Artist statement for People Like Us

Vicki Bennett - press photoPeople Like Us 2016

Since 1991 British artist Vicki Bennett has been working across the field of audio-visual collage, and is recognised as an influential and pioneering figure in the still growing area of sampling, appropriation and cutting up of found footage and archives.  Working under the name People Like Us, Vicki specialises in the manipulation and reworking of original sources from both the experimental and popular worlds of music, film and radio. People Like Us believe in open access to archives for creative use. In 2006 she was the first artist to be given unrestricted access to the entire BBC Archive. People Like Us have previously shown work at Tate Modern, Whitechapel Gallery, The Barbican, Centro de Cultura Digital, V&A, Sydney Opera House, Royal Albert Hall, Pompidou Centre, Maxxi and Sonar, and performed radio sessions for John Peel and Mixing It. The ongoing sound art radio show ‘DO or DIY’ on WFMU has had over a million “listen again” downloads. since 2003. The People Like Us back catalogue is available for free download hosted by UbuWeb.
Longer Biography
Filmography
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
Discography

 

BIOGRAPHY

Under the name “People Like Us,” artist Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution for 25 years. Since her first publication in 1992, Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and appropriation as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant.

Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent record labels, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available.  UbuWeb generously hosts the discography and filmography of People Like Us.

As a solo artist or collaborator she has published more than 50 audio recordings and 35 video projects, with works released by labels including Illegal Art, Rough Trade, Soleilmoon, Sonic Arts Network and Touch. Vicki’s DO or DIY show on the fiercely independent New York City-market radio station WFMU has run since 2003 and has had over a million individual “listen again” downloads. Her video work has been screened at Tate Modern, Whitechapel Gallery, the National Film Theatre/BFI, Purcell Room, the Barbican, the ICA, V&A. Centre Georges Pompidou (Paris), Sonar (Barcelona), MAXXI/National Museum of XXI Century Arts (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City), among other institutions. Video works have been aired on Channel 4 and she has also performed radio sessions for John Peel and Mixing It. People Like Us has been commissioned by The Arts Council England, The BBC, WDR, Great North Run Moving Image Commission, Sound and Music, Channel 4/Animate Projects, AV Festival, Sonic Arts Network, Forma, LUX and Lovebytes amongst others.

Notations (2013), a film for live improvisers toured the UK with TUSK/Sound & Music in Autumn 2013; Gesture Piece, a film with seven invited artist soundtracks; two films for Animate Projects/Channel 4 television, UK, broadcast as part of their Random Acts series. In 2015, Vicki created A/V performance Citation City, using techniques of Walter Benjamin’s Arcades Project in relation to London-based feature films. Nothing Can Turn Into A Void – a documentary film about People Like Us has screened in cinemas and festivals since Autumn 2015, and No One Is An Island, a radio work created for WDR, broadcast in April 2016. The Expanded Radio online/virtual commission/artist residency Optimized! broadcast on WFMU in June 2016.

Currently, Vicki is focussing on expanding both audio and moving image work for the multiscreen and multi-speakered environment Cinechamber with Recombinant Media Labs – Gone, Gone Beyond, a forever changing 10 screen 8 speakers surround/seamless projection work, world premiered in San Francisco in October 2017.  Vicki has just completed a new solo a/v performance The Mirror which which is currently touring the UK and overseas, and also produced the video for the spring 2018 The The Comeback Tour.

October 2018 sees the release of The Mirror CD and online release, featuring music from the movie of the same name and tracks from Gone, Gone Beyond.

Shorter Bio – Artist Statement
Filmography
Exhibitions and Editions
Selected Performances and Screenings
Commissions and Awards
Talks, Lectures
Discography

Vicki People Like Us 2016

Click below for hi-res photographs

Vicki - People Like Us 2016

DO or DIY with People Like Us on WFMU

DOorDIYSince Autumn 2003 People Like Us have been doing a weekly show on WFMU, called DO or DIY. The aim of the show is to mix highbrow with lowbrow to challenge whether there is much difference.  Archived playlists of at least 200 shows from 2003 to the present day can be found at www.wfmu.org/peoplelikeus

Vicki Bennett also curated/programmed RADIO BOREDCAST in Winter 2011/Spring 2012. It was first broadcast on basic.fm and now is archived at WFMU.  More recently, Vicki Bennett has programmed OPTIMIZED!, a week-long expanded radio stream on WFMU 6-10 June 2016.

Subscribe to the Podcast of DO or DIY by clicking here – it will prompt your iTunes program to open, where you will receive the podcasts.

About DO or DIY

DO or DIY is a freeform sound art radio show broadcast weekly by Vicki Bennett (project name People Like Us) on WFMU.

The philosophy behind the show is simple. That within the realms of avant-garde and experimental sound art the goalposts defining “accessible” and “inaccessible” are constantly moving. As the radar rises and dips, fragments and shards of underground creations unearth, and popular culture and artist resonate, shifting shapes accordingly with one another in reflections of changing spotlights.

The avant-garde and popular culture rely on each other’s energy. People Like Us collage both “hard to listen” works and popular listening matter, showing that in fact, beyond the restrictions of genre, genre IS the restriction and it is possible to like many kinds of art and music. The key is finding the door – DO or DIY leads the way into new and unusual realms of listening and hope to show the way in.

Each show consists of collages made of sound works from the 20th and 21st century, often layered and looped many times over, resulting in an album type effect on each show.
The pun “All Things Avant-Retard”, a rhyme with “All Things Avant-Garde” literally means All Things Forward-Backwards. Essentially by using sonic extremes and apparent opposites we find some sort of central point or balanced perspective on music and sound.

Suggested Listening: DO or DIY fill in for Ken.

New Free WFMU iPhone/iPod Touch app!

Also, if you have an iPhone or iPod Touch we are also pleased to announce that you can listen to not only the regular WFMU stream on the move at a glorious 128k, but also all of our special streams, recent DJ show archives and DJ podcasts including all of DO or DIY!

You can download the much improved updated free WFMU app right here.

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Selected Performances and Screenings

People Like Us/Vicki has performed and been screened at hundreds of venues (Tate Modern, Whitechapel Gallery, the National Film Theatre/BFI, Purcell Room, Barbican, ICA, V&A., BBC Proms, Centre Georges Pompidou (Paris), Sonar (Barcelona), MAXXI/National Museum of XXI Century Arts (Rome), Walker Art Center (Minneapolis) and Centro de Cultura Digital (Mexico City)) and radio stations – created radioworks for John Peel and Mixing it (BBC Radio) and WDR (Germany), and since 2003 has a radio show on WFMU(.org). Vicki’s work has been archived on UbuWeb since 2003, with hundreds of thousands of downloads.

November 2018 – “The Mirror” new a/v performance, Brighton Cinecity at Fabrica
November 2018
– “The Mirror” new a/v performance, Oslo
November 2018
 – “The Mirror” new a/v performance, Spill Festival, Ipswich UK (double bill with CarterTutti)
October 2018
– “The Mirror” new a/v performance, Berlin HKW “100 Years of Copyright” Festival
October 2018 – “The Horror!!” at Horse Hospital, London
October 2018
– “25 Years of People Like Us” new a/v performance, Oviedo, Spain
October 2018 – “The Mirror” and others (theatrical screening) at Spectacle Cinema, Brooklyn
July 2018
 – “The Mirror” new a/v performance, MACBA Barcelona
July 2018
– “The Mirror” new a/v performance, Gijón Arenas Movedizas 
July 2018
– “The Mirror” new a/v performance, Cafe Oto, London (double bill with Carl Stone)
May 2018 
– “The Mirror” new a/v performance, Splice Festival, Rich Mix, London
April 2018
 – “The Mirror” new a/v performance, Flatpack Film Festival, Birmingham
April 2018
 – “The Mirror” new a/v performance, Cafe Oto, London
April 2018 
– “The Mirror” new a/v performance, Belfast Film Festival, Crescent Arts Centre
April 2018
– “The Mirror” new a/v performance UK Premiere, Greek Film Archive, Athens
April 2018 – “The Mirror” new a/v performance Premiere, FACT, Liverpool
April 2018
– Consequences (One Thing Leads to Another) as a special edition stand alone edit for Other Cinema, San Francisco (April 7)
March 2018
– “Best of PLU” Sounds Like This Festival, Leeds (accompanied by solo exhibition)
October 2017
– World Premiere Screening of Gone, Gone Beyond – 360 surround movies at Recombinant Festival, Gray Area Foundation for the Arts, San Francisco
October 2017
– Screening of various films at Test Dept’s Assembly of Disturbance Festival at Red Gallery, London
October 2017
– Screening of 20 minute artist edit of Citation City at Other Cinema, San Francisco
September 2017
– Concert of selection of previous works at Brighton Digital Festival at Attenborough Centre for the Arts, Brighton Falmer
May 2017 
– week of performances/screenings for school children, Oslo
March 2017 
– Citation City at Hull UK City of Culture (ReROOTed)
February 2017 
– Selection of previous works at Cafe Oto
December 2016
– Shopping from Citation City at Other Cinema, San Francisco
November 2016 – Citation City at Dundee Contemporary Arts, Scotland
October 2016
– Magic (from Magical Misery Tour) and Magic (with Ergo Phizmiz) at Magic Late at the Horniman Museum, London
October 2016 – Nothing Can Turn Into A Void at Spectacle Theater, Brooklyn
July 2016 – Nothing Can Turn Into A Void at Norberg Festival
June 2016 Optimized! Radio Residency at WFMU
May 2016 – Citation City at Delco Festival, Nimes
April 2016
– Citation City at Sonic Protest, Paris April 2016 – We Are Not Amused screening at Apordoc, Lisbon April 2016No One Is An Island broadcast on WDR, Germany March 2016 – Screening of the new Matmos video made by People Like Us at Other Cinema, San Francisco (March 5)
February 2016
 – Friday Late at V&A, London
November 2015
– improvisation at Cafe Oto with M.C.Schmidt and Jennifer Walshe
November 2015
Nothing Can Turn Into A Void at Fylkingen, Stockholm
November 2015
– Citation City at Brighton Cinecity Festival
November 2015 – Nothing Can Turn Into A Void at Brighton Cinecity Festival
October 2015
– Work, Rest & Play at Curtocircuito. Santiago de Compostela Film Festival-Santiago de Compostela
October 2015
CCCitations at Other Cinema, San Francisco
September 2015
– Citation City at Walter Benjamin Now, Whitechapel Gallery, London
September 2015 
– Citation City at Encounters Short Film Festival Bristol UK
August 2015
– Screening of We Are Not Amused at Usurp Zone5 Film Festival, London
April 2015 
– Citation City at SMUP in Parede, PortugalMarch 2015 – Screening of We Are Not Amused at Ann Arbor Film Festival
March 2015
– Screening of 4’33” and Notations at group exhibition Drawing Towards Sound, University of Greenwich Galleries, London
March 2015
– UK Premiere of Citation City at Flatpack Film Festival, Birmingham
March 2015
– Screening of The Big Sleep at She Makes Noise Festival, Madrid
March 2015
– Screening of The Big Sleep at Other Cinema, San Francisco
January 2015
– Screening of The Big Sleep at Stuttgarter Filmwinter, Stuttgart
January 2015 
– Citation City world premiere at transmediale
January 2015
– People Like Us & Gwilly Edmondez live improv, Amersham Arms, London
December 2014
– Citation City preview at Cafe Oto London
November 2014 – January 2015
– The Golem at Kunsthall Stavanger
November 2014
 – Movement – Sound – Space Festival, Ostrava, CZ – Plato (Gong) Ostrava – Tribute to WS Burroughs (1914 – 1997)
November 2014
– Screening of We Are Not Amused at Other Cinema, San Francisco
October 2014
– Magical Misery Tour at Gleam Festival, University of Glasgow
October 2014
– Work Rest and Play at Syndicat Mixte Les Abattoirs, Toulouse
October 2014 – Notations and Consequences at In Mute Festival, Athens – Onassis Cultural Centre
September 2014 – Notations at High Zero, Baltimore
September 2014
– Notations and Consequences at Monty Hall, WFMU, NJ
August 2014
 – Screening of We Are Not Amused at Sao Paulo 25th International Short Film Festival
August 2014 – Screening of Gesture Piece at the International Program at Seoul International NewMedia Festival in August
August 2014 – Screening of The Sound of the End of Music at Stockholm Music and Arts Festival curated by David Risley Gallery
June 2014 – Screening of Skew Gardens at Gracelands, Dublin
June 2014Exhibition of Consequences (One Thing Leads To Another) at Sheffield Doc/Fest 
May 2014 – Screening of We Are Not Amused at Oberhausen Film Festival, London, entered for the International Film Category competition
May 2014
– Consequences (One Thing Leads To Another) at Hörbar, Hamburg
May 2014
– Consequences (One Thing Leads To Another) and artist talk at Trondheim Electronic Arts Centre Here To Go Symposium, MetaMorf
March 2014 
– Consequences (One Thing Leads To Another) at L’Embobineuse, Marseille, France
November 2013 
– Screening of We Are Not Amused at Underwire Festival, London
November 2013
– Screening of We Are Not Amused and The Golem – An Inanimate Matter at Bradford Animation Festival
November 2013 – Consequences (One Thing Leads To Another) at Sound of Stockholm Festival
November 2013 – Consequences (One Thing Leads To Another) at Manchester Kraak
November 2013 – Consequences (One Thing Leads To Another) at Leeds Hyde Park Picture House as part of Leeds International Film Festival
November 2013 – Consequences (One Thing Leads To Another) at London Cafe Oto
November 2013 – Consequences (One Thing Leads To Another) at Bristol Arnolfini
November 2013 – Tusk/Sound and Music UK tour of NOTATIONS – Newcastle, Manchester, Leeds, Sheffield, London and Bristol (see venues above)
Performers: Bill Orcutt, Rhodri Davies, Mark Sanders, M.C. Schmidt, Wobbly, Jennifer Walshe, Tomomi Adachi, Jaap Blonk, Philip Jeck, Steve Noble – support from Consequences (One Thing Leads To Another)
November 2013 – Consequences (One Thing Leads To Another) at Sound of Stockholm Festival
October 2013 – Consequences (One Thing Leads To Another) at Lab Festival, Augsburg
October 2013 – Consequences (One Thing Leads To Another) at Newcastle Star & Shadow
October 2013 – Screening of Gesture Piece at Other Cinema, San Francisco
October 2013 – Screening of Gesture Piece at High Zero Festival, Baltimore
October 2013 – Consequences (One Thing Leads To Another) at lab.30 Festival, Augsburg
August 2013 – Artist talk at Liverpool Biennale
June 2013 – Consequences (One Thing Leads To Another) at Only Connect Festival, Oslo
May 2013
 – Consequences (One Thing Leads To Another) at Nuits Sonores Festival, Lyon
May 2013 
– Consequences (One Thing Leads To Another) at Colchester Arts Centre
April 2013 
– Consequences (One Thing Leads To Another)Tectonics Festival, Reykjavik
February 2013 
Consequences (One Thing Leads To Another) at Play Festival, Madrid
January 2013 
– Premiere of Consequences (One Thing Leads To Another) at Transmediale, Berlin
December 2012 – Work Rest & Play at Norwegian Film Institute, Oslo
November 2012 – 4’33” The Movie at Exground Filmfest, Wiesbaden
November 2012 – Clean Your Room at Filmladen Kassel e.V, Kassel
October 2012
 – Clean Your Room at Impakt, Utrecht
September 2012 – Genre Collage at CitySonic, Brussels
August 2012-June 2013 – Cage Silenced and 4’33” The Movie in SOUNDS LIKE SILENCE Cage – 4’33” – Silence 1912 – 1952 to 2012 – HMKV, Dortmund
August 2012 – BBC Proms 47, John Cage – Royal Albert Hall, performing “Branches” and “Improvisations III”
Summer 2012 – Prints of Darkness tours to Peacock Visual Arts, Aberdeen, Scotland
July 2012
 – Magical Misery Tour at Latitude Festival
June 2012 – Magical Misery Tour at Belfast Film Festival
May 2012 – Trying Things Out, Story Without End and Resemblage at Musee d’Art Moderne et Contemporain-Strasbourg 
May 2012
 – Magical Misery Tour in Madrid at Caixaforum
April 2012 – The Sound of the End of Music at Image Forum Festival, Tokyo
Spring 2012 – Prints of Darkness purchased for Pallant House Collection, Chichester for inclusion in their collection in 2012
January 2012 – Screening of The Sound of the End of Music, Transmediale, Berlin
December 2011 – Screening of Magic, Kineteca, Madrid
November-December 2011 – Prints of Darkness tours to Engramme, Quebec, Canada
November 2011 – Magical Misery Tour at Cinecity, Brighton Film Festival, UK
November 2011 – Screening The Sound of the End of Music at Filmladen Kassel e.V., Kassel
November 2011 – Magical Misery Tour at Bristol Encounters International Film Festival
November 2011 – Magical Misery Tour at Cork Film Festival
October 2011 – Speaking at RadioVision conference, NYC
October 2011 – Screenings of Skew Gardens and Trying Things Out at Merge Festival, Bankside, London
October 2011 – Genre Collage at Almost Cinema, Gent Film Festival, Belgium
September 2011 – New live set “Horror Collage” premiered at The Sound Of Fear at London’s South Bank Centre.
July-September 2011 – Solo exhibition “The Doors of Perspection” at Vitrine Gallery, London
August 2011 – Skew Gardens, The Keystone Cut Ups and The Sound of the End of Music at Mitternachtskino – Frankfurt am Main
July 2011 – Print edition co-published by Modern Empire and Vitrine Gallery
May-June 2011 – Modern Empire at La Scatola Gallery
May-June 2011 – Prints of Darkness tours to The Changing Room, Stirling (12 May-25th June 2011)
May 2011 – Genre Collage at Auditorium of Rome
May 2011 – “Live Excerpts” at “Expanded Video” exhibition, MAXXI, Italy
April 2011 – More Soup and Tart at The Barbican, London
April 2011 – Genre Collage at Open Ears Festival, Kitchener Ontario
April 2011 – film screenings at Satellite Vitrine Gallery, The Hospital Club, London
March 2011 – The Keystone Cut Ups at Flatpack Festival, Birmingham, UK
March 2011 – Genre Collage and multiple film screenings at Ambulante, Mexico
January 2011 – Genre Collage at Art’s Birthday Party, Swedish Radio, Stockholm
November-December 2010 – Prints of Darkness tours to Matthew Gallery, Duncan of Jordanstone College of Art & Design, Dundee
November 2010 – Genre Collage at The British Film Festival, Ukraine
October 2010 – Supersonic Festival, Birmingham
September 2010 – Press Play Film Festival, Newcastle-Upon-Tyne
September 2010 – Berwick Film And Media Arts Festival – premiere of The Keystone Cut Ups with Ergo Phizmiz 
August 2010 – Skew Gardens at Lincoln Center, New York as part of UbuWeb evening
August 2010 – Genre Collage at Vintage Goodwood
August 2010 – Genre Collage in the Ukraine presented by Forma and the British Council 
July-Sept 2010 – Prints of Darkness, Edinburgh Printmakers – group exhibition – pic disc LP and print by Vicki Bennett
July 2010 – “Genre Collage” at Bristol Arnolfini in conjunction with Encounters Film Festival
July-Oct 2010 – In The Long Run: 30 Years of Great Running – Great North Museum: Hancock – “Parade” as part of group exhibition
June 2010 – “Genre Collage” at De La Warr Pavilion
May 2010 – “Genre Collage” at Liverpool Sound City, in conjunction with Sound and Music
May 2010 – “Genre Collage” at Musraramix Festival – Jerusalem, Israel
April 2010 – Baltimore Transmodern screening 2010
April 2010 – Issue Project Room, Brooklyn
March 2010 – AV Festival, Newcastle
December 2009 – BFI Southbank, London
December 2009 – Grand Café Zum Rothen Krebsen (IFEK Institut für erweiterte Kunst), Linz, Austria
November 2009 – Night of the Long Worms, Cafe OTO, London
November 2009 – NEW NEW! 2009 – Fleda, Brno, Czech Republic
October 2009 – WFMU Record Fair, NYC
October 2009 – Vancouver New Music Festival
August 2009 – Cafe OTO, London (live with Ergo Phizmiz)
September-November 2009 – Parade (film and two photo works at Hatton Gallery, Newcastle as part of “Hit The Ground”
May 2009– Sonic Recycler, London (screening Skew Gardens)
May 2009 – Vienna Independent Shorts (screening Work, Rest & Play)
April 2009 – sound:frame Festival (screening We Edit Life)
April 2009 – Indielisboa, Lisbon (screening Work, Rest & Play)
April 2009 – Glimmer Festival (screening Work, Rest & Play)
April 2009 – Migrating Forms Festival (NYUFF), New York (screening Work, Rest & Play)
March 2009 – Zemos98, Seville
February 2009 – Rotterdam Film Festival (screening Work, Rest & Play)
January 2009 – Stuttgarter Filmwinter, Stuttgart (screening Work, Rest & Play)
December-May 2008/9 – Fundacio la Caixa Gallery (screening 3 works)
November 2008 – SPNM hosted concert at Kings Place, Kings Cross, London
November 2008 – Invideo, Milan (screening Work, Rest & Play)
October 2008 – Cork Film Festival (screening Work, Rest & Play)
September 2008 – Experimental Film Video Festival, Seoul (screening Work, Rest & Play)
June 2008 – Sonar, CCCB Barcelona (screening Work, Rest & Play)
May-July 2008 – People Like Us Retrospective Solo Exhibition – alt.gallery, Newcastle, UK
May 2008 – live solo concert, reinterpreting the works of Daphne Oram (BBC Radiophonic Workshop)
March 2008 – Screening of Skew Gardens at Curzon, Soho, London
March 2008 – Sightsonic, York International Festival of Digital Arts – National Centre For Early Music – solo and joint A/V concert with artist Ergo Phizmiz
January 2008 – London Short Film Festival (screening Work, Rest & Play)
November 2007 – Live soundtrack to Christian Marclay’s Screen Play, as part of the Wire 25 anniversary series, London
October 2007 – Touch live event, Balham, London
June 2007 – Bilbao Copy Your Idols conference
May 2007 – 3 Screen video premiere of Work, Rest & Play at Millennium Galleries, Lovebytes International Festival of Digital Media, Sheffield
February 2007 – Session for Mixing It, BBC Radio 3
November 2006 – Encounters 12th Annual International Short Film Festival, Bristol (screening of Story Without End)
November 2006 – La Casa Encendida, Madrid (screening of The Remote Controller)
November 2006 – Fundacio La Caixa. Mediateca, Barcelona (screening of Story Without End)
October 2006 – La Blanche Nuit, Paris (screening of Story Without End)
September 2006 – Exis Experimental Film and Video Festival, Seoul, Korea (screening of Story Without End)
July 2006 – Miguel Dias Vila Do Conde ISFF, Portugal (screening of Story Without End)
June 2006 – Sonar Cinema, CCCB Barcelona (screening of Story Without End)
June 2006 – BOOTS – Live collaboration with Ergo Phizmiz – info here
May 2006 – European Media Art Festival, Osnabrueck (screening of Story Without End)
April 2006 – Britspotting, Berlin (screening of Story Without End)
April 2006 – Porto at Casa Da Musica, Porto
March 2006 – Photographers’ Gallery, London (screening of Story Without End)
March 2006 – Visual Arts Ipswich, Ipswich (screening of Story Without End) February 2006 – Club Transmediale, Berlin (screening of Story Without End)
January 2006 – Le Cube, Paris
January 2006 – Flatpack Festival, Birmingham
November 2005 – Other Cinema, San Francisco
November 2005 – UC Davis, Davis, California
November 2005 – Performance at Leeds International Film Festival
October 2005 – Nulle Part Ailleurs Production (screening of We Edit Life)
October 2005 – Experimentaclub in Madrid 
September 2005 – Etrange Festival at Forum Des Images, Paris
July 2005 – Optronica at The National Film Theatre, London
June 2005 – Mission Creek Music Festival, California
April 2005 – Britspotting, Berlin (screening of The Remote Controller)
April 2005 – Femme Totale, Dortmund (screening of The Remote Controller)
February 2005 – AHRB Centre for British Film and Television, London (screening of We Edit Life and The Remote Controller)
February 2005 – Cinilingus, Belfast (screening of We Edit Life)
January 2005 – Stuttgarter Filmwinter, Stuttgart (screening of The Remote Controller)
December 2004 – Live concert as part of Christian Marclay’s Sounds of Christmas installation at the Tate Modern, London
November 2004 – Rio de Janeiro International Short Film Festival (screening of The Remote Controller)
November 2004 – Tromsø Kunstforening (screening of The Remote Controller)
November 2004 – Festival International du Film Independant (screening of The Remote Controller)
November 2004 – INVIDEO, Milano (screening of The Remote Controller)
October 2004 – Leeds International Film Festival, Leeds (screening of The Remote Controller and We Edit Life)
October 2004 – Backup Festival, Weimar (screening of The Remote Controller)
October 2004 – Bath Michael Tippett Centre
September 2004 – Seoul New and Film Festival – Seoul (screening of The Remote Controller)
September 2004 – Barcelona LEM Festival
August 2004 – Chicago Underground Film Festival (screening of The Remote Controller)
August 2004 – Oslo Studio 04 Festival
June 2004 – The Music Hall, Shrewsbury (screening of We Edit Life)
May 2004 – BBC Radio 3 – Mixing It – Live Session/broadcast
April 2004 – Toronto Images Festival 
March 2004 – Virginia Film Festival 
March 2004 – New York Underground Film Festival
February 2004 – First Anniversary of 2003 FACT, Liverpool
January 2004 – Hanger, Barcelona (screening of The Remote Controller)
January 2004 – Rotterdam Film Festival (screening of The Remote Controller)
November 2003 – Work, Work, Work at Yerba Buena Center For The Arts, San Francisco, as part of Matmos’s artist installation
November 2003 – Sample Culture Now at The Tate Modern
October 2003 – Oslo S-, Oslo (screening of The Remote Controller)
October 2003 – Wheels Instead of Hooves, Newcastle (screening of We Edit Life)
October 2003 – City of Women, International Festival of Contemporary Arts Ljubljana, Slovenia
October 2003 – Dissonanze Festival of Electronic Music and Digital Art, at MACROl, Rome
September 2003 – Kino Central, Berlin (screening of The Remote Controller)
September 2003 – The Pompidou Centre, Paris
July 2003 – The ICA, London – screenings of The Remote Controller and We Edit Life as part of their Radical Entertainment season
June 2003 – Le Fresnoy, Studio National Des Arts Contemporains, France
April 2003 – Live performance as part of Cut & Splice (Sonic Arts Network), ICA, London
March 2003 – POL, Frankfurt
February 2003 – Club Transmediale, Berlin at “Maria am Ostbahnhof”
January 2003 – Session for John Peel, for BBC Radio 1
November 2002 – Avanto Festival at Kiasma Centre, Helsinki, Finland
September 2002 – Sound Unseen Festival at The Walker Center, Minneapolis, USA
June 2002 – South Bank’s Meltdown Festival, Queen Elisabeth Hall, London – video commission for Baby Zizanie
May 2002 – Southbank Centre ETHER Festival, Purcell Room, London 
December 2001 – Dysfunktional Beats at 93ft East, London
November 2001 – Laptops Live at the ICA, London
November 2001 – Futuresonic, Manchester
October 2001 – Sydney Opera House, Australia as part of This Is Not Art Festival
June 2001 – London Musicians Collective’s Tenth Annual Festival, Purcell Room, London
June 2001 – Sonar Festival, Barcelona – live collaboration with Matmos (US)
May 2001 – Catalyst/Cathedral Quarter Arts Festival, Belfast
April 2001 – EMAF, Osnabreuck
March 2001 – Lovebytes Festival, Sheffield
March 2001 – Dingwalls, London in association with Mixing It, BBC Radio 3
February 2001 – London Lux Cinema in association with The Wire magazine
December 2000– Bristol Cube Cinema, in association with The Wire magazine
December 2000– Lisbon Numero Festival in association with Warp Records of London
November 2000– Burning Bush, Dundee Contemporary Arts
October 2000 – Montreal Festival of New Cinema and New Media (FCMM)
May 2000 – Brooklyn Experimental Music Festival, NYC
April 2000 – Komedia, Brighton
June 2000 – TransEuropa 2000, Hildesheim
March 2000 – Exit Festival, Creteil
June 2000 – Sonar 2000, Barcelona
February 2000 – Brussels 2000, European City of Culture Festival
January 2000 – Chicago Underground Film Festival (CUFF) event
October 1999 – Fylkingen, Stockholm
October 1999 – Nottingham Expo Festival
September – Ars Electronica, Linz
August 1999 – Festival of the Regions, Enns
September 1996 – Dutch Electronic Arts Festival (DEAF)

List of Residencies, Commissions & Collaborations

Sound and Music New Voices [2018]
New live a/v performance “The MirrorACE Grants for the Arts [2018]
8 speaker / 10 screen audiovisual installation “Gone, Gone Beyond” with Recombinant Media Labs and Cinechamber [2016/2017/2018++]
Video editing/production for The The Comeback Special [Spring 2018]
Can’t Stop What’s Coming” video for THE THE [2017]
Curation of radio station and artist residency (with John Kilduff) Optimized! on WFMU funded by National Endowment for the Arts [June 2016]
No One Is An Island radio commission for WDR to be broadcast 9 April 2016 on WDR 3 [Summer 2015-Winter 2015]
Curation of films for Concert of Collage, Watershed, Bristol [September 2015]Nothing Can Turn Into A Void
, editing a feature length doc film by Carl Abrahamsson about Vicki Bennett/People Like Us [Spring 2015]
Arts Council England award creating a new live a/v performance Citation City and new short films with artist soundtracks pdf [Spring 2014-Spring 2015]
Book collaboration with Gregor Weichbrodt The Fundamental Questions [Summer 2014]
Those Who Do Not T Shirt Commission [Summer 2014]
Printed in a light blue and white on an electric blue T-shirt with The Wire logo and Vicki Bennett Those Who Do Not printed in light blue on the back of the neck. Limited edition of 100 shirts.
Solo gallery show Shutter at Leeds College of Art pdf [Winter-Spring 2014]
Touring award from Sound and Music for Notations [Autumn/Winter 2013]
Two short animation films for Animate Projects/Channel 4 television, UK as part of their Random Acts Series [March 2013-July 2013] broadcast on national television in Autumn 2013 pdf
Creation of online film with 7 artist soundtracks Gesture Piece, commissioned by Pixel Palace at Tyneside Cinema pdf [Spring/Summer 2013]
Creating a new live A/V performance Consequences (One Things Leads To Another, commissioned by Arts Council England [August 2012-January 2013], supported by transmediale [January 2013]
Music for live performance piece Lost and Found by Anne Juren [Summer 2012]
Archiving Radio Boredcast on WFMU, commissioned by AV Festival wfmu.org/playlists/ZZ [May-June 2012]
Curating an online-radio station Radio Boredcast for AV Festival 12pdf [Sept 2011-March 2012]
Sound and Music commission to make a/v live performance Horror Collage for The Sound Of Fear (later changed to “The Magical Misery Tour”) Southbank Centre, London [September 2011]
The Doors of Perspection atVitrine Gallery London [July/August 2011]
Berwick Film & Media Arts Festival commission to create a new live a/v performance The Keystone Cut Ups with Ergo Phizmiz [2010]
Curation of Nothing is New, Everything Is Permitted. as part of AV Festival 10 at the Star and Shadow, Newcastle [2010]
Edinburgh Printmakers commission to create audio and artwork for a picture disc LP “This Is Light Music”, as part of their group exhibition Prints of Darkness to be shown at Edinburgh Printmakers in Summer 2010 then touring venues [2010]
Grants For The Arts commission to create new a/v performance Genre Collage [2008-2009]
Great North Run Moving Image Commission 2009 The Great North Run Cultural Programme – to create a film using the archives of the Great North Run, Parade pdf [July 2008-October 2009]
Grants For The Arts commission to release Rhapsody In Glue with Ergo Phizmiz on bleep.com – an album created with audio collage sourced from the podcast Codpaste (May 2008)
 Retrospective solo exhibition of People Like Us A/V work, entitled We Edit Life at alt.gallery Newcastle curated by Rebecca Shatwell pdf [May 2008]
Curation of CD Smiling Through My Teeth – Sonic Arts Network [May 2008]
Forma/AV Festival commission Breaking Waves to make Bluetooth audio compositions for mobile phone [January 2008]
Lecturing Music and Other Media at Goldsmiths [2006-2008]
Wandsworth Film Awards commission to make short digital film Skew Gardens, exploring the boundaries of urban land use – [September 2007]
Lovebytes commission in association with Millennium Galleries, Sheffield to make three screen A/V film Work, Rest & Play [June 2007]
 Grants For The Arts commission to make podcast series Codpaste on WFMU, where People Like Us & Ergo Phizmiz explore the working process of creating music from scratch [September 2007]
Radio session for BBC Radio 3’s Mixing It [February 2007]
Artist Residency at BBC Creative Archive with “access all areas” to work with their archive – Arts Council England (Interdisciplinary Arts) with BBC, White City – [March 2006]
Grants For The Arts commission to create 10″ record to be given away for free in selected international record stores Honeysuckle Boulevard [August 2006]
PRS Foundation award to create a new live performance (with artist Ergo Phizmiz) using dansette players and self-pressed vinyl compositions Boots! [June 2006]
Sonic Arts Network / Goldsmiths Electronic Music Studio (EMS) commission working with Daphne Oram’s sound archive [Summer 2005]
Grants for the Arts commission to create new live A/V performance – [April 2005]
LUX commission to make digital short film sourcing the LUX archive collection Resemblage [October 2004]
Residency at FACT to make radio play Molaradio in collaboration with artist Felix Kubin and Croxteth school children [January 2004]
Sonic Arts Network commission to make short film and subsequent DVD release – Story Without End [June 2004]
Live performance with Wobbly for radio broadcast on BBC Radio 3’s Mixing It, London Spitz [May 2004]
BBC Radio 1 session for John Peel [January 2003]
Future Physical commission to make digital short film The Remote Controller [June 2002]
Lovebytes commission to make short film We Edit Life [December 2002]
Curated line up for Humour in Music event, Ether Festival at Purcell Room, London [May 2002]
Year of the Artist Residency, Lighthouse, Brighton with Brighton & Hove Music Library, teaching sound collage [June 2001]
Year of the Artist Residency, Hull Time Based Arts, making A/V collage – [January-April 2001]
Live session and BBC Radio 3 broadcast for Mixing It, Dingwalls [March 2001]
Work & Leisure International commission to make new A/V live performance – [September 1999]
Ars Electronica – The Sound of Music live collaboration with Negativland and Barbed [Summer 1998]
Various radio commissions for De Avonden on VPRO, The Netherlands [early 1990s]

Exhibitions and Editions

To date, People Like Us/Vicki has had 5 solo exhibitions and participated in 19 group shows at MAXXI (Rome), HMKV (Dortmund), Centro de Cultura Digital (Mexico), Hatton Gallery (Newcastle), Vitrine (London), alt.gallery (Newcastle), Greene County Council for the Arts Gallery (NY), Peacock Visual Arts (Aberdeen), Pallant House (Chichester), Engramme (Quebec), La Scatola Gallery (London), Changing Room (Stirling), Franklin Street Works (Connecticut), Usurp Gallery (London), University of Greenwich Galleries, Matthew Gallery (Dundee), Edinburgh Printmakers, Millennium Gallery (Sheffield) Leeds College of Art and Sunbeam Studios (London).

Also featured in Sounds Like Silence – 4’33’’ Silence Today (Spectre Books 2012), The Journal of Writing In Creative Practice (Vol 7 Issue 1 2015), The Fundamentals of Sonic Art and Design by Tony Gibbs (Ava Publishing 2007), Cutting Across Media by Kembrew McLeod (Duke University Press 2011), Here To Go – Art, Counter-Culture and the Esoteric (Forum Nidrosiae 2014), Incredible Machines by Danny Snelson (avant 2014), and writing for The Wire’s Collateral Damage (February 2012).

For gallery concerts and festival film screenings please also see Selected Performances and Screenings

Continue reading

Discography

This is by no means the full list, but it’s what we remember!
“Another Kind of Humor Another Kind of Murder” (split with Abraxas) World Serpent (CD/LP) 1992
“Lowest Common Dominator” Staalplaat (CD) 1994
“It’s Terrorific!” Staalplaat (DAT) 1994
“Guide To Broadcasting” Staalplaat (3″CD) 1994
“Beware The Whim Reaper” Staalplaat(CD) 1996
“Jumble Massive” Soleilmoon Recordings (LP) 1996
“File Under Easy Listening/File Under Sleazy Listening” (split with Sniper) Kleptones 1 (LP) 1996
“Lassie House” Staalplaat (10″ Picture Disc) 1997
“Blundersonix/Special Mix” (split with TFU) Kleptones(LP) 1997
“People Like Us and Sniper Play The Three DJs of The Apocalypse” (with Sniper) Kleptones (LP) 1997
“Hate People Like You” Staalplaat (CD) 1997
“People Like Us Meet The Jet Black Hair People In Concert” Audioview (CD) 1999
“Hate People Like Us” (remix of PLU by Coil, Negativland, Death in June, Barbed, Christoph Heemann, Bruce Gilbert, Stock, Hausen & Walkman, Rehberg & Bauer, Mika Vainio, Boyd Rice, Dummy Run, Farmer’s Manual and Sons of Silence. 2CD features additionally Cyclobe, Req1, V/VM, Sniper, Mr Rotorvator, Felix Kubin, Xper. Xr, Venoz [TKS], Katy Brown and Dr P Li Khan. There was an additional remix by Andy Votel/Badly Drawn Boy, excluded for legal reasons. Caciocavallo/CAD1 (CD) and Staalplaat (2CD) 1999 2CD
“Thermos Explorer” Hot Air (CD) 2000
“A Fistful of Knuckles” Caciocavallo (CD) 2000
“Swing Largo/Going Out Of My Town” Klang Galerie (7″) 2001
“Home-Roam-Play/Work-All-Day” (split 12″ with remix by Matmos) Wicked Witch Records (12″) 2001 recalled due to faulty pressing
“Recyclopaedia Britannica” Mess Media/Mess (CD) April 2002
“Preserved Cowgirl” Asphodel – remix of Tipsy (CD) August 2002
“Stifled Love” – Mess Media/Mess 2 (12″) October 2002
7″ single – Rough Trade label For Us Records October 2002
“Volatile Media” Lovebytes label (DVD) March 2003
“Wide Open Spaces” Tigerbeat6 label (CD) collaboration with Matmos and Wobbly May 2003
“Nothing Special” Mess03 (CD) collaboration with Kenny G June 2003
“A Call For Silence” – (CD) Sonic Arts Network February 2004
“Abridged Too Far” – (mp3) online album at Ubuweb. August 2004
“Windpipe Moods” – (CD) Mukow October 2004
“Story Without End” – (DVD) Sonic Arts Network October 2005
“Fom Fom” – (CD) – track for Chicks On Speed’s compilation Girl Monster – Chicks on Speed Records Summer 2006
“All Together Now” – (CD) – self released August 2006
“Honeysuckle Boulevard” – (10″) – self released collaboration with Ergo Phizmiz January 2007
“Perpetuum Mobile – (CD) – Soleilmoon Recordings April 2007
“On The Rooftops Of London” – (CDS) – self released May 2007
“Rhapsody In Glue” – (online album) – bleep.com  May 2008
“Smiling Through My Teeth” – (CD) – Sonic Arts Network May 2008
“Withers In The Waking” – (7″) Touch October 2008
“Le Xerox et l’Infini” – (cassette) Tapeworm June 2009
“Music For The Fire” – (CD) – Illegal Art June 2010
“This Is Light Music” – (LP) – Edinburgh Printmakers/Prints Of Darkness exhibit – August 2010
“Welcome Abroad” – (CD) – Illegal Art May 2011
“The Keystone Cut Ups” – (DVD) – with Ergo Phizmiz –  Illegal Art May 2012
“Magic Moon” -(7″) – with Ergo Phizmiz – Illegal Art May 2012
“Don’t Think Right, It’s All Twice” – (CD) – Cutting Hedge October 2013
“Dreaming” square flexidisc postcard – (8′) – Hasenbart Records 2014
“A Fistful of Knuckles” and “Nothing Special” reissued on cassette – Megaphone Records 2015
“Abridged Too Far” – (LP) – Discrepant March 2017
“Early Radio Works Vol. 1 – (cassette) Discrepant August 2017
“Optimized!” – (Split LP with Porest) – Discrepant October 2017
“Wide Open Spaces” – (with Matmos and Wobbly) – Discrepant February 2018
“Recyclopaedia Britannia” – (cassette) Discrepant August 2018
“The Mirror” – (CD) Cutting Hedge October 2018

Press Cuttings and more

People Like Us/Vicki has been reviewed in, amongst others, The Wire, BBC website, Bizarre Magazine, Rolling Stone, Frieze, The Independent, Record Collector, Time Out, Film Comment, The Guardian, The Scotsman, XLR8R, Baltimore City Paper, Sight and Sound, NME, Metro and San Francisco Bay Guardian, and interviewed for Found Footage Magazine (2016), The Observer (2006), Filmmaker Magazine (2015), The Wire (2014, 2011, 2008, 1999), Sight and Sound (2013), a-n Magazine (2012), Wired (2012), RadioWeb MACBA (2010), Sound and Music (2011), Sound Projector (2012, 2000), Bizarre Magazine (1999), NME (1995, 1996). On radio I’ve been interviewed on Late Junction (2016), Soundproof (ABC Radio National 2016), WDR 3 Open Sounds (WDR 2016), Cutting Up The Cut Up (BBC Radio 4 2015), North by Southwest (British Council 2012) PM (BBC Radio 3 2010), Twenty Minutes (BBC Radio 3 2009) and Mixing It (BBC Radio 3 2004). Please note: we no longer update this section very often because the internet is effective in finding these things, unlike the old days of magazine articles
Interview about Copyright on Ableton site (Nov 2016)
Interview on Soundproof (ABC Radio National) (July 2016)
Interview in Found Footage Magazine (April 2016)
Interview in Venture Engraved Magazine (March 2016)
Interview on WDR (Feb 2016)
Interview on Late Junction (BBC Radio 3) (Jan 2016)
Documentary about People Like Us (Jan 2016)
Interview in Filling Station Magazine Issue 63 with Peter Jaeger (Sept 2015)
Cutting Up The Cut-Up (BBC Radio) (June 2015)
Feature in The Wire Magazine (Psychic Jams) (August 2014)
Interview with The Wire Magazine (Feb 2014)
Interview in SyncTank about Gesture Piece (Sept 2013)
Interview in a-n magazine about Gesture Piece (Sept 2013)
Feature on our Random Acts commission in Televisual (June 2013)
Interview in Sight and Sound magazine and Clipping (May 2013)
Interview in De-Bug (February 2013)
Interview with City Sonic, Brussels (September 2012)
Review in The Wire of People Like Us & Ergo Phizmiz The Keystone Cut Ups DVD on Illegal Art (October 2012)
Review in Wired of People Like Us & Ergo Phizmiz Moon Magic 7″ on Illegal Art (August 2012)
Mention of Radio Boredcast
 by Radio Web MACBA (April 2012)
Interview in Wired about Radio Boredcast (March 2012)
Essay by Vicki Bennett in The Wire magazine’s Collateral Damage page 
http://thewire.co.uk/articles/8439/ (March 2012)
Review of AV Festival 12 in The Guardian (March 2012)
Blogpost by Vicki Bennett about Radio Boredcast for AV Festival 12 (February 2012)
Interview with Vicki about Radio Boredcast for AV Festival 12 by Pixel Palace (December 2011)
The Doors of Perspection preview in The Independent (29 July 2011)
The Doors of Perspection preview in The Independent 2 (29 July 2011)
The Doors of Perspection review in Front Row Reviews (July 2011)
People Like Us interview in Invisible Jukebox in The Wire (July 2011)
Review of Welcome Abroad in Groovemine (May 2011)
People Like Us feature in XLR8R (May 2011)
Review of More Soup And Tart In The Wire Magazine (June 2011)
People Like Us Chart In The Wire Magazine (June 2011)
Expanded Video exhibition at Maxxi – pdf (April/May 2011) More documentation here.
Review of Welcome Abroad in Letters With Mixtapes (May 2011)
Review of Welcome Abroad in AOL/Spinner (May 2011)
Review of Welcome Abroad in Dusted (May 2011)
Review of Welcome Abroad in Unheard Music (May 2011)
Review of Welcome Abroad in Decibel Tolls (March 2011)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Aesthetica Magazine (September 2010)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in The Scotsman (September 2010)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in IDMb News (September 2010)
The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in The Guardian Guide (September 2010)
Interview and feature about The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Berwick Advertiser (September 2010)
Interview and feature about The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Kyeo TV (September 2010)
Review of The Keystone Cut Ups (People Like Us & Ergo Phizmiz) in Observealot (September 2010)
Review of Music For The Fire in Sound Projector (2011)
Review of Music For The Fire (People Like Us & Wobbly) in Rumore (September 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Record Collector (August 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Sentireascoltare (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Skug (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in RifRaf (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Go Mag (July 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Magic (July 2010)
Preview of the People Like Us exhibit at Edinburgh Printmakers Prints of DarknessThe List (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Playground (June 2010)
Music For The Fire (People Like Us & Wobbly) in Huw Stephens’ Radio show BBC Radio 1 (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Limewire Music Blog (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in MusicOMH (June 2010)
Music For The Fire (People Like Us & Wobbly) in Stuart Maconie’s Radio show BBC Radio 6 (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in My Old Kentucky Blog (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Polychromic (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Beyond The Noize (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in aaamusic (June 2010)
Review of Music For The Fire (People Like Us & Wobbly) in Little Village Mag by Kembrew McLeod (May 2010)
Music For The Fire gets Radio 1 airplay (May 2010)
Article on the Recycled Film Symposium at AV Festival in axisweb (May 2010)Axisweb website
Review of Genre Collage in Baltimore City Paper (April 2010)
Review of MACBA’s Variations program, which Genre Collage is a part of (February 2010)
Review of Genre Collage in Film Comment magazine (January 2010)
People Like Us co-curate an evening at AV Festival (March 2010)
Nothing Is New, Everything Is Permitted – People Like Us play at AV Festival (March 2010)
BBC News – about People Like Us Baudrillard cassette (January 2010)
BBC News Front page (January 2010)
BFI Southbank (December 2009)
Straight.com (October 2009)
Alienated In Vancouver (October 2009)
Jean Baudrillard Le Xerox et l’Infini – Hard Format (August 2009)
Jean Baudrillard Le Xerox et l’Infini – Aquarius Records (August 2009)
Time Out – Critics Choice (August 2009)
Withers In The Waking review – Heathen Harvest (July 2009)
Interview in Crawdaddy (July 2009)
Rhapsody in Glue – Liability (March 2009)
Withers In The Waking review – Record Collector (January 2009)
Withers In The Waking review – Norman Records (December 2008)
Interview with People Like Us – Blow Up (December 2008)
Withers In The Waking review – Aquarius (December 2008) 
Withers In The Waking review – Boomkat (December 2008)
Smiling Through My Teeth review – Bad Alchemy (November 2008)
Smiling Through My Teeth review – Hair Entertainment (October 2008)
Rhapsody In Glue review – Goute Mes Disques (November 2008)
DO or DIY chart – The Wire (October 2008)
Smiling Through My Teeth review – Orkus (November 2008)
Smiling Through My Teeth review – Rumore (October 2008)
Rhapsody in Glue review – Blow Up (September 2008)
Smiling Through My Teeth review – Westzeit (October 2008)
Smiling Through My Teeth review – Ox (October 2008)
Smiling Through My Teeth review – Le Son Du Grisli (September 2008)
Smiling Through My Teeth review – Sound Projector (May 2008)
Smiling Through My Teeth review – Frieze magazine (September 2008)
Rhapsody In Glue review – Pop News (September 2008)
Smiling Through My Teeth review – Octopus Record Of The Week (September 2008)
Smiling Through My Teeth review – Rock Delux(September 2008)
Smiling Through My Teeth review – D Side(September 2008)
Smiling Through My Teeth review – Titel Magazine (September 2008)
Smiling Through My Teeth review – Schlendrian (September 2008)
Smiling Through My Teeth review – Vital Weekly 162 (September 2008)
Mention in the Guardian (UK) – Click That Dial! (August 11 2008)
Rhapsody in Glue review – O Dominio Dos Deuses (July 2008)
Rhapsody in Glue/Smiling Through My Teeth Review – Incendiary Mag (July 2008)
Rhapsody in Glue review – Octopus (July 2008)
Smiling Through My Teeth review – The Wire (August 2008)
Rhapsody in Glue review – Skug (July 2008) 
Rhapsody in Glue review – D-Side (July 2008) 
Rhapsody in Glue review – Choices Cologne (July 2008)
Rhapsody in Glue review – The Wire (July 2008)
Rhapsody in Glue review – Titel-Magazin / CD of the Week (June 2008)
People Like Us interview part 1 – The Wire (June 2008)
People Like Us interview part 2 – The Wire (June 2008)
People Like Us interview part 3 – The Wire (June 2008)
People Like Us interview part 4 – The Wire (June 2008)
People Like Us interview part 5 – The Wire (June 2008)
Perpetuum Mobile – Music For Maniacs (October 2007)
Perpetuum Mobile – Geiger (September 2007)
Perpetuum Mobile – Bad Alchemy (August 2007)

Perpetuum Mobile – Brainwashed (June 2007)
Perpetuum Mobile – RifRaf (June 2007)
Perpetuum Mobile – Rolling Stone (Mexico!!) June 2007 
Perpetuum Mobile – Review in Norman Records June 2007

Perpetuum Mobile – Review in Jumbo June 2007

Perpetuum Mobile – Review in Loop June 2007
Perpetuum Mobile – Review in Boomkat June 2007
Perpetuum Mobile – Review in Cologne Choices June 2007
Story Without End – Review in Jazzthetik July 2006
Story Without End – Review in Trax Magazine June 2006
Interview with People Like Us in 
The Observer 6 November 2006 – herehere & here
Story Without End – Review in Black Jan 2006
Story Without End – Review and Interview April 2006
Story Without End – Review in Cinemania May 2006
Story Without End – Review in The Wire May 2006
Story Without End – Review by Kevin Hamilton February 2006
Story Without End – Blow Up February 2006
Story Without End – Rock Delux Magazine February 2006
Story Without End – Magic Magazine February 2006
Story Without End – Debug Magazine January 2006

Story Without End – Intro Magazine February 2006
Story Without End – Sonic Seducer Magazine February 2006
Story Without End – D Side Magazine January 2006
Story Without End – Go Magazine January 2006
Story Without End – Bad Alchemy Magazine January 2006
Story Without End – Clone Magazine January 2006
Story Without End – Metro Magazine Summer 2005
“The Remote Controller” won second prize in the Backup Festival in Weimar 2004
Worked on a film/installation commission with Sonic Arts Network, 2004-2005 
Worked on a film commission for LUX, 2004
Yerba Buena Center For The Arts with Matmos, November 2003
Article featuring media work of PLU on BBC site July 2002
Review of People Like Us album, Recyclopaedia Britannica, on BBC website 2002
PLU get a mention in Larry Lessig’s blog 2003 
Very good interview with Kenny G on WFMU, March 2003
Small mention in The Guardian (UK)
Sound Unseen Festival, Walker Arts Center, Minneapolis 2002

Sound Unseen Festival, Walker Arts Center, Minneapolis2 2002

Ether Festival Flyer, Purcell Room, London 2002
Ether Festival review in The Wire, Purcell Room, London 2002
Ether Festival reviews, Purcell Room, London 2002
Sight and Sound magazine 2002
Lovebytes Festival Programme, Sheffield 2002
Lovebytes Festival Programme, Sheffield 2 2002
Oblique Lu Nights Festival, Nantes, France 2002
People Like Us at Sound Unseen, Minneapolis 2002
LMC 10th Anniversary Festival, Purcell Room, London 2001
LMC 10th Anniversary Festival, Purcell Room, London 2 2001

People Like Us and Matmos concert at Sonar, 2001 (The Wire)

Laptops Live ICA, London 2 2001
Laptops Live, ICA, London 2001

Futuresonic Festival, Manchester 2001
EMAF, Osnabruck, Germany 2001
Electrofringe, Newcastle, Australia 2001
Reviews in NME and Bizarre Magazine 2001
Sydney Opera House flyer 1 2001
Sydney Opera House flyer 2 2001

Sydney Opera House ticket 2001
Lux Centre, London 2001
BBC Radio Times 2001

Sound Projector interview 2000

Exit Festival, Creteil, France 2000
The Wire magazine interview 1999
San Francisco Bay Guardian review 1999
Ars Electronica, Linz, Austria 1998
NME Single of the Week 1996
NME Interview 1996
NME Interview 1995

This is by no means an exhaustive list, there are many that we have not scanned in from the 1990s, and many a web search we have not made. But it’s a taster.

pumpkin

The Zone – World Premiere

The Zone will be premiered at Bristol Arnolfini on Friday 2nd November and will be introduced by Vicki Bennett.

Arnolfini:
http://www.arnolfini.org.uk/whatson/live/details/1423

The Zone is the first feature-length film by Vicki Bennett a.k.a People Like Us. Running Stalker and The Wizard of Oz side-by-side, it tells one story of two journeys to “the promised land, the world where dreams can be made real and reality is like a dream.” The films sit side by side, staying loyal to the linear narrative, but editing the longer film to the length of the shorter, revealing delightful harmonies and synchronicities both in images and narrative occurring far more than either pure chance would dictate or the imagination construct. The Zone is inspired by the Chance Operations of John Cage, Cut-Up techniques of Gysin/Burroughs and Kurt Schwitters, and single shot/durational films (Andy Warhol, James Benning).

Please note: this film is not being distributed as of January 2013 after a legal claim by Mosfilm, the rights holders of Tarkovsky.

UPDATE (2017) – Turns out the Mosfilm do NOT own Tarkovsky films, nor have they ever!!!   We were not alone in receiving take down orders from them, they’d been sending them to many people for years.  We were informed of this by Curzon who DO own them, at least now.  The Zone is up here:

Buy MOON MAGIC 7 inch single!

BUY MOON MAGIC 7 INCH SINGLE NOW

“Moon Magic 7 inch single” by People Like Us & Ergo Phizmiz
Release date: 13 November 2012 (presales 13 October)
Illegal Art IA702 http://www.illegalart.net

“Moon” and “Magic” is a AA side 7 inch single, also on the Illegal Art label. Both tracks are taken from The Keystone Cut Ups DVD.

 

 

 

 

 

 

 

 

 

All prices below INCLUDE shipping within stated price.

UK – price including P&P: $9.50
Buy in UK

EUROPE – price including P&P: $10.00
Buy in rest of Europe

ELSEWHERE – price including P&P: $13.00
Buy in rest of world

Feature in WIRED

If you live in the US/Canada, unless you are buying other merchandise from us at the same time it will work out cheaper to buy the 7″ direct from the Illegal Art Shop due to the fact that we post from Europe and have to charge for that.

People Like Us & Ergo Phizmiz from “MOON MAGIC” 7″.