 

 

 

 

 

 

 

All prices below INCLUDE shipping within stated price.

UK – price including P&P: $9.50
Buy in UK

EUROPE – price including P&P: $10.00
Buy in rest of Europe

ELSEWHERE – price including P&P: $13.00
Buy in rest of world

Feature in WIRED

If you live in the US/Canada, unless you are buying other merchandise from us at the same time it will work out cheaper to buy the 7″ direct from the Illegal Art Shop due to the fact that we post from Europe and have to charge for that.

People Like Us & Ergo Phizmiz from “MOON MAGIC” 7″.